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Bonnie Paine tour dates 2024

Bonnie Paine is currently touring across 1 country and has 1 upcoming concert.

The final concert of the tour will be at Pikes Peak Center in Colorado Springs.

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Music and Concerts | Elephant Revival makes long awaited return to…

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Music and concerts, music and concerts | elephant revival makes long awaited return to planet bluegrass stage, saturday’s sold-out show, in lyons, will be the first for the group since 2018.

“The pandemic was a really transformational time,” said Dango Rose, founding member and bassist. “It made it more ripe to get together and to be able to share in the music and the experience again.”

The band was originally scheduled to perform at the Telluride Bluegrass Festival this past June, but unforeseen circumstances prevented that appearance.

On Tuesday, I met with Bonnie Paine and Rose at Paine’s tiny house in Lyons. Framed by string lights and covered in the same bloom-filled wallpaper seen in the band’s music video for “Petals,” the small wooden structure serves as a place where Paine lives part-time and crafts songs.

A menagerie of animals — from dogs and chickens to sheep, including a majestic horned ram — roam the land.

“This space was definitely my refuge. It was my plan to have a lot of songwriting time. Writing and being with farm animals I think is just so therapeutic,” said Paine, who had just completed bottle-feeding a tiny member of her flock.

It’s within the cozy space — thoughtfully appointed with peacock feathers, tea cups, books, instruments and crystals — that she has been working on a solo project.

She’s written over 30 songs for four storytelling albums that will each have an elemental theme, yet all tie together. It starts with songs about a Selkie — a creature in Celtic and Norse mythology that can shift from a human to a seal — that falls in love with a person.

“Some of them are orchestral type pieces with singing and some will be a cappella with just a voice, so it will be very dynamic in that way,” Paine said

She also envisions Cirque Du Soleil-inspired dance as part of the final production that will take shape, a sort of fairytale musical with a healthy amount of female empowerment strewn throughout.

The band, which emerged from Nederland, has released six albums since 2008. Serving up an array of traditional Celtic songs, Americana and lyrically-potent transcendental folk, the talented group remains loved locally and overseas. With ethereal harmonies and tight musicianship, it’s easy to see why the group has garnered such a significant fan base.

It’s possible that a new Elephant Revival record could be on the horizon, but members are also content with reconnecting and revisiting older classics.

“Just getting together, playing music and revitalizing and reenergizing the songs from our repertoire and interspersing some new ones and spicing it up a little is really exciting,” Rose said.

Last weekend, Paine shared the stage with Ani DiFranco at Planet Bluegrass’s Rocky Mountain Folks Festival, and she is enthused to return to the venue Saturday.

“She’s awesome, it was wonderful,” Paine said. “We had so much fun. It’s always an honor.”

Paine has played with DiFranco previously, and DiFranco’s poetry book “Verses” can be found within the grouping of books on a shelf in her tiny home.

“I was lucky to have a lot of influences, and she was one of them,” Paine said. ”I had played electric guitar when I first heard her. I never heard a girl make an acoustic guitar sound like that before, so percussively, with the tape wrapped around her fingers. She’s so rhythmic.”

It was at bluegrass event The Walnut Valley Festival, in Winfield, Kan., that Paine purchased a washboard — her father’s suggestion — and the unlikely instrument has remained a staple in her arsenal ever since.

In 2021, Rose released the first two volumes of “The Forgotten Years,” a trilogy project filled with songs that span his artistic evolution over a dozen years. He anticipates the final volume to be released in the fall.

He is also in the midst of constructing a “back to the earth” compound in Crestone, one with a music studio, that will serve as the locale of creative retreats for musicians and other creatives.

“It’s unfolding right now, but it will be focused on lifestyle, how to stay in a grounded embodied space and healthy and be able to approach your art and how that correlates with your connection and relationship with nature,” Rose said.

Rose knew at age 15, when he first started going to shows in the Midwest, that his career path would be rooted in music and the camaraderie it brings.

“For me it was always about the band,” Rose said. “My underlying truth was this special nature of what a band could be and how that could support community and bring people together, sharing in that musical experience that is of benefit to all involved.”

In May, Rose and Paine were joined by Elephant Revival violinist Bridget Law for a concert at Mercury Café in Denver, benefiting Ukrainian refugees.

“Performing with Bonnie (Paine) anywhere, anytime is one of the great joys of my life,” Law said. “Yet there is a special feeling that we all hold when we perform as Elephant Revival. I am most looking forward to the mix of sounds and energy that we create when we come together — Bonnie’s gorgeous compositions paired with our classic instrumentals and the fun songs written by the other members of the group.”

Attendees of the reunion concert can expect a visually stunning performance, sprinkled with appearances by special guests. Covenhoven will open the show. Lee Plenty Wolf and the Plenty Wolf Singers, a Native American Lakota group, will join Elephant Revival in song.

“We also have a history of collaborating with performance art, and I can’t wait for what we have planned for this performance,” Law said. “The gorgeous aerial performers and fun set design should be a delightful addition to our mix of songs.”

With the upcoming official reunion show on the books, fans are wondering if more dates will surface, and members are open to the possibility of thoughtfully curated gigs — perhaps even mini festivals that spotlight art forms of many varieties like food growing, sheep shearing and dance.

“We are hopeful that the show will go wonderfully and that we can open up to the idea of more shows in the future,” Law said. “The vision is a few, carefully selected performances a year. We all have very robust lives outside of the band these days, so I don’t foresee a tour, but you never know. I am a momma now, so I tend to stay pretty close to the nest.”

While Elephant Revival has kept music lovers entranced with breathtaking originals, it’s also the group’s reinterpretation of covers that are guaranteed crowd-pleasers. Electrifying renditions of Pink Floyd’s “Have a Cigar” and Jefferson Airplane’s “White Rabbit” have been a part of the band’s catalogue, and Paine promises at least one of those two tunes for Saturday’s set.

“Getting together and playing music with everyone has been such a joy,” Rose said. “It’s been rejuvenating. Stepping on stage together with the (North) Saint Vrain (Creek) right there to a full house at Planet Bluegrass is very exciting.”

Saturday’s lineup includes Bonnie Paine, Bridget Law, Dango Rose, Charlie Rose, Darren Garvey and guest Daniel Sproul, of Rose Hill Drive, on guitar.

“I love these songs,” Paine said. “I love these people.”

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Elephant Revival’s Bonnie Paine Discusses The Interconnected Depth Of Her Music

The ethereal voice of Bonnie Paine is one of the most instantly recognizable pieces of the musical experience that is Elephant Revival . Her multi-octave range and haunting, hushed tones is complimented by her skill on a wide variety of percussive and bowed instruments, from the washboard to cello and many points between. Her performance skills, when joined with that of fiddle player Bridget Law , guitarist Daniel Rodriguez , bassist Dango Rose and banjo/pedal steel player Charlie Rose, play a brand of music often described as “Transcendental Folk.”

Of all her contributions to the band’s unique and dynamic sound, the most important is her songwriting. Recently Paine revealed that many of her songs from throughout the band’s career have been part of a long and winding tale of a lost child and the sea. Water, in all its many forms, has been at the heart of many of her tunes, from “Drop” to the banks of Oregon’s “Rogue River.” Our own Rex Thomson had a chance to catch up with the elusive Ms. Paine as she prepared with the rest of the band for their upcoming show with the Colorado Symphony Orchestra . In the interview, Paine shares the poignant tale uniting many of her songs, her joy at seeing the sold out crowd at the band’s first headlining Red Rocks performance and her excitement at hearing the band’s material fleshed out with a full compliment of amazing musicians. You can read the full conversation below; enjoy!

Bonnie Paine: Maybe so, actually, when you put it that way. Yeah, we have had some adventures this year, all different kinds. And there is still more to come!

L4LM: Well,rather than focus on the bad, let’s talk about the good for a moment. What was it like, playing to a full house at the Red Rocks Amphitheatre?

BP:  That was amazing. It was incredible to look and and see so many faces of people we love in such a beautiful space. That was magical.

Someone filmed it in 3-D and I got to look at it. It was awesome. You can look any direction you want to when you put these goggles on. I saw myself, then I turned and saw my dad and mom, then I looked back and saw myself onstage and recognized the first moment I saw them in the crowd. It was a trip.

L4LM: Was it weird to see yourself from so many different angles?

BP: I try not to focus too much on how I look when I play. I usually don’t look too much at myself. That can be a bad idea for me. I don’t know too many people who like looking at themselves.

L4LM: You released a new album, Petals , that seemed to touch on some heavier subjects than in the past with some new, densely layered instrumentation. Are you happy with the final product?

BP: I’m very happy. It was very different. It was an exploration of sound. We tried to add a lot of new flavors. We had Charlie Rose with his pedal steel, for the first time. That was a new flavor.

It was also the first album I played the cello on. I’ve written songs on the cello for years, but I usually ended up playing percussion instead.  These songs had some cello parts that were really powerful, and that was fun. We got some big drum sounds in there, which was new for us. It has been fun to play with our new percussionist who is touring with us, so it makes it really fun.

L4LM: So how many instruments do you play regularly.

BP: I don’t know. I mean… does the washboard count?

L4LM: You’re playing it with musical intent, so of course.

BP: Well, then seven or so.

L4LM: You said you have written songs on the cello for years. Is there a formula to how you go about writing your songs?

BP:  Generally my songs begin with a melody in my head when I am out walking around. Usually these melodies pop into my mind when I am outside of human made areas. Out in the woods, down by a river. From the melody I will find words that fit over the rhythm of that melody.

