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Jeff Lynne’s ELO

• Date September 23 , 2024
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Known as one of the most iconic forces in music history, in recent years Jeff Lynne’s ELO has delivered a critically acclaimed and chart-topping album along with a sold out run of UK and European shows. Jeff Lynne was inducted into the Songwriters Hall of Fame last year and the band was inducted into the Rock and Roll Hall of Fame in 2017. The band has always been known for their epic live shows and with a distinct style that seamlessly and innovatively blends rock, pop and classical, ELO has had more than 20 Top 40 Hits across the U.S. and the U.K., making Lynne's sweeping productions some of the most recognizable music of the last forty years and helping sell over 50 million records worldwide.

Widely agreed upon as one of the greatest record producers in music history, Lynne was a co-founder and member of The Travelling Wilburys together with George Harrison, Bob Dylan, Roy Orbison, and Tom Petty, as well as a producer and collaborator with some of the biggest names in music including The Beatles, Tom Petty, Roy Orbison, Paul McCartney, Ringo Starr, Joe Walsh and Bryan Adams.

Lineup subject to change without notice.

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Tickets are available online, at the TD Garden Box Office & all Ticketmaster outlets.

Courtyard Boston Downtown/North Station

Experience a unique sense of comfort and style at the Courtyard Boston Downtown/North Station, located in the heart of downtown, steps away from the TD Garden and within walking distance to Boston’s Financial District, Government Center and North End neighborhood.

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Ideally located on beautiful Boston Harbor, our sophisticated, urban, waterfront retreat is just steps away from Boston’s charming Italian North End, TD Garden, Financial District, Freedom Trail and Faneuil Hall Marketplace. Battery Wharf Hotel features 150 luxurious guestrooms, 10,000 Square Feet of flexible event space, award winning Exhale Spa, onsite indoor/outdoor dining at Battery Wharf Grille, and Café Amalfi Coffee Shop.

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Jeff Lynne's ELO announce farewell tour dates for 2024

18 March 2024, 17:05 | Updated: 18 March 2024, 18:16

Jeff Lynne and the Electric Light Orchestra will play a string of dates in the US as part of The Over And Out Tour.

Listen to this article

Jeff Lynne's Electric Light Orchestra have announced farewell tour dates for 2024.

After first forming in 1970, the Mr. Blue Sky rockers will embark on The Over And Out Tour , kicking off shows in August this year.

Their US shows, will commence in Acrisure Arena in Palm Desert, California on 24th August and culminate in a show at the Los Angeles Kia Forum on 25th October 2024.

UK dates have not yet been announced.

Pre-sales start on Wednesday 20th March from 10am PDT, while a Live Nation presale will launch on 21st March 8am PDT.

Visit the ELO official website for the free tickets and pr-sale information.

Tickets go on general sale on Friday 22nd March from 10am local time at www.jefflynneselo.com/tour.

Jeff Lynne's ELO farewell tour dates:

• 24th August 2024 – Palm Desert, CA – Acrisure Arena
• 27th August 2024 – Seattle, WA – Climate Pledge Arena
• 28th August 2024 – Vancouver, BC – Rogers Arena
• 30th August 2024 – Portland, OR – Moda Center
• 1st September 2024 – San Francisco, CA – Chase Center
• 6th September 2024 – St. Louis, MO – Enterprise Center
• 7th September 2024 – Indianapolis, IN – Gainbridge Fieldhouse
• 9th September 2024 – Toronto, ON – Scotiabank Arena
• 10th September 2024 – Pittsburgh, PA – PPG Paints Arena
• 13th September 2024 – Cincinnati, OH – Heritage Bank Center
• 14th September 2024 – Cleveland, OH – Rocket Mortgage Fieldhouse
• 16th September 2024 – New York, NY – Madison Square Garden
• 20th September 2024 – Philadelphia, PA – Wells Fargo Center
• 23rd September 2024 – Boston, MA – TD Garden
• 25th September 2024 – Washington, DC – Capital One Arena
• 27th September 2024 – Chicago, IL – United Center
• 30th September 2024 – St, Paul, MN – Xcel Energy Center
• 2nd October 2024 – Denver, CO – Ball Arena
• 9th October 2024 – Detroit, MI – Little Caesars Arena
• 11th October 2024 – Nashville, TN – Bridgestone Arena
• 12th October 2024 – Atlanta, GA – State Farm Arena
• 15th October 2024 – Austin, TX – Moody Center
• 16th October 2024 – Houston, TX – Toyota Center
• 18th October 2024 – Dallas, TX – American Airlines Center
• 21st October 2024 – Phoenix, AZ – Footprint Center
• 23rd October 2024 – Sacramento, CA – Golden 1 Center
• 25th October 2024 – Los Angeles, CA – Kia Forum

Is Jeff Lynne's ELO going to tour the UK again?

UK farewell dates are yet to be announced, but since the band haven't embarked on a UK tour since 2018 and their 2020 dates had to be cancelled due to the pandemic, it's fair to say we should watch this space.

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Jeff Lynne's ELO announce farewell tour for 2024: Tickets and dates revealed

19 March 2024, 12:49 | Updated: 19 March 2024, 12:57

By Tom Eames

Jeff Lynne and the Electric Light Orchestra are set to tour the United States as part of The Over And Out Tour.

Listen to this article

Having formed in 1970, the renowned rockers behind 'Mr. Blue Sky' will kick off The Over And Out Tour in August this year.

Their US leg will begin at Acrisure Arena in Palm Desert, California on August 24th, concluding with a performance at the Los Angeles Kia Forum on October 25th, 2024.

