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TimeTraveller™ by Skawennati

Skawennati ,  TimeTraveller™ , 2007-2014, machinima, 9 episodes, 75 min. Image courtesy Skawennati / ELLEPHANT

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TimeTraveller™ tells the story of Hunter, a young Mohawk man living in the twenty-second century who meets Karahkwenhawi, a young Mohawk woman from our era. Follow them while they use an edutainment system popular in the future —TimeTraveller™— to embark on a virtual joyride that immerses them in historical events significant to Native North Americans, such as the Dakota Sioux Uprising, the Oka Crisis and the occupation of Alcatraz Island.

NOTE: TimeTraveller™ is a nine episode series, and contains coarse language, discussions of sex and depictions of nudity.

Skawennati makes art that addresses history, the future, and change. Her work has been presented internationally. A Kanien’kehá:ka (Mohawk) of Kahnawà:ke residing in Montreal, she co-directs Aboriginal Territories in Cyberspace, a research-creation network based at Concordia University. She is represented by ELLEPHANT.

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TimeTraveller™

TimeTraveller™  is a 9-part machinima that tells the story of Hunter, an angry young Mohawk man living in the 22nd century. Despite his impressive range of traditional skills, Hunter is unable to find his way in an overcrowded, hyperconsumerist, technologized world. He decides to use his edutainment system, his TimeTraveller™, to learn about his heritage. Through a bizarre glitch in the system, he meets Karahkwenhawi, a young Mohawk woman from our present. Together they criss-cross time, and end up discovering the complexity of history, truth, and love.

a machinima by Skawennati

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TimeTraveller™

• Official site

Stay tuned for upcoming screenings!

• Official Website

Skawennati makes art that addresses history, the future, and change. Her pioneering new media projects include the online gallery/chat-space and mixed-reality event,  CyberPowWow (1997-2004); a paper doll/time-travel journal, Imagining Indians in the 25th Century (2001); and TimeTraveller™(2008-2013), a multi-platform project featuring nine machinima episodes. These have been widely presented across North America in major exhibitions such as “Now? Now!” at the Biennale of the Americas; and “Looking Forward (L’Avenir)” at the Montreal Biennale. She has been honored to win imagineNative’s 2009 Best New Media Award as well as a 2011 Eiteljorg Contemporary Art Fellowship. Her work in is included in both public and private collections. Born in Kahnawake Mohawk Territory, Skawennati holds a BFA from Concordia University in Montreal, where she is based. She is Co-Director, with Jason E. Lewis, of Aboriginal Territories in Cyberspace (AbTeC), a research network of artists, academics and technologists investigating, creating and critiquing Indigenous virtual environments. She also co-directs their workshops in Aboriginal Storytelling and Digital Media. Skins, This year, AbTeC launched IIF, the Initiative for Indigenous Futures; Skawennati is its Partnership Coordinator.

TimeTraveller™ 2009 – 2010

• Post author By iif_admin
• Post date 7 July 2015

TimeTraveller™

Skawennati 2009 – 2010

Thanks to a Canada Council New Media Residency grant, Skawennati was able to spend a year researching and developing TimeTraveller™, a multi-platform project that includes a website, nine machinima episodes, several sets of digital prints and a Hunter mega-figurine.

Highlighted residency activities.

• Designed and launched www.TimeTravellerTM.com website
• Worked with professionals at Concordia to develop an optimal workflow, including figuring out the best settings (framerate, resolution, codecs, etc.),
• Historical research on Dakota Sioux Uprising; Fort Calgary; Indians of All Tribes Occupation of Alcatraz; Tenochtitlan, Kateri Tekakwitha, Mohawk Crisis
• Interviews with participants in the Mohawk Crisis
• Built sets for Dakota Sioux Uprising, 1862; Behind the barricades in Kanesatake, 1990; St-Francis Xavier Church, Iroquois village, longhouse interior, “Indian Church” interior; pow wow stadium of the future; Karahkwenhawi’s home; Alcatraz island; Tenochtitlan (interior, exterior, sacrifice and boat scenes; and TimeTraveller™ boutique. Improved Hunter’s apartment.
• Designed multiple HUD screens
• Wrote and storyboarded each episode
• Designed costumes for each episode
• Identified, rehearsed with and directed voice talent for each episode.
• Shot each episode.
• Identified and worked with composers for the music for each episode.
• Worked with a sound designer both to record voice talent and for the sound design of each episode.
• Identified and learned how to use new hardware (the SpaceNavigator, a 3D mouse used to better manipulate the Second Life camera controls)
• Edited, edited, edited
• Presented my work to various audiences, including twice to Hexagram Concordia’s community.
• Made a FaceBook artist page to let people in on my process: www.facebook.com/skawennati
• Began a series of large digital prints called “TimeTraveller™ Production Stills.”

Art Trip: Skawennati’s Indigenous time travellers visit Canada House in Trafalgar Square

This article was published more than 4 years ago. Some information may no longer be current.

Skawennati's 2018 Satellite of Love, on view as part of Avatars Aliens Ancestors at Canada House in London. Courtesy Skawennati / ELLEPHANT

A cyberpunk spaceship has landed inside Canada House in London’s Trafalgar Square, and its virtual crew, a cast of Indigenous time travellers from the 15th to the 23rd centuries – created by Kahnawa:ke-born, Montreal-based multimedia artist Skawennati – are poised and ready to meet any curious Earthlings who would like to get on board.

Avatars Aliens Ancestors, on view to March, assembles characters from all corners of Skawennati’s artistic universe. Among them, there’s Kateri Tekakwitha, born in 1656 and the first Indigenous woman to have been named a saint by the Catholic Church; elders from SkyWorld, the planet our ancestors are said to have come from, who wear white clothes with circles cut out of them to expose their technicoloured skin; and “xox”, Skawennati’s own avatar from online game Second Life , where she designs and builds many of the virtual worlds populated by her figures.

Skawennati's SkyWorld elders wear robes featuring cutouts that reveal their technicolour skin. Courtesy Skawennati / ELLEPHANT

She calls her works machinimas (a portmanteau of “machine” and “cinema,” meaning movies created in virtual environments) and machinimagraphs (photographs taken in these virtual environments by her avatar), and creates them with help from her team at Aboriginal Territories in Cyberspace, a creative research network for Indigenous youth that she co-directs with partner Jason Edward Lewis.

“Youth truly are the future,” she says. “Through our Skins workshops in Indigenous Storytelling and Digital Media, we aim to empower them to be producers, in addition to users, of digital media.”

Active in cyberspace since the 1990s, Skawennati has repeatedly called out the fact that the most common representations of Indigenous peoples in popular culture are from the past. Look into your mind’s eye and you’ll see them: anonymous, sepia-toned and serious-looking, in traditional garb. “I fear that if Indigenous people cannot envision ourselves in The Future, we will not be there,” she says. “We need to visualize ourselves as full participants in the multimediatized world of today and tomorrow to help ourselves become active agents in the shaping of new mediums and new societies.”

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Immerse Yourself in History

Travelling through time these days is easy thanks to TimeTraveller™.

Observe famous historical events and interact with the people who made them happen! Ideal for students, architects, artists, and anyone else who wants to experience history as it really was!

© 2121 AbTeC

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FNIS 401F – Indigenous Futurisms

Through Space and Time: Addressing the Current Crisis at Standing Rock Through Skawennati’s Timetraveller™

I will begin this post by defining Indigenous futurism and further illustrating how this concept applies to Skawennati’s Timetraveller™ . Following this, I have included a machinima treatment for a new episode of   Timetraveller™ .

Indigenous futurism, as a concept, is a way of approaching the idea of ‘Indigeneity’ by understanding it through a digital and contemporary framework. Simply, as contemporary Indigenous artist Skawennati articulated, Indigenous futurism is a way of imagining Indigenous people in the future, through digital means, in order that such a future may be able to take place. The origins of the word “futurism” comes from the Italian futurism o, referencing a movement occurring in the early 20 th century. Though, this is where the word originated, the Italian futurism movement and Indigenous futurism share very few similarities in ideology or history. Italian futurism focused almost exclusively on the replacement of anything considered ‘traditional’ with new ‘modern’ technology and beliefs. To this end, Italian futurism incorporated significant violence into their ideology. Indigenous futurism instead primarily focuses on digital and interactive media techniques that can be used to convey tradition and storytelling.

Several moments in Skawennati’s  Timetraveller™ illustrate this concept, however I have selected one episode that truly characterizes some of the main themes. In the episode titled “A.D. 2112”, Karahkwenhawi travels to the Powwow of the Future and witnesses not only Indigenous peoples in the far future but a far future that is defined by Indigenous peoples and their cultures. This episode embodies the understanding of futurism as picturing Indigenous peoples in the future  – it does so and goes beyond. Not only do indigenous peoples exist in 2112, according to Skawennati, due to Indigenous activism, Indigenous people are strong and deeply connected to their histories and cultures. A connection to culture is specifically demonstrated by the powwow aspect and traditional dancing styles. However, the Indigenous fashions that were promoted at the event were considered modern and chic, illustrating the widespread acceptance of Indigenous culture. The emcee of the event told the story of how Indigenous peoples were treated by American and Canadian governments, focusing on the acts of resistance by Indigenous peoples, ending with their sovereignty and freedom. Overall, Indigenous futurism combines aspects of technologies, new media and storytelling to assert sovereignty. Sovereignty, in this context can mean screen sovereignty, ownership of their culture and traditional stories as well as land sovereignty and stewardship.

Episode: ‘A.D. 2016’

Basic Premise: Karahkwenhawi and Hunter are now full-time time-travellers using their Timetraveller ™ glasses from Hunter’s time in year A.D. 2121. They have been happily cohabiting and travelling through important periods in Indigenous history. Hunter suggests that they visit an occurrence closer to Karahkwenhawi’s time – similar to Oka, where they first met. Hunter wants to show Karahkwenhawi that not all Indigenous rebellion in her lifetime is bitter and hopeless. They time travel to Standing Rock, North Dakota, arriving on December 28 th 2016. The US military is set on building a pipeline (Dakota Access Pipeline) on the traditional unceded territory of the Lakota Sioux. The land is currently being held in peaceful protest by Indigenous people who are known as the “Water Protectors”. They aim to protect the Missouri river from potential oil pollution. They also are on the territory to assert sovereignty and protect traditional Sioux burial grounds. This event has since gained fame, and remains renowned in the future as an example of successful Indigenous resistance.

Sets: Here I have included several examples of the digital sets I have envisioned for the Oceti Sakowin camp. I found each reference on Second Life, a platform where an individual can interact with chat spaces using a digital avatar. These spaces are beautiful, incorporating the natural landscape alongside the versatile interactive space. I also chose a number of these for their interaction between the “new” and the traditional as depicted in this digital space.

Aside from these pre-made spaces on Second Life, there are existing images of the actual Oceti Sakowin camp that could be used to create specific spaces. Emphasis in set-building must remain on the proximity of the militarized police forces to the perimeter of the camp, and the spaces of prayer within the camp.

Characters and Costumes: Hunter and Karahkwenhawi are both charcaters from previous episodes of Timetraveller™. If you are unfamiliar with this series of machinimas (digitally-created films), you can find previous episodes here . For certain scenes in this episode, both Hunter, Karahkwenhawi and Kaya all wear traditional regalia associated with the Mohawk nation and indicative of status. For most scenes, however, they wear warm contemporary clothes fitting for the icy weather in North Dakota. As additional clothing pieces, they also sometimes wear bandannas to cover their mouths for protection against pepper spray.

Summary of Events:

Upon arrival, they meet Karahkwenhawi’s mother, Kaya (unnamed in the original series so I have chosen a name), who is an elder at the Standing Rock Oceti Sakowin camp. The Oceti Sakowin camp is the largest camp at Standing Rock. She emerges from a sweat tent and immediately recognizes Hunter and Karahkwenhawi. The camp has spaces like sweat tents and drumming circles for prayer and spiritual practices. It would be a relatively peaceful experience if not for the constant threat of violence and the military tanks parked a short distance away. Indigenous and non-Indigenous people from every part of the world are recognized here and are praying in solidarity with the Lakota Sioux.

While this gathering happening, Hunter explains that, all over the world, protests are being held by environment activists and Indigenous groups. Their aim is to show solidarity and to get National banks to pull their funding for the Dakota Access Pipeline. They also wish to highlight some injustices experienced by the Water Protectors at the hands of local police, including the use of water-cannons and rubber bullets. The infamous Republican United States President-Elect Donald Trump, following a months-long campaign based on fear and racial discrimination, is poised to assume power following the more liberal Democratic Obama government. Rumours circulate that he has invested in the DAPL, and would be unwilling to consider a sovereignty claim. All the media sources across the world are focused on North Dakota in this moment.

Days pass at the camp. The atmosphere of the camp is predominantly beautiful interspersed with moments of violence. US military veterans arrive in the hundreds to volunteer their time. Hunter, Karahkwenhawi and Kaya spend their days with behind the scenes helping prepare meals for the camp, engaging in prayer and listening to elders’ stories. Karahkwenhawi and Kaya reconnect after being separated for so long. They are also hearing rumours that people (mainly young non-Indigenous environmentalists) are becoming increasingly violent at other camps.

December 31 st , New Year’s Eve 2016: RVs parked at the site receive very little satellite reception but just enough to watch the ball drop in Times Square on a tiny TV screen. The whole Oceti Sakowin camp counts down together. Hunter of course knows what will happen, however he does not tell Kaya or Karahkwenhawi. At 12am, the banks’ contracts with the pipeline expire, and due to the conflict over the last few months, none wish to resubmit to a new contract as it may never be fulfilled. The police forces remain, but social media interactions become frenzied within the camp. The campers with RVs are now focused on tuning in to media channels.

Hunter, Karahkwenhawi, Kaya, and the Oceti Sakowin camp begin dancing and drumming at the front line and don’t stop until the early morning. By late afternoon on the 1st of January, the Sioux Water Protectors order that the militarized police units turn back, leaving the camp free. The video cuts to the last tank slowly leaving the encampment. The episode ends with Karakhwenhawi and Hunter saying their farewells to Kaya and others they had met at the camp. Hunter and Karahkwenhawi put their TimetravellerTM glasses back on an appear again in their 2121AD apartment.

2 thoughts on “Through Space and Time: Addressing the Current Crisis at Standing Rock Through Skawennati’s Timetraveller™”

Hey Olivia! I really like the contrast you outlined between Italian v. Indigenous futurism… One meant to end traditional value structures and one meant to bring them into the future. I appreciate that you went through Second Life so thoroughly! I didn’t make it very far past the tutorial, so thank you for highlighting these spaces within Second Life (they seem pretty up to date too!). The layout of your blog is also eye catching, and matched tone the subject matter of this post (re: water protectors in your treatment).

I liked the ending to your episode “A.D. 2016,” it’s pretty awesome that just today the U.S. Army denied the Dakota Access Pipeline to cross through the Lakota Sioux reservation lands! Awesome treatment!

Great post, Olivia. You’ve gone above and beyond finding “sets” for your Timetraveller episode and the spec script you write out here is very well thought out and speaks to the current moment. I do think one more paragraph concluding your analysis of Indigenous Futurism would have been helpful. The relationship between Italian and Indigenous futurisms may need a bit more nuancing. But still, the work you do in those initial paragraphs is very instructive. Great job!

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Skawennati's Time Traveller: Deconstructing the Colonial Matrix in Virtual Reality

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Teiakwanahstahsontéhrha ’  |  We Extend the Rafters  

Children’s exhibition.

May 08 – July 25, 2021

My name is Iotetshèn :’ en, and I live on Earth—usually. Our planet is united under the Great Law of Peace. […] Earth has been attacked by more than one visitor from outer   space, and our harmonious way of life is being threatened. So for now, my home is this spaceship. We are travelling to the first meeting of the five nearest, friendliest planets in our galaxy. The goal of our mission is to create a union that will protect us from attacks and also help us to share our very different knowledges. I have been invited on the historic voyage because I have a special power…      Thus begins  The Peacemaker Returns , a futuristic saga set in 3025 yet firmly rooted in the ancestral Haudenosaunee (Iroquois) confederation story and featuring historical figures such as Tekanawí:ta, Jacques Cartier, and a president addicted to Twitter! This new machinima—an animation-style movie produced on the virtual reality platform Second Life—is the core of the exhibition  Teiakwanahstahsontéhrha’ | We Extend the Rafters,  designed specifically for children aged 5 to 11 by  by  Kanien’kehá:ka (Mohawk)  artist  Skawennati .   

The bilingual title of the exhibition—in Kanien’kéha (Mohawk) and in English—refers to the action of “extending the rafters” of a longhouse. These traditional Indigenous structures would be lengthened to make room for new generations or even other families. The title chosen by the artist therefore encompasses the broader notion of acceptance and inclusion of differences, in the spirit of respect, unity and peace.  

The exhibition  will encourage young and mature viewers alike to (re)learn history from an Indigenous perspective and imagine how all people can contribute to the world of tomorrow, reminding us how  history , like any other narrative, is a construction defined by those who tell it.   

The  Teiakwanahstahsontéhrha ’  tour benefits from the financial support of the Canada Council for the Arts and the Conseil des arts et des lettres du Québec. This exhibition was produced in 2017 by VOX,  centre de l’image contemporaine  in partnership with Aboriginal Territories in Cyberspace (AbTeC) and Obx Labs, with financial support from the Conseil des arts et des lettres du Québec, the Quebec Ministry of Culture and Communications and the City of Montreal under the Agreement on the Cultural Development of Montreal, as well as the Community Fund for Canada’s 150th.      

About the Artist | Skawennati

Skawennati makes art that addresses history, the future, and change from an Indigenous perspective.  Best known for her machinimas—movies made in virtual environments—she also produces still images, sculpture and textile works.  

Her pioneering new media projects include the online gallery/chat-space and mixed-reality event,  CyberPowWow  (1997-2004); a paper doll/time-travel journal,  Imagining Indians in the 25th Century  (2001); and  TimeTraveller™ (2008-2013), a multi-platform project featuring nine machinima episodes.  These have been presented in New Zealand, Hawaii, Ireland and across North America in major exhibitions such as “Now? Now!” at the Biennale of the Americas, and “Looking Forward (L’Avenir)” at the Montreal Biennale. Skawennati is represented by ELLEPHANT and her award-winning work is included in both public and private collections.  

Born in Kahnawà:ke Mohawk Territory, Skawennati holds a BFA from Concordia University in Montreal, where she is based. She is Co-Director, with Jason E. Lewis, of Aboriginal Territories in Cyberspace (AbTeC), a research network of artists, academics and technologists investigating, creating and critiquing Indigenous virtual environments. She also co-directs their Skins workshops in Aboriginal Storytelling and Digital Media. In 2015, AbTeC launched IIF, the Initiative for Indigenous Futures; Skawennati is its Partnership Coordinator.  

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TimeTraveller™

Skawennati 2012, elektra montreal, canada.

Skawennati’s first machinima project TimeTraveller™, is a science- fiction story of a Mohawk man who lives in the year 2121. He uses the technology of his time to visit important historical events.

• Title: TimeTraveller™
• Creator: Skawennati
• Date Created: 2012
• Location: Arsenal Contemporary Art
• Subject Keywords: Contemporary Digital Art, New Media Art, Video installation
• Rights: @GRIDSPACE

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The journey from Moscow to Elektrostal by train is 32.44 mi and takes 2 hr 7 min. There are 71 connections per day, with the first departure at 12:15 AM and the last at 11:46 PM. It is possible to travel from Moscow to Elektrostal by train for as little as or as much as . The best price for this journey is .

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The journey between Moscow and Elektrostal by train is approximately 32.44 mi. It will take you more or less 2 hr 7 min to complete this journey. This average figure does not take into account any delays that might arise on your route in exceptional circumstances. If you are planning to make a connection or operating on a tight schedule, give yourself plenty of time. The distance between Moscow and Elektrostal is around 32.44 mi. Depending on the exact route and provider you travel with, your journey time can vary. On average, this journey will take approximately 2 hr 7 min. However, the fastest routes between Moscow and Elektrostal take 1 hr 3 min. If a fast journey is a priority for you when traveling, look out for express services that may get you there faster. Some flexibility may be necessary when booking. Often, these services only leave at particular times of day - or even on certain days of the week. You may also find a faster journey by taking an indirect route and connecting in another station along the way.

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Elektrostal, visit elektrostal, check elektrostal hotel availability, popular places to visit.

• Electrostal History and Art Museum

You can spend time exploring the galleries in Electrostal History and Art Museum in Elektrostal. Take in the museums while you're in the area.

• Cities near Elektrostal

• Places of interest
• Yuri Gagarin Cosmonaut Training Center
• Peter the Great Military Academy
• Central Museum of the Air Forces at Monino
• History of Russian Scarfs and Shawls Museum
• Balashikha Arena
• Balashikha Museum of History and Local Lore
• Bykovo Manor
• Pekhorka Park
• Ramenskii History and Art Museum
• Malenky Puppet Theater
• Drama Theatre BOOM
• Likino Dulevo Museum of Local Lore
• Noginsk Museum and Exhibition Center
• Pavlovsky Posad Museum of Art and History
• Saturn Stadium
• Fairy Tale Children's Model Puppet Theater
• Fifth House Gallery
• Church of Vladimir
• Malakhovka Museum of History and Culture
• Orekhovo Zuevsky City Exhibition Hall

Destinations in May

Destinations in 2024.

Please note prices are based on two persons sharing a twin/double room. Single room supplements may apply, please call check single availability/price.

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• Destinations
• Hotel Information
• Private hire
• Special offers / Late availability
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NEW CHRISTMAS TOUR 2024 - Bournemouth - Norfolk Royale Hotel - BROCHURE ADDITION . 2024 EUROPEAN HOLIDAYS - Early release - ITALY - Lake Garda / Alassio Click here to download our 2024 Brochure All Our Holidays Include In The Price: Free Door to Door Taxi ( Subject to Area ) ~ Luxury Coach Travel ~ Reserved Coach Seats . Personally Selected ...

www.kmchesterfield.co.uk

KM Travel of Barnsley, South Yorkshire. Request a brochure by: Calling: 01226 245564 email: [email protected] . download: click here to download the 2024 Tour Brochure.

KM Travel is in Chesterfield, KM Travel may offer holiday tours, sightseeing tours, and general city tours in Chesterfield. If you have used KM Travel before be sure to leave your own comment or rating on the city tour or holiday tour that you went on so other poeple wishing to use this company can read fair and honest reviews before the book ...

What people are saying. " HOLIDAY TO BLACKPOOL ". Oct 2023. Thanks to all at KM TRAVEL especially our driver courier Matt who made the trip more enjoyable and a credit to the co... " Lovely place enjoyed it clean need a bit of investment there ". Aug 2022. Stayed at ilfracombe Devon 14 to 20 Aug the coach was lovely our driver Tony was ...

Reviews, contact details and business hours of KM Travel Chesterfield at 27 Stephenson Place, Chesterfield, Derbyshire. Check out nearby places on a map. Write a review. Log in. ... 21:03 Tuesday, 23 April 2024: Business hours. Monday: 9:00 am - 4:30 pm: Tuesday: 9:00 am - 4:30 pm: Wednesday: 9:00 am - 4:30 pm: Thursday: 9:00 am - 4:30 ...

KM Travel of Barnsley, South Yorkshire. Tel: (01226) 245564 [email protected] . Home. Booking Guide Request Brochure Customer Information Contact Us. ... Our 2024 British Coach Holiday Brochure is now available to download and available shortly from our Market Street office in paper form.

5. £339. Nil. Please note prices are based on two persons sharing a twin/double room. Single room supplements may apply, please call check single availability/price. Price Includes: * Luxury Coach Travel * Local Departure Points. * En-suite bedrooms * Excursions. * Half Board Accommodation.

Page List. (Click on the page required to be linked with that page in the brochure) Page 1 - Front cover. Page 2 - Introduction. Page 3 - Contact information. Customer information. Page 4 - How to make a booking. Holiday index January to June. Page 5 - Holiday index June to December.

Our 2024 UK Brochure is OUT NOW! Order yours today. 01246 474747 Opening Times Brochures . Menu (current) Home Holidays Day Trips ... A-Line Travel 15 Soresby Street Chesterfield S40 1JW 01246 474747 [email protected] . A-Line Travel, Company number 13060548

Lovely holiday. Review of KM British & European Coach Holiday. Reviewed 9 December 2023. Just back from a T&T break at Exmouth. The hotel and food were brilliant, and the driver James was the best. However we had a bad start after waiting nearly one and a half hours in cold and rain at Ilkeston for the coach. I know there was traffic problems ...

Geeveetravelchesterfield, Chesterfield. 1,657 likes · 24 talking about this · 29 were here. DOOR TO DOOR COACH HOLIDAYS DAY TRIPS AND PRIVATE HIRE

Thankyou received our brochure in the post , I see you have new for 2024 Kynren weekend , we went last year and its the most amazing show I've seen well worth going recommended to everybody. 22w. Robert Lindley. Can I have a brochure please 9 monsal crescent Barnsley S71 3PY. 15w.

KM Travel of Barnsley, South Yorkshire. Tel: (01226) 245564 [email protected] . Home. Booking Guide Request Brochure Customer Information Contact Us. Skip to content. Request a brochure by: Calling: 01226 245564 . email: [email protected] download: ... Please note prices are based on two persons sharing a twin/double room ...

Central Air Force Museum The Central Air Force Museum, housed at Monino Airfield, 40 km east of Moscow, Russia, is one of the world's largest aviation museums, and the largest for Russian aircraft. 173 aircraft and 127 aircraft engines are on display, and the museum also features collections of weapons, instruments, uniforms (including captured U2 pilot Gary Powers' uniform), other Cold War ...

The journey from Moscow to Elektrostal by train is 32.44 mi and takes 2 hr 7 min. There are 71 connections per day, with the first departure at 12:15 AM and the last at 11:46 PM. It is possible to travel from Moscow to Elektrostal by train for as little as or as much as . The best price for this journey is . Journey Duration.

KM Travel of Barnsley, South Yorkshire. Tel: (01226) 245564 [email protected] . ... we guarantee excellent customer service and affordable prices. ... Winter/Spring 2024. Blackpool 2024 Potters Resorts 2024. Our booking office is located at: 52, ...

2022 Brochure . Page List ... All Our Holidays Include In The Price: Free Door to Door Taxi ( Subject to Area ) ~ Luxury Coach Travel ~ Reserved Coach Seats . Personally Selected Hotels ~ En-suite Bedrooms ~ Free Varied Excursions . Telephone: 01246 -556617 ...

Prices at Na Ulitse Yalagina 13B Apartments are subject to change according to dates, hotel policy, and other factors. To view prices, please search for the dates you wish to stay at the hotel. What are the check-in and check-out times at Na Ulitse Yalagina 13B Apartments? The check-in time is after 14:00 and the check-out time is before 12:00.

Cities near Elektrostal. Places of interest. Pavlovskiy Posad Noginsk. Travel guide resource for your visit to Elektrostal. Discover the best of Elektrostal so you can plan your trip right.

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15 men brought to military enlistment office after mass brawl in Moscow Oblast

Local security forces brought 15 men to a military enlistment office after a mass brawl at a warehouse of the Russian Wildberries company in Elektrostal, Moscow Oblast on Feb. 8, Russian Telegram channel Shot reported .

29 people were also taken to police stations. Among the arrested were citizens of Kyrgyzstan.

A mass brawl involving over 100 employees and security personnel broke out at the Wildberries warehouse in Elektrostal on Dec. 8.

Read also: Moscow recruits ‘construction brigades’ from Russian students, Ukraine says

We’re bringing the voice of Ukraine to the world. Support us with a one-time donation, or become a Patron !

Read the original article on The New Voice of Ukraine

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