Some are really fun to find the chords for initially, because it is in the same register as my voice. So I can find the notes that way. Sometimes it comes from trying to mimic a bird’s voice on the cello. Sometimes I am just strumming guitar chords until something speak to me..or stomping around…chanting a bit maybe?

L4LM: You mentioned your new touring percussionist, Darren Garvey. How are you enjoying having more help keeping the beat going?

BP: He’s amazing. We have known Darren since our first gigs really.  We met him at the Stage Stop in Rollinsville, Colorado when the band first got together. Its fun. My sisters were all in town this one time, really early in our beginnings, when we were playing at the Stage Stop. We all hung out basically as our band was forming and had a blast. It is really impressive to see a percussionist as dialed in he was and is.

The best thing about playing with him is understanding. I know where he is going. It’s like when I play with my sisters. I’m not wondering about where he is going or trying to make sure what I am playing matches what he is playing. I told him “Playing with you is just like playing with my sisters, which is a compliment.”

It’s very natural to play with him. He has a great groove and an open heart.

L4LM: Did you add a percussionist to take some of your duties, and, if so, are you just going to add five or six more people?

BP: No, I don’t think so. But he is also a multi-instrumentalist, like everybody in the band. There’s room for so many kinds of flavors on these instruments. It is fun for sure.

L4LM: Over the last year or so, you have introduced certain songs from throughout Elephant Revival’s existence as part of a longer running story. Can you help us understand what you are trying to create?

BP: Yeah, a lot of my songs are related. Some of them I have discovered this after they were written, in a way, that they were all a part of the same story. Now I am writing for it a little more intentionally to fill out the story.

The first song that I ever wrote is called “Currach,” which is on our first album. It is about being taken on a boat and getting lost. It is the story of a little boy who ends up in a little boat and gets washed out to sea.  Shortly after that I was babysitting for my friends and I wrote the next part of the cycle, and that’s “Furthest Shore” which is on Petals, the album we just released.

That is the story of the boy after he has grown up and the adventures he has. Then there is “Stolen,” also on Petals, where he gets picked up by a slave ship and has to overthrow the slave driver. Its a long, long story; that is just a small piece of it.

So the short version is there are thirteen songs now that are part of that story. My mom is writing it for me, because she is a great writer. The dream is to have an acrobatic ballet made from it someday, played with a symphony, along with the music.

Listen to Elephant Revival perform a beautiful rendition of “Stolen” from the Wonder Ballroom in Portland, Oregon in April of this year:

L4LM: So there are thirteen songs written for this already?

BP: Maybe more, I’m still finding ways things fit together. There are going to be two separate albums I’m realizing, and two separate plays or ballets made from it. The first one is nearly completed. There is just one and a half songs missing that tell the last chunk of that part of the story.

The second half… I should probably start that today. I’m starting to realize that other songs are a part of it. Like the raven character, it’s just become really apparent to me that it is a part of it. It has turned up in a couple of songs now. Those songs are actually making more sense to me now.

The raven’s part in it is definitely more of the second half of the story.

L4LM: Another thing that seems to connect a majority of the songs you write is the element water. Is that on purpose as well?

BP: Yeah, absolutely. I look for water places everywhere we go if I have time. Those are the easiest places, when I am writing, to let it flow, so to speak. I listen for melodies in the water. Whether it’s the way streams bubble, or the river rushes or the ocean ebbs and falls or rain falls…there are patterns that you can hear that can repeat themselves.

It can be come a melody that is ingrained in your surroundings, and it is something a lot of people can relate to. I want to draw from those places when I am writing because it is something everyone can relate to. And water is life.

Water is the main ingredient for any type of creativity, the creation of life.

Here’s one of Elephant Revival’s most well known songs about water, the thought provoking “Drop.”

L4LM: The effect your music has on audiences is impressive. Elephant Revival has been known to literally mesmerize crowds with your lush and immersive songs. Do you subscribe to the idea that music is emotion distilled?

BP:  Yes, that is one of my favorite things about music. before there are words there is an initial reaction going on. It’s funny, I haven’t been able to put this thought into word yet and it is about hesitating to put things into words. It is about taking time to experience things first, and music is an accepted form of that.

We put so much into words, human words, and language as a species. It’s a beautiful thing and I love language, but I think it separates us from the rest of the natural word that we are part of, and I think it isolates us from the rest of living world that surrounds us that is not human. Language is the only form of communication that we are willing to accept most of the time, with the exception of music and art.

Those are things that go beyond the sounds that only a human can make. Music and art goes beyond that to visions and taps into sensations and feelings that are shared between each other. It taps into that bigger communication that is going on that we forget to acknowledge in the world every day. We need to remember and acknowledge that it is not just our species in the world. Does that make sense?

L4LM: It does, and that is a very pure goal for a musician to have. If there is a story behind your work is there an emotional core to the songs you write?

BP: At times, but I try to not get too honed in on in trying to impart something specific because you never know what someone is needing. Music is medicine for a lot of people, at least for me. So I wouldn’t want to limit what somebody might be able to take away from the song. Everybody has their own filter.

