david bowie sound and vision tour live

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16 of David Bowie’s Best Live Performances You Can Watch Right Now

The music world has been gutted by the tragic and untimely death of David Bowie , not least because many fans never had the pleasure of seeing him perform onstage. The clips  below, of course, are no substitute, but rather a humble collection of some of the best Bowie performances available online today. In no way is it meant to be comprehensive, and we encourage you to add your picks in the comments.

“Space Oddity,” Hits a Go Go (1969) Bowie serving better ‘fro than Marc Bolan.

“Starman,” Top of the Pops (1972) Bowie’s Top of the Pops debut marks the first of many examples of his fashion genius. Also seen prominently here: guitarist Mick Ronson, Bowie’s go-to collaborator at the time.

“Oh ! You Pretty Things,” Old Grey Whistle Test (1972) Bowie at the piano looking ever the class act. (Fun fact: This didn’t make it to broadcast until ten years after it was originally filmed.)

“Moonage Daydream,” Hammersmith Odeon (1973) Ziggy Stardust and the Spiders From Mars at the height of their powers in London.

“The Jean Genie,” Top of the Pops (1973) In which he channels the American bluesman swagger in a song that he called a “smorgasbord of imagined Americana.”

“Young Americans,” The Dick Cavett Show (1974) When Bowie puts his hand on his hip, you better listen, because you ain’t a pimp, and you ain’t a hustler.

“Golden Years,” Soul Train (1975) Bowie made an appearance on Soul Train the same year he released Young Americans , the closest thing in his catalogue to a funk album. He once described it as “the squashed remains of ethnic music as it survives in the age of Muzak, written and sung by a white limey.”

“Station to Station,” Pacific National Exhibition Coliseum (1976) Bowie as the slinky, smooth, and sexy Thin White Duke.

“Heroes,” Top of the Pops (1977) Challenge: Try not to get lost in those penetrating eyes.

“The Man Who Sold the World”/”TVC 15”/”Boys Keep Swinging” feat. Klaus Nomi and Joey Arias, SNL (1979) Bowie invited cabaret stars Klaus Nomi and Joey Arias to back him during this unbelievable Saturday Night Live performance. They begin by carrying him in an Ubu Roi–looking getup to the microphone.

“Life on Mars?”, The Tonight Show (1980) Like an extra from Grease , but not lame.

“TVC 15,” Live Aid (1985) The man knew how to move those hips and work a microphone.

“Hurt,” The Outside Tour (1995) During this co-headlining tour with Nine Inch Nails, Bowie and  Trent Reznor would perform NIN’s “Hurt” before his full set.

“Quicksand,” Madison Square Garden (1997) Robert Smith of the Cure and Bowie tackling the Hunky Dory highlight during DB’s 50th birthday concert in New York City.

“China Girl,” Glastonbury (2000) One of the most epic Glastonbury performances in history, with some great hair to boot.

“Sound and Vision,” Live by Request (2002) Of course David Bowie makes playing air violin look cool.

“Rebel Rebel,” A Reality Tour (2004) From his final set of live dates.

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• Sound+Vision Tour

Live: Canadian National Exhibition Stadium, Toronto

David Bowie performed at CNE Stadium in Toronto, Canada, on 4 July 1990, as part of the Sound+Vision Tour.

This was the 64th date of the tour, which began on 4 March in Quebec City .

Bowie’s guitarist was Adrian Belew, who was also the musical director. Erdal Kızılçay played bass guitar, Rick Fox was on keyboards, and Michael Hodges was on drums.

Bowie had previously performed at the CNE Stadium on 3 and 4 September 1983 during the Serious Moonlight Tour, and 24 and 25 August 1987 for the Glass Spider Tour.