• Electric Light Orchestra's 15 greatest songs ever, ranked

Dates for the UK leg of the tour are yet to be revealed.

Pre-sales start on Wednesday, March 20th, at 10am PDT, followed by a Live Nation presale launching on March 21st at 8am PDT.

For free ticket and presale information, visit the official ELO website .

Tickets for the general public go on sale Friday, March 22nd, at 10am local time.

While UK farewell dates remain unannounced, given the band's absence from a UK tour since 2018 and the cancellation of their 2020 dates due to the pandemic, it's best to keep an eye on updates.

Jeff Lynne's ELO tour dates:

• 24th August 2024 – Palm Desert, CA – Acrisure Arena
• 27th August 2024 – Seattle, WA – Climate Pledge Arena
• 28th August 2024 – Vancouver, BC – Rogers Arena
• 30th August 2024 – Portland, OR – Moda Center
• 1st September 2024 – San Francisco, CA – Chase Center
• 6th September 2024 – St. Louis, MO – Enterprise Center
• 7th September 2024 – Indianapolis, IN – Gainbridge Fieldhouse
• 9th September 2024 – Toronto, ON – Scotiabank Arena
• 10th September 2024 – Pittsburgh, PA – PPG Paints Arena
• 13th September 2024 – Cincinnati, OH – Heritage Bank Center
• 14th September 2024 – Cleveland, OH – Rocket Mortgage Fieldhouse
• 16th September 2024 – New York, NY – Madison Square Garden
• 20th September 2024 – Philadelphia, PA – Wells Fargo Center
• 23rd September 2024 – Boston, MA – TD Garden
• 25th September 2024 – Washington, DC – Capital One Arena
• 27th September 2024 – Chicago, IL – United Center
• 30th September 2024 – St, Paul, MN – Xcel Energy Center
• 2nd October 2024 – Denver, CO – Ball Arena
• 9th October 2024 – Detroit, MI – Little Caesars Arena
• 11th October 2024 – Nashville, TN – Bridgestone Arena
• 12th October 2024 – Atlanta, GA – State Farm Arena
• 15th October 2024 – Austin, TX – Moody Center
• 16th October 2024 – Houston, TX – Toyota Center
• 18th October 2024 – Dallas, TX – American Airlines Center
• 21st October 2024 – Phoenix, AZ – Footprint Center
• 23rd October 2024 – Sacramento, CA – Golden 1 Center
• 25th October 2024 – Los Angeles, CA – Kia Forum

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ELO extends 2024 farewell tour, adds 2nd MSG concert. Get tickets now

Jeff Lynne and Electric Light Orchestra are experiencing a “Strange Magic.”

After announcing their 2024 farewell ‘Over and Out Tour’ in mid-March, the Rock and Roll Hall of Famers have extended their run adding second shows in New York, Philadelphia, Chicago, and Los Angeles.

The hitmakers will now perform back-to-back nights at Madison Square Garden on Monday, Sept. 16 and Tuesday, Sept. 17.

“… it’s going to be out of this world!” the band shared in their original tour announcement on  Instagram .

This now 31-show trek will be the band’s first since their 2018 tour where they dusted off classic tracks like “Don’t Let Me Down,” “Mr. Blue Sky,” “Telephone Line,” “Turn To Stone,” “Showdown” and many, many more.

If you can’t wait to sing along to all your favorite classic rock radio staples live, tickets can be secured for all ELO shows as of today.

Although inventory isn’t available for the four newly added concerts on Ticketmaster until Friday, April 5, fans who want to ensure they have tickets ahead of time can  purchase on sites like Vivid Seats  before tickets are officially on sale.

Vivid Seats is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

They have a 100% buyer guarantee that states your transaction will be safe and secure and will be delivered before the event.

A complete calendar including all tour dates (the new ones are in bold ), venues, and links to buy tickets can be found below.

On their 2018 tour, ELO dropped into NYC’s Madison Square Garden on Aug. 21.

According to  Set List FM , here’s what the group took to the stage that night (including nods to Lynne’s stints in The Move and The Traveling Wilburys):

01.) “Standin’ in the Rain”

02.) “Evil Woman”

03.) “All Over the World”

04.) “Showdown”

05.) “Do Ya” (The Move cover)

06.) “When I Was a Boy”

07.) “Livin’ Thing”

08.) “Handle With Care” (The Traveling Wilburys cover)

09.) “Rockaria!”

10.) “Can’t Get It Out of My Head”

11.) “10538 Overture”

12.) “Shine a Little Love”

13.) “Wild West Hero”

14.) “Sweet Talkin’ Woman”

15.) “Telephone Line”

16.) “Don’t Bring Me Down”

17.) “Turn to Stone”

18.) “Mr. Blue Sky”

19.) “Roll Over Beethoven” (Chuck Berry cover)

Although the group has regularly put out reissues and remasters of classic tracks in the 2020s — see “Vocoder,” “Ballads,” “ELO 50th Anniversary Vol. 1” and “ELO 50th Anniversary Vol. 1” — their last album comprised of wholly original music was 2019’s superb  “Out Of Nowhere.”

The ten-track record sounds sharper than it has any right to; by our estimation, Lynne’s voice still hits the Beach Boys-level high notes with ease and the tight instrumentation is just as hook-y and danceable as the group’s catchy hits from their ’70s heyday.

If you’re trepidatious of revisiting one of your favorite groups, we recommend starting with the Beatles-esque “From Out Of Nowhere,” tropical “All My Love” and hard-rockin’ “One More Time.”

Make sure to save the upbeat, call-and-response bop “Time Of Our Life” for last. We promise you’ll be dancing in no time.

Haven’t heard the record yet?

Check out Jeff Lynne’s ELO’s “Out Of Nowhere”  here .

While Lynne and pianist-keyboardist Richard Tandy have been going strong with ELO since the early 1970s, many of the other members from way back when have since left the band.

For a closer look, here’s who you’ll see when ELO plays at a venue near you this year:

Jeff Lynne   (1970–86, 2000–01, 2014–)  lead/backing vocals, guitar, piano, bass, drums, keyboards

Richard Tandy   (1972–86, 2000–01, 2014–16, 2024-)  pianos, keyboards, backing vocals, guitar, bass

Milton McDonald   (2014-)  guitar, backing vocals

Mike Stevens   (2014-)  guitar, backing vocals

Iain Hornal   (2014-)  backing and lead vocals, guitar, percussion

Lee Pomeroy   (2014-)  bass, backing vocals

Marcus Byrne  (2014-)  keyboards, piano

Donovan Hepburn   (2014-)  drums

Melanie Lewis-McDonald   (2014)  backing vocals, percussion

Rosie Langley   (2016-)  violin

Amy Langley   (2016-)  cello

Jess Cox   (2016-)  cello

Jo Webb   (2017-)  keyboards, acoustic guitar, backing vocals

Steve Turner   (2017-)  keyboards

The hit parade never ended.

Dozens of your favorite acts from the ’60s, ’70s and ’80s are out and about this year.

Here are just five of our favorites you won’t want to miss live these next few months.

•  Rolling Stones

•  Ringo Starr and His All Starr Band

•  Neil Young

•  Bob Dylan with Willie Nelson and Robert Plant

•  Bruce Springsteen and the E Street Band

Who else is on the road again? Check out our list of the  52 biggest classic rock concerts in 2024 here  to find out.

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Past Events

Here are the most recent UK tour dates we had listed for Jeff Lynne's ELO. Were you there?

October 2020

• Wed 21 Oct Glasgow, The OVO Hydro Jeff Lynne's ELO, Dhani Harrison
• Mon 19 Oct Dublin, 3Arena Jeff Lynne's ELO
• Sun 18 Oct SSE Arena, Belfast Jeff Lynne's ELO
• Fri 16 Oct Manchester, The AO Arena Jeff Lynne's ELO, Dhani Harrison
• Tue 13 Oct Utilita Arena Birmingham Jeff Lynne's ELO, Dhani Harrison
• Sun 11 Oct Utilita Arena Birmingham Jeff Lynne's ELO, Dhani Harrison
• Tue 6 Oct London, The O2 Jeff Lynne's ELO, Dhani Harrison
• Mon 5 Oct London, The O2 Jeff Lynne's ELO, Dhani Harrison

October 2018

• Fri 26 Oct SSE Arena, Belfast Jeff Lynne's ELO
• Thu 25 Oct Dublin, 3Arena Jeff Lynne's ELO
• Tue 23 Oct M&S Bank Arena Liverpool Jeff Lynne's ELO
• Sun 21 Oct London, The O2 Jeff Lynne's ELO
• Sat 20 Oct London, The O2 Jeff Lynne's ELO
• Thu 18 Oct London, The O2 Jeff Lynne's ELO
• Wed 17 Oct London, The O2 Jeff Lynne's ELO
• Mon 15 Oct Leeds, first direct arena Jeff Lynne's ELO
• Sat 13 Oct Utilita Arena Birmingham Jeff Lynne's ELO
• Fri 12 Oct Utilita Arena Birmingham Jeff Lynne's ELO
• Wed 10 Oct Utilita Arena Birmingham Jeff Lynne's ELO
• Tue 9 Oct Newcastle upon Tyne, Utilita Arena Newcastle Jeff Lynne's ELO
• Sat 6 Oct Manchester, The AO Arena Jeff Lynne's ELO
• Fri 5 Oct Manchester, The AO Arena Jeff Lynne's ELO
• Wed 3 Oct Glasgow, The OVO Hydro Jeff Lynne's ELO

September 2018

• Sun 30 Sep Motorpoint Arena Nottingham Jeff Lynne's ELO
• Sat 1 Jul Hull, KC Stadium Jeff Lynne's ELO, Tom Chaplin, The Shires
• Wed 28 Jun Glasgow, The OVO Hydro Jeff Lynne's ELO, Tom Chaplin
• Sat 24 Jun London, Wembley Stadium Jeff Lynne's ELO, Tom Chaplin, The Shires
• Wed 21 Jun Utilita Arena Sheffield Jeff Lynne's ELO, Tom Chaplin
• Fri 24 Jun Utilita Arena Birmingham Jeff Lynne's ELO
• Wed 22 Jun ➙ Sun 26 Jun Glastonbury, Worthy Farm Glastonbury Festival 2016 Muse, Adele, Coldplay, Jeff Lynne's ELO, PJ Harvey…
• Wed 22 Jun Manchester, The AO Arena Jeff Lynne's ELO
• Sat 7 May Dublin, 3Arena Jeff Lynne's ELO
• Fri 29 Apr Dublin, 3Arena Jeff Lynne's ELO
• Tue 26 Apr London, The O2 Jeff Lynne's ELO
• Sat 23 Apr London, The O2 Jeff Lynne's ELO
• Fri 22 Apr London, The O2 Jeff Lynne's ELO
• Wed 20 Apr London, The O2 Jeff Lynne's ELO
• Sun 17 Apr Birmingham, Resorts World Arena Jeff Lynne's ELO
• Sat 16 Apr Birmingham, Resorts World Arena Jeff Lynne's ELO
• Thu 14 Apr Newcastle upon Tyne, Utilita Arena Newcastle Jeff Lynne's ELO
• Tue 12 Apr Glasgow, The OVO Hydro Jeff Lynne's ELO
• Sun 10 Apr Manchester, The AO Arena Jeff Lynne's ELO
• Sat 9 Apr Leeds, first direct arena Jeff Lynne's ELO
• Thu 7 Apr Motorpoint Arena Nottingham Jeff Lynne's ELO
• Tue 5 Apr M&S Bank Arena Liverpool Jeff Lynne's ELO

November 2015

• Thu 12 Nov London, BBC Radio Theatre Jeff Lynne's ELO
• Mon 9 Nov London, Porchester Hall Jeff Lynne's ELO

September 2014

• Sun 14 Sep London, Hyde Park Jeff Lynne's ELO, Blondie, Chrissie Hynde, Kacey Musgraves, Paloma Faith, Gregory Porter, Bellowhead …

Jeff Lynne’s ELO Announce Final Tour: ‘Over and Out’

By Jem Aswad

Executive Editor, Music

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Jeff Lynne’s ELO have announced their final tour, dubbed “The Over and Out Tour.” The 27-date excursion, produced by Live Nation, will kick off in Palm Desert, CA on August 24 and travel across North America before concluding in Los Angeles on October 25.

Artist presale will begin on Wednesday, March 20 at 10 a.m. local time and the general onsale will start on Friday, March 22 at 10 a.m. local time. Exclusive VIP experiences will be available March 20 at 10am local.

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ELO — originally named the Electric Light Orchestra — was formed in 1972 by singers/multi-instrumentalists Lynne and Roy Wood and drummer Bev Bevan from the ashes of legendary rockers the Move, with the intention of fusing rock music with classical instruments. Wood left after one album and Lynne assumed leadership of the group — taking on lead singer, songwriter, producer and guitarist roles — which went on to score such massive hits through the ‘70s as “Evil Woman,” “Strange Magic,” “Living Thing,” “Can’t Get It Out of My Head,” “Mr. Blue Sky,” “Telephone Line,” “Don’t Bring Me Down” and more.

Lynne revived the ELO brand in 2001, with himself and longtime keyboardist Richard Tandy as the only remaining early members, for the album “Zoom” (featuring Harrison and Starr) and tour. He did so again in 2014 and has toured extensively and released two albums with the group, 2015’s “Alone in the Universe” and 2019’s “From Out of Nowhere.”

  Date                  City                                           Venue  

August 24       Palm Desert, CA                     Acrisure Arena

August 27       Seattle, WA                            Climate Pledge Arena

August 28       Vancouver, BC                       Rogers Arena

August 30       Portland, OR                           Moda Center

September 1    San Francisco, CA                  Chase Center

September 6    St. Louis, MO                         Enterprise Center

September 7    Indianapolis, IN                      Gainbridge Fieldhouse

September 9    Toronto, ON                           Scotiabank Arena

September 10  Pittsburgh, PA                        PPG Paints Arena

September 13  Cincinnati, OH                       Heritage Bank Center

September 14  Cleveland, OH                        Rocket Mortgage FieldHouse

September 20  Philadelphia, PA                     Wells Fargo Center

September 23  Boston, MA                            TD Garden

September 25  Washington, DC                     Capital One Arena

September 27  Chicago, IL                             United Center

September 30  St, Paul, MN                           Xcel Energy Center

October 2        Denver, CO                             Ball Arena

October 9        Detroit, MI                              Little Caesars Arena

October 11      Nashville, TN                         Bridgestone Arena

October 12      Atlanta, GA                            State Farm Arena

October 15      Austin, TX                              Moody Center

October 16      Houston, TX                           Toyota Center

October 18      Dallas, TX                              American Airlines Center

October 23      Sacramento, CA                     Golden 1 Center

October 25      Los Angeles, CA                    Kia Forum

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Monday 09 September 2024

Jeff Lynne's ELO

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Electric Light Orchestra is a symphonic rock band from Birmingham, UK who had huge success in the 1970s & 80s and have sold over 50 million record worldwide.

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Electric Light Orchestra was an innovator of rock music with their unique style. The band had the visionary ability to combine rock and pop with classical music. This made them pioneers for any fusion bands that were …

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Live Nation Presents

Jeff lynne's elo: the over and out tour, with special guest rooney.

• Event Starts 8:00PM

VIP PACKAGES CANNOT BE RESOLD OR TRANSFERRED. ALL PACKAGE ELEMENTS WILL BE RENDERED INVALID IF RESOLD OR TRANSFERRED

• One reserved ticket in rows 6-15 on the floor
• Green screen photo booth experience
• Light appetizers and desert bar
• (2) drink tickets per person for beer, wine, and soft drinks
• Photo opportunity in front of the VIP backdrop to commemorate you evening *
• Specially designed merchandise – exclusive to VIP packages
• Commemorative laminate and branded lanyard
• Priority entry for crowd free merchandise shopping

*No artist interaction with this package

• One reserved ticket in rows 1-5 on the floor
• Limited edition, city specific tour poster
• One reserved floor seat

Event Details

Jeff Lynne’s ELO   is set to embark on the band’s final tour dubbed “The Over and Out Tour.”  The 27-date trek, produced by Live Nation,  will land at Rocket Mortgage FieldHouse in Cleveland, OH, on September 14, 2024.

Artist Presale will begin on Wednesday, March 20 at 10 a.m. and the general on-sale will start on Friday, March 22 at 10 a.m. Exclusive VIP experiences will be available on March 20 at 10 a.m. Please visit  jefflynneselo.com  for all details.

Lynne’s North American tour in 2019 delighted massive crowds and drew widespread critical acclaim:

“A brilliant catalog returns to U.S. stages and gives the strings-starved people what they want. The ELO catalog speaks for itself… and it was a glorious thing to behold… in a 19-song set that reprised the closest thing to truly Beatle-level pop the 1970s had to offer.” Variety

“Jeff Lynne’s ELO prove that spacy pop rock is still a livin’ thing… one of the most flawless and visually stunning arena shows I've seen in a long time. Complete with monstrous lights, lasers and the mandatory ELO spaceship hovering behind the band on video screens, the show was as grand and engrossing as a blockbuster movie — a ’70s blockbuster movie, that is.” LA Weekly

“Jeff Lynne and the Electric Light Orchestra put on a dazzling display chronicling a war chest of classic rock hits for a sold out crowd.” Martinez Tribune

“Jeff Lynne’s ELO is practically a religious experience for rock ‘n’ roll disciples” Houston Press

“For all the gifted musicians that helped achieve Lynne's perfectionist vision, ELO was always his creation, a neon-hued Frankenstein's monster built from bits of early rock-and-roll, symphonic themes, Beatles harmonies, and disco beats. All of those pieces came together flawlessly… played to perfection.” The Philadelphia Inquirer

Known as one of the most iconic forces in music history, in recent years Jeff Lynne’s ELO has delivered a critically acclaimed and chart-topping album along with a sold out run of UK and European shows.  Jeff Lynne was inducted into the Songwriters Hall of Fame last year and the band was inducted into the Rock and Roll Hall of Fame in 2017. The band has always been known for their epic live shows and with a distinct style that seamlessly and innovatively blends rock, pop and classical, ELO has had more than 20 Top 40 Hits across the U.S. and the U.K., making Lynne's sweeping productions some of the most recognizable music of the last forty years and helping sell over 50 million records worldwide. 

Widely agreed upon as one of the greatest record producers in music history, Lynne was a co-founder and member of The Travelling Wilburys together with George Harrison, Bob Dylan, Roy Orbison, and Tom Petty, as well as a producer and collaborator with some of the biggest names in music including The Beatles, Tom Petty, Roy Orbison, Paul McCartney, Ringo Starr, Joe Walsh and Bryan Adams.

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Jeff Lynne's ELO - The Over And Out Tour 2024

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UFOs, violins and killer songs – this the epic story of Electric Light Orchestra

Way back in the 60s, The Move were part of a peculiar pop dynasty, huge and respected in the UK while never having quite made it in the USA. By the mid-70s this most English of bands had morphed into one of the few genuinely huge bands in the world – the Electric Light Orchestra .

By 1978 ELO were selling out eight nights on the trot at Wembley Arena during a memorable global tour. When their star shone it was with a dazzling brilliance. I was lucky enough to be hanging onto their coat-tails through the 70s as they went into overdrive and into orbit, knocking out a string of exceptional hit singles and albums.

Back to The Move. Led by eccentric pop genius Roy Wood, their single Flowers In The Rain was the first ever track played on Radio 1 when the station was launched at 7am on September 30, 1967. They were Birmingham’s Beatles .

At that time, Wood was The Move: a massively inventive pop writer, a great singer and a consummate showman. He came to dislike the limitations The Move imposed upon his creative ambitions. His canvas was bigger, more colourful, a grand, kaleidoscopic, wide-screen pop-o-rama.

The Move’s Brontosaurus , with its cello-stuffed riff, was a sign of things to come. Significantly, Wood had Jeff Lynne play on the session. He’d come to know Lynne through his work in the up-and-coming Brummie band The Idle Race. It was another sign that Wood wanted to take The Beatles’ orchestral experimentation on Strawberry Fields Forever and I Am The Walrus to new heights.

Wood had started to dabble in areas beyond drums, bass and guitar, and had taught himself to play the cello. But the master stroke that would lead to the switching on of the Electric Light Orchestra was in bringing in Lynne to replace departed singer Carl Wayne in The Move. It wasn’t long before the two of them made the idea of ELO a priority and a reality, and The Move swiftly became 60s history.

Move drummer Bev Bevan went along to the new band. “After doing all the similar pop stuff with The Move – all of Roy’s little ditties and things – we wanted to do something a bit more demanding,” Bevan said of the formation of ELO. “We just wanted to be accepted by more musically intelligent people.”

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In Wood’s mind, the Electric Light Orchestra would make daring, innovative use of strings. This became apparent on early recordings when Wood himself played cello. These strings would not be used in lush arrangements, however, but would be in-your-face.

“I suppose that the Electric Light Orchestra is meant to take up where I Am The Walrus left off, and to present it on stage,” Lynne noted.

The news that The Move was disbanding in preference for ELO had their record company EMI in a spin – and when the label heard what was going on in the studio they almost suffered apoplexy.

“I think EMI were a bit nervous,” Wood recalled later, with knowing understatement. “Crikey, who wouldn’t be? From The Move pop to cellos and oboes all over the place.” But as there was another Move album in the works too ( Message From The Country , released in 1971), EMI went along with what they considered to be Wood’s little eccentricities.

On the face of it, the pairing of Wood and Lynne was a dream team: two wonderful writers and singers. But they were on a collision course from the start. Lynne had other plans for ELO, but he would wait until he was firmly established in the band before making his move.

Electric Light Orchestra’s eponymous first album (called No Answer in the US) was a messy, unfocused affair, the band dabbling with experimentation while attempting to retain the pop sensibilities of The Move. It was a statement of sorts, with a few brilliant highlights, and the success of the first single, 10538 Overture , boded well for the future. In fact, that single entered the UK Top 10 around the time The Move’s final release, California Man (covered many years later by Cheap Trick ), made its exit.

The potential ‘dream team’ collapsed when the eccentric Wood suddenly packed his cello case and made an acrimonious departure form ELO. Lynne and Wood are not what you’d call great talkers and, even a couple of years after parting, were refusing to give out much information concerning the split. They

were, coincidentally, both managed by the legendary Don Arden (father of Sharon Osbourne), who exerted substantial and persuasive influence over his acts, and had instructed Lynne to zip it on the subject of Wood.

The crux of the matter was that Wood saw the future of ELO as embracing the underground movement (they were on EMI’s progressive Harvest label, after all), but Lynne had a vision for the future that was most definitely overground – a view that was shared by Arden. Wood couldn’t accept that direction. Lynne won, and climbed into the ELO driving seat.

In retrospect, Lynne was not surprised when Wood walked out. “When we first started ELO there was a lot of pretentiousness,” he says. “I was doing stuff that I really didn’t want to do, but doing it all the same because I thought it was cooool, man! It was experimental, but there was no direction to it. We didn’t know which way to go. I mean, the songs weren’t particularly outstanding on that first album. As far as Roy is concerned, I think that we would have come to loggerheads musically if he had stayed. I wanted to be boss and he wanted to be boss, and things couldn’t be resolved. It would have happened sooner or later if he hadn’t left the band when he did.”

Lynne remained particularly icy on the subject. When he’d joined The Move, the band was effectively wound up, he said, and was recording just to satisfy contracts. He had only joined so that he too could be managed by Arden.

After quitting ELO, Wood, as if to prove he could still write hits, went on to form a new band, Wizzard, and rattled off a string of what became pop classics: Ball Park Incident, See My Baby Jive , Angel Fingers and, of course, I Wish It Could Be Christmas Every Day .

With Wizzard, Wood played the role of mad professor and sported multi-coloured beard and hair, adding a star to his forehead for good measure and covering his face with war paint, sprinkles or other decoration, and inspired Kiss along the way. Then he decided to pack pop in, became a virtual recluse, went into litigation with Don Arden… and promptly fell off the radar.

When he returned it was with a new group, Wizzo Band – a sort of left-field version of Wizzard. At the time, he was still trying to extricate himself from his contract with Arden. When we spoke, he scoffed at the notion that Lynne joined The Move just to cuddle up with the manager. The split with ELO, he said, was all down to “musical differences” about the future path for the group.

“I’ve never really regretted leaving,” he said. “I regret it in that if I hadn’t left I would have been successful with them in the States.”

Wood stayed out of the public eye for three years. “I’ve written something like 30 hit songs, you know,” he whispered with a perceivable sadness. “It’s not easy now to accept that I’m not a success any more.”

But Wood wasn’t helping himself in regaining commercial success. Taking the experimental lead from his original ELO concept further, his new band was now jazz-influenced.

“Don Arden and I didn’t see eye to eye on a lot of things,” he said. “He didn’t want me to form this new band because it was too jazzy. He wanted me to stick to pop songs, y’know, which I enjoyed doing occasionally, but you’ve got to progress with the times, and I enjoy playing this jazz rock stuff. People like Chick Corea and Stanley Clarke have been doing it for ages, but it’s very rare that you find a band doing it the other way round – a rock’n’roll band getting into jazz. And it’s quite interesting. The rhythm section is very heavy, almost Zeppelin-ish, the horns are very jazzy and the songs are very commercial, so it makes for quite an interesting combination.”

A few weeks later, Warner Brothers Records released Super Active Wizzo . But the public didn’t share Wood’s taste for commercial jazz rock; they wanted the commercial hits. And Jeff Lynne was prepared to supply them.

In 1973, ELO 2 – the second Electric Light Orchestra, but the first record from the Lynne-led line-up, also featuring mainstays Bevan and keyboard player/arranger Richard Tandy – was released. The hangover of the indulgent strings was still evident, but it was obvious that Lynne was taking a more commercial route. That was evident in the cover version of Chuck Berry’s Roll Over Beethoven , released as a single, Lynne said later, so that people wouldn’t forget the band during a quiet period.

By the time of On the Third Day , released the same year, Lynne was getting into his pop rock stride; orchestrations were not so prominent, and were used more to enhance the arrangements. The classical connection was much more subtle. And Mik Kaminski joined on violin.

Apart from the odd hit single, the UK wasn’t rushing to embrace ELO. In America, on the other hand, it was a different story. Hard touring there had established a solid fan base, and when ELO’s excellent fourth album Eldorado was released in 1974 there was a ready-made market to propel it into the US chart. Hugh McDowell on cello became another permanent member – ironically after a stint in Wizzard.

ELO was shaped around Lynne’s versatility. Many criticised him for plagiarising his heroes – The Beatles, Dylan , The Beach Boys. True. Listen to any ELO album and you’ll find traces of them. But Lynne’s magpie talent was in adapting those influences to create a unique ELO sound. Lynne saw Eldorado as the major turning point in the band’s history.

“It was the first time I used a big orchestra as opposed to treble-tracking two cellos,” he said. “I always wanted a bigger sound, so one day I just said: ‘Let’s use an orchestra.’ And I wrote songs for that. I don’t think the music was necessarily more commercial than On The Third Day . It was more accessible, with better tunes. Before Eldorado I was to some extent working slightly against myself by not really letting myself go.

“Eldorado was definitely the turning point. It started on On The Third Day , but I was still putting things on for the sake of it. Then I started coming back to things that I liked the sound of. I have the pop songs down to a tee, and I suddenly realised I could do whatever I liked.”

While the USA took ELO to their hearts and the charts, the UK remained indifferent – until the next album, Face The Music , which featured eight solid rock pop tracks that included Strange Magic and Evil Woman alongside the beautiful ballad One Summer Dream. Kelly Groucutt (bass) and Mervyn Gale (cello) were added to what would become the most successful version of ELO, who by now had well and truly arrived. And the UK finally switched on to them.

With the imminent release of the next album, A New World Record , I was shipped off to New York to interview Lynne. On that stunning album, all of Lynne’s prized assets – songs, vocals, production – were realised.

No doubt feeling vindicated by ELO’s success, Lynne was out to put the record straight with critics who had slammed ELO for the classical pretensions they claimed the band had pursued. “It’s not classical rock… It never has been,” he said during a soundcheck at New York’s huge Madison Square Garden. “We’re a rock group, and that’s it.”

And he wasn’t bothered any more about claims of artistic theft: “The critics keep doing that. Fortunately for them they mention me with The Beatles, so I don’t mind. Obviously I don’t sit down and say: ‘What can I nick today?’ If I’m influenced, it’s a very subconscious thing. And I’m very influenced by The Beatles’ sound of ’68 and ’69. That has obviously been a big influence on the way I’ve looked at songwriting. If you’re going to be influenced, you might as well be influenced by the best stuff.”

Lynne was “dead chuffed” that the UK had finally embraced his music, after he’d considered moving to the States. “I got despondent at one point and thought about that, going back every year and giving it another go.”

From that point on, though, Lynne wouldn’t have to worry about the success of ELO in the UK. Within a year they would be the biggest band there, and made a glorious return with a magnificent double album and a huge sell-out tour.

Fast-forward to 1977, when Lynne and ELO finally re-entered the Earth’s atmosphere with a double album that would defining his/their career. Out Of The Blue captured and celebrated the full dynamic that made ELO the pop rock powerhouse they had become. To celebrate, they set off on a world tour with a stage set second to none: technicians from the National Theatre were set the task of emulating the spacecraft on the album sleeve. It was a task they tackled with great relish – and a huge budget.

When I caught up with Lynne on that tour, in Malmo, Sweden, where ELO had just played to 5,000 enthusiastic fans, for once I found the deeply insular superstar in talkative mood, ready to put his career into some sort of perspective.

Lynne is testament to the fact that you can take the man out of Birmingham, but you can never take Birmingham out of the man. Here was a true Brummie, resplendent in Birmingham FC shirt. The reticence with which England received his band was no big deal.

“I happen to love England,” he said. “I love being back here and seeing me mum and dad and all me mates in and round Birmingham. I love the whole English way of life. Though I have a house in Los Angeles, I’ve found that everywhere is exactly the same, just by a different name.

“That’s what I wrote in my song Birmingham Blues . It doesn’t matter where you are, it’s the same, with a different name. It’s like the world is Birmingham. If you’ve got your friends and acquaintances around you, everywhere is exactly the same. I mean, where are we now? It’s as if we were dropped here with a blindfold on us. Do you know where we are? It’s exactly the same everywhere else in the world. I’ve just been to Japan and Australia. Everywhere looks exactly the same – for all I know we could be in the Albany Hotel, Birmingham.”

I recalled their show at the half-filled Theatre Royal in London on 1974’s Eldorado tour, and looked forward to the eight sold-out nights at Wembley Arena. But, confident of the band’s future, Lynne wasn’t fazed by the lack of ticket sales back then: “We knew that we were going to be playing Wembley eventually. The only problem was that nobody else did! I must be honest, though, we weren’t that good then.”

I sort of agreed with him, but ELO’s ideas around the time of Eldorado were always big and ambitious. “Yeah…” he said, “but it never actually came off on stage. I was never really happy about the show we were doing until about 18 months ago. You see, if I do a concert, I want to do the songs that the people who have come to see me have made famous. I want to hear stuff I’ve heard on all the records, not just the last one. These people have paid hard-earned money for the tickets to get in, and we should give them as much value as we can for what they’ve paid.”

The big ideas were paying off. Was it hard to keep coming up with them?

“Not at all. I’m just eternally grateful that I can go into a studio and use that blank canvas and start from there. I find that fucking unbelievable. I just love being in a recording studio. Absolutely love it. That’s my forté.”

With the albums A New World Record and Out Of The Blue , had he got down on record his take on rock music?

“You’ve hit the nail right on the head there. On those albums I’m doing exactly what I wanted to do. Before that I was very pretentious in a lot of aspects, because on the early albums I was writing things I thought I should write. But all I ever wanted to do was write pop songs, and now I’ve done that. At the start, I thought: ‘I must do this to get respect.’

“My ambition was always to be a famous songwriter,” he continued. “It still is. I’m actually still trying to be famous, eight years later. I’ve only achieved half of it, really. Me dad still says to me: ‘Why don’t you write something that people will always sing?’ That really brought my job home to me. In a way, the ambition of mastering the pop song has been fulfilled now. I’m sincerely chuffed that people are buying my albums and singing along to the songs. There’s only one thing for me to do now, and that is to get back into the studio and do something that they don’t expect.”

The era of Out Of The Blue was the summit of ELO’s career. Subsequent albums Discovery , Time , Secret Messages and Balance Of Power came and went, all with sparkling highlights, all produced to a high standard, all with the odd brilliant track, but ELO had already made their grand statement.

Even Lynne seemed to have lost interest eventually. As he started hanging out with new friends The Travelling Wilburys (with George Harrison, Bob Dylan, Tom Petty and Roy Orbison), he came to realise that he could open up new chapters in his career outside the confines of a band.

He produced other artists (including Petty, Harrison and The Beatles’ Free As A Bird). He also recorded a solo album, Armchair Theatre – an ELO album for all intents and purposes, and as blatant a statement as any that, for him anyhow, ELO was over.

Until 2001, that is, when Zoom was released. Despite being another great album, it failed to set the world on fire, and an over-ambitious tour to promote it was scrapped; perhaps the damage done to the ELO ‘brand’ by former band members touring as ELO II was irreparable. Lynne and Bev Bevan each owned 50 per cent of the ELO name, hence Bevan’s ability to go out on the road with it, but it was a shambles. When Bevan finally gave up the gig in 2001, total ownership reverted to

his former bandmate. Lynne, meanwhile, was busy trying to regain ELO’s past glories. But it wasn’t to be. In the words of one of his finest songs, Shangri-la , ELO had ‘faded like The Beatles on Hey Jude’ .

Except you can never keep a great band down. In late 2013, Lynne was joined by Tandy onstage at a charity gig in London, where the pair played Livin’ Thing and Mr Blue Sky . The outpouring of love for ELO saw Lynne resurrect the band – under the name Jeff Lynne’s ELO, and featuring no other original members aside from Tandy – for a show in front of 50,000 people at London’s Hyde Park the following year. A brand new ELO album, Alone In The Universe, followed in 2015. Another album, From Out Of Nowhere, was released in 2019 (sadly, Richard Tandy died in May 2024).

The journey may have been bumpy, but Jeff Lynne and ELO have left an indelible mark on the face of rock music. Great songs, great records and his mark of genius made this truly classic rock. And that’s something that can’t be taken away from him.

Originally published in Classic Rock issue 99. Updated July 2024

Harry Doherty began his career at the Derry Journal in Ireland before moving to London in the mid-1970s, relaunching his career as a music journalist and writing extensively for the Melody Maker . Later he became editor of Metal Hammer and founded the video magazine, Hard’n’Heavy . He also wrote the official Queen biography 40 Years Of Queen , published in 2011 to celebrate the band’s 40th anniversary. He died in 2014.

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Jeff Lynne’s ELO farewell concerts in high demand: Where to buy tickets for 3 Pa. shows

• Updated: Jul. 08, 2024, 12:26 p.m.
• | Published: Jul. 08, 2024, 12:24 p.m.

Jeff Lynne's ELO will perform three shows in Pa. while on its farewell tour - Sept. 10, 2024, in Pittsburgh, and Sept. 20 and 21 in Philadelphia. AP

• Deb Kiner | [email protected]

Don’t say we didn’t warn you.

In March, Jeff Lynne’s ELO announced the “Over and Out” farewell tour.

By April, some of those shows were selling out and more were added.

Lynne is a co-founder of the rock band, Electric Light Orchestra, that formed in 1971.

The tour includes three stops in Pa. that fans do not want to miss - Tuesday, Sept. 10, at PPG Paints Arena in Pittsburgh, and Friday, Sept. 20 , and Saturday, Sept. 21 , at the Wells Fargo Center in Philadelphia.

Fans can buy tickets here (prices are as of the time of this publication):

Sept. 10 - PPG Paints Arena, Pittsburgh

• Stubhub, prices start at $59
• Vivid Seats, prices start at $59
• SeatGeek, prices start at $54

Sept. 20 - Wells Fargo Center, Philadelphia

• Stubhub, prices start at $101
• Vivid Seats, prices start at $100
• SeatGeek, prices start at $95

Sept. 21 - Wells Fargo Center, Philadelphia

• Stubhub, prices start at $41
• Vivid Seats, prices start at $42
• SeatGeek, prices start at $39

The tour starts in Palm Desert, California, on Aug. 24, and ends in Inglewood, California, on Oct. 26.

Other tour dates include:

Aug. 24 - Palm Desert, California

Aug. 27 - Seattle, Washington

Aug. 30 - Portland, Oregon

Sept. 1 - San Francisco, California

Sept. 6 - St. Louis, Missouri

Sept. 7 - Indianapolis, Indiana

Sept. 13 - Cincinnati, Ohio

Sept. 14 - Cleveland, Ohio

Sept. 16 - New York, New York

Sept. 17 - New York, New York

Sept. 23 - Boston, Massachusetts

Sept. 25 - Washington, D.C.

Sept. 27 - Chicago, Illinois

Sept. 28 - Chicago, Illinois

Sept. 30 - St. Paul, Minnesota

Oct. 2 - Denver, Colorado

Oct. 9 - Detroit, Michigan

Oct. 11 - Nashville, Tennessee

Oct. 12 - Atlanta, Georgia

Oct. 15 - Austin, Texas

Oct. 16 - Houston, Texas

Oct. 18 - Dallas, Texas

Oct. 21 - Phoenix, Arizona

Oct. 23 - Sacramento, California

Oct. 25 - Inglewood, California

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