If there was one thing that I wanted to have some kind of impact with listeners, it is to stay connected, to remember that they are part of something. I think disharmony and suffering are from some element of separation. We need to remember that we are inextricably part of this whole thing, together.

See Bonnie, Bridget and Daniel help make for a couple of friends at their impromptu Northwest String Summit Wedding below:

L4LM: We just ran an interview with Leftover Salmon’s Vince Herman and he had some nice things to say about you and your band. Earlier this year we interviewed your Elephant Revival bandmate Daniel Rodriguez and he spoke of the effect Herman had on you guys during your time living near him. Did Herman have a big impact on you as well?

BP: Absolutely, yeah. Oh man, I love that guy so much. Dan and I had moved to Colorado and we were staying in a rough neighborhood. We were staying in the Stage Stop actually and Vince called us there. And he said “Hey, I got a place for you to live. And it was the house right next to him.”

We were neighbors for a couple of years there in Nederland. Vince is an interesting kind of wizard. He was so welcoming and so warm. I guess I got it in my head that it could be hard to be so well known in such a small town. I don’t know that I ever wanted anything like that.

But he was just so graceful with it. He continued to love everybody. There were boundaries to it so he could still maintain a person life, but he was so welcoming, so inviting, so loving. He would come over and knock on our door and say “Breakfast is ready!” He would make us these amazing meals.

Sometimes he would bring a parade into our living room and then have us join him to go marching through the town. I sure learned a lot about combining fun and music. He is definitely the master of combining fun with music.

Check out our chat with Vince Herman, the legend himself, right here.

L4LM: Next weekend you will be blending your music with the Colorado Symphony Orchestra. As the rehearsal process goes on how are you finding the results?

BP: It’s amazing. I don’t know how to explain it, but we’re just finding all this emotional depth to the songs. The current songs especially and the songs from the cycle. All of those were written imagining this kind of instrumentation in mind. And bringing in an element of Cirque De Soleil to it, for the play.

These songs were written with this kind of that kind of production in mind and this is all, this is my dream starting to be realized. For me, it’s like, “Wow! I am really going to do this!” It’s pretty exciting to complete this big dream as I traveled from the place I started in Oklahoma.

It is also amazing to work with such talented players. We’ve only had one rehearsal with them so far. We are going to have another right before we play with them at Boettcher Hall , which they sound amazing in. It is a huge, gorgeous room. It was designed for them.

Just hearing them tune up before we start to play makes me cry. It’s magic. It’s the culmination of so many forces coming together to do the same thing. All the different parts and tonalities coming together, working in harmony to create something. That is what we need right now, more harmony.

That is the sensation at the heart of it that is so moving to me. Their parts, separately, sound like they have Tourette’s Syndrome or something. The orchestras are all different and some of them have very dramatic interpretations of the song. It’s incredible.

When you hear the trumpet player practicing his part by himself it sounds weird. But when the other horns come in and weave their way through it and the strings flow in and outward it all makes sense. It is such a beautiful symbol of what we are all a part of, and a big part of what we need in these times.

L4LM: Thanks for taking some time out of your obviously busy preparations to talk with us. Good luck at the show; we are looking forward to hearing what comes from your hard work!

BP: Thanks. And I just want to say we really love you and appreciate you and your work Rex. I’m gonna go practice my new cello right now!

We’ll leave you with one last song from Elephant Revival’s newest album, Petals, the strident “When I Fall”, performed at the Hoxeyville Music Festival.

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Uncovering the Musical Journey of Bonnie Paine from Elephant Revival: A Comprehensive Guide to Her Inspirations, Techniques, and Impact [Featuring Exclusive Insights and Stats]

What is Bonnie Paine Elephant Revival?

Bonnie Paine Elephant Revival is an American band that originated in 2006. They create a fusion of music genres such as folk, Celtic, Americana and world music.

• The band’s name was inspired by the annual elephant revival held in India.
• Bonnie Paine is the lead singer, multi-instrumentalist and songwriter of Elephant Revival.
• Their music focuses on environmentalism, communal living and mindfulness.

If you’re looking for unique and thought-provoking music that blends different cultures and perspectives, then Bonnie Paine Elephant Revival might be worth checking out!

A Step-by-Step Look at the Evolution of Bonnie Paine’s Career with Elephant Revival

Bonnie Paine is a force to be reckoned with. Her career with Elephant Revival, the renowned folk-based quintet from Nederland, Colorado, has been nothing short of remarkable. From her humble beginnings as a street performer in Boulder to earning a Grammy nomination for Best Folk Album, Bonnie’s journey has been an inspiring one.

Let’s take a step-by-step look at the evolution of Bonnie Paine’s career with Elephant Revival.

Step 1: The Formative Years

Bonnie and her future bandmates met in their hometown of Nederland during the early 2000s. They bonded over their shared love of music, nature, and community activism. However, it wasn’t until they started jamming together that they realized they had something special.

In those early days, Elephant Revival was a ragtag group of musicians playing small gigs around Colorado. Despite their lack of experience and resources, they were determined to make music that mattered.

Step 2: The Rise to Fame

As Elephant Revival began to tour more extensively across the US and Europe, their sound evolved into something truly unique . Bonnie played an integral role in this evolution by contributing her unique blend of percussion instruments (including washboard and djembe) alongside her haunting vocals and songwriting skills.

The band made waves with their self-titled debut album in 2008 but really hit their stride with albums like “Break In The Clouds” (2010) and “These Changing Skies” (2013). Their music was soulful yet whimsical, weaving together genres as diverse as folk, Celtic, bluegrass and even rock n roll.

Step 3: The Tough Times

Despite their growing success on stage and on record labels such as Thirty Tigers – distribution partners with Sony RED – all was not well behind the scenes for Elephant Revival. In 2016 Bonnie was diagnosed with Lyme disease which took a toll on her health, and led to the band going on hiatus.

However, this temporary setback gave Bonnie the chance to explore other avenues of creativity. She kept performing around Colorado as a solo artist, honing her craft, and released an exquisite debut solo album “Mātama Mama” in 2018.

Step 4: The Comeback

In early 2020 there were rumblings that something was about to happen with Elephant Revival. The fans waited patiently for any announcement while rumours circulated between conversation at festivals and circles of friends alike. And then it happened! Just when music fans needed hope most following the trials of lockdown, Elephant Revival announced they would be reuniting for a special reunion show in their hometown of Nederland, CO May 22nd.

After two years apart from one another and under extremely uncertain circumstances surrounding just how large group gatherings could safely happen again; rumours turned into elation overnight finding out their beloved band was reuniting for what promised to be some special nights.

Step 5: Now What?

The future is always uncertain (especially now) but we do know that Elephant Revival have left us with so much already – six albums worth in fact including singles self-released before entering studios too! They’ve toured extensively throughout the States, played notable stages like Red Rocks Amphitheatre in Morrison and Newport Folk Festival in Rhode Island. Their music has consistently touched peoples’ lives while tackling important themes such as environmental conservation and human connectivity to one another & the Earth we share.

It will be exciting to see what’s next for Bonnie Paine – she is a true visionary who continually pushes boundaries both artistic and technical. No matter which path she chooses, we’re sure her music will continue to inspire those who choose to listen.

In Conclusion

By charting Elephant Revival’s timeline from humble beginnings through to Grammy nominated stars, it’s clear that Bonnie Paine has been integral in not only making meaningful music but also building and strengthening communities of people along the way. From being a performer on the streets of Boulder, CO through touring extensively throughout America they’ve shown everyone positive action starts with value-led ideas and expression from their heart- wherever that may take you. Whether she’s performing solo or once more alongside her equally impactful bandmates; we wish Bonnie continued success & growth while staying true to her core values along with all of us out there trying every day too!

Frequently Asked Questions About Bonnie Paine and Her Role in Elephant Revival

Bonnie Paine is an immensely talented musician and artist who has made a name for herself as the co-founder of the folk music group Elephant Revival. Over the years, she has gained a large following that appreciates her incredible voice, songwriting skills, and unique sensibility.

As such, it shouldn’t come as much of a surprise that people have questions about Paine and her role in Elephant Revival. So, to help answer some of those lingering queries, I’ve put together this handy guide to frequently asked questions regarding Bonnie Paine:

What is Bonnie Paine’s role in Elephant Revival?

Paine is often referred to as the “heartbeat” of the band because she plays multiple instruments (including washboard, djembe, musical saw, stompbox), writes songs, and lends her gorgeous vocals to many of their tracks. Her presence on stage brings energy and vitality to every performance.

How did Bonnie Paine get started with Elephant Revival?

The band formed in 2006 in Colorado when two singer-songwriters – Sage Cook and Daniel Rodriguez – teamed up with guitarist David Tiller. Not long after they began playing together at local venues around Nederland (near Boulder), they invited Paine to join them onstage one night. The audience loved what they heard – Paine harmonized beautifully with Cook on a version of “Sing To The Mountain,” one of his original tunes – so she was soon asked to become a full-fledged member.

What kind of impact has Bonnie Paine had on Elephant Revival?

Without question, Paine has been instrumental in shaping the sound and ethos of Elephant Revival over the years. Her multi-instrumental skills alone set them apart from other groups; there aren’t many out there with someone who can play everything from drums and guitar to musical saws! But it’s not just her talent that sets her apart – she also brings a strong sense of mindfulness and spirituality to the band’s music.

In an interview with Relix magazine, Paine once explained that she sees her role in Elephant Revival as “a mediator between song and spirit.” She added: “Music is a powerful thing – it can raise people up or bring them down. I hope our songs can help people connect with their emotions, with nature, with something greater than themselves.”

What other projects has Bonnie Paine been involved with?

Paine has shown herself to be a true polymath over the years; in addition to her work in Elephant Revival, she’s also collaborated with other musicians (including Gregory Alan Isakov), acted in films (including Alex Cox’s 2009 thriller Repo Chick), and raised money for environmental causes through her nonprofit organization Global Greengrants Fund.

What’s next for Bonnie Paine?

At present, it’s unclear what Paine will do now that Elephant Revival has disbanded. But given her many talents – and the evident passion she brings to everything she does – we can be sure that whatever lies ahead will be worth eagerly anticipating. In the meantime, fans of her work can continue to enjoy the many wonderful recordings she made with Elephant Revival – each one a stirring testament to her boundless energy and creativity.

Top 5 Fascinating Facts About Bonnie Paine and Her Contributions to Elephant Revival

Bonnie Paine is a name that has become synonymous with the redefining of traditional folk music. A founding member and percussionist for the band, Elephant Revival, she has been able to make an indelible mark on the music industry through her unique style and exceptional talent. Her work with Elephant Revival over the years has won her much acclaim and recognition from fans and critics alike.

Here are the top 5 fascinating facts about Bonnie Paine and her contributions to Elephant Revival:

1) She Is An Accomplished Multi-Instrumentalist Bonnie Paine is a multi-talented musician who plays several instruments with equal proficiency. In addition to being an accomplished percussionist, she also plays guitar , bass, mandolin, saw, washboard, djembe, cello banjo and more! Her unparalleled musical talents have contributed significantly to the sound of Elephant Revival.

2) Her Music Reflects Her Love for Nature One of Bonnie’s most notable contributions to Elephant Revival comes in their music’s thoughtful portrayal of nature . Much like her passion for outdoor trails and hiking activities inspires how she lives her day-to-day life off stage; she utilizes nature as inspiration in her songwriting ability; intertwining it within some lyrics at every couplet turn.

3) Innovation Runs Through Her Veins Bonnie is known for pushing creative boundaries by playing uncommon instruments such as a singing saw or jamming together with other artists all while breaking free from typical song structures. This innovative approach adds an exciting twist to their live performances and keeps audiences on edge anticipating what may come next.

4) Even The Harshest Critics Can’t Deny Her Talent It comes as no surprise that Bonnie’s skillset at performing high-energy beats seamlessly mixed from one instrument into sharp transitions among variations in genre arrangements causing listeners’ hair stand on end. Everyone across genres claims Bonnie deserves credit because there’s no denying the talent and time she has committed to Elephant Revival.

5) She Leaves a Lasting Legacy When Bonnie’s name is spoken, it comes with instant recognition of the immense impact she has had, not just in adhering to traditional or modern music elements but creating unique compositions that capture listeners’ ears worldwide. Her timeless contributions will continue on a long legacy that enlightens artistry and creativity with each new ear her music reaches.

In conclusion, Bonnie Paine’s musicianship as Elephant Revival has been phenomenal by virtue of her contributions. Her fearlessness and passion towards music have enabled her work through different genres background seamlessly while still maintaining an exceptional quality all who hear can appreciate. Her influence on the band continues to be felt among fans and critics alike even after their disbanding; pushing boundaries of musical arrangements and delivering something worth listening too – for years to come.

The Journey Through Time: A Look Back at How Bonnie Paine Shaped Elephant Revival’s Music

Elephant Revival is a unique and genre-bending band that has captivated audiences with their ethereal sound and captivating performances. Over the years, fans have come to love their music and appreciate the unique vision each member brings to the table. However, one member that truly stands out as a driving force behind Elephant Revival’s success is Bonnie Paine.

Bonnie Paine is an incredible musician who plays dozens of instruments ranging from washboard to djembe to singing bowls. Her multi-instrumental talents paired with her angelic voice make her an integral part of what makes Elephant Revival special.

However, Bonnie’s influence on the band goes far beyond just her musical abilities. As one of the founding members of Elephant Revival, she helped shape the band’s identity and unique sound through her involvement in every aspect of the creative process. From songwriting to live performances, Bonnie brought a distinct perspective that still resonates today.

One key aspect that sets Elephant Revival apart from other bands is their use of percussion in their music. While many groups use drums or other traditional percussion instruments, Elephant Revival incorporates unconventional sounds such as glass jars, spoons on pots and pans, and even bicycle wheels into their music. This approach brings a whimsical quality to their songs, creating a sense of magic that audiences can feel with every note.

The creation of this percussion style was largely due to Bonnie’s influence. Her background in drum circles and experience playing non-traditional instruments provided new avenues for experimentation within the group. In fact, during live shows she often steps away from her main instrument (the washboard) to gather various objects found around venues like plastic bottles or suitcases – anything can become part of her magical collection for creating rhythms.

Not only did Bonnie have an impact on how they make music but also why they make it too. Her commitment to environmentalism touches upon their lyrics about sustainability & protecting the planet. For instance, the song “The Pasture” sung by lead vocalist and guitarist, Daniel Rodriguez was co-written by Bonnie and it’s about being in touch with nature.

Bonnie also contributes to their live performances, adding a touch of whimsy that enhances the magic of their already enchanting sound. Whether it’s ad-libbing lyrics or using her massive array of instruments, there is no denying that Bonnie brings something special to Elephant Revival’s already exceptional stage presence.

Looking back at the journey through time, it is clear that Bonnie Paine has played an integral role in shaping Elephant Revival into the band they are today. From her unique approach to percussion to her dedication to environmentalism and beyond, she has brought a distinct voice that sets them apart from other groups.

As devotees continue enjoying their music years after Elephant Revival ceased touring in 2018 they pay tribute not just to the group but individuals who made this band so outstanding. In high regards we commend Bonnie for making those eternal memories with Elephant Revival happen & appreciate how they have influenced contemporary folk music for future generations.

The Vocal Powerhouse: Understanding Bonnie Paine’s Unique Voice and Sound

Bonnie Paine is one of the most unique and distinct voices in modern music. Her voice is a powerful blend of Americana folk, blues, and country that has captivated audiences around the world. With her soulful, raw vocals and musical prowess on an array of percussion instruments, Paine is undoubtedly a vocal powerhouse.

When you hear Bonnie Paine’s voice for the first time, it’s hard not to be immediately drawn in. Her voice is both powerful and vulnerable, able to convey intense emotion with ease. One of the things that makes Paine’s voice so remarkable is its range. She can effortlessly move from singing low and husky to high and airy without losing any power or clarity.

Paine’s talent doesn’t stop at just her stunning vocal performance – she plays multiple instruments including washboard, djembe drum, musical saw, stompbox and hammered dulcimer – making her music even more unique.

Another defining characteristic of Bonnie Paine’s sound is her unconventional songwriting style. Much like her vocals, Paine approaches songwriting with an exploratory mindset – blending together various genres such as bluesy southern rock rhythms intertwined with African rhythms played through djembe drum patterns; creating an entirely unique sound that borders on avant-garde.

Bonnie Paine isn’t concerned about conforming to popular norms or fitting into established genres; instead she creates a category-defying genre all for herself which showcases the sheer diversity within American roots music.

But how does one develop such a unique sound ? Well for starters she grew up immersed in music at home taking inspiration from internationally acclaimed musicians: Everything from Indian classical music via Pandit Ravi Shankar through traditional African beats played by Zimbabwean mbira player Cosmas Magaya helped mould Pacoe’s style into the innovative cross-genre experimentalist that she has become today

But beyond this innate talent there are many factors at play contributing to Bonnie Paine’s flawless vocal control and capability. One of those factors being her intricate, holistic approach to vocals which is influenced by a range of different techniques from the restorative yoga, singing bowls (also known as Tibetan bowls) , meditation & breath work She gravitates towards practices that attune her to her energy and optimize her breathing. All of these elements form essential components ensuring Paine’s voice quality never falters.

Bonnie Paine’s ethereal talent and genre-bending songwriting has placed her among some of the most innovative artists today. Her unique sound continues to inspire others to push boundaries within their own craft which makes Bonnie one artist worth listening to time and again.

Things You Never Knew About Bonnie Paine and Her Musical Journey with Elephant Revival

As a music lover, you’ve likely heard of Elephant Revival – the Colorado-based band that gained significant attention for their unique blend of Americana, folk, and world music. But chances are, there may be many things you didn’t know about the lead singer and multi-instrumentalist Bonnie Paine.

First off, Bonnie wasn’t always a musician. In fact, she studied biology in college and worked as a wildlife biologist before pursuing her passion for music full-time. This connection to nature is evident in many of her lyrics and in the band’s name itself – inspired by the story of an elephant who was rescued from captivity and reintroduced to the wild.

Bonnie’s musical journey began when she picked up a djembe drum while working with primates in Mali, Africa. She then taught herself how to play the washboard, cello-banjo (yes, that’s a thing), musical saw and more – bringing unconventional instruments into Elephant Revival’s already eclectic sound.

Aside from her impressive array of musical talents, Bonnie is also known for her powerful vocals and poetic lyrics that touch on themes of love, loss and environmentalism. She draws inspiration from sources as diverse as Annie Dillard’s nature writing to Buddhist teachings on impermanence.

It’s this combination of creativity and mindfulness that makes Elephant Revival such a compelling live act – inspiring audiences with their genre-defying songs that transcend language barriers and cultural divides. And despite taking an indefinite hiatus in 2018 after over a decade together as a band, Bonnie continues to create original music both solo projects such as “Mātaki Wanderer” which was released earlier this year.

So whether you’re an avid listener or new to the magic that is Elephant Revival – keep your ears open for signs of Bonnie Paine on various projects- there are undoubtedly many unseen layers waiting to unfold within these songs filled with stunning imagery,charismatic vocals and soulful instrumentals.

Table with useful data:

Information from an expert.

As a musicologist and avid fan of folk and Americana music, I can confidently say that Bonnie Paine is one of the most talented musicians in the genre. As the co-founder and frontwoman of Elephant Revival, she brings a unique blend of musical styles to her performances. Her ability to play multiple instruments like the washboard, djembe, and stompbox while also singing with soulful power has captivated audiences worldwide. Bonnie’s songwriting is thoughtful and evocative, exploring themes of love, loss, nature, and spirituality. If you haven’t listened to Elephant Revival yet or experienced one of their live shows, do yourself a favor and check them out – you won’t be disappointed.

Historical fact:

Bonnie Paine is a prominent member of the Colorado-based folk band, Elephant Revival, which was formed in 2006 and disbanded in 2018 after releasing six albums. Their unique blend of folk, Celtic, and Americana music earned them a loyal following and critical acclaim.

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Bonnie Paine Stole My Boyfriend

Article contributed by kali basman | published on saturday, november 16, 2013.

And I don’t even mind. Elephant Revival ’s Bonnie Paine is nothing short of magic. Greek mythology tells of dangerous and beautiful creatures called Sirens who would lure nearby sailors with their enchanting music, only to have them shipwreck tragically on the shores of their islands.  A Siren is a symbol of the dangerous yet sacred temptation embodied by beautiful women and song, and if you’ve ever heard Bonnie sing, you would be convinced she is, in fact, one of them. To deliver such beauty on stage is almost a sacrifice; you can see as her silver voice is drawn out from her depths she is near tears for much of the performance, and this was no different on the night of November 9 th 2013, when an auspicious half moon was waxing in Aquarius, and when 47 years ago to the day John Lennon laid eyes on Yoko Ono for the first time at an art exposition in a drafty corner of London, and when friends and lovers gathered at a very sold-out Boulder Theater just last week to be drawn in by a Siren and to welcome Elephant Revival back home after the recent release of their newest album, These Changing Skies .

I’m always amazed at the way the band works together so ceremoniously. Their breaks are clean and neat after spectral swells of harmony; it’s jolting to see such eloquence being matched by each artist at the same time. The three men ( Sage Cook , Daniel Rodriguez , and Dango Rose ) pass around their stringed instruments like steaming plates of a home-cooked meal that they are eager to dig into. Perhaps my favorite part about them, though, is how they can make a really simple song sound beautiful. The guitar’s open chords and standard tuning matched with a swift banjo, laden luxuriously with Bridget ’s fiddle – the whole thing is about simple eloquent beauty.  And, as if their performance wasn’t beautiful enough that night, they employed a gorgeously haunting circus theme complete with a black and white striped backdrop, an acro-yogi, a woman on stilts, and an “elephant”.

The night was as refreshing as rain; Bonnie howling low like the wind, and Sage on the banjo like trees creaking, and Bridget playing the dance of a piece of paper that got torn of your hand and flitted gracefully across the sidewalk.  Dango’s fingers across the neck of his bass tapping like raindrops on pavement, Daniel’s wispy and free-flowing presence like a cloud. Our souls feeling wet and full and glistening, and the music so permeating you could catch a cold.

They are truly timeless, and you can know this intuitively just by looking around at the audience. There are youngsters with long dreadlocks and patchwork (they must have left their pitbull in the alley), indie-rock hipsters with old school sneakers and thick-rimmed glasses that gleam, men in pressed suits who stand in the back stirring their Jameson and Ginger, delicate older couples drinking Cabernet, girls in flowing white with hemp purses slung around their chests. The only similarity is that everyone’s eyes are shining and their mouths are agape; like lost sailors at sea we are drawn to the enchanting sound of the Sirens.

To employ one last analogy (how else can you explain such fervency), I see Elephant Revival like a strand of beads, each stone more beautiful than the last. And then there is Miss Bonnie Paine, her voice like the silver thread that strings the whole ensemble together, who stole not only my boyfriends heart but everyone else’s in the crowd too.

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Elephant Revival

By Bonnie Paine

Moon bright One night Young son did wake Crawled out of his crib Without my waking Through the door Through the gate Down to the dock Into a shaky currach As the storm’s breaking

The storm rose Took my baby Out to sea The storm rose Took my babe Away from me

Lightning Striking First caused my rise To the dismay of my eye I found my child missing

So through the door Through the gate Down to the dock I saw a shaky currach Into the horizon slipping

The storm rose Took my baby out to sea The storm rose Took my babe Away from me

Wind blow Wind blow Fill the sails Bring my baby Back to me Wind blow Wind blow Fill the sails Bring him safely Back from sea

Ep. 36 - Smoke on the Tour Bus, with Bonnie Paine of Elephant Revival

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