The setlist

• ‘Space Oddity’
• ‘Rebel Rebel’
• ‘Ashes To Ashes’
• ‘Life On Mars?’
• ‘Pretty Pink Rose’
• ‘Blue Jean’
• ‘Let’s Dance’
• ‘Sound And Vision’
• ‘Ziggy Stardust’
• ‘China Girl’
• ‘Station To Station’
• ‘Young Americans’
• ‘Suffragette City’
• ‘White Light/White Heat’
• ‘The Jean Genie’
• ‘Rock ‘N’ Roll Suicide’

Also on this day...

• 1997: Live: Torhout-Werchter Festival, Torhout
• 1987: Live: Stadium Municipal, Toulouse
• 1974: Travel: Orlando to Charlotte
• 1970: Live: Queensead Recreation Ground, Bromley

Want more? Visit the David Bowie history section .

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DavidBowieWorld.nl

Sound & Vision Tour

David Bowie’s 1990 Sound & Vision Tour (108 Shows) was billed as a greatest hits tour in which Bowie would retire his back catalogue of hit songs from live performance.

Tour by David Bowie Start date 4 March 1990 End date 29 september 1990 Legs 7 Shows 108

North America 04 March 1990 Quebec City, Quebec ,Canada ,Colisée de Québec 06 March 1990 Montreal, Quebec  [Montreal Forum]] 07 March 1990 Toronto, Ontario ,Skydome 10 March 1990 Winnipeg, Manitoba ,Winnipeg Arena 12 March 1990 Edmonton, Alberta ,Northlands Coliseum 13 March 1990 Calgary, Alberta ,Olympic Saddledome 15 March 1990 Vancouver, British ColumbiaPacific National Exhibition Coliseum

Europe 19 March 1990 Birmingham ,England ,National Exhibition Centre 20 March 1990 Birmingham ,England ,National Exhibition Centre 23 March 1990 Edinburgh ,Scotland ,Royal Highland Exhibition Centre 24 March 1990 Edinburgh ,Scotland ,Royal Highland Exhibition Centre 26 March 1990 London ,England ,Docklands Arena 27 March 1990 London ,England ,Docklands Arena 28 March 1990 London ,England ,Docklands Arena 30 March 1990 RotterdamNetherlandsSportpaleis Ahoy 01 april 1990 Dortmund ,Germany (Re-scheduled) Westfalenhalle 02 april 1990 Paris ,France ,Palais Omnisports de Paris-Bercy 03 april 1990 Paris ,France ,Palais Omnisports de Paris-Bercy 05 april 1990 Frankfurt ,Germany ,Festhalle 07 april 1990 Hamburg ,Sporthalle 08 april 1990 Berlin ,Deutschlandhalle 10 april 1990 Munich ,Olympiahalle 11 april 1990 Stuttgart ,Schleyerhalle 13 april 1990 Milan ,Italy ,Palatrussardi 14 april 1990 Milan ,Italy ,Palatrussardi 17 april 1990 RomePalaeur 18 april 19890 (Cancelled) Palaeur 20 april 1990 Brussels ,Belgium ,Vorst Forest Nationaal 21 april 1990 Brussels ,Belgium ,Vorst Forest Nationaal 22 april 1990 Dortmund ,Germany ,Westfalenhalle

North America 27 april 1990 Miami, Florida ,United States ,Miami Arena 29 april 1990 Pensacola, Florida ,Pensacola Civic Center 01 May 1990 Orlando, Florida ,Orlando Arena 04 May 1990 St.Petersburg, Florida ,Florida Suncoast Dome 05 May 1990 Jacksonville, Florida ,Jacksonville Memorial Coliseum 07 May 1990 Atlanta, Georgia ,Omni Coliseum 09 May 1990 Chapel Hill, North Carolina ,Dean Smith Center

Asia 15 May 1990 Tokyo ,Japan ,Tokyo Dome 16 May 1990 Tokyo ,Japan ,Tokyo Dome

North America 20 May 1990 Vancouver, British Columbia ,Canada ,BC Place Stadium 21 May 1990 Tacoma, Washington ,United States ,Tacoma Dome 23 May 1990 Los Angeles, California ,Los Angeles Memorial Sports Arena 24 May 1990 Sacramento, California ,Cal Expo 26 May 1990 Los Angeles, California ,Dodger Stadium 28 May 1990 Mountain View, California ,Shoreline Amphitheatre 29 May 1990 Mountain View, California ,Shoreline Amphitheatre 01 June 1990 Denver, Colorado ,McNichols Sports Arena 02 June 1990 Denver, Colorado ,McNichols Sports Arena 04 June 1990 Dallas, Texas ,Starplex Amphitheater 06 June 1990 Austin, Texas ,Frank Erwin Center 07 June 1990 Houston, Texas ,Woodland Pavilion 09 June 1990 Kansas City, Missouri ,Sandstone Amphitheater 10 June 1990 St. Louis, Missouri ,St.Louis Arena 12 June 1990 Noblesville, Indiana ,Deer Creek Music Center 13 June 1990 Milwaukee, Wisconsin ,Marcus Amphitheater 15 June 1990 Chicago, Illinois ,World Music Amphitheater 16 June 1990 Chicago, Illinois ,World Music Amphitheater 19 June 1990 Cleveland, Ohio ,Richfield Coliseum 20 June 1990 Cleveland, Ohio ,Richfield Coliseum 22 June 1990 Auburn Hills, Michigan ,The Palace of Auburn Hills 24 June 1990 Auburn Hills, Michigan ,The Palace of Auburn Hills 25 June 1990 Auburn Hills, Michigan ,The Palace of Auburn Hills 27 June 1990 Burgettstown, Pennsylvania ,Starlake Amphitheater 30 June 1990 St.John’s, Newfoundland ,Canada ,Memorial Stadium 02 July 1990 Moncton, New Brunswick ,Moncton Coliseum 04 July 1990 Toronto, OntarioCanadian National Exhibition Stadium 06 July 1990 Ottawa, OntarioFrank Clair Stadium 07 July 1990 Saratoga Springs, New YorkUnited States ,Saratoga Performing Arts Center 09 July 1990 Philadelphia, Pennsylvania ,The Spectrum 10 July 1990 Philadelphia, Pennsylvania ,The Spectrum 12 July 1990 Philadelphia, Pennsylvania ,The Spectrum 13 July 1990 Philadelphia, Pennsylvania ,The Spectrum 16 July 1990 Uniondale, New York ,Nassau Veterans Memorial Coliseum 18 July 1990 Columbia, Maryland ,Merriweather Post Pavilion 19 July 1990 Columbia, Maryland ,Merriweather Post Pavilion 21 July 1990 Foxborough, MassachusettsSullivan Stadium 23 July 1990 Hartford, ConnecticutHartford Civic Center 25 July 1990 Niagara Falls, New YorkNiagara Falls Convention and Civic Center 29 July 1990 East Rutherford, New JerseyGiants Stadium

Europe 04 august 1990 Milton Keynes ,England ,Milton Keynes Bowl 05 august 1990 Milton Keynes ,England ,Milton Keynes Bowl 07 august 1990 Manchester Maine ,Road Football Ground 09 august 1990 Dublin ,Ireland ,Point Depot 10 august 1990 Dublin ,Ireland ,Point Depot 13 august 1990 Fréjus ,France ,Les Arènes 16 august 1990 Ghent ,Belgium ,Flanders Expo 18 august 1990 Nijmegen ,Netherlands ,Stadion de Goffert 19 august 1990 Maastricht ,Maastricht Exhibition & Congress Centre 22 august 10990 Oslo ,Norway ,Jordal Stadion 24 august 1990 Stockholm ,Sweden Olympiastadion 25 august 1990 Copenhagen ,Denmark ,Idraetsparken 26 august 1990 Copenhagen ,Denmark ,Idraetsparken 29 august 1990 Linz ,AustriaLinzer Stadion 31 august 1990 Berlin ,Germany ,Weißensee Sportplatz 01 september 1990 Schüttorf ,Festival Site 02 september 1990 Ulm ,Open Air Festival 04 september 1990 Budapest ,Hungary ,MTK Stadium 05 september 1990 Zagreb ,Yugoslavia ,Stadion Dinamo 08 september 1990 Modena ,Italy ,Festa Nationale di Modena 11 september 1990 Gijon ,Spain ,Hipodromo de las Mestas 12 september 1990 Madrid ,Rocko dromo Arena 14 september 1990 Lisbon ,Portugal ,Alvalade Stadium 16 september 1990 Barcelona ,Spain ,Estadio Olimpico de Montjuic

South America 20 september 1990 Rio de Janeiro ,Brazil ,Sambodromo de Rio 22 september 1990 São Paulo ,Estadio de Palmeiras 23 september 1990 São Paulo ,Estadio de Palmeiras 25 september 1990 Olympia Theater 27 september 1990 Santiago ,Chile ,Rock in Chile Festival , Estadio Nacional de Chile 29 september 1990 Buenos Aires ,Argentina ,River Plate Stadium

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David Bowie memories live on from Pittsburgh, Burgettstown shows

Most local memories of David Bowie concerts hearken to his Sound + Vision Tour in June 1990 at Star Lake Amphitheatre.

Bowie treated the sold-out Burgettstown crowd to a riveting, career-spanning performance that included some greatest hits he once had vowed to stop playing.

Backed by a four-piece band that included King Crimson guitarist Adrian Belew, and with visuals projected on one of the largest video screens concertgoers had seen up to that point, Bowie launched his set with "Space Oddity," "Changes" and "Rebel Rebel;" included "Let's Dance" and "Ziggy Stardust" near the middle; and encored with "Modern Love," "Panic in Detroit" and "The Jean Genie," recalls the concert archive site setlist.fm.

Bowie returned to the Burgettstown amphitheater in September 1995, for the "Outside Tour" that co-headlined Nine Inch Nails.

Bowie last played our region in May 2004, at a comparatively stripped-down show at the Benedum Center in Pittsburgh.

The Times' review of that 130-minute concert hailed it as "utterly satisfying" with Bowie, starting out in a velvety purple jacket, coming across as "easygoing" and "in great spirits."

The show began with crowd-pleasers "Rebel Rebel, "China Girl," "Modern Love" and "Changes." Later came an industrialized-funk version of "Fame," a cover of the Velvet Underground's "White Light/White Heat" and Bowie's "The Man Who Sold the World," which Nirvana had brought to the attention of the grunge generation.

"Bowie seemed to beam the brightest during a joyous treatment of his 1972 glitter-rock anthem 'All the Young Dudes,' recorded by Mott the Hoople," The Times said.

That Benedum show found Bowie completing a full-circle journey, since he first played Pittsburgh on Nov. 28, 1972, at the venue's former incarnation as the Stanley Theatre, during his famed Ziggy Stardust Tour. The opening act was Grains of Sand, a local band featuring Sewickley Heights concert promoter Rich Engler.

"David Bowie was smart, affable, cutting edge and easy to get along with," Engler recalled in his "Behind The Stage Door" memoirs. "We held a party for him, Mick Ronson and the rest of the band at Mahoney's, a local restaurant on Liberty Avenue in Pittsburgh. We were drinking White Russians when I asked him what he thought of the Beatles. 'That was then,' he said. 'Things have changed.'"

Bowie's Diamond Dogs tour included back-to-back June 1974 dates at the Syria Mosque in Pittsburgh's Oakland section, followed by a November visit that same year to the Civic Arena. He played the arena again in March 1976 and April 1978.

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Flashback: David Bowie “Sound+Vision” Tour at SPAC – July 7, 1990

Saratoga Springs welcomes dozens of bands each summer, with the biggest names making it to the stage of Saratoga Performing Arts Center. In 1990, one of the biggest names in rock n roll history, David Bowie , performed his one and only show at SPAC, with a Saturday night performance on July 7.

For the “Sound+Vision” Tour, Bowie opted for a smaller band and suggested he was looking for a smaller sound, saying in an interview with Q Magazine, “It’s a much smaller sound. It’s not quite as orchestrated as any of the other tours. The plus of that is that there is a certain kind of drive and tightness that you get with that embryonic line-up, where everybody is totally reliant on the other two or three guys, so everybody gives a lot more.” Read the full interview with Paul Du Noyer here .

This tour was not in support of a new album, as the latest release from Bowie was 1987’s Never Let Me Down which launched the “Glass Spider” tour. This was instead billed as a greatest hits tour, with Bowie planning to retire his catalogue of hit songs from live performance, a move that would draw millions of fans worldwide to see him on the “Sound+Vision” tour. With two albums having flopped in the mid-80s (hello 1984’s Tonight ), he was looking to give himself a creative and artistic boost, and shedding his old hits became the drive behind “Sound+Vision.”

Bowie was also playing with Tin Machine at this time, and told the band he was contractually obligated to embark on this greatest hits tour, inviting guitarist Reeves Gabrels to join him on the road. The Tin Machine guitarist declined, but suggested Adrian Belew, giving him a phone call and putting Bowie on the phone.

It’s time to put about 30 or 40 songs to bed and it’s my intention that this will be the last time I’ll ever do those songs completely, because if I want to make a break from what I’ve done up until now, I’ve got to make it concise and not have it as a habit to drop back into. It’s so easy to kind of keep going on and saying, well, you can rely on those songs, you can rely on that to have a career or something, and I’m not sure I want that. David Bowie, interview with Music Express Magazine, March 1990

Bowie went on discussing his clean break from his past catalog, adding, “I’ve never done a show where I’ve just done songs that over the years have proved to be popular with the audience in that way. It’s always been about 50/50. I’ve done enough that they know to keep their attention on the show and the rest of the of it – I can do the stuff that I want to do in between – but I’ve never actually almost allowed them to choose the show for me, which is in fact, what we’re going to do.”

Thus, the personnel for Bowie’s 1990 tour were the Thin White Duke himself (guitar, saxophone, vocals) Adrian Belew (guitar, backing vocals and also serving as music director), Erdal Kızılçay (bass guitar, backing vocals), Rick Fox (keyboards, backing vocals) and Michael Hodges (drums.) Canadian dance choreographer Édouard Lock of the Québécois contemporary dance group La La La Human Steps co-conceived the tour with Bowie, and served as artistic director for this tour.

It had been reported there was tension among the band during the tour, as Kızılçay, who recalled that Bowie “ wasn’t very happy “  and when they were in South America by the end of the tour, Bowie was not coming to soundchecks.

As noted in Chris O’Leary’s Ashes to Ashes The Songs of David Bowie 1976-2016 , keyboardist Rick Fox was not invested in the Sound+Vision tour, going so far as to eat dinner on stage, and at least once turned off his own keyboards and played his own songs while sampled parts of Bowie’s songs were playing.

In total, Bowie spent seven months on the road at five continents, performing 108 times in 27 countries. Discover more about the Sound+Vision tour here.

So with a greatest hits tour and only so much drive in the tank after a pair of commercial failures, David Bowie gave it a go on a global tour, and his performance at SPAC was full of the hits he promised and a notable moment following “Young Americans” where he spoke out in defense of free speech and expression.

Fans recalled the venue was packed, as this sold out show had the SPAC lawn filled, even with KISS performing 30 minutes south in Albany at the Knickerbocker Arena that same night. One fan who was not a fan of Belew’s noted the difference, saying “Belew, while a great instrumentalist, did not have the style and flash or sound of Spiders from Mars guitarist Mick Ronson. Sure enough, after a few songs I knew I’d made the wrong choice! The comparatively subdued band to the Spiders couldn’t give any authentic glitter and sleeze to those songs and they fell flat for me. I stayed but wished I was at the KISS show seeing their over the top excess.”

A Times Union review of David Bowie at SPAC, written by Michael Eck , referred to the concert as “the most breathlessly awaited show of the summer” and called the show “one of the best things in life – the kind of performance that could breathe life into a tired soul.”

During the performance, Bowie utilized multiple screens and the best video effects of the early 90s to capture his movement, performance and engagement on stage. Watch below and you’ll be able to see Bowie singing duets with a 20-foot projection of himself, dancing with an androgynous look-alike, and thin screens housing projections of Bowie over the stage. Providing fans these visuals in conjunction with his greatest hits showed the tour name “Sound+Vision” was more than a song or box set, and allowed Bowie to find balance in this extensive tour. Bowie was, after all, going through the motions of playing these songs live for the final time, relieved for sure, and as the tour wore on, surely experiencing wistfulness of the occasion.

The show is a greatest hits show from one of the greatest musicians, and having listened to this show numerous times, its a crowd pleaser for any Bowie fan. Of note, and tied to the politics of the era, is Bowie’s aside during “Young Americans,” where Bowie took a moment to offer supportive commentary towards 2 Live Crew – whose album As Nasty As They Wanna Be was declared obscene by a judge and was the focus of ire against lyrics, particularly rap and hip-hop.

While stretching out “Young Americans” with a blues riff that Belew and Bowie smoked, Bowie said, “This is the unnecessary portion of the show,” and began to talk about growing up in London, listneing to American music, especially the blues. He mentioned listening to Ray Charles, Stevie Wonder, and James Brown, and then shifted gears to authors he read: Kerouc and Ginsberg, who wrote about what they felt and were going through. And with a captive audience in a seemingly ‘off script’ moment, Bowie said:

“Do you know that they’re banning Hemingway in libraries these days? You don’t know do you? Does anybody here hear that they’re banning Hemingway? Fahrenheit 451 is now on the restricted borrowing at some libraries. You don’t care do you?” David Bowie, to the SPAC audience, during “Young Americans”

Sensing the crowd was drifting away, Bowie reeled them back in, saying “That’s why I went out and bought my 2 Live Crew album” which was followed by enthusiastic applause from the audience. Bowie continued on, saying that “You don’t have to like the stuff but my god I support any right for anybody to write a song without going to jail for it, motherfuckers.”

Despite the injection of what some would call ‘politics’ in a rock concert ( gasp !), David Bowie brought the SPAC audience full circle, revisiting the roots of one of his greatest hits, tying it to his youth and that of the crowd, then to present day, with a supportive pro-free speech statement.

As Michael Eck noted in his review, the reunion tours that took place in 1989-90 – the Rolling Stones “Steel Wheels” tour, The Who 25th anniversary tour, and Paul McCartney embarking on his first solo tour – it was Bowie who stood alone among them. “Saturday night Bowie took his past in his hands and gloriously threw it all away while we watched. Those other tours were history shaking with age, Saturday’s was history shaking with life. It was simply one of the greatest spectacles I have ever witnessed.”

David Bowie – Saratoga Performing Arts Center (SPAC) – Sound+Vision Tour – July 7, 1990

Setlist : Space Oddity, Rebel Rebel, Changes, Ashes to Ashes, Life on Mars?, Pretty Pink Rose (Adrian Belew cover), Stay, Blue Jean, Let’s Dance, Sound and Vision, Ziggy Stardust, China Girl, Station to Station, Young Americans, Suffragette City, Fame, Heroes Encore : White Light/White Heat, Baby What You Want Me to Do, The Jean Genie, I’m Waiting for the Man, Gloria

Pete Mason is a teacher and writer living outside Albany. "Counting Down the Number Line" is his fourth children's book with illustrator Ryan Kerrigan. He is Publisher of NYS Music.

He promotes artists through PhanArt shows, highlighting music-inspired fan creations while supporting The Mockingbird Foundation and Groovesafe.

Twitter: @PhanArt Email: [email protected]

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