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Ziyaret (2015)

Ziyaret - The Visit

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Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation. Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation. Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation.

• M. Night Shyamalan
• Olivia DeJonge
• Ed Oxenbould
• Deanna Dunagan
• 797 User reviews
• 438 Critic reviews
• 55 Metascore
• 1 win & 14 nominations

Top cast 29

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• Young Tyler

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• Trivia According to statements made on Twitter, director M. Night Shyamalan prepared three different cuts of the film: one that was "pure comedy," another that was "pure horror," and a final one that "fell somewhere in between."
• Goofs The amount of snow covering the landscape varies dramatically from day to day and even between scenes taking place on the same day.

Grandma : Would you mind getting inside the oven to clean it?

• Alternate versions In the FX broadcast, to keep the TV-14 rating, the defecation featured in the movie are censored. In addition, two scenes involving nudity is blurred out.
• Connections Featured in Late Night with Seth Meyers: Andy Samberg/Kevin Love/M. Night Shyamalan/Abe Laboriel Jr. (2015)
• Soundtracks Possession Written by Harry Revel Performed by Les Baxter and His Orchestra and Chorus [Theremin - Dr. Samuel Hoffman ] Courtesy of RCA Records By arrangement with Sony Music Licensing

User reviews 797

• vladimirnerandziicbps
• Sep 29, 2015
• September 11, 2015 (United States)
• United States
• Los huéspedes
• 3049 Merlin Road, Chester Springs, Pennsylvania, USA (Exterior House)
• Blinding Edge Pictures
• Blumhouse Productions
• Neighborhood Film Co.
• See more company credits at IMDbPro
• $5,000,000 (estimated)
• $65,206,105
• $25,427,560
• Sep 13, 2015
• $98,450,062

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• Runtime 1 hour 34 minutes
• Dolby Digital

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Olivia DeJonge

Ed Oxenbould

Deanna Dunagan

Peter McRobbie

Kathryn Hahn

• Average 5.9
• Reviews 230

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Büyükanne ve büyükbabanıza bile güvenmeyin: The Visit (Ziyaret)

The Visit (Ziyaret), son derece gerilim dolu bir film olmasının yanı sıra oldukça da komikti. İzlerken çok kez güldüğüm anlarda bir anda gerilim dolu sahneler görünce, bu filmi çevreme tavsiye etmeye başladım. İşte son yılların en keyifli gerilim filmlerinden biri olan The Visit hakkında detaylar...

Filmin konusu şöyle: "Becca ve Tyler, babaları tarafından terkedilmiş iki kardeştir. Anneleriyle birlikte büyümüşlerdir ve ortalama bir hayat sürmektedirler. Bir gün evlenmek için anne ve babasının evinden kavga ederek ayrılan anneleri ilginç bir olay yaşar. Annesi ve babası torunlarını görmek istediklerini söylemek için kendisini internetten araştırıp bulurlar. Çocukların da gitmek istemesiyle bir haftalık büyüklerin evine ziyaret başlar."

Anneanne ve büyükbabalarının evine mutlu mesut gelen iki kardeş, çocukların hayali olan kocaman bir evde lezzetli yemeklerle adeta mest olur. Bir süre sonra anneanne ve dedesinde tuhaflık fark eden iki kardeş, hayat mücadelesi vermeye başlar.

Becca'nın çektiği belgesel için çok güzel bir malzemedir ev. Annesinin yıllardır konuşmadığı anne ve babasına bir anı bırakmak isteyen genç Becca, bu sırada çok sayıda olumsuzlukla karşılaşır. Annesiyle Skype üzerinden konuşan iki kardeş, finalde bu Skype sohbetleri sayesinde önemli bir bilgiye ulaşır.

Oyunculuk konusuna gelecek olursak, Becca rolündeki Olivia DeJonge son derece başırılı kotarmış işi.

Ed Oxenbould ise oldukça doğal ve komik sahnelerle başarısını kanıtlamış. 

Deanna Dunagan ve Peter McRobbie, bu psikopat iki karakteri elbette mükemmel canlandırmış. Filmin sonuna kadar insanı rahatsız edecek karakterleri canlandırmayı başarmışlar.

94 dakikalık filmde bir an olsun sıkılmazken, finaliyle de tatmin olabildim. Büyük bir zeka ürünü denemeyecek filmin dengeleri öylesine iyi oluşturulmuş ki izlerken mantığa aykırı bir durum oluşmamış.

Uzun lafın kısası, birkaç arkadaşla izlenirse tadından yenmeyecek bu filme mutlaka şans verin. 

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M. Night Shyamalan had his heyday almost 20 years ago. He leapt out of the gate with such confidence he became a champion instantly. And then…something went awry. He became embarrassingly self-serious, his films drowning in pretension and strained allegories. His famous twists felt like a director attempting to re-create the triumph of “ The Sixth Sense ,” where the twist of the film was so successfully withheld from audiences that people went back to see the film again and again. But now, here comes “ The Visit ,” a film so purely entertaining that you almost forget how scary it is. With all its terror, “The Visit” is an extremely funny film. 

There are too many horror cliches to even list (“gotcha” scares, dark basements, frightened children, mysterious sounds at night, no cellphone reception), but the main cliche is that it is a “found footage” film, a style already wrung dry. But Shyamalan injects adrenaline into it, as well as a frank admission that, yes, it is a cliche, and yes, it is absurd that one would keep filming in moments of such terror, but he uses the main strength of found footage: we are trapped by the perspective of the person holding the camera. Withhold visual information, lull the audience into safety, then turn the camera, and OH MY GOD WHAT IS THAT? 

“The Visit” starts quietly, with Mom ( Kathryn Hahn ) talking to the camera about running away from home when she was 19: her parents disapproved of her boyfriend. She had two kids with this man who recently left them all for someone new. Mom has a brave demeanor, and funny, too, referring to her kids as “brats” but with mama-bear affection. Her parents cut ties with her, but now they have reached out  from their snowy isolated farm and want to know their grandchildren. Mom packs the two kids off on a train for a visit.

Shyamalan breaks up the found footage with still shots of snowy ranks of trees, blazing sunsets, sunrise falling on a stack of logs. There are gigantic blood-red chapter markers: “TUESDAY MORNING”, etc. These choices launch us into the overblown operatic horror style while commenting on it at the same time. It ratchets up the dread.

Becca ( Olivia DeJonge ) and Tyler ( Ed Oxenbould ) want to make a film about their mother’s lost childhood home, a place they know well from all of her stories. Becca has done her homework about film-making, and instructs her younger brother about “frames” and “mise-en-scène.” Tyler, an appealing gregarious kid, keeps stealing the camera to film the inside of his mouth and his improvised raps. Becca sternly reminds him to focus. 

The kids are happy to meet their grandparents. They are worried about the effect their grandparents’ rejection had on their mother (similar to Cole’s worry about his mother’s unfinished business with her own parent in “The Sixth Sense”). Becca uses a fairy-tale word to explain what she wants their film to do — it will be an “elixir” to bring home to Mom. 

Nana ( Deanna Dunagan ), at first glance, is a Grandma out of a storybook, with a grey bun, an apron, and muffins coming out of the oven every hour. Pop Pop ( Peter McRobbie ) is a taciturn farmer who reminds the kids constantly that he and Nana are “old.” 

But almost immediately, things get crazy. What is Pop Pop doing out in the barn all the time? Why does Nana ask Becca to clean the oven, insisting that she crawl all the way in ? What are those weird sounds at night from outside their bedroom door? They have a couple of Skype calls with Mom, and she reassures them their grandparents are “weird” but they’re also old, and old people are sometimes cranky, sometimes paranoid. 

As the weirdness intensifies, Becca and Tyler’s film evolves from an origin-story documentary to a mystery-solving investigation. They sneak the camera into the barn, underneath the house, they place it on a cabinet in the living room overnight, hoping to get a glimpse of what happens downstairs after they go to bed. What they see is more than they (and we) bargained for.

Dunagan and McRobbie play their roles with a melodramatic relish, entering into the fairy-tale world of the film. And the kids are great, funny and distinct. Tyler informs his sister that he wants to stop swearing so much, and instead will say the names of female pop singers. The joke is one that never gets old. He falls, and screams, “Sarah McLachlan!” When terrified, he whispers to himself, “ Katy Perry … ” Tyler, filming his sister, asks her why she never looks in the mirror. “Your sweater is on backwards.” As he grills her, he zooms in on her, keeping her face off-center, blurry grey-trunked trees filling most of the screen. The blur is the mystery around them. Cinematographer Maryse Alberti creates the illusion that the film is being made by kids, but also avoids the nauseating hand-held stuff that dogs the found-footage style.

When the twist comes, and you knew it was coming because Shyamalan is the director, it legitimately shocks. Maybe not as much as “The Sixth Sense” twist, but it is damn close. (The audience I saw it with gasped and some people screamed in terror.) There are references to “ Halloween “, “Psycho” (Nana in a rocking chair seen from behind), and, of course, “ Paranormal Activity “; the kids have seen a lot of movies, understand the tropes and try to recreate them themselves. 

“The Visit” represents Shyamalan cutting loose, lightening up, reveling in the improvisational behavior of the kids, their jokes, their bickering, their closeness. Horror is very close to comedy. Screams of terror often dissolve into hysterical laughter, and he uses that emotional dovetail, its tension and catharsis, in almost every scene. The film is ridiculous  on so many levels, the story playing out like the most monstrous version of Hansel & Gretel imaginable, and in that context, “ridiculous” is the highest possible praise.

Sheila O'Malley

Sheila O’Malley received a BFA in Theatre from the University of Rhode Island and a Master’s in Acting from the Actors Studio MFA Program. Read her answers to our Movie Love Questionnaire here .

• Deanna Dunagan as Nana
• Olivia DeJonge as Rebecca Jamison
• Ed Oxenbould as Tyler Jamison
• Kathryn Hahn as Mother
• Peter McRobbie as Pop-Pop
• Benjamin Kanes as Dad
• Luke Franco Ciarrocch
• M. Night Shyamalan

Cinematography

• Maryse Alberti

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The Visit Ending, Explained: What’s Wrong With the Grandparents?

In M. Night Shyamalan’s 2015 horror film, ‘The Visit,’ the audience accompanies a pair of young protagonists on a trip that leads to more menacing outcomes than one expects from a visit to Grandma’s house. After their distant grandparents, Nana and Pop Pop, reach out to teenage sibling duo Becca and Tyler, the pair takes the former up on their invitation for a week-long stay. However, upon arrival, armed with several cameras for Becca’s documentary, the two quickly begin noticing the strange happenings that seem to occur at the house after nightfall. Thus, the kids find themselves fending for themselves as each day unravels more erratic behavior by their aging grandparents, with the night bringing something more sinister.

The found footage film builds a compelling thriller narrative that gradually boosts its suspense until the final act delivers a startling and much-anticipated plot twist that fans have come to expect from the filmmaker. Nonetheless, the same conclusive twist may have left some of the viewers with a few questions. SPOILERS AHEAD!

The Visit Plot Synopsis

In her late teens, Loretta Jamison ran away with a substitute teacher from her high school, Corin, causing a rift between herself and her parents. As a result, years later, after Corin has abandoned his family, Loretta’s 15-year-old daughter, Becca, and 14-year-old Tyler have never met their grandparents. However, their distant relationship stands to change when the old couple reaches out to their grandkids, extending a home-visit invitation. Even though Loretta is against the idea, she doesn’t try to stop her children after they decide to visit her childhood home.

As such, while Loretta leaves for a cruise with her boyfriend, her kids take the train to visit their grandparents with promises of routine Skype calls. Becca, an aspiring filmmaker, decides to document the entire thing in hopes of learning the specifics about her mother and grandparents’ falling out. Consequently, Bella and Fredrick Spencer arrive at the train station on Monday morning to pick up their grandkids with enthusiastic smiles. Their first day together goes smoothly, and as it comes to an end, the kids’ grandpa, Pop Pop, instructs them about a 9:30 bedtime rule.

Although the kids don’t think of it much at first, Becca learns the merit of following through with the rule after she ventures out for a midnight snack and witnesses her Nana, sick and frantically throwing up. Even more frightening, the morning after, the woman abruptly and manically chases the kids under the house’s crawlspace during an impromptu game of hide-n-seek. Throughout the day, the kids’ concern grows further after noticing a few disturbing things about Pop Pop, such as his lack of bowel control and tendency to attack strangers in a fit of paranoia.

The following night, Tyler’s worries grow after he spots Nana wildly scratching at the walls outside the kids’ guest room in a stark state of undress. However, after Becca asks Pop Pop about the older woman’s condition, she receives a plausible answer about Nana’s sundowning issue, establishing her concerning after-hours behavior is similar to sleepwalking.

The explanation satisfies Becca, who attempts to return to her mission to learn about her mother’s relationship with Nana and Pop Pop. Still, she doesn’t make much progress since the topic seems to trigger a violent episode in her grandmother. Meanwhile, Tyler remains weary of his grandparents’ actions and insists they should spy on them by setting up cameras in the living room. Although Becca is initially against the idea, she agrees after walking in on Pop Pop with a rifle’s barrel in his mouth.

Even so, the plan backfires when Nana spots the camera on her nightly manic episode and attempts to break into the kids’ room armed with a knife. Once Becca realizes their lives may be in danger after reviewing the night’s footage, she decides to ask Loretta to pick them up on account of the dangerous circumstances. However, the kids are in for a big surprise when they show the elderly couple to their mother from a window, only to learn that the people they have spent the past few days with are not their grandparents.

The Visit Ending: Who Are The Old Couple? What Did They Do To The Real Grandparents?

As a slow burn of mourning suspense and horror, the film reveals Nana and Pop Pop’s concerning attributes in slow bouts. At first, the behavior that the couple exhibits can be easily explained as a condition of their old age, with sundowning, memory issues, and paranoia forming the baseline. Yet, as the film progresses, the old couple becomes more and more dangerous— first toward themselves and then the kids.

Due to Loretta’s dramatic exit from her parents’ house, the woman seldom speaks to the couple, even as she regularly calls the kids. Furthermore, a seemingly innocent accident damages Becca’s webcam, robbing the mother of any visual cues. Therefore, it isn’t until Thursday morning, when Becca and Tyler have begun fearing for their lives, that Loretta glimpses at the old couple. Consequently, she realizes all this time, her kids have been living with a pair of strangers who are pretending to be their grandparents.

The revelation immediately sets Loretta into action, who tries to contact the cops and reach her kids as soon as possible. In the meantime, she advises her kids to seek help from the neighbors to put distance between themselves and the imposters. Nevertheless, the old couple prevents Becca and Tyler from leaving the house with the idea of a family game night. Thus, with tension in the air, the kids find themselves enduring a game of Yahtzee until the old woman’s incoming mental episode gives Becca an excuse to slip away.

Using the opportunity to explore the house and learn about the imposters, Becca ventures into the forbidden basement, where she suspects her actual grandparents to be. Inside, she finds all the answers to her questions as Becca’s hunch turns out to be true in the worst way possible.

As it would turn out, the imposter old couple is a pair of psychiatric hospital patients, where the actual Bella and Patrick Spencer volunteered. The psychotic couple believed they were from an alien planet, Sinmorfitellia. As such, the pair drowned their own kids inside a well that they believed to hold a passage to the alien planet. For the same reason, they were being under monitoring in the psychic hospital.

Nonetheless, the couple escaped their bounds after the Spencers revealed their plans for a family reunion with their grandkids. Envious of the other couple, the imposters, Claire and Mitchell, killed the former pair and overtook their identities to spend the week with Becca and Tyler. Consequently, the duo managed to evade outsiders anytime they came looking for them at the house and ultimately killed their neighbor, Stacey, when she realized their reality.

Soon after Becca learns this truth, Mitchell locks her up in a room with a psychotic Claire, undergoing her violent episode. Despite their earlier attempts at domestic bliss, the couple’s instincts compel them to harm the children. Nevertheless, before the older woman can choke Becca to death, the girl manages to get her hands on a mirror shard and stabs her attacker to death. Afterward, she rushes to her younger brother’s aid, whom Mitchel is psychologically torturing.

However, with his sister’s element of surprise, Tyler manages to overpower Mitchell, unleashing raw rage and bashing the older man to death by slamming the refrigerator door at his head. Ultimately, after killing the old couple pretending to be their grandparents, Becca and Tyler make it out of the experience alive and reunite with their mother.

Why Did Loretta Stop Talking To Her Parents?

By the film’s end, Loretta’s sore relationship with her parents remains the one last mystery. Arguably, the woman’s reluctance to speak to her parents played a part in the kids’ entrapment since the latter had no point of reference to distinguish their relatives from strangers. Furthermore, part of Becca’s curiosity about her grandparents stemmed from Loretta’s refusal to speak about them to her own kids.

As such, after Becca and Tyler have returned to the safety of their home, Loretta sits down for one last interview for her daughter’s documentary, where she speaks about her past with her parents. When 19-year-old Loretta tried to run away from home with Corin, her high school teacher, the former’s parents wanted to stop her. Nevertheless, the same only resulted in an altercation where Loretta hit her mother, followed by the former’s father hitting his daughter.

Therefore, Loretta’s last day on the farm gave birth to several familial complications. Although Loretta’s parents tried to apologize and solve things afterward, the woman continued to avoid them years and years into the future. For the same reason, Loretta imparts a lesson to her daughter to never hold grudges so hard that they end up ruining things. In turn, Becca, who despises her father for abandoning them, decides to learn from her mother’s mistakes. Unlike Loretta, who refused to speak to her parents, leading to regret after their death, Becca chooses to include home videos of her father in the documentary to close the narrative as a sign of her forgiveness.

Read More: Is The Visit Based on a True Story?

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The Ending Of The Visit Explained

Contains spoilers for  The Visit

M. Night Shyamalan is notorious for using dramatic twists towards the endings of his films, some of which are pulled off perfectly and add an extra layer of depth to a sprawling story (hello, Split ). Some of the director's other offerings simply keep the audience on their toes rather than having any extra subtext or hidden meaning. Shyamalan's 2015 found-footage horror-comedy  The Visit , which he wrote and directed, definitely fits in the latter category, aiming for style over substance.

The Visit follows 15-year-old Becca Jamison (Olivia DeJonge) and her 13-year-old brother Tyler (Ed Oxenbould) when they spend the week with their mother's estranged parents, who live in another town. Loretta (played by WandaVision 's Kathryn Hahn ) never explained to her children why she separated herself away from her parents, but clearly hopes the weekend could help bring the family back together.

Although The Visit occasionally toys with themes of abandonment and fear of the unknown, it wasn't particularly well-received by critics on its initial release, as many struggled with its bizarre comedic tone in the found-footage style. So, after Tyler and his camera record a number of disturbing occurrences like Nana (Deanna Dunagan) projectile-vomiting in the middle of the night and discovering "Pop Pop"'s (Peter McRobbie) mountain of used diapers, it soon becomes clear that something isn't right with the grandparents.

Here's the ending of  The Visit  explained.

The Visit's twist plays on expectations

Because Shyamalan sets up the idea of the separation between Loretta and her parents very early on — and doesn't show their faces before Becca and Tyler meet them — the film automatically creates a false sense of security. Even more so since the found-footage style restricts the use of typical exposition methods like flashbacks or other scenes which would indicate that Nana and Pop Pop aren't who they say they are. Audiences have no reason to expect that they're actually two escapees from a local psychiatric facility.

The pieces all come together once Becca discovers her  real grandparents' corpses in the basement, along with some uniforms from the psychiatric hospital. It confirms "Nana" and "Pop-Pop" escaped from the institution and murdered the Jamisons because they were a similar age, making it easy to hide their whereabouts from the authorities. And they would've gotten away with it too, if it weren't for those meddling kids.)

However, after a video call from Loretta reveals that the pair aren't her parents, the children are forced to keep up appearances — but the unhinged duo start to taunt the siblings. Tyler in particular is forced to face his fear of germs as "Pop Pop" wipes dirty diapers in his face. The germophobia is something Shyamalan threads through Tyler's character throughout The Visit,  and the encounter with "Pop Pop" is a basic attempt of showing he's gone through some kind of trial-by-fire to get over his fears.

But the Jamison kids don't take things lying down: They fight back in vicious fashion — a subversion of yet another expectation that young teens might would wait for adults or law enforcement officers to arrive before doing away with their tormentors.

Its real message is about reconciliation

By the time Becca stabs "Nana" to death and Tyler has repeatedly slammed "Pop-Pop"'s head with the refrigerator door, their mother and the police do arrive to pick up the pieces. In a last-ditch attempt at adding an emotional undertone, Shyamalan reveals Loretta left home after a huge argument with her parents. She hit her mother, and her father hit her in return. But Loretta explains that reconciliation was always on the table if she had stopped being so stubborn and just reached out. One could take a domino-effect perspective and even say that Loretta's stubbornness about not reconnecting and her sustained distance from her parents put them in exactly the vulnerable position they needed to be for "Nana" and "Pop-Pop" to murder them. 

Loretta's confession actually mirrors something "Pop-Pop" told Tyler (before his run-in with the refrigerator door): that he and "Nana" wanted to spend one week as a normal family before dying. They should've thought about that before murdering a pair of innocent grandparents, but here we are. 

So, is The Visit  trying to say that if we don't keep our families together, they'll be replaced by imposters and terrify our children? Well, probably not. The Visit tries to deliver a message about breaking away from old habits, working through your fears, and stop being so stubborn over arguments that don't have any consequences in the long-run. Whether it actually sticks the landing on all of those points is still up for debate.

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• Yapım Yılı 2015
• Film Süresi 94 dakika
• Ülke Amerika
• Yönetmen M. Night Shyamalan
• Oyuncular Olivia DeJonge, Ed Oxenbould, Deanna Dunagan
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Watch The Visit with a subscription on Max, rent on Fandango at Home, Prime Video, Apple TV, or buy on Fandango at Home, Prime Video, Apple TV.

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The Visit provides horror fans with a satisfying blend of thrills and laughs -- and also signals a welcome return to form for writer-director M. Night Shyamalan.

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The Visit Soundtrack [ 2015 ]

List of songs.

Loretta drives Becca and Tyler to the train station; [0:15] repeats as Becca talks about her film's soundtrack; [1:24] as Loretta and the police arrive.

Becca questions Tyler regarding the video he filmed of himself flexing his muscles; [1:30] repeats during credits.

The Three Wisemen

Sat. Nite Duets

Becca and Tyler video chat with their mom; Tyler tells his mom about Nana and Pop Pop acting strange.

Mocking Bird Yodel

Mary Schneider

Becca finds her Nana in a rocking chair laughing at the wall; Nana talks about the Deep Darkies.

East Coast Connection

Tyler and Becca play Yahtzee with their 'grandparents'.

Non T'amo Più

Enrico Caruso

Tyler yells for his sister as Becca is dragged upstairs by 'Pop Pop'.

L'Elisir D'Amore - Nemorino's Aria, Act II: Una furtiva lagrima

Tyler stands frozen in place as 'Pop Pop' changes; 'Pop Pop' tortures Tyler with his germ phobia.

18 Morceaux, Op. 72: No. 2, Berceuse (Arr. for Theremin & Piano)

Clara Rockmore & Nadia Reisenberg

Second song during credits.

Fiona Apple & Jon Brion

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5 years ago

Non t'amo più is on Spotify. Go to the artist's page and look for an album that goes by the name of "Opera Arias and songs", the remastered version should be in there.

Name of the song doing the end of critics.

8 years ago

Can't find the song used while the kids escaped when the cops arrived

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• Kötü Kan dizisi oyuncuları kimler? Kötü Kan dizisi konusu ve oyuncu kadrosu

Kötü Kan dizisi oyuncuları kimler? Kötü Kan dizisi konusu ve oyuncu kadrosu

Kötü kan dizisi 6 eylül cuma günü izleyicilerle buluşacak. başrollerini ertan saban ve damla sönmez’in paylaştığı dizinin oyuncu kadrosu oldukça geniş. peki, kötü kan dizisi oyuncuları kimler kötü kan dizisi konusu ve oyuncu kadrosunu derledik..

Haber Merkezi 06.09.2024 - 16:28

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Başrollerini Ertan Saban ve Damla Sönmez’in paylaştığı dizinin oyuncu kadrosunda Hüseyin Avni Danyal, Levent Ülgen, Savaş Özdemir, Sermet Yeşil, Mert Doğan, Gökçe Özyol, Tolga Güleç, Gonca Sarıyıldız, Alayça Öztürk, Murat Göçmez, Ziya Kürküt, Halil İbrahim Kurum, Deniz Bolışık, Meltem Gülenç, Nazlı Senem Ünal, Mina Koyuncular, Doğa Karakaş, Bilgesu Kural, Hakan Vanlı, Cihat Parıltı, Merve Sevin, Bekir Erdem Öz, Mutluhan Kasap gibi birbirinden başarılı isimler yer alıyor. M. Çağatay Tosun’un yönetmen koltuğuna oturduğu dizinin senaryosu ise Barış Erdoğan ve İlker Arslan tarafından kaleme alınıyor.

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KÖTÜ KAN DİZİSİ KONUSU

“Kötü Kan”, bir gece kulübünün güvenlik müdürlüğünü yaparken tehlikeli bir mafya grubuyla başı derde giren eski polis memuru Kartal’ın yıllardır uzakta yaşayan çocuklarının yanına taşınmasıyla, bir yandan bulaştığı mafya batağından kurtulmaya çalışmasını, bir yandan da çocuklarına baba olabilmenin sınavını izleyici ile buluşturacak.

KÖTÜ KAN DİZİSİ KARAKTERLERİ

Kartal - Ertan Saban

Eski polis. Kulüp 7’nin güvenlik müdürü. İki çocuk babası. Durumsal farkındalığı yüksek. Gözlem yeteneği kuvvetli. İnsan sarrafı. Genelde uyumlu ama kontrol edilmekten hoşlanmaz. Gerektiği yerde, gerektiği kadar konuşur, gevezelik sevmez. “Az ve öz” onun hayat prensibidir. Sakin, soğukkanlı ve uzlaştırıcıdır ama iş belli bir çizgiyi aşarsa deli tarafı ortaya çıkar. Çok arkadaşı yoktur. Zaten olanlar sıkı dostlarıdır ve onu canlarını verecek kadar severler. O da dostlarına, sevdiklerine karşı beklentisiz bir şekilde vericidir. Geldiğimiz noktada hayatta tek amacı vardır, annesiz iki çocuğunu ne pahasına olursa olsun korumak

Nazan - Damla Sönmez Zeki, eğitimli, ne istediğini bilen bir kadın. Ailesinden dolayı derde, belaya çocukluğundan alışkın. Başına gelenleri garipsemez en zor durumda bile karalar bağlamaz. Vazgeçmemek, denemekten yorulmamak ve hedefine ulaşmak için gösterdiği inat ve azim en büyük özellikleri. Ailemiz kaderimizdir. Onu biz seçemeyiz. Nazan da bunu kısa zamanda anlamış ve erkeklerin egemen olduğu bu alemde oyunu kurallarına göre oynamış. Kendine biçilen rolü kabul etmemiş, kendi hikayesini kendi yazmış. Babasından sonra bu ailenin lideri olmaya hazır. Ailenin işlerini legal bir zemine çekmek en büyük hayali ama içinde oldukları yeraltı dünyası hepsinin öyle içine işlemiş ki, Nazan’ın en büyük sınavı aynada her gün baktığı kadının da aslında bu yolun yolcusu olduğunu anladığında başlayacak.

Fevzi - Hüseyin Avni Danyal

Yaşlı kurt. Sert mizaçlı, çabuk parlayan, sinirlendiğinde gözü dönen bir adam. Bu alemde ilk öğrendiği kurallardan biri: Asla boş gezme. Boş gezmez, silahı hep yanındadır. Gerekirse yakalatır, ceza alır ama kimseye “Fevzi boş geziyormuş” dedirtmez. Fakirlik içinde geçen zor bir çocukluğu olmuş. Çalışