star trek live in concert

Rediscover 50 Years of Film, Television, and Music. 100 city tour begins January 2016.

About The Show

Celebrate 50 Years of Star Trek with the 100-city concert tour. Featuring Star Trek 's groundbreaking musical achievements performed by a live symphony orchestra and the most iconic Star Trek film and TV moments beaming onto a 40-foot wide screen.

• Schedules and Guides
• 2020 Schedule
• 2021 Schedule
• Reading Order
• Starships Index

Saturday 31 May 2014

Review: star trek live in concert.

2 comments:

I didn't even know this was a thing, but now I want to see it! Doesn't seem to be coming anywhere near me, though.

Tradeshow Design and style assistance involving rolex replica Nova scotia normally present wide open entry to your varieties of advertising you would like. Create previous preparations in order to meet essential sector authors in the flesh for you to help with advertising interaction pursuits, breitling replica induce attribute content in several portions in the produce advertising along with acquire editor human relationships. Make tradeshows to generate a wonderful feeling with the podium by simply profiting firm business owners, buyers, spouses along with leads. Seek out the means for you to converse as well as modest a new screen to get additional advertising along with panerai replica sector direct exposure. Start off generating preparations around probable. Your airfields along with neighborhood gas stops are generally many of the most prepared spots that is known. You'll find processes similar to notable synonyms along with generating a profit that will should be used. Regarding your airfields, your fake breitling stability procedures in addition undertake much of the time. Your people should be with the airfields along with neighborhood gas stops through these, drastically raising your obsess periods. Along with these are generally not simply just about any obsess periods. These are generally obsess periods with the transit gas stops using fake hublot many of the most cozy situations. A new visitor ready pleasantly is a lot better feelings you just read along with digest your mail messages provided with the OOH Advertising Demonstrates when compared with a person operating while travelling in substantial data transfer rates.

Post a Comment

Star Trek: Live in Concert

• View history

Star Trek: Live in Concert is a series of screenings of the films Star Trek and Star Trek Into Darkness , with live orchestra performing Michael Giacchino 's score. The tour has its roots in a screening, which Giacchino attended, of the first film during the weekend of 12 April 2014 , with live music by the 21st Century Symphony and with preview performances of the score for the second film. [1] The films' scores have been slightly tweaked by Giacchino. [2]

• 4 External links

During the back-to-back screening of the films in London, Giacchino introduced both films, and was joined by J.J. Abrams and Simon Pegg . Between the performances, he also participated in a discussion hosted by the British Academy of Film and Television Arts , which was also attended by the string quartet Bond , who performed his music from Up and Lost . [3]

The 2014 San Diego Comic-Con screening was attended by Giacchino and John Cho , the former helping raise awareness of The Mission Continues , the charity that Abrams collaborated with on Into Darkness . The event also included a cosplay content. [4]

See also [ ]

• Star Trek: The Ultimate Voyage

External links [ ]

• Star Trek: Live in Concert at X (formerly Twitter)
• FIRST LOOK: Star Trek: Live in Concert at StarTrek.com
• Upcoming dates at StarTrek.com
• Michael Giacchino takes ‘Star Trek’ scores live at app.com
• Star Trek Live In Concert Series Headed To Australia
• 3 ISS Enterprise (NCC-1701)

• More to Explore
• Series & Movies

Published Sep 17, 2014

Star Trek: Live In Concert Global Expansion Starts With Australia

Star Trek Live In Concert , which features screenings of Star Trek (2009) and Star Trek Into Darkness accompanied by live symphony orchestra performances of Michael Giacchino’s scores, has been wowing audiences in the U.S. and Europe, will touch down in Australia in early 2015 for performances in Melbourne and Brisbane. The Melbourne and Brisbane shows will kick off the tour's next wave of global performances. Tickets are on sale now for the following events:

Saturday Jan 31st, 2015  7:30pm  -- Star Trek (2009)

Sunday Feb 1, 2015 2pm -- Star Trek (2009)

Melbourne, AustraliaFeaturing the Melbourne Symphony Orchestra Plenary, Melbourne Convention and Exhibition CentreTix link: http://www.mso.com.au/whats-on/2015/star-trek/ Twittter: @MelbSymphony Facebook: https://www.facebook.com/MelbourneSymphony Plenary: @MCEC or https://www.facebook.com/themcec

Saturday Feb 7, 2015 7:30 pm -- Star Trek (2009)

Brisbane, AustraliaFeaturing the Queensland Symphony OrchestraRoyal International Convention CentreTix link: http://qso.com.au/special-events/star-trek Twitter: @QSOrchestra Facebook: https://www.facebook.com/queenslandsymphonyorchestra Instagram: http://instagram.com/qsorchestra Royal International Convention Center @Royal_ICC https://www.facebook.com/RoyalICC(NOTE: Two additional peformances to be announced soon)

Keep an eye on StarTrek.com for news about performances in additional cities and countries. And visit StarTrekConcerts.com for ticket information and the latest tour schedule.

Get Updates By Email

a journey through time and space

Our eighty-eighth concert season

season tickets available now single tickets available soon

With a hybrid multimedia concert, two international guest artists, three local celebrity vocalists, and a fully orchestrated live film screening, our 88th season is our biggest yet:

The Concerts:

• Holsts The Planets: Live in Motion

Holiday Superstars

• Tchaikovsky’s Masterpieces, an Evening With Alessio Bax
• Spirit And Virtuosity
• Star Trek: Into The Future LIVE

Our Next Concert

star trek (2009): The future begins

Saturday, april 27, 2024 8 pm temple theatre.

Go where no one has gone before. Experience J.J. Abrams’ Star Trek film in The Temple Theatre with your Saginaw Bay Symphony Orchestra playing the film score by Michael Giacchino live to the film, conducted by Maestro Fouad Fakhouri .

In More Detail

Holst’s The PLanets: Live in motion

Saturday, october 7, 2023 8 pm temple theatre.

Journey through the cosmos from the historic Temple Theatre as Maestro Fouad Fakhouri conducts your  Saginaw Bay Symphony Orchestra in a space-themed concert featuring John Williams’ Close Encounters of the Third Kind , Nielsen’s Helios Overture , Rouse’s Phaethon, and Holst’s beloved The Planets, featuring a synchronized projection above the orchestra including footage from NASA.

Holsts The Planets – Live in Motion is made possible by Leo & Emilie Kahan, Dow Credit Union , Family First Credit Union , Al & Deborah Huntley, 96.1 WHNN and WNEMTV5news .

Tuesday, december 12, 2023 8 PM Temple Theatre

Saginaw Bay Symphony Orchestra continues our 20-year tradition of Holiday Pops by bringing together three of our most prolific local guest vocalists in one unforgettable holiday celebration. Join us in The Temple Theatre as Maestro Fouad Fakhouri conducts your Saginaw Bay Symphony Orchestra along with guest vocalists Todd Michael Hall, Amy Petty, and Sharrie Williams in a celebration of Saginaw’s own Holiday Superstars.

tchaikovsky’s masterpieces: an evening with alessio bax

Saturday, february 3, 2024 8 pm temple theatre.

World famous pianist Alessio Bax, winner of the Hamamatsu International Piano Competition, the Leeds International Pianoforte Competition, the Martin E. Segal Award, The Andrew Wolf Chamber Music Award, and as featured in NPR’s Tiny Desk Concerts,  joins your Saginaw Bay Symphony Orchestra, conducted by Maestro Fouad Fakhouri, to play Tchaikovsky’s  Piano Concerto No.  1 in a tribute to the masterpieces of Pyotr Ilyich Tchaikovsky, featuring Tchaikovsky’s ‘ Cossack Dance’  and  Symphony No. 4   in F minor.

spirit and virtuosity

Saturday, march 30, 2024 8 pm temple theatre.

Join your Saginaw Bay Symphony Orchestra, conducted by Maestro Fouad Fakhouri, in a celebration and display of spirit and virtuosity featuring Wagner’s Tannhäuser Overture and Bartok’s notoriously difficult Concerto for Orchestra .

Star Trek Live

April 27 8:00 pm

The Temple Theatre 201 N Washington Ave Saginaw , MI 48607 United States + Google Map

California News | ‘The Bear,’ ‘Reservation Dogs’ among…

Share this:.

• Click to share on Facebook (Opens in new window)
• Click to share on Twitter (Opens in new window)
• Click to share on Reddit (Opens in new window)
• Click to print (Opens in new window)
• Investigative Reporting
• Environment

California News

California news | ‘the bear,’ ‘reservation dogs’ among peabody award winners.

The Peabody Awards — which honor “the most compelling and empowering stories released in broadcasting and streaming media during 2023” — will be presented this year in Los Angeles for the first time. The ceremony will be held June 9 at the Beverly Wilshire hotel, hosted by Kumail Nanjiani.

“Whether courageously documenting wars across the globe or cleverly bringing much needed smiles to our faces, the winners of the 84th Peabody Awards each crafted compelling and imaginative stories,” Jeffrey Jones, executive director of Peabody, said in a statement. “Spanning a wide range of mediums and genres, they delivered enthralling projects that are worthy of our highest recognition.”

HBO/Max earned a leading seven awards, while PBS earned five, Amazon MGM Studios three and The Washington Post and FX each earned two.

Among the winners for HBO/Max was “Last Week Tonight With John Oliver,” marking the program’s third Peabody Award. The win for “Reservoir Dogs” was the series’ second.

“Star Trek” will receive the Institutional Award, with the Peabody organization recognizing the longevity and impact of a franchise that began in the 1960s with just a three-season run for the original series, but sparking films, spinoffs and reboots that have endured for decades.

“From a groundbreaking television series to an expansive collection of films, novels, comic books and so much more, ‘Star Trek’ has been delivering joy, wonder, and thought-provoking stories since the 1960s,” Jones said. “With powerful anti-war and anti-discrimination messages, it has blazed trails for all science fiction franchises while winning over passionate fans across the globe. We’re proud to honor ‘Star Trek’ with Peabody’s Institutional Award.”

Previous winners of the award include “The Simpsons,” “60 Minutes,” “Sesame Street,” “TODAY” and “The Daily Show With Jon Stewart.”

Peabody officials also announced that WITNESS, the international rights group co-founded by musician Peter Gabriel that helps people worldwide use video and digital technologies to protect and defend human rights, will receive the organization’s Global Impact Award.

“Founded in 1993, WITNESS’ efforts have evolved with changing technologies, and have had a lasting impact on movements to secure freedom and democracy worldwide,” Jones said. “WITNESS’ work has been instrumental in protecting human rights around the world, and we are proud to honor them for their work harnessing video to do so.”

Also set to be feted during the June 9 ceremony will be previously announced honorees Mel Brooks, who will receive the Peabody Career Achievement Award, and “Abbott Elementary” creator/actress Quinta Brunson, who will receive the Peabody Trailblazer Award.

The Peabody Awards were founded in 1940 at the Grady College of Journalism and Mass Communication at the University of Georgia, where they are still housed.

Here is a complete list of Peabody winners:

— “Can You Bring It: Bill T. Jones and D-Man in the Waters” (World Channel and APT)

— “Judy Blume Forever” (Prime Video)

CHILDREN’S/YOUTH

— “Bluey” (Disney+)

DOCUMENTARY

— “20 Days in Mariupol” (PBS)

— “All That Breathes” (HBO/Max)

— “All the Beauty and the Bloodshed” (HBO/Max)

— “Bobi Wine: The People’s President” (National Geographic)

— “POV: While We Watched” (PBS)

— “The Stroll” (HBO/Max)

ENTERTAINMENT

— “The Bear” (FX)

— “Dead Ringers” (Prime Video)

— “Fellow Travelers” (Showtime)

— “Jury Duty” (Amazon Freevee)

— “The Last of Us” (HBO/Max)

— “Last Week Tonight with John Oliver: Israel-Hamas War” (HBO/Max)

— “Reality” (HBO/Max)

— “Reservation Dogs” (FX)

— “Somebody Somewhere” (HBO/Max)

INTERACTIVE & IMMERSIVE

— “The Hidden History of Racism in New York City” (Instagram)

— “Pentiment” (Xbox, Playstation 4/5, Nintendo Switch)

— “We Are OFK” (Playstation, Nintendo Switch, Steam)

— “You Destroy. We Create. The war on Ukraine’s culture” (Meta Quest)

— “Against All Enemies” (NBC 5 / KXAS-TV Dallas-Fort Worth)

— “Clarence and Ginni Thomas: Politics, Power and the Supreme Court” (PBS)

— “Hate Comes to Main Street” (WTVF-TV, NewsChannel 5)

— “It’s Bisan from Gaza and I’m Still Alive” (Al Jazeera Media Network)

— “War in the Holy Land” (PBS NewsHour)

PUBLIC SERVICE

— “America and the Taliban” (PBS)

— “The Post Roe Baby Boom: Inside Mississippi’s Maternal Health Crisis” (USA TODAY streaming channels)

RADIO/PODCAST

— “The Big Dig” (GBH-News)

— “The Empty Grave of Comrade Bishop” (The Washington Post)

— “Post Reports: Surviving to graduation” (The Washington Post)

— “The Retrievals” (Serial Productions and The New York Times)

— “You Didn’t See Nothin” (Invisible Institute and USG Audio)

• Newsroom Guidelines
• Report an Error

More in California News

Obituaries | Sam Rubin, KTLA 5 entertainment reporter, dies at 64

Politics | Newsom says state has $27 billion budget shortfall, but it can be balanced without raising taxes

Sports | Sean Burroughs, Long Beach baseball icon, dies at 43

California News | Former UCLA doctor wins $14 million in retrial of gender discrimination suit

Chris Pine Was Surprised by New ‘Star Trek 4’ Writer Hire Because ‘I Thought There Was Already a Script…I Was Wrong or They Decided to Pivot’

By Zack Sharf

Digital News Director

• Whoopi Goldberg Liked Hosting ‘The View’ More When People Didn’t Think Everything You Say Comes From a ‘Nasty or Horrible’ Place: You Have to ‘Hedge What You Say’ Now 22 hours ago
• 15-Year-Old ‘Hunt for Gollum’ Fan Film Restored Online After It Got Blocked Following Warner Bros.’ New ‘Lord of the Rings’ Movie Announcement 1 day ago
• Joel Edgerton Failed His ‘Guardians of the Galaxy’ Audition Because He Didn’t ‘Understand the Tone,’ Says ‘The World Is a Much Better Place That I’m Not Star Lord’ 1 day ago

Chris Pine was taken by surprise when news hit that Steve Yockey, creator of the Max series “The Flight Attendant,” had signed on to write the script for “ Star Trek 4.” Why? “I thought there was already a script,” the actor recently told Business Insider during an interview on his “Poolman” press tour.

Popular on Variety

“I honestly don’t know,” Pine told Business Insider when asked about “Star Trek 4” updates. “There was something in the news of a new writer coming on board. I thought there was already a script, but I guess I was wrong, or they decided to pivot. As it’s always been with ‘Trek,’ I just wait and see.”

Steve Yockey is the latest screenwriter to get a chance to pen the script for “Star Trek 4.” Attempts over the years to get the sequel off the ground have included an R-rated idea from none other then Quentin Tarantino. Another version of the project was to be directed by Matt Shakman (“WandaVision”) and written by Lindsey Beer (“Sierra Burgess Is a Loser”) and Geneva Robertson-Dworet (“Captain Marvel”). Shakman left the project to direct Marvel’s “The Fantastic Four” instead, and it fell apart soon afterwards.

In his Business Insider interview , Pine also said that it wasn’t until the third movie that he finally felt comfortable on set playing Kirk. The character was made famous by William Shatner.

“It’s interesting. Karl Urban decided to go head first into McCoy because Karl loved ‘Star Trek,'” Pine said. “With Spock, you have to do Spock-like things, plus Zach [Quinto] kind of looked like Leonard [Nimoy]. And then Kirk is a tricky one. You are the lead of the band of characters, so you don’t want to occupy too much space. It’s fine if they are doing a thing, but you don’t want to. And J.J. [Abrams] never asked me to do a thing, though I did do little nods to Shatner because it was fun.”

“But I would say I felt most in his shoes in the third movie. By that point, I think I mellowed into it and didn’t feel like I was trying too hard,” Pine added.

More From Our Brands

Joanna newsom pays tribute to ‘hilarious, loving, loyal friend’ steve albini at utah fest, a manhattan mansion by architect robert d. kohn hits the market for $13 million, purdue to turn final four court panels into collectibles, the best loofahs and body scrubbers, according to dermatologists, cast of cancelled ncis: hawai’i gathers at sunset to celebrate ohana, verify it's you, please log in.

• Share full article

Advertisement

Supported by

Madonna Brings Massive Free Concert to Rio, Capping Celebration Tour

The pop superstar performed a final date on her global trek marking four decades of hits: a set on Copacabana Beach before the largest live crowd of her career.

By Flávia Milhorance and Julia Jacobs

Reporting from Rio de Janeiro and New York

When Madonna stepped out onto the mammoth stage constructed on Rio de Janeiro’s Copacabana Beach on Saturday night in a gleaming halo headpiece and black kimono, she was greeted by the largest live crowd of her four-decade career.

The free show, announced in late March, was a grand finale to the pop superstar’s latest world tour, which has delivered 80 performances since last October . Without ticket data, concert crowd sizes can be difficult to gauge; Riotur, the municipality’s tourism department, estimated that 1.6 million people flooded onto the 2.4-mile stretch of sand on Saturday that had been turned into a roughly $12 million playground surrounding the 8,700-square-foot stage.

It was the culmination of days of Madonna-mania in the city, where talk of the singer, 65, was inescapable. Her songs spilled out of stores and car stereos. Fans assembled outside her hotel and shouted her name. Updates about the concert, which was broadcast on the network Globo TV, dominated local media reports.

The spectacle in Rio was a milestone in Madonna’s career: the victory lap for her first stage retrospective, called the Celebration Tour , in which she chronicled her rise to stardom, performing hits like “Into the Groove,” “Like a Prayer” and “Ray of Light” with a cadre of dancers, four of her six children, and a wardrobe of elaborate costuming that recalled some of her most memorable looks.

“Here we are, the most beautiful place in the world,” Madonna announced early in the concert, indicating the ocean and the mountains around her. “This is magic.” Later, she expounded on her gratitude for her Brazilian fans. “You have always been there for me,” she said. “That flag: that green-and-yellow flag, I see it everywhere. I feel it in my heart.”

The two-plus-hour Rio show hewed closely to the Celebration show, with a few exceptions: Madonna added her 2000 track “Music” to the set list, rearranged as a samba with live drummers and a special guest, the Brazilian drag star Pabllo Vittar. “Live to Tell,” staged as a tribute to victims of AIDS , included photographs of the Brazilian musicians Cazuza and Renato Russo, and the actress Sandra Bréa. For “Vogue,” Madonna appeared in a sparkly dress in the colors of the Brazilian flag and was joined by the pop sensation Anitta , who helped “judge” the competitors strutting down the runway.

The show had lifelong Madonna fans — many of whom came dressed in homage to their heroine in cone bras and lace gloves — screaming and dancing along. Ernesto Magalhães, 42, adorned in the style of Madonna’s “Material Girl” era in a gown and boa while balancing on stilts, epitomized the exuberant spirit of the occasion: “I’ve been a Madonna fan since I was 8; I couldn’t miss this.” Surya Rossi, a 31-year-old illustrator, decided on a last-minute trip from Rio Claro, São Paulo, after coordinating with her cousin, and stayed with friends. “Madonna has been a tremendous influence on me, both as a feminist and an artist,” she said. “Her empowering history and approach inspire me.”

It was also something of a landmark moment for live concerts globally. At a time of astronomical ticket prices and rising production costs for major shows, a free concert attracting a crowd of this scale is exceedingly rare, especially in the United States. California’s Coachella festival, where a three-day general admission pass starts at about $500, draws up to 125,000 attendees a day. Musikfest, a mostly free music festival in Pennsylvania, welcomed about 1.3 million visitors over 11 days last year.

“To have a free show like that in recent years is relatively unheard-of,” Katelyn Yount, the director of festivals at AEG Presents, said of Madonna’s closing show. Hangout, an upcoming music festival on Alabama’s Gulf Coast that is among the annual events AEG produces, is capped each day at about 40,000 attendees, who pay more than $300 for a three-day pass.

If a performance of this magnitude was going to be held anywhere in 2024, it would probably be in Rio, where officials have experience with enormous crowds. In 2006, about 1.5 million people attended a free Rolling Stones concert at Copacabana Beach, Brazilian police and other authorities said at the time. An even larger crowd was said to have gathered for a Rod Stewart show there on New Year’s Eve in 1994.

The idea for the sprawling event was first planted two years ago, when Luiz Oscar Niemeyer, an executive with Bonus Track, a live entertainment company based in Rio de Janeiro, approached Madonna’s managers after hearing about plans for the tour. The Rolling Stones concert in 2006 helped convince him that something like this was possible, he said.

Negotiations stalled until last year, when a Madonna show in Mexico City was announced — ticketed dates for the Celebration Tour ended up wrapping with five nights there at the Palacio de los Deportes — and Niemeyer resumed his efforts to convince the pop star’s representatives and secure funding.

“It was an ambitious project for everyone, aiming to attract the largest audience of her career, and I thought this would help me persuade her,” Niemeyer said in an interview last week.

The concert’s corporate backers include the Brazilian bank Itaú and Heineken, and the government has made a significant investment as well.

Preparation for Madonna-palooza had consumed a segment of the city in recent days. A week ago, cargo planes carried about 270 tons of concert material to the city, including costumes and gym equipment. Eighteen sound and video towers were built across the beach, and last Wednesday, 4,000 workers prepared the stage in scorching heat.

Because this was the only Celebration concert in South America — Madonna last toured there in 2012 — fans congregated from all over the continent. In the days leading up to the event, a Madonna impersonator, Izelene Cristina, danced to “La Isla Bonita” at a bus station as she welcomed travelers. She would not be attending the concert because excitement over the superstar’s performance had led to a flood of bookings.

“Such is the life of an artist,” she said. “You work to move and entertain people.”

On Monday, Madonna and her touring team of about 200 arrived in Rio, heading directly to the French Riviera-inspired Copacabana Palace, the luxury hotel near where the stage was built. Later in the week, crowds gathered as close to the stage as possible, as the pop star crossed a specially built footbridge from the hotel to the stage to rehearse with some of her dancers.

Social media was flooded with clips of Madonna running through songs including the opener, “Nothing Really Matters.” “Are you happy? Are you ready?” she asked the assembled crowd at one point . The response: wild cheering. “OK, just checking,” she replied.

At a press briefing ahead of the concert, officials discussed the safety concerns that can accompany an audience of that size and unpredictable weather on the shore. Last year, the Brazilian D.J. Alok scheduled what had been billed as the “concert of the century” on Copacabana Beach, but a storm led part of the crowd to scatter, and concertgoers were faced with rampant pickpocketing , a problem at least some faced on Saturday night as well.

Marco Andrade, a spokesman for the Rio police, told reporters that the department planned to deploy 3,200 officers at the Madonna concert, compared with about 900 for Alok’s event. He said that facial recognition technology would be used at inspection areas, in addition to drones to monitor the crowd. In the end, the audience stretched into the ocean as well — a collection of boats anchored in the waters near the venue.

The atmosphere on the ground Saturday night was like a World Cup event, street carnival and New Year’s Eve celebration combined. Street vendors offered shirts, hats, cups and fans adorned with Madonna’s face and rainbow colors, and a plethora of barbecue, grilled cheese, empanadas and the Brazilian cocktail caipirinhas were available. To fight the heat, a firefighter atop a fire truck sprayed a jet of water on the crowd.

As the show ended with a remix of her 2009 track “Celebration,” Madonna addressed the audience for a final time: “Thank you, Rio,” adding “obrigada,” the equivalent in Portuguese. She smiled and let go of a Brazilian flag, flipped a white veil over her head and descended beneath the stage.

An earlier version of this article misstated the name of the Bonus Track executive who approached Madonna’s team about the Brazil show. He is Luiz Oscar Niemeyer, not Luiz Guilherme Niemeyer.

How we handle corrections

Julia Jacobs is an arts and culture reporter who often covers legal issues for The Times. More about Julia Jacobs

Find the Right Soundtrack for You

Trying to expand your musical horizons take a listen to something new..

The rock musician and revered engineer  Steve Albini  has died at 61.

Cass Elliot ’s death spawned a horrible myth. She deserves better.

What happens next for Kendrick Lamar and Drake ?

He sang “What a Fool Believes.” But Michael McDonald  is in on the joke.

Hear 10 of the week’s most notable new songs on the Playlist .

Avril Lavigne, Doja Cat or Tom Jones tickets for only £25 as Live Nation sale ends today

Over 40,000 tickets have been released for Shania Twain, McFly, New Order and so much more.

• Olivia Garrett
• Share on facebook
• Share on twitter
• Share on pinterest
• Share on reddit
• Email to a friend

With concert ticket prices going through the roof, we bring a ray of hope to music fans: the Live Nation Concert Week sale.

This limited-time promotion reduces the cost of concert tickets to just £25 for more than 70 major artists including Avril Lavigne , Doja Cat , Tom Jones and more.

Concert Week has been around in the US for a decade, but now Live Nation has expanded it into the UK with over 40,000 tickets set to be released.

The special offer went live at yesterday (Thursday 9th May) and finishes today at midday (Friday 10th May) , so you've only got a few hours left to bag a bargain.

Whether you love rock icons like Bryan Adams or Noel Gallagher’s High Flying Birds , 2000’s stars like McFly or JLS , or pop stars like Becky Hill , Live Nation will have something to suit you.

More like this

So, let’s get this party started with our guide to concert week, and how to get yourself some cheap tickets.

Shop concert tickets from £25 at Live Nation

We have a whole guide to how to get cheap concert tickets , plus, how to get cheap theatre tickets .

• How does Live Nation Concert Week work?

When is Live Nation Concert Week?

• How to get £25 Live Nation Concert Week tickets
• Who can I see for £25 in Live Nation’s Concert Week?

How does Live Nation Concert Week sale work?

Concert Week is a limited-time offer that puts the price of thousands of concert tickets down to just £25.

The promotion has run in the US for 10 years and is now being expanded to more than 20 other countries, including the UK.

This week, over 40,000 tickets are being reduced across a range of genres such as hip-hop, country, R&B, Metal, Pop, Rock and more.

Concert Week runs from Monday 6th May until Friday 10th May.

However, the discounted tickets didn't actually go on sale until yesterday. The sale will run until noon today (Friday 10th May).

Your weekend starts here!

Sign up for our Going Out newsletter to receive the latest updates on new ticket releases, plus inspiration for how to spend your weekend.

By entering your details, you are agreeing to our terms and conditions and privacy policy . You can unsubscribe at any time.

How to get £25 Live Nation Concert Week discounted tickets

Tickets for Concert Week are available for a strictly limited time, from Thursday 9th May, to 12pm on Friday 10th May .

With just a few hours left, we’d suggest heading over to the Concert Week homepage quickly. All you have to do is pick the artist you want to see, select the “Concert Week Promotion” ticket type and put it in your basket.

Remember, the tickets will go on a first come first serve basis, so you’ll need to be speedy.

Plus, if you want to go see an artist in the US, you can find $25 tickets at Live Nation US.

Shop concert tickets from $25 at Live Nation US

Who can I see for £25 in Live Nation’s Concert Week sale?

Live Nation has released a list of over 70 artists participating in concert week, so here they are:

• Avril Lavigne
• Bruce Dickinson
• Bryan Adams
• Cian Ducrot
• Damian Marley
• Deacon Blue
• Dizzee Rascal
• Fat Freddy's Drop
• Future Islands
• Glass Animals
• Grace Jones
• Gregory Porter
• Jack Savoretti
• James Arthur
• Jess Glynne
• Kaiser Chiefs
• Katherine Jenkins
• Leftfield & Orbital
• Limp Bizkit
• Loyle Carner
• Major League DJz
• Marcus King
• Melanie Martinez
• Nile Rodgers & CHIC
• Noel Gallagher’s High Flying Birds
• Ocean Colour Scene
• Paloma Faith
• Paul Heaton
• Pete Tong presents Ibiza Classics
• Reggae Fest
• Richard Ashcroft
• Rick Astley
• Shania Twain
• Simple Minds
• Sister Sledge
• The Black Crowes
• The Cadillac Three
• The Compozers
• The House & Garage Orchestra
• The National
• The Roots, De La Soul, The Pharcyde
• The Streets
• Trippie Redd
• Van Morrison
• Yussef Dayes

For more of the latest ticketing news, check out our Going Out section. We've got guides on how to get cheap cinema tickets , plus how does the American Express pre-sale on Ticketmaster work?

Subscribe to Radio Times

Try 10 issues for just £10!

Looking for cheap travel insurance?

Compare quotes today from over 35 providers with Quotezone

Could equity release help you?

Get the retirement you deserve. Read the guide written by Paul Lewis and find out if equity release could help you

The best TV and entertainment news in your inbox

Sign up to receive our newsletter!

Join us on Social

Photo: Scott Dudelson/Getty Images for Coachella

K-Pop Summer 2024 Guide: ATEEZ, IU, TXT & More Live In Concert & On Tour

Whether you want to have your Head in the Clouds, go over the moon at KCON or head Towards the Light, plan out your summer with these K-pop events and tours featuring TWICE, LE SSERAFIM, Stray Kids and more.

2024 has had a handful of memorable K-pop moments in North America so far. From boy group ONEUS's La Dolce Vita tour to TWICE 's one-night-only show at Las Vegas' Allegiant Stadium in March, the industry has kept a steady flow of entertainment for lovers of Korean music and culture. Last month, ATEEZ , LE SSERAFIM , and indie band The Rose also left their mark at Coachella Festival in California, proving that K-pop acts at major festivals are a rising trend.

With summer right around the corner, even more tours, festivals, and conventions are set to pop up across the U.S., Canada, and Mexico. From mid-May to September, whether on weekdays or weekends, there will always be something to do or someone to see. Among the most-awaited events are singer IU 's first world tour and ATEEZ's massive trek in July, as well as Stray Kids , IVE , and VCHA 's performances at Chicago's Lollapalooza Festival.

To help you enjoy the most out of this busy season, GRAMMY.com assembled a list of all the K-pop concerts and events happening in the next few months below.

CIX: 0 or 1 in North America

Boy group CIX will be back in North America for their third tour this May. Named after single album 0 or 1 , the stint will cover eight cities across the U.S., Mexico, and Canada, starting in Chicago, IL and wrapping it up in Los Angeles, CA. The quintet will likely perform hits like "Cinema" and "Movie Star," as well as their latest single, "Lovers or Enemies," and celebrate their upcoming fifth anniversary.

Head in the Clouds Festival

Forest Hills, New York

Following the success of last year's edition in Queens, New York, Head in the Clouds Festival returns to the big apple in 2024. In their mission to spread Asian diaspora talent, the lineup for this year enlists (G)I-DLE to headline on Saturday and singer BIBI on Sunday, along other names like ATARASHII GAKKO! and Joji. Korean acts Balming Tiger, Wave to Earth, and newcomer girl group Young Posse will also join them. HITC Festival is usually based in Los Angeles, but this year's L.A. edition has yet to be announced.

BM (KARD): After the After Party Tour

Hailing from co-ed group KARD , Korean-American singer BM will kick off his first U.S. solo tour in mid-May. After the After Party Tour was inspired by the track "ATAP (After the After Party)," off his December single album, Lowkey . BM will perform in six cities across the country, including Los Angeles, Chicago, and New York. He also teased an EP soon, and stated that he will be "taking new music on this tour."

P1Harmony: P1ustage H : UTOP1A Tour

May 14 - Jun. 16

Boy band P1Harmony is also returning to North America with their third tour, P1ustage H: UTOP1A. Beginning in Houston, TX, on May 14, it will follow with shows in Chicago, Boston, Los Angeles, and more — including a prestigious performance on June 8 at New York City's Governors Ball Music Festival 2024 . The sextet released their first studio album, Killin' It , in February of this year.

Tomorrow X Together (TXT): ACT : PROMISE World Tour

May 14 - Jun. 8

A TXT tour in the U.S. has become an annual event: following 2022's ACT : LOVESICK and 2023's ACT : SWEET MIRAGE, 2024 welcomes ACT : PROMISE. Featuring 11 shows across the country, the boy group will play in Houston, Atlanta, Los Angeles, and more. They will also perform two nights at New York's legendary Madison Square Garden before heading to the Japanese leg of the tour in July.

Wheein (MAMAMOO): Whee In The Mood [Beyond] World Tour

May 17 - Jun. 4

Powerhouse vocalists MAMAMOO hit stateside last year with their MY CON World Tour, a first for the group. Now, it's member Wheein's turn to celebrate her solo career with Whee In The Mood [Beyond] World Tour, inspired by her first LP, 2023's In The Mood . After a slew of shows in Asia and Europe, the singer will head to San Francisco, CA, for the first out of eight concerts in the U.S. Other cities include Dallas, Orlando, Los Angeles, and New York.

RIIZE: RIIZING Day Fan-Con World Tour

Los Angeles, California

SM Entertainment's freshest rookies RIIZE announced their first fan-con, RIIZING Day, to take place from May to August in various cities across the globe. After playing in Seoul, Tokyo, and Mexico City, the boyband will come to Los Angeles for a single performance at the Peacock Theater on May 20. RIIZE are expected to play their compact yet dynamic discography, including singles "Get A Guitar," "Talk Saxy," and "Impossible."

Purple Kiss: 2024 BXX Tour

June 2 - July 2

It's not even been a year since Purple Kiss toured the U.S. with their The Festa Tour in fall 2023, but they're already gearing to come back. Starting June 2 in Oceanside, CA, the 2024 BXX Tour will take the girl group to seven cities in the U.S. and nine cities in Canada, closing it off in Halifax, Nova Scotia, on July 2. This is a big chance for fans who missed their performances last year, or simply to those who want to see singles like "Zombie" and "Sweet Juice" live again.

ITZY: Born to Be World Tour

Girl group ITZY has spent the majority of 2024 bringing their second world tour, Born to Be, across Oceania, Asia, Latin America, and Europe. In June, they will finally step in North America for a 10-stop stint, including cities like Seattle, Los Angeles, Newark, Fairfax, Toronto, and more. Despite featuring only four out of five members while vocalist Lia is currently on hiatus due to health reasons, they promise to set the stages on fire with their high-energy discography.

VERIVERY: Go On Fan-meeting Tour

Starting June 14, boyband VERIVERY will kick off their Go On Fan-meeting Tour in New York at Brooklyn Steel. Then, they will head to Chicago, Minneapolis, Atlanta, Fort Worth, and finally Los Angeles for a last performance at Vermont Hollywood. The seven-member group is currently a quartet, as member Dongheon is currently enlisted in the military, and members Minchan and Hoyoung are on hiatus due to health concerns. VERIVERY's latest release was 2023's EP, Liminality .

A.C.E: 2024 REWIND_US U.S. Tour

Jun. 19 - July 18

February marked the much-anticipated comeback of boy group A.C.E with the EP My Girl: My Choice . It was their first release in three years, and to rejoice further, the quintet announced an extensive 14-date tour throughout the U.S. and Puerto Rico. Starting June 19 in Madison, WI and closing off on July 18 in San Juan, PR, A.C.E will also perform in Los Angeles, Nashville, New York, and more.

HYO: Milwaukee Summerfest

Milwaukee, WI

HYO , also known as Hyoyeon from Girls' Generation, will be showcasing her DJ chops on June 28 at Milwaukee Summerfest. The performance will happen just months after HYO held her 2024 Spring U.S. Tour, Cherry Blossom, which spanned seven cities across the country. In the setlist, fans can expect hits like "Dessert" and "Deep," but also some innovative remixes of other artists' songs, like GALA's "Freed From Desire" and Girls' Generation's "Gee."

AB6IX: Find You Fan Concert Tour

Another boy group to embark on a North American tour this year, AB6IX will bring their Find You Fan Concert across nine stops in the U.S., Mexico, and Canada. Starting off in the cities of Toronto and Montreal, they will then head to New York, Mexico City, Miami, Denver, and more, before wrapping it up in Los Angeles. The tour title was inspired by their latest release, January's EP The Future is Ours: Found .

ATEEZ: Towards the Light: Will to Power 2024 World Tour

Jul. 14 - Aug. 11

Performance kings ATEEZ never stop. After the release of their EP, Golden Hour: Part. 1 on May 31, the eight-member group will head to North America for their Towards the Light: Will to Power 2024 World Tour. Kicking off on July 14 in Tacoma, Washington, the boyband will also play in the cities of Los Angeles, Arlington, Washington, D.C., Toronto, New York, and more. The tour supports ATEEZ's December 2023 LP, The World EP.Fin: Will , but hopefully the setlist will include surprises as new music comes out.

IU: HEREH World Tour

Jul. 15 - Aug. 2

One of the most important artists to come from South Korea, IU (born Lee Ji-eun) has been shaping the country's music industry since 2008 with her unique voice, sensitive songwriting, and sharp mind. Given her journey, it's almost absurd that her first world tour is only happening in 2024 — but better late than never. After stops in Asia and Europe, IU will head to the U.S. for six sold-out concerts, beginning on July 15 at Prudential Center in Newark, NJ, and concluding on August 2 at Kia Forum in Los Angeles, CA.

The Boyz: Zeneration II World Tour

Following their 2023 Zeneration Tour, which featured 24 stops across Asia, 11-member group The Boyz are now bringing its sequel worldwide. After a 3-day July stint in Seoul, South Korea, the Zeneration II tour will head to the U.S. for five shows in New York, Atlanta, Dallas, Los Angeles, and San Jose. Throughout August, The Boyz will segue onto the Asian leg of the tour, wrapping it up with a few European dates in September.

KCON Los Angeles 2024

Known as the largest Korean culture and music festival in North America, KCON has a decade-long legacy of serving as a bridge for "all things Hallyu." Held at the Los Angeles Convention Center and Crypto.com Arena, the festival includes a two-night concert, fan signings, food and merch stalls, panels with professionals in the industry, and many other attractions. KCON hasn't announced its official lineup yet, but attendees can expect it to maintain the same excellence of past years.

Secret Number: The 1st U.S. Tour 2024 Unlock

Jul. 26 - Aug. 10

Girl group Secret Number debuted amidst the chaos of 2020's COVID-19 pandemic, therefore falling short of live experiences with their fans. As they enter their fourth year together, they will finally meet North American fans with their 2024 Unlock tour this summer. Kicking off on July 26 in Chicago, the sextet will then head to Minneapolis, Charlotte, Houston, Denver, Phoenix, Seattle, and Los Angeles for a final show on August 10.

Stray Kids, IVE, VCHA: Lollapalooza Chicago 2024

K-pop's presence on Lollapalooza continues to expand. This year, Stray Kids is set to headline on Friday, Aug. 2, alongside singer SZA . It's the boyband's second appearance at the festival, following their 2023 show at Lollapalooza Paris. On that same day, U.S.-based, K-pop-trained girl group VCHA, formed by JYP Entertainment in partnership with Republic Records, will also make their first performance at the festival. To close it off, Saturday will feature the captivating girl group IVE.

I.M (Monsta X): Off The Beat 2024 World Tour

Monsta X 's maknae (youngest member) I.M has been building a prolific solo career while his teammates are enlisted in the military. Accompanying his third EP, Off The Beat , the singer announced an eponymous world tour, featuring 19 stops in Asia, North America, and Europe. He will play seven dates In the U.S. and two in Canada, including New York, Boston, Toronto, and more.

ARTMS: 2024 Moonshot World Tour

Aug. 16 - Sept. 10

Formed by five LOONA members (Kim Lip, Choerry, JinSoul, HaSeul, and HeeJin), girl group ARTMS was one of 2023's most-awaited debuts. Their first studio album, Devine All Love & Live , is set to drop on May 31, and the quintet will celebrate with a string of concerts across South Korea, Japan, and the U.S. Starting August 16 in New York, the tour will cross Atlanta, Orlando, Los Angeles, and more cities before wrapping up on September 10 in Chicago.

11 Rookie K-Pop Acts To Know In 2024: NCT Wish, RIIZE, Kiss Of Life & More

Photos: KQ Entertainment; KATO SHUMPEI; Vittorio Zunino Celotto/Getty Images; Medios y Media/Getty Images; Presley Ann/Getty Images for Coachella; Lauren Kim

Leap Into AAPI Month 2024 With A Playlist Featuring Laufey, Diljit Dosanjh, & Peggy Gou

Celebrate AAPI artists this May with a genre-spanning playlist spotlighting festival headliners and up-and-coming musicians. From Korean hip-hop to Icelandic jazz-pop, listen to some of the most exciting artists from the Asian diaspora.

With spring just around the corner, it’s time to welcome AAPI Month in full blossom. From rising musical artists to inspiring community leaders, it’s essential to recognize AAPI members of the artistic world and their achievements.

While AAPI Month is a U.S. holiday, the Recording Academy takes a global approach in celebrating artists and creators from across the Asian and Asian American diaspora. This aligns with the Recording Academy's growing mission to expand its reach on a global scale and celebrate international creators outside of the U.S.  

Musicians of Asian American, Native Hawaiian and Pacific Islander heritage have not only helped establish the music industry, but have transformed it. From Diljit Dosanjh being the first artist to play a Coachella set entirely in Punjabi to Laufey winning a GRAMMY for her jazz-inspired pop, AAPI artists continue to influence music by both honoring tradition and reshaping modern standards.

It’s thrilling to see AAPI musicians continue to take centerstage — from Atarashi Gakko! to Tiger JK ’s memorable sets at Coachella, to surprise appearances from Olivia Rodrigo , Dominic Fike , and Towa Bird. As festival season gets underway, examples of the AAPI starpower from every corner of the world abound.

As one of many ways to celebrate AAPI Month, listen to the GRAMMY.com playlist below — as a reminder to give AAPI musicians not just their May flowers, but their flowers all year-round!

Photo: MORE VISION

Chung Ha Returns: On 'EENIE MEENIE,' The K-Pop Soloist Is Ready To Step Back Into The Spotlight

Chung Ha was one of K-pop’s most promising soloists, but decided to step back from the industry. Upon her return, Chung Ha wants to tell her fans "that they have the freedom to choose."

It takes courage to become a soloist in K-pop — a scene largely dominated by girl groups and boy groups of the most varied sizes — but more than that, it takes verve. Singer, dancer, and songwriter Chung Ha, 28 years old, knows it better than anyone.

Born in Seoul, South Korea but raised in Dallas, Texas, she first rose to stardom in 2016, after  returning to her home country and participating in Mnet’s trainee competition show "Produce 101." There, Chung Ha caught the eyes of judges and viewers alike for her sharp movements and innate charisma. She placed fourth on the finale, and became a member of I.O.I — the show’s resulting temporary girl group.

While I.O.I and its 11 members found great success, when the group disbanded in early 2017, Chung Ha decided to challenge herself further. In June of that year, she released her solo debut EP, Hands On Me . 

Soon, Chung Ha became one of K-pop’s most promising (and somewhat unexpected) soloists — not only did she prove to be an exceptional dancer, but a smooth vocalist as well, full of style and star power. On stage, she commands performances with surgical precision, yet flows with breathtaking grace. She proved her versatility with a string of captivating singles, like the ice-cold "Snapping" and the bewitching "Gotta Go," which reached No.1 on Billboard’s K-pop Hot 100 chart in 2019. Her first studio album, 2021’s Querencia , blended R&B, EDM, reggaeton and even bossa nova with finesse.

But amidst all the success, Chung Ha took a break. She decided not to renew the contract with her previous label, spent more than a year on a hiatus, and even considered abandoning the music industry, as revealed on the YouTube talk show "Gabee’s Rising Star "

Luckily, Chung Ha changed her mind. She signed with MORE VISION, a label founded by singer and rapper Jay Park, and will drop the single album EENIE MEENIE on March 11. 

GRAMMY.com caught up with Chung Ha via Zoom to learn more about her comeback — and to dive into her creative process, how she sees herself, and who she wants to be.

You spent more than a year on a hiatus, and even left your previous company. What made you sign with MORE VISION for this new phase of your career?

Jay [Park] reached out to me often. When I talked to the other co-workers at the company, their vision really aligned with mine. I think that was a crucial reason.

For example, I've never toured. I want to start out in small venues, and if I do have a chance I want to make it bigger. I want to work on more collaborations and try different genres of music like [on] "EENIE MEENIE," and they're aligned with me on that.

On "Gabee’s Rising Star," you said that you wanted to study abroad during your hiatus, and that being a celebrity is "just a job." What made you want to come back to music?

I was always interested in psychology. Working in this industry, it's a little chaotic, so I tried to maintain my mental health by [attending] counseling, and then I felt like I wanted to maintain my mental health on my own.

And growing up in Texas, I always had my Mexican friends with me, but I was the only one unable to understand Spanish. I was always interested, but [the break] felt like it was the right time to embrace Spanish more. I wanted to dive into the culture and the language, but at the end of the day, it was all about me maintaining my mental health because I wanted to be in this industry. Me wanting to explore Spanish because I wanted to engage more with my fans. I just realized, Oh, it was all about music. Okay. [ Laughs. ]

Since your last comeback, in what areas do you think you have improved or evolved?

Um… I don't know. I'm gonna need to have a real [live] stage for that. I think that's the kind of question I want to ask my fans to see what gradual changes that they notice, because for me, I feel like I'm still the same. But I want to tap myself [on the back] for trying new genres and being brave about getting out of my comfort zone.

What did you have in mind when you started producing this new album? What's the story behind it?

I was really confused. I was asking people, like, "I don't know what to do. I don't know what's next for me."I feel like I've tried different genres of music and different colors of myself, like "Bicycle," "Play," "Love U," and "Roller Coaster."

I didn't know what to do, so I decided to show both sides of myself. A new [side] with MORE VISION, and the one people are always eager to see, like [on] "Stay Tonight" and "Dream Of You." Those were some of the biggest [songs] that I saw people commenting on. So, the familiar side of me and a new side of me are both in the album, and I'm pretty confident [about it].

You collaborated with Hongjoong from ATEEZ in the lead track "EENIE MEENIE," which represents that new side of yourself. How was that experience?

I have followed ATEEZ since the beginning of their career. Their performance is so mind-blowing, they have that special energy that only they can give, so I was always inspired by them.

And then, on "EENIE MEENIE" there is a rap part, so when I heard the track I was like, Oh, I am not rapping . [ Laughs .] That's just too new for me. I sing-rap in "EENIE MEENIE," but that’s about it. So, I needed a real rapper and a real captain on my side and I thought Hongjoong was a perfect fit. After I heard his verse, it was so great, more than I ever expected. He definitely gave that final touch.

The other song on your album, "I’m Ready," represents your familiar side with driving house beats and a mesmerizing atmosphere, almost like a sequel to "Stay Tonight" and "Dream of You." As for the title, what are you ready for?

I guess I'm navigating through new things, and I don't know how it's gonna come out. [People] might say it's a failure, they might say it's a success, they might say I'm brave to challenge myself, but I'm just ready to face all that. 

Even though someone might say, "Oh, I don't think it's the right fit for Chung Ha" or "I liked the old Chung Ha better," I don't think I'm afraid of getting judged, or getting rates on anything. I'm just ready to be more adventurous. Being too nervous might drag you into this anxiety space, but just being nervous in general with music and releasing new things is what makes me keep going.

I think people need that nervous feeling, being out of their comfort zone. You never know how you're going to feel, how the outcome is going to be. 

Do you remember any specific experiences where you were trying something new and it turned out better than expected?

Oh, "Stay Tonight"was one of them. When I first heard the track, I was like, U m… this is too high. I don't know if K-pop lovers will like this song , because it was more [Western] pop than K-pop. It was right after I dropped "Snapping"and "Gotta Go," so I was like, Are my fans ready for this?  

But [I thought] hey, you know what, let's just have fun. Let's just try new things. Let's vogue. [ Laughs ] I've always wanted to vogue, so I did that, and it became one of my epic pieces of performance. It didn’t go big in the charts or anything, but it became a real standout from a more artistic point of view.

EENIE MEENIE represents a new start for you, and both songs in the album talk about trusting yourself and your choices. Since you participated in the songwriting, is that what you have been experiencing lately? How do you recognize what feels right for you?

I feel like you never know what's right, but for me, I decide [something] when it keeps on popping in my head. Like, I would just be calm and see where my mind goes and what my [fandom] HAART keeps on telling me. 

If your heart moves that way, I’d rather just do it and regret, than not do it and regret. That’s how I trust my instincts, listening to what I really want.

You mentioned that you see K-pop and Western pop as one. What do you think about the global growth of K-pop, and Western artists trying K-pop, or artists collaborating?

I think it's wonderful. I mean, the only difference is the culture and the language, and how we make our music with different rules and stuff. And it's really awesome [to see] other artists trying out Korean, trying out the marketing strategy of what we have always done. But it's the same with Korean artists, they try to go abroad and then try Western music.

Trying different cultures is getting more natural than splitting what's K-pop and what’s pop. I think it's all gathering into one because music is one, and we love music.

Is it easier for you to see everything as one because you are Korean, but you lived in America for so many years?

Yes, I think it was more natural for me to try different things. It was fun to get to know things like, Oh, this is Western style music, Western marketing strategy, or Western businesses, it goes on like this, and then Korean businesses go on like this . So it's all about learning.

You mentioned in an interview with Teen Vogue that you like to portray characters in your songs, but recently you have been telling your own story in them as well. How do you find the balance between those two possibilities?

I don't initially choose what to do before I hear the music. I hear it first, and then decide, like Oh, I want to share a story of mine, because I have this experience and my current state of mind is this, but sometimes it's just Oh, this is a new character I've never tried before. I want to be her, or I want to be him, or whatever. Let me try that out, let me see what it tastes like. [ Laughs. ] When new music comes to me, whatever character, whatever story comes up first, I would go with that.

And for this album, are you a character or are you portraying your life story?

I’m portraying my life story in both songs. I had a lot of choices to make throughout the beginning of my new career [after leaving my former company], like choosing a label, choosing a new logo, choosing songs, and other things, but in the end I just like what I like to do. 

I came back to the music industry, and I really want people to embrace whatever they want to do. To tell them that they have the freedom to choose more than predetermined answers. I wanted to encourage that.

In another moment of your interview on "Gabee’s Rising Star," you said "When people think of Chung Ha, all that comes to mind is ‘Gotta Go’."Do you still believe in that?

Yes, and no. But I’m very grateful, because that song is what elevated me to the next step, and it gave me the courage to try different genres of music. But "Stay Tonight" and other pieces of music also identify me in different ways.

Who is Chung Ha, then? How would you like to be recognized?

Definitely not "Gotta Go." [ Laughs. ] I'm not that person now. I'm just a girl who loves music, and I'm just grateful and thankful, always. As much as I was diligent before, I want to keep on doing that, and I want to meet my fans more.

As Chung Ha, I want to ask my fans who they think I am, because I try to be as authentic as possible with music and my personality. Also I'm an adventurous person. Love to challenge myself. And I’m ready to go.

It Goes To 11: Meet J.Fla's "Best Friend," Her Acoustic Taylor Guitar

Photos (clockwise, from top left): Emma McIntyre/Getty Images for Coachella, Paras Griffin/Getty Images, Lufre, MATT WINKELMEYER/GETTY IMAGES FOR THE RECORDING ACADEMY, Paras Griffin/Getty Images, JOHN SHEARER/GETTY IMAGES FOR THE RECORDING ACADEMY, Kevin Mazur/Getty Images for The Recording Academy

Listen: GRAMMY.com's Women's History Month 2024 Playlist: Female Empowerment Anthems From Beyoncé, Ariana Grande, Jennie & More

This March, the Recording Academy celebrates Women's History Month with pride and joy. Press play on this official playlist that highlights uplifting songs from Taylor Swift, Victoria Monét, Anitta and more.

From commanding stages to blasting through stereos, countless women have globally graced the music industry with their creativity. And though they've long been underrepresented , tides are changing: in just the last few years, female musicians have been smashing records left and right, conquering top song and album charts and selling sold-out massive tours .

This year, Women's History Month follows a particularly historic 66th GRAMMY Awards , which reflected the upward swing of female musicians dominating music across the board. Along with spearheading the majority of the ceremony's performances, women scored bigtime in the General Field awards — with wins including Best New Artist , Record Of The Year , Song Of The Year , and Album Of The Year .

Female empowerment anthems, in particular, took home major GRAMMY gold. Miley Cyrus ' "Flowers" took home two awards , while Victoria Monét was crowned Best New Artist thanks to the success of her album Jaguar II and its hit single "On My Mama." As those two songs alone indicate, female empowerment takes many different shapes in music — whether it's moving on from a relationship by celebrating self-love or rediscovering identity through motherhood.

The recent successes of women in music is a testament to the trailblazing artists who have made space for themselves in a male-dominated industry — from the liberating female jazz revolution of the '20s to the riot grrl movement of the '90s. Across genres and decades, the classic female empowerment anthem has strikingly metamorphosed into diverse forms of defiance, confidence and resilience.

No matter how Women's History Month is celebrated, it's about women expressing themselves, wholeheartedly and artistically, and having the arena to do so . And in the month of March and beyond, women in the music industry deserve to be recognized not only for their talent, but ambition and perseverance — whether they're working behind the stage or front-and-center behind the mic.

From Aretha Franklin 's "RESPECT" to Beyoncé 's "Run the World (Girls)," there's no shortage of female empowerment anthems to celebrate women's accomplishments in the music industry. Listen to GRAMMY.com's 2024 Women's History Month playlist on streaming services below.

9 Ways Women Dominated The 2024 GRAMMYs

Photo: Emma McIntyre/Getty Images for The Recording Academy

9 Essential K-Pop/Western Collabs: From BTS And Megan Thee Stallion, To IVE And Saweetie

From Jungkook and Usher's tribute to their shared musical idol, to BLACKPINK and Selena Gomez' sugary sweet collab, K-pop and Western artists of all genres are joining forces to create killer hits.

It’s impossible to ignore the growing global popularity of K-pop. Although Korean pop has been around for decades, the genre's meteoric worldwide success over the past 10 years is reminiscent of Beatlemania and the early 2000s American boy band craze. With a steady increase year-over-year in album sales and K-pop groups touring the U.S. and Europe, interest in K-pop shows no signs of slowing down .

Initially launched in South Korea as a music subgenre with Western pop, R&B and hip-hop influences in the '90s, the K-pop industry is valued at around $10 billion .

Given the worldwide appetite for K-pop, several Western musicians are keen to partner with K-pop acts crossing over into more international markets, often with songs sung partially or entirely in English. While K-pop artists do not need Western artists to be successful — BTS sold out London’s Wembley stadium in under 90 minutes back in 2019, and BLACKPINK made Coachella history twice with performances in 2019 and 2023 — K-pop's massive fanbase and multi-genre influence make it an ideal collaboration for everyone from rappers and singers to electronic DJs.

But don’t take our word for it. Here are nine of the most iconic K-Pop/Western collaborations (not in any order; they are all great songs!).

Usher and Jungkook - "Standing Next to You (Usher Remix)" (2024)

The maknae (the youngest member of the group) of global K-pop superstars BTS and the King of R&B are both having banner years: Jungkook released his debut solo album, and Usher just performed at the Super Bowl . 

The Bangtan Boys have cited Usher as a significant influence (even singing a callback to his 2001 hit "U Got It Bad" in their No. 1 song, "Butter"), so BTS fans were delighted when the Jungkook tapped Usher for a remix of "Standing Next to You." The song marks the fourth single from his Billboard 200 chart-topping debut album, Golden . 

Both singers count Michael Jackson as a major influence. In their collaboration video, Usher and Jungkook pay tribute to the King of Pop as they slide, pop, and lock across the slick floor of an abandoned warehouse. 

John Legend and Wendy of Red Velvet - "Written in the Stars" (2018)

R&B singer/pianist John Legend was the perfect choice for an R&B ballad with Wendy, the main vocalist of K-pop quintet Red Velvet. The final song on the five-track SM Station x 0 , a digital music project, "Written in the Stars," is a beautiful, mid-tempo love song. A bit of a departure from K-pop’s typical upbeat sound, Wendy and Legend are in perfect harmony over a warm yet melancholic rhythm.

As Red Velvet’s main vocalist, Wendy was the ideal voice for this collaboration. Additionally, she split her childhood between Canada and the U.S., and has been comfortable singing in English since Red Velvet debuted in 2014. This wasn't her first collab with a Western artist: In 2017, she released an English-language version of the pop ballad " Vente Pa’Ca " with Ricky Martin . 

BLACKPINK and Selena Gomez - "Ice Cream" (2020)

A powerhouse debut single, BLACKPINK collaborated with pop royalty Selena Gomez on the massive 2020 hit "Ice Cream."

An electropop-bubblegum fusion filled with dairy double entendres, "Ice Cream" was an enormous success for both Gomez and the BLACKPINK girls. The track peaked at No. 13 on the Billboard Hot 100 and has racked up nearly 900 million YouTube views to date. 

Written by a consortium of hitmakers, including Ariana Grande and BLACKPINK’s longtime songwriter and producer Teddy Park (a former K-pop idol himself), "Ice Cream" shows that YG Entertainment’s golden foursome and Gomez were the correct partnership for this track. The pop-trap bop marked the first time a K-pop girl group broke the Top 20 on the Billboard Hot 100 chart and immediately solidified BLACKPINK as global superstars. 

Snoop Dogg and Monsta X - "How We Do" (2022)

West Coast rap godfather Snoop Dogg has quietly become one of the go-to Western acts for K-pop collabs, working with Psy, BTS, Girls’ Generation and 2NE1. K-pop is the Dogg Father's "guilty pleasure, " and he performed at the Mnet Asian Music Awards with Dr. Dre in 2011. Without Snoop's love of K-pop, the world might not have gotten this fun and energetic collaboration with Snoop and Monsta X, a five-member boy group under Starship Entertainment.

The song appears in The Spongebob Movie: Sponge On The Run in a dance segment where Snoop, decked out in a pink and purple Western suit, is accompanied by zombie dancers. Though we do not see the members of Monsta X, their harmonious crooning is the perfect accent to Snoop Dogg’s trademark casual West Coast flow.

BTS and Steven Aoki - "MIC Drop (Steve Aoki remix)" (2017)

No K-pop list is complete with a nod to the magnificent seven, and "MIC Drop" is one of their catchiest Western collabs to date. 

"Mic Drop" is quintessential BTS: a nod to hip-hop with a heavy bass line and fun choreography. While the original version of "MIC Drop" is excellent, the remix with EDM superstar DJ Steve Aoki and rapper Desiigner cracked the Top 40 on the Billboard Hot 100 — the first of many hits for the Bulletproof Boy Scouts. 

Released at a time when BTS were just starting their ascent to chart-topping Western dominance, the track's boastful lyrics and tension-building electro-trap production offered an excellent introduction to the group that would soon become international superstars. 

JYJ, Kanye West and Malik Yusef - "Ayyy Girl" (2010)

A truly deep K-pop cut, you’d be hard-pressed to find many people who know that Kanye West collaborated with a first-generation K-pop group over 13 years ago. Released as the lead single on JYJ’s English-language album The Beginning , West’s signature bravado and wordplay are on full display over a track that sounds like the Neptunes produced it.

The song garnered attention in the U.S., but after a string of bad luck (including a severely delayed U.S. visa process and issues with their management company, SM Entertainment), JYJ could not capitalize on their American success. The group continued to see success in Korea and Japan in the early 2010s but never made a splash in the Western market again.

IVE and Saweetie - "All Night" (2024)

A reimagining of Icona Pop’s 2013 song of the same name, "All Night," sees fourth-generation K-pop girl group IVE partner with rap’s resident glamor girl Saweetie for a funky, electronic-infused pop song that’s perfect for dancing from dusk till dawn. 

"All Night" is the first English song for the Starship Entertainment-backed group. Interestingly, none of the members of IVE have individual lines in the song, choosing instead to sing the lyrics in a six-part harmony. This choice is exciting but fun, giving listeners the feeling that they are more than welcome to sing along. 

The girl group embarked on their first 24-date world tour in January 2024, with stops in the U.S., Asia, Europe and South America. Given their quest for global dominance, there’s a good chance "All Night" won’t be IVE's last English-language release.

BTS and Megan Thee Stallion - "Butter (Remix)" (2021)

BTS’ "Butter" had already spent three weeks atop the Billboard charts and was declared the "song of the summer" when the group’s label announced Houston rapper Megan Thee Stallion as the guest star for the song’s remix in late August 2021. The GRAMMY-nominated septet is no stranger to collaborating with Western musicians, having worked with Halsey , Jason Derulo, and Coldplay . 

Though only slightly altered from the original (Megan’s verse was added in place of the song’s second original verse, along with several ad-libs), the remix was praised by both fans and critics alike, catapulting the song’s return back to the No. 1. Although the collaborators did not release a new music video featuring the group and the self-proclaimed "Hot Girl Coach," three members of BTS’ "dance line" (members J-Hope , Jungkook and Jimin ) released a specially choreographed dance video . Additionally, Megan was a surprise guest during BTS’ record-breaking Permission to Dance LA concert in November of the same year.

LE SSERAFIM and Niles Rodgers - "Unforgiven" (2023)

GRAMMY Lifetime Achievement Award recipient Nile Rodgers ' first foray into K-pop was a partnership with LE SSERAFIM , a fourth-gen girl group from the same parent company behind BTS. "Unforgiven" was released earlier this year as the lead single from the group’s debut album of the same name. 

A darker take on the familiar K-pop formula with A Western feel and look (the young quintuplet dons cowboy hats, boots and bolo ties in the song’s accompanying music video), "Unforgiven" is about rebellion and being a fierce, strong and independent risk taker. That riskiness drew Rodgers' ear. 

"It seems like a lot of the K-pop that I'm hearing lately, the…chord changes are a lot more interesting than what's been happening [in other music fields] over the last few years," he told GRAMMY.com in 2023. "I come from a jazz background, so to hear chord changes like that is really cool. They’re not afraid, which is great to me."

15 K-Pop Songs That Took 2023 By Storm: From Seventeen’s "Super (손오공)" to NewJeans' "Super Shy"

• 1 K-Pop Summer 2024 Guide: ATEEZ, IU, TXT & More Live In Concert & On Tour
• 2 Leap Into AAPI Month 2024 With A Playlist Featuring Laufey, Diljit Dosanjh, & Peggy Gou
• 3 Chung Ha Returns: On 'EENIE MEENIE,' The K-Pop Soloist Is Ready To Step Back Into The Spotlight
• 4 Listen: GRAMMY.com's Women's History Month 2024 Playlist: Female Empowerment Anthems From Beyoncé, Ariana Grande, Jennie & More
• 5 9 Essential K-Pop/Western Collabs: From BTS And Megan Thee Stallion, To IVE And Saweetie