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"Dance Alone" w/ Kylie Minogue out now! sia.lnk.to/dancealone

'Reasonable Woman' is out on Friday, May 3rd! sia.lnk.to/reasonablewoman

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38th Annual Rock & Roll Hall of Fame Induction Ceremony

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One of the world's most prolific songwriters, Sia Furler's songs are cropping up in charts worldwide on the regular. Having worked with Britney Spears, Rihanna and Beyoncé (to name but a few) to acclaim and success, Sia also strikes out on her own. Delivering devastating pop paeans that discuss loss, depression, death, addiction, sex, drugs and, on occasion, happy things, Sia's not a bespandexed pop mannequin; she's a bona fide artist, reeling off the most incisive pop you'll ever hear.

Chances are, if you knew of Sia's solo efforts prior to this year, you'll be familiar with “Breathe Me”, a tender earthquake of a song, replete with her trademark vocal crackles, clips and croaks. However, bursting forth proper, in 2014 we've seen an abundance of top-notch belters; the overwhelming hysteria of “Chandelier”, “Eye Of The Needle” and “Big Girls Cry” is enough to make anyone combust.

Her strategy in recent months, in terms of performing live, has been unusual – reticent, even. For example, on the Ellen Show, she merely faced the back of the set as the dancer from the “Chandelier” video, Maddie Ziegler, pranced as a centrepiece. When she does allow the spotlight to be shone on her, the standout element is her voice. Her singular talent is extraordinary, oozing the kind of heartstring-yanking emotion you get when watching Titanic, reading The Fault In Our Stars... it's a combination of blazing stomach-butterflies, the silent, catastrophic crumble of our universe. Her voice escapes words, frequently. Her pitch is of course flawless; and as a spectacle before your eyes, she's majestic. Make sure to bring tissues. Sia's performances will change your life.

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Absolutely amazing! I was skeptical, for some reason, after reading a couple of mediocre reviews from the Nostalgia tour, but my skepticism eased as soon as the curtains opened and I heard Sia sing live! What an amazing voice! Actually, just watching her stand on stage was enough for me! Although she's not a "performer", she definitely put on a show. Her stage presence is entrancing! I could literally watch her stand in a corner, tap her heel to the beat while grasping the mic and belting that amazing voice all day. Her dancers, of course, were phenomenal! I mean, really! The show moved fast - from song to song - almost like acts in a play, but it was quite enjoyable. She opened with Alive, which was great for getting the energy throughout the packed arena! Big Girls Cry, Bird Set Free, Cheap Thrills and Breathe Me were my performances! She sang every song I wanted to hear so I didn't leave disappointed!

There was no interaction between the artist and the crowd during the show - which I expected from the reviews I read. But after the final bows and as everyone was leaving, Sia spoke! She told everyone to stay seated while she thanked the crowd. Made us laugh and performed an encore! It was THE BEST THING EVER! So much fun! Great energy. Everyone was there for a great time. This was literally the best concert I've attended! So glad to have caught Sia on tour!

Btw: Miguel was an opening act. He was awful! He's not a performer. Reminded me a lot of a high school boy band wannabe! He tried to engage the crowd but I don't think too many people cared to see him. His band was good though!

Sia is by no means a performer known for her strict adherence to convention, but even by her own standards, she’s been acting strangely lately, in the run-up to the release of her sixth studio album, 1000 Forms of Fear. Firstly, she told The Sunday Times that she didn’t want to be famous, apparently not realising that giving interviews to British national newspapers probably isn’t an ideal part of that strategy. More sensibly, she stayed out of the limelight during a performance on primetime U.S. television recently, although she did let Lena Dunham perform an interpretive dance to her track instead - a bizarre move by anybody’s standards. Quite what will be in store for audiences when she does hit the road in support of 1000 Forms of Fear remains to be seen, especially if she’s set on keeping her face hidden - a Kanye West-style mask, perhaps? We can probably expect an array of eye-catching costumes, and if past form is anything to go by, the setlist will lean heavily on her latest record - she’s not one to do things by the book on that front, either. She did away with the piano on her last tour, and given her current direction, that’s likely to be the case this time, too; beyond that, though, it probably isn’t sensible to jump to too many conclusions about one of the world’s most unpredictable pop acts.

Firstly, I love Sia as the most amazing singer/songwriter and being able to attend her live concert was something I was greatly looking forward to.

I wasn't expecting to see her face and I was prepared for that. What I wasn't prepared for was her standing off to the side of the stage in darkness and the audience watching dancers for the entire concert whilst Sia sang to her own music track.

Throughout the concert I wasn't even certain that it actually was Sia there on stage and was she singing live at all or were we just listening to her CD playing while someone was miming.

The lighting was low and didn't focus on her and she remained in the dark for the whole concert. The tv's placed around the stadium did not sinc to what Sia was singing.

To sum it up, I still adore her and will buy her music. She just should not tour if she cannot give what some concert goers want when they pay big bucks to see an artist.

I have loved Sia's voice and her music for several years now. The venue, Phillips Arena, was phenomenal for the concert. That's why we paid $205 to see the her (and Miguel). That said, I found it disrespectful of her to stand up in a corner and sing (honestly, it looked like lip-synching sometimes). Who knows, it might have been be someone else performing on her behalf. I get it on TV presentations... and certainly was hoping that wasn't the case in the concert but sadly it was.

Miguel... not giving any credit to the band behind the screen... rude!

I will not see Sia or Miguel live again... very disappointed.

Thanks for asking.

I should have just stayed home and watch the video. It was difficult to tell if she was even singing. She sounded exactly like her recordings. Even Shazam could recognize the songs. The performers on stage were trying to sequence and dance with the simultaneously played video, shown on the screens. Many times they were out of sync Sia was trying to sing at the same sequence as the video, but many times was out of sync. The audience doesn't know whether to look at the screen or look at the stage it's like two different shows, but the screen was far more entertaining. Like I said I should have stayed home and watch the video.

Electrifying show. Sia's vocal abilities are amazing, She sings her soul out. The dancers were outstanding too, and the choreography was wild and creative. loved it. The Idea of making the video clips of her songs live on stage is nice, but very much limited. We all saw those clips over and over, and we came to see something else. I missed seeing her, Sia, her face when she sings, She was at the back of the stage for the whole show, with her face covered. Wanted her to make some connection with the crowd, and it didn't happen. With all that we had an amazing time.

First, I'd like to preface my review by saying that Sia is my absolute favourite artist!That would be the short and simple review, but that wouldn’t even begin to describe the experience that you get at one of her shows. Apart from the vocal performance of Sia being amazing, there is much more to her show. It was very unique concert! With a lot of Sia magic and mystery. Amazing dancers. Great Stephanie Mincone performance. Amazing vocal performance!! Thank you Sia!!

Truly one of the best performances I've seen. Sia's voice was on top shape and, even though she was on the back of the stage and covered, she was a powerful presence.

The performances by the dancers on every song were expertly choreographed and in perfect sync with the videos projected, so the illusion of having Paul Dano, Kristen Wiig, and Tig Notaro on stage with her was very good.

excellent show so glad I was able to attended it was a birthday present. And enjoyed every minute wish she could have kept going all night LOVE HER. Took my granddaughter with me and she love the show too. Didn't appreciate Miguel have the us say F### Trump I did go there for that purpose I went to enjoy the show but he still gave a great performance except for that.

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Sia on july 27, 2019.

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Sia Announces First North American Tour in Five Years

By Daniel Kreps

Daniel Kreps

Sia  will embark on her first-ever arena tour and her first full-scale trek in five years this autumn on her Nostalgic for the Present Tour. Special guests Miguel  and AlunaGeorge will accompany the “Chandelier” singer on the 22-city jaunt, which kicks off September 29th at Seattle’s Key Arena.

General on-sale for the tour begins May 20th at Live Nation. Sia also unveiled a teaser trailer for the tour, which promises to recreate some of the stunning visuals and choreography that the singer usually packs into her music videos and unique live performances.

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Eighteen of the Nostalgic for the Present Tour dates have been revealed, with a pair of “To be announced” gigs scheduled for October 18th and October 25th. In addition to her fall tour, Sia has also scheduled a trio of U.S. festival dates this summer with stops at Boston Calling on May 27th, Denver’s SeriesFest on June 22nd and New York’s new Panorama on July 24th.

Sia’s Nostalgic for the Present Tour with Miguel and AlunaGeorge September 29 – Seattle, WA @ KeyArena October 1 – Oakland, CA @ Oracle Arena October 4 – Phoenix, AZ @ Talking Stick Resort Arena October 5 – San Diego, CA @ Viejas Arena October 7 – Las Vegas, NV @ Mandalay Bay October 8 – Los Angeles, CA @ Hollywood Bay October 13 – Minneapolis, MN @ Target Center October 15 – Auburn Hills, MI @ The Palace of Auburn Hills October 16 – Chicago, IL @ United Center October 18 – TBA October 19 – Washington, DC @ Verizon Center October 21 – Philadelphia, PA @ Wells Fargo Center October 22 – Toronto, ON @ Air Canada Centre October 23 – Montreal, QC @ Bell Centre October 25 – TBA October 26 – Uncasville, CT @ Mohegan Sun Arena October 29 – Sunrise, FL @ BB&T Center October 30 – Orlando, FL @ Amway Center November 1 – Atlanta, GA @ Philips Arena November 3 – New Orleans, LA @ Smoothie King Center November 4 – Houston, TX @ Toyota Center November 6 – Austin, TX @ Frank Erwin Center

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• Concertful ranking: #846
• Category: Pop Music / Soft Rock

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Solo artist from Australia. Funk-infused soul with a spiritual vibe and a simply gorgeous, dusky voice that listeners to Zero 7's 'Simple Things' will more...

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Free Singapore Tour

Capture the spirit of singapore during your transit.

Be enthralled by the sights, sound and colours of Singapore during your next layover. Take a walk through history at the Merlion Park. Experience a multi-sensory buzz in vibrant Chinatown. Enjoy a panoramic view of the city, with a backdrop of the Singapore Flyer and Gardens by the Bay. Discover what it feels like to live as a Singaporean at our Changi Precinct or discover a wondrous world and immerse into a lush green sanctuary at Jewel Changi Airport. 

Choose between four different tour routes during your transit if your transit is more than 5.5 hours and within 24 hours. Each tour is 2.5 hours long, and jointly organised by Singapore Airlines, Singapore Tourism Board and Changi Airport Group. Tours are conducted in English only. 

Changi Precinct Tour

Once covered by forests, swamps, rubber plantation and sand quarries, Tampines today is one of four regional centres in Singapore. This special town won the United Nations World Habitat Award, for being an exemplar of high-quality, high density and affordable housing. 

City Sights Tour

The Jubilee Bridge connects two famed landmarks - the Esplanade Theatres and the Merlion, giving you an unhindered view of Marina Bay.

Heritage Tour

Who is eligible for the tour?

The Free Singapore Tour is open to all travellers transiting in Changi Airport. Valid for passengers with layover of at least 5.5 hours, and less than 24 hours, and with flight schedules that fit the tour timing requirements.

How To Register ?

• Singapore Airlines and Scoot passengers can pre-book the tour via online booking page . You may scroll down to view and book all the tour types.
• Please note that while making the booking, you will have to input the name of all passengers going on the tour so that we can reserve the corresponding number of spaces.
• When you arrive at Changi Airport, please remain in the transit area and do not clear immigration as the registration booths are located at the transit area.
• Terminal 2 transit, Near Skytain to Terminal 3, Gate F50
• Terminal 3 transit, Near Transfer Lounge A, Gate A1-A8

Important Things To Note:

• Registration will close 1 hour before the tour start time and participants will be guided as a group to clear immigration before the tour starts.
• Availability of seats is on a first-come-first-serve basis.
• Transit passengers are allowed to enter and exit Singapore only once during their layover period, as per guidelines stipulated by Immigration & Checkpoints Authority of Singapore. Therefore, passengers are not able to join more than one tour.
• Tour itinerary is subject to changes, depending on weather and traffic conditions.  
• Should you have cabin baggage, you are encouraged to leave them as Left Baggage counter located here prior to registration at the Free Singapore Tour booth.
• There are food sampling segments on some of the tour itineraries. If you have any food allergies, please take precautions and sign up at your own discretion. Please also inform the tour guide before the tour starts. 

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Megadeth’s upcoming tour lineup is an odd yet interesting mix.

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DERBY, ENGLAND - AUGUST 13: Dave Mustaine of Megadeth performs at Bloodstock Open Air Festival 2023 ... [+] at Catton Hall on August 13, 2023 in Derby, England. (Photo by Katja Ogrin/Redferns)

It wasn’t long ago when Megadeth had one of the hottest metal tours on the block which was fittingly coined ‘The Metal Tour Of The Year.’ The 2021 and 2022 co-headlining tour consisted of Megadeth and modern heavyweights Lamb of God with opening acts Trivium, Hatebreed, and later In Flames. Nearly every band on the bill offered something unique yet sonically similar enough to make it an air tight package. Not to mention, the tour sold exceptionally well with averaging 7,000 tickets sold across 24 dates from its first leg. To say it was a smashing success for Megadeth would be an understatement, and with their recent Grammy nomination for their well received 2022 LP The Sick, The Dying… And The Dead , the band was experiencing quite a moment to say the least.

However, despite the recent wins for Megadeth guitarist Kiko Loureiro exiting the band was a pretty big blow to the fans, as he’s made significant contributions to Megadeth since joining in 2015. In fact, in the past Megadeth founder Dave Mustaine had been fairly open about his admiration for Loureiro and he’s gone as far as saying , “Megadeth has had guys like Jeff [Young] and Marty [Friedman], but Kiko is the best we’ve ever had.”

Now with the band’s new guitarist Teemu Mäntysaari, who was recommended by Loureiro prior to exiting the band, Megadeth aren’t quite in the same position they were in a couple years ago, though at no fault of Mäntysaari who is in fact filling the shoes of lead guitarist incredibly well, according to Mustaine.

With all that being said, the band’s recent headlining tour announcement comes as a surprise to many fans, particularly with the supporting lineup Megadeth has in place. Nu metal giants Mudvayne and metalcore pioneers All That Remains are slated to support Megadeth on their upcoming late summer North American, which is titled the Destroy All Enemies tour. Maybe the tour’s title is an attempt at the band poking fun at themselves because it doesn’t appear they’ll be making any new friends with a tour lineup that’s such a stark contrast from their recent North American tours.

After one look at the comments section on Megadeth’s instagram post for the tour announcement, it’s clear that the most upvoted comments are from fans being harshly critical or puzzled by Megadeth’s decision to have Mudvayne and All That Remains as support, and that’s putting it lightly. No disrespect to either Mudvayne or All The Remains as both bands have made significant contributions to early 2000s metal and are great on their own merits, but the three bands together just seems at odds with Megadeth status as a legacy band. If they’d added another opener that was more sonically like minded and a newer act like Havok, Enforced, or even Power Trip the bill would possibly seem a little less jarring to fans. Better yet, a co-headlining tour with Pantera, whom are currently headlining arenas across the states, would do wonders for both bands especially given the demand for the recent Pantera reunion.

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Regardless, both Mudvayne and All That Remains can draw on their own, but it’ll be interesting to see if Megadeth fans are the primary ticket buyers for this tour or if there’s a healthy mix from each of the acts’ core fanbases. Or better yet, maybe there’s a more shared appreciation for all acts than the comments suggest. It’s entirely possible, but tickets sales and the crowd response at the shows will no doubt be the deciding factors.

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SIA Grand Rapids 2023 – Tours & Events

Conference Home   •    TOURS & EVENTS •   Registration Information

Hotel & Travel

WEDNESDAY, JUNE 7 (Evening)

• Public Speaking Event on Historic Preservation in Grand Rapids, Michigan, Historic Main Branch, Grand Rapids Public Library

THURSDAY, JUNE 8

• Pre-conference tours*
• Welcome Reception for New Members
• Evening Reception at Embassy Suites Grand Rapids Downtown Hotel

FRIDAY, JUNE 9

• Choose one of three all-day bus tours
• Dinner on your own
• SIA Industrial Film Festival and Special Interest Groups Meet-ups

SATURDAY, JUNE 10

• Full day of research presentations & exhibits
• Annual Business Meeting & Luncheon
• SIA Banquet*

SUNDAY, JUNE 11

• Post-conference tours*

* Additional fees apply

CONFERENCE EVENTS – Included in Registration

Event schedules tentative and subject to change.

Wednesday Evening, June 7

Public Presentation on Historic Preservation (6:30 – 9:00 PM)

Jointly with the Grand Rapids Historical Society, the SIA hosts a public speaker event with historic preservationists Rebecca Smith-Hoffman and Jennifer Metz of Past Perfect, Inc. on the history and impact of preservation in Grand Rapids. Both have over 40 years of experience in the struggle to document and preserve industrial and domestic sites in the area. This event is free and open to the public at the Ryerson Auditorium at the historic Main Branch of the Grand Rapids Public Library.

Thursday, June 8

(6:00 – 6:30 PM) New Members Opening Reception.

(6:30 – 9:00 PM) The opening reception at the conference hotel will include hors d’oeuvres, cash bar, and an orientation on the history of Grand Rapids and West Michigan.  

Friday, June 9 Tours

F1 – Traditional Furniture, Water, and Sky (8:00 AM – 5:00 PM) Though much of Grand Rapids’ furniture industry is tied to specialized and office furnishings, Kindel Furniture continues to produce pieces that combine traditional designs and methods with modern techniques. Among the oldest companies, Kindel moved to the city in 1912 and while no longer in its initial structure, has continued to expand its product offerings. The site offers a window into a range of traditional practices in carving, veneering, and design that is unlike any other company. The tour then moves to the Grand Rapids Water Resources facility that manages a regional system extending from Lake Michigan inland. The system pioneered the use of fluoridated water in 1945 and with other efforts altered the city’s relationship to the Grand River and the lake in the ensuing decades. The plant is a window into the changes in clean water processes. Next is a trip to Saugatuck on the Lake Michigan coast to view a unique part of Cold War history, the Saugatuck Gap Filler Radar Annex. Put into operation on the top of Mt. Baldhead dune in 1958 the system warned against aircraft coming over the Arctic it would operate until 1968. Recently added to the National Register of Historic Places, the site is a window into the era’s technology and give spectacular views of the harbors of Saugatuck and Douglas, important nineteenth century lumber towns. The group ends at the Michigan Maritime Museum in South Haven where a host of watercraft from sailing ships to U.S. Lifesaving Service and Coast Guard rescue craft are maintained. It is a window into the efforts to maintain harbors and manage the complex Great Lakes maritime system. Please note that the climb up Mt. Baldhead is on 300 wooden steps to the top. There is a new display on the site at the base of the dune in the 1904 built Pump House.

F2 – Belts, Dams, and Boats (8:00 AM – 5:00 PM) Belt drive machinery remained critical to the furniture industry’s operation and suppliers set up shop in Grand Rapids. Clipper Belt Lacer Company would emerge in 1910 as a leading supplier of belt lacing equipment and is now part of the Flexco company in Walker. Flexco continues to produce items on vintage equipment at its new facility along with belting and conveyor systems used in Amazon and other warehousing operations. Along with its testing and design operations, it is an impressive combination of old and new. The tour then takes a ride north to Consumers Energy’s flagship hydroelectric facility, Hardy Dam on the Muskegon River near Newaygo. Put into operation in 1931, the earth embankment dam produces 30,000 kilowatts from its large reservoir. The complex was updated in 2009 and operates as a key part of the company’s move to non-fossil fuel production sites. An opportunity to also view the older Croton Dam from 1907 is a part of the tour at this point. Next the tour moves on to Muskegon, a former lumber port that evolved into an industrial center by the twentieth century. The historic center of the city that escaped urban renewal and the active waterfront demonstrates the scale of the Muskegon River’s exit point on Lake Michigan. Finally, the tour ends at the Milwaukee Clipper a 1904 built passenger vessel modernized in 1940 into an Art Deco masterpiece. Featuring a quadruple-expansion steam engine, the ship is a blend of old and new with specially built features still intact along with its original equipment. The site also includes the remains of the Grand Trunk Western Railroad’s car ferry slip with remaining headworks to facilitate transfer of railcars. This tour entails two extended travel times of 55 minutes each .

F3 – Preservation, Restoration, and Demonstration (8:00 AM – 5:00 PM) Kalamazoo’s Air Zoo is not only a museum for aircraft but also a Smithsonian affiliated museum that works extensively in historic aircraft restoration. Currently, two World War II aircraft recovered from the bottom of Lake Michigan are undergoing this process. The tour will interact with the Restoration Team and see their efforts up close as this painstaking work takes place.

Next, the group visits the Calhoun County Historic Bridge Park, a unique resource that preserves six of Michigan’s historic bridges in a county park located on the Kalamazoo River near Battle Creek. In addition to a stone railroad bridge original to the site, the park showcases five restored metal truss bridges of different designs from various counties in the state. The tour of the bridges will include discussion of the restoration processes by Vern Mesler, whose crew was responsible for carrying out the repair, restoration, and erection of the bridges. Next, hot riveting was a key restoration process for the work done to preserve Michigan’s historic truss bridges for the Calhoun County Historic Bridge Park, where efforts were made to use historically accurate techniques as much as possible. The restoration work at the Park has led to ongoing training in riveting at Lansing Community College and to the specification of riveting by MDOT for rehabilitation of some of Michigan’s highway bridges currently in use. Hot riveting will be demonstrated at Lansing Community College’s West Campus, where each participant will be able to use a field rivet hammer to try their hand at driving rivets.

Finally, the tour will also visit the R.E. Olds Transportation Museum in Lansing to encounter the city’s long automotive legacy. Its collections document the role played by the city and Ransom Olds in helping to develop not only automobiles but other vehicular transportation. This tour entails two extended travel times of 55 minutes each .

Saturday, June 10 Paper Presentations

(8:00 AM – 11:30 AM) MORNING PRESENTATION SESSIONS (Coffee and soft drinks will be available, session topics, presentation titles, and a list of speakers will be posted on the SIA website: www.SIA-web.org )

(11:45 AM – 1:45 PM) ANNUAL BUSINESS MEETING AND LUNCHEON (Included in the price of registration)

(2:00 PM – 5:00 PM) AFTERNOON PRESENTATION SESSIONS

ALL DAY – EXHIBITS, POSTERS & BOOK SALES

OPTIONAL ACTIVITIES Extra fees apply

T1 – Walking tour of the Grand River Waterfront and Downtown Grand Rapids (2:00 PM – 4:00 PM) $15 This walking tour will examine the Grand River Waterfront’s rich legacy of flood control, repurposing from industry to parks, industrial structures, public art, and bridges (road, rail, and two interurban). The tour will depart from the hotel.

T2 – Furniture, Rails, and Mines (8:00 AM – 5:00 PM) $80 Furniture is on the agenda for the start of this tour beginning with Nucraft in Comstock Park. Formed in 1945 the company has transitioned from traditional office furniture into meeting space and conference rooms with a focus on cutting-edge design and custom arrangements. This facility highlights the manufacturing process of materials and design under the same roof.  The group then shifts to Irwin Seating Company in Walker one of the region’s oldest furniture manufacturing firms with roots back to the 1870s. Audience seating for theaters, stadiums, and other public venues provides a very different production profile along with design and installation on large-scale projects. Both companies reflect efforts to diversify manufacturing in Michigan and efforts to draw on design and other regional firms. The next site is the Coopersville & Marne Railway a volunteer organization that also serves as a small common carrier in the area as well. The CMR operates on former Grand Trunk Western trackage out of the small town of Coopersville and has an extensive collection of vintage and operating equipment, structures, and small shops for maintaining locomotives and rolling stock. The final stop is Michigan Natural Storage which along with warehousing operates underground storage in some of the area’s former gypsum mines. These sites date to the late nineteenth century with some operating until the late 1990s

Saturday, June 10

SB – Saturday Night Banquet  (6:00 PM – 9:00 PM) $85  The Saturday night banquet will be held at The Knickerbocker New Holland Brewing Company at 417 Bridge Street NW. This is a walkable distance from the conference hotel (along the Grand River Riverwalk) and can also be reached using Grand Rapids’ free DASH downtown shuttle service.

Sunday, June 11

S1 – Walking tour of the Grand River Waterfront and Downtown Grand Rapids (9:00 AM– 11:00 AM) $15 This walking tour will examine the Grand River Waterfront’s rich legacy of flood control, repurposing from industry to parks, industrial structures, public art, and bridges (road, rail, and two interurban) that front the downtown area. The tour will depart from the hotel.

S2 – Walking tour of Grand Rapids’ Heritage Hill and Cherry Hill Districts (9:00 AM – 11:30 AM) $15 The Grand River Valley limited sprawl meaning that even houses of factory owners were not located too far away. This walking tour examines the industrial legacy, urban renewal, and historic architecture of downtown and nearby historic districts. The tour will depart from the hotel. This tour goes up the side of the valley which has a significant grade, participants should have appropriate footwear and be aware of this.

Other Local/Regional Points of Interest

Frederik Meijer Gardens:  https://www.meijergardens.org/

John Ball Zoo: 10 th oldest zoo in the country, one of the last central city zoos: https://jbzoo.org/

Gerald R. Ford Presidential Museum: https://www.fordlibrarymuseum.gov/visit-museum.aspx

Grand Rapids Public Museum: https://www.grpm.org/

Muskegon Heritage Museum of Business & Industry https://lakeshoremuseum.org/muskegon-heritage-museum/

Society for Industrial Archeology Department of Social Sciences, Michigan Technological University 1400 Townsend Drive, Houghton, MI 49931-1295 906-487-1889 [email protected] • Admin Copyright © 2022 Society for Industrial Archeology. This site is hosted by Michigan Technological University.

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Some 300 musicians, from Diplo to Nile Rodgers, lobby Congress for ticketing reform

Rachel Treisman

From left, Nile Rodgers, Chappell Roan and Diplo are among the more than 280 musicians who signed a letter to senators in support of concert ticketing reforms. Michael Loccisano/Getty Images; Rodin Eckenroth/Getty Images; Leon Bennett/Getty Images for MBJx David Yurman hide caption

From left, Nile Rodgers, Chappell Roan and Diplo are among the more than 280 musicians who signed a letter to senators in support of concert ticketing reforms.

What do Billie Eilish, Dave Matthews and Diplo have in common?

As of Thursday, they are among the more than 280 popular musicians who have signed a letter urging lawmakers to help reform the concert ticketing system.

Other prominent signatories include Becky G, Duran Duran, Fall Out Boy, Finneas, Graham Nash, Green Day, Nile Rodgers, ODESZA, Chappell Roan, Cyndi Lauper, Indigo Girls, Jason Mraz, Sia, Sylvan Esso and Lorde.

"We are joining together to say that the current system is broken: predatory resellers and secondary platforms engage in deceptive ticketing practices to inflate ticket prices and deprive fans of the chance to see their favorite artists at a fair price," the letter reads.

Live Nation and Ticketmaster tell Biden they're going to show fees upfront

It goes on to say that the use of illegal bots, speculative ticket listings and deceitful advertising causes "real harm," including severing the relationship between artists and fans — "which forms the backbone of the entire music industry" — and allowing resellers to profit more than the artists themselves.

The artists are asking the Senate Committee on Commerce, Science and Transportation to help fix those problems by supporting the Fans First Act , which was introduced by a bipartisan group of senators last December. It was referred to and remains before the committee, which would need to approve it to bring it to a floor vote.

"We, as artists, as music lovers, and as concert attendees ourselves, urge you to support the Fans First Act to combat predatory resellers' deceptive ticketing practices and the secondary platforms, which also profit from these practices," the letter continues. "Predatory resellers should not be more profitable than the people dedicating their lives to their art."

Sen. Amy Klobuchar, D-Minn., who along with Sen. John Cornyn, R-Texas, is a co-sponsor of the bill, said in a statement Thursday that she will "keep working to pass this legislation."

"Buying a ticket to see your favorite artist in concert is like going through a gauntlet for too many Americans," Klobuchar said. "This is hurting music fans and it's hurting artists. That's why our bipartisan legislation to improve the ticketing experience has growing support, including hundreds of major musicians."

The Fans First Act focuses on three priorities : ticket sales transparency, consumer protection and stopping bad actors.

Senators are calling on the Justice Department to look into Ticketmaster's practices

It would require live event ticket sellers and resellers to disclose more information about ticket costs and seat location, refund customers the full ticket price when events are canceled and create a reporting website for fans to file complaints.

"Even better, it backs all these regulations up with clear penalties and enforcement," the letter says.

The letter was organized by Fix the Tix , a coalition of over two dozen live event industry organizations led by the National Independent Venue Association (NIVA).

Since its formation in the fall of 2023, it has called on Congress to enact legislation that would protect fans from price gouging, ban fake tickets and ticket-buying bots, end fraudulent resale practices and ensure price transparency, among other reforms.

So how did this letter come together, and why now?

NIVA Executive Director Stephen Parker told NPR over email that industry groups representing artists — such as the Recording Academy and Music Managers Forum - U.S. — are a "critical part" of Fix the Tix's efforts.

"Artists engaged in those organizations heard about our efforts and volunteered to lend their voice to getting comprehensive ticketing reform passed," he said. "The letter is being sent now because time is running out in this Congress for the Senate and House to meaningfully address the predatory resale platforms and ticket brokers that plague fans and artists."

Ticketmaster and its parent company, Live Nation Entertainment, have come under increased scrutiny from artists and fans in recent years who accuse the companies of maintaining a monopoly over the industry ever since their controversial 2010 merger. Live Nation has repeatedly denied the allegations.

The Senate's Ticketmaster hearing featured plenty of Taylor Swift puns and protesters

In particular, Ticketmaster's chaotic sale of Taylor Swift Eras Tour tickets in November 2022 left scores of fans empty-handed and outraged. Several state attorneys general launched investigations, a group of Swifties sued the companies for fraud and the Senate grilled Live Nation executives at a January 2023 hearing.

Lawmakers have since introduced several aptly-named bills to reform various aspects of the industry, like the TICKET Act and the BOSS and SWIFT Act .

For its part, Live Nation expressed support for the Fans First Act when it was first introduced in the Senate in December.

"We believe it's critical Congress acts to protect fans and artists from predatory resale practices, and have long supported a federal all-in pricing mandate, banning speculative ticketing and deceptive websites, as well as other measures," it said in a statement shared with NPR.

The Justice Department is said to be ramping up its antitrust probe into Live Nation, with unnamed sources telling the Wall Street Journal and Axios in recent weeks that the agency could file a lawsuit as soon as May.

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Singapore Airlines Limited is engaged in passenger and cargo air transportation. The Company, through its subsidiaries, provides cargo air transportation, engineering services, training of pilots, air charters, tour activities, the sale of merchandise, and related activities. Its Full-Service Carrier (FSC) segment provides passenger and cargo air transportation under the Singapore Airlines brand, with a focus on the full-service passenger segment. Its Low-Cost Carrier (LCC) segment provides passenger air transportation under the Scoot brand, with a focus on the low-cost passenger segment. Its Engineering Services segment provides airframe maintenance and overhaul services, line maintenance, technical ground handling services, and fleet management. It also manufactures aircraft cabin equipment, refurbishes aircraft galleys, provides technical and non-technical handling services, and repairs and overhauls hydro-mechanical aircraft equipment.

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‘Taylor Swift: The Eras Tour' Writes Her Name As No. 7 In Deadline's 2023 Most Valuable Blockbuster Tournament

Deadline's Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there's nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie's longevity in subsequent home entertainment windows. Entering the conversation in 2023 were the streamers, such as Apple, who have also realized the necessity of theatrical to eventize their movies. The financial data pulled together here for Deadline's Most Valuable Blockbuster Tournament   is culled by seasoned and trusted sources.

Taylor Swift: The Eras Tour AMC Entertainment

After Covid shut down AMC and the rest of the globe’s multiplexes and the actors strike ratcheted down the box office, you could say that the No. 1 exhibitor was taking its fate into its own hands with Taylor Swift: The Era’s Tour . However, it has Scott Swift, Taylor Swift’s father, to thank. He reportedly made the call to AMC CEO Adam Aron to sidestep studios and gain more cash in taking his daughter’s movie from her $1 billion-plus-selling, sold-out concert tour directly to AMC. Why have a studio walk away with a ton of cash and spend tens of millions in marketing when Swift with a then-near-400 million social media followers is the best form of advertisement? She tweeted a few times to promote the movie, and showed up at her boyfriend Travis Kelce’s Kansas City Chiefs games to drum up her $15M Taylor Swift: The Eras Tour concert film as a must-see. The movie also received a SAG-AFTRA waiver, which allowed the pop star to show up at her own Los Angeles world premiere and do publicity. The result: $100M in global advance ticket sales. AMC, to avoid antitrust issues, hired Gotham-based distributor Variance Films to book cinemas across the nation, and Trafalgar to handle the overseas release. Much to the chagrin of the studios, who had their thing to say about Aron’s entry into the distribution business, they all started moving their movies away (i.e., Universal’s The Exorcist reboot, Lionsgate’s Ordinary Angels ) from Eras Tour and its arrival on the calendar October 13. Swift cleverly tailored her marketing to fans, releasing the movie on a date that reps her lucky number, with tickets priced at $13.13 for children and seniors. Initially she wasn’t going to preview the movie, looking to open hard on 10/13. At the last minute, during the week of release, Swift changed her mind and opted for last-minute Thursday previews (they only yielded $2.8M).

THE BOX SCORE

The bottom line.

Projections were wild for Eras Tour as most Swifties don’t necessarily go to the movies. But at $123M worldwide and $93.2M, the pic repped the biggest opening ever for a concert film, and at the domestic box office it was the second-biggest opening for the month of October after The Joker ($96.2M). AMC certainly reaped the spoils as most moviegoers thought the only place to see Eras Tour was in an AMC theater; the circuit commanded 41% of the gross during the Sam Wrench-directed title’s opening weekend (typically the chain averages 22%-25% of a tentpole’s opening weekend on average). Still, between Eras Tour and Five Nights at Freddy’s, there was a lot of box office cash during a dry period with the ongoing actors strike. Terms of AMC’s deals were reportedly 43% of the gross staying with movie theaters, and 57% shared between the Swifts and AMC as distributor with Variance and Trafalgar receiving a distribution fee. Global marketing is figured at $55M. The Swifts sold the movie to Disney+ for a reported $75M, tossing aside offers from Netflix and Universal, as shown above; the concert pic was the most-viewed ever on the service for the genre with 4.6M views (the digital release hit on Swift’s birthday, December 13). In each home window, Swift offered more and more to fans with the digital release, via Universal, including three bonus songs not seen in the theatrical cut (“Wildest Dreams,” “The Archer” and “Long Live”), while the Disney+ version counted five new songs. The success of the concert movies led AMC to land Renaissance: A Film by Beyoncé, that songstress’ concert movie; it gave it a release the first weekend in December, and it grossed just $45M worldwide. No bother, but Beyoncé was never expected to have the same impact as Swift. Wall Street sources snarked that AMC wasn’t only making 4% of the box office from its concert films, though Aron has balked at that number. He told Deadline at CinemaCon: “We look at the concert films as the sum of our distribution and exhibition profits combined; they were extremely profitable.” It’s definitely a new side business for AMC, with the world’s No. 1 theater chain tapping Fandango vet Stephanie Terifay  as VP Distribution recently to engage the music industry. Aron also told us, “We’re talking to other world-class [performing] artists about having more concert films.”

More from Deadline

• ‘Five Nights At Freddy’s’ Defies Theatrical Day-And-Date Odds, Is No. 8 In Deadline's 2023 Most Valuable Blockbuster Tournament
• ‘Guardians Of The Galaxy Vol. 3’: James Gunn’s Last Ride At Marvel, At No. 9, Is Disney’s Only Pic In Deadline's 2023 Most Valuable Blockbuster Tournament

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Boston, MA (in conjunction with Snowbound Expo )

Parking: There is no parking on site, but is conveniently located near the Boston Convention and Event Center as well as hotels in the Sea Port area. There are also nearby paid parking lots. Please plan accordingly.

Start time: 11:30am End time: 5:00pm

Thursday, March 7, 2024

Sundance, UT

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Harry Hall Betting Profile: THE CJ CUP Byron Nelson

Betting Profile

LAKEWOOD RANCH, FLORIDA - FEBRUARY 18: Reflection of Harry Hall of England putting on the 5th hole during the second round of the LECOM Suncoast Classic at Lakewood National Golf Club Commander on February 18, 2022 in Lakewood Ranch, Florida. (Photo by Douglas P. DeFelice/Getty Images)

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Harry Hall, the No. 1 player in the world, looks to improve upon his 83rd-place finish in 2023's tournament when he begins play in the 2024 THE CJ CUP Byron Nelson at TPC Craig Ranch May 2-5.

THE CJ CUP Byron Nelson Tournament & Course Info

• Date: May 2-5, 2024
• Location: McKinney, TX
• Course: TPC Craig Ranch
• Par: 71 / 7,414 yards
• Purse: $9.5M
• Previous Winner: Jason Day

At THE CJ CUP Byron Nelson

• Hall has played THE CJ CUP Byron Nelson once recently (in 2023), posting a score of -3 and finishing 83rd.
• When Jason Day won this tournament in 2023, he had 3.251 Strokes Gained: Off-the-Tee (16th in the field), 6.297 SG: Approach the Green (third), and 2.692 SG: Putting (28th).
• En route to his victory last year, Day posted an average driving distance of 306.8 (23rd in field), hit % of greens in regulation (), and took 27.25 putts per round (13th).

Hall's Recent History at THE CJ CUP Byron Nelson

Hall's recent performances.

• In his last five appearances, Hall has an average finish of 51st.
• He's made the cut in four of his last five appearances.
• Hall has finished with a better-than-average score in one of his last five tournaments.
• He has an average score of -2 across his last five events.
• Harry Hall has averaged 291.9 yards off the tee in his past five tournaments.
• Hall has an average of -0.433 Strokes Gained: Putting in his past five tournaments.
• Looking at Strokes Gained: Total, Hall has an average of -1.127 in his past five tournaments.

Hall's Advanced Stats and Rankings

• Hall's Strokes Gained: Off the Tee average of -0.264 ranks 143rd on TOUR this season, and his 52.6% driving accuracy average ranks 170th.
• In terms of Strokes Gained: Approach, Hall ranks 91st on TOUR, putting up an average of 0.017, while he ranks first with a Greens in Regulation mark of %.
• On the greens, Hall has registered a -0.112 Strokes Gained: Putting mark this season, which places him 110th on TOUR. In addition, he ranks first with a putts-per-round average of , and he ranks first by breaking par % of the time.

Hall's Best Finishes

• Hall has participated in 11 tournaments this season, and he is yet to finish in the top 10.
• In those 11 tournaments, he had a 63.6% success rate in terms of making the cut (seven cuts made).
• Currently, Hall sits 144th in the FedExCup standings with 90 points.

Hall's Best Strokes Gained Performances

• This season, Hall produced his best Strokes Gained: Off-the-Tee performance at the WM Phoenix Open (February 2024), ranking 31st in the field at 1.372.
• Hall's best Strokes Gained: Approach performance this season came at the Sony Open in Hawaii in January 2024, as he ranked fifth in the field with a mark of 5.315.
• When it comes to Strokes Gained: Around-the-Green, Hall's best performance this season was at the Texas Children's Houston Open in March 2024, as he ranked fourth in the field with a mark of 4.157.
• At the Texas Children's Houston Open in March 2024, Hall recorded his best Strokes Gained: Putting mark so far this season (4.999, which ranked ninth in the field). In that tournament, he finished 28th.
• Hall posted his best Strokes Gained: Total mark this season (5.048) at the Texas Children's Houston Open in March 2024, a performance that ranked him 28th in the field.

Hall's Strokes Gained Rankings

Hall's past results.

All stats in this article are accurate for Hall as of the start of THE CJ CUP Byron Nelson.

Note: The PGA TOUR has created this story via a machine-learning model using data from ShotLink , powered by CDW, in addition to player performance data. While we strive for accuracy and quality, please note that the information provided may not be entirely error-free.

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• Employment tribunal decisions

Mr C Y Au v Bop & Bingo - The Tour Ltd: 2406190/2023

Employment Tribunal decision.

Read the full decision in Mr C Y Au v Bop & Bingo - The Tour Ltd: 2406190/2023 - Strike Out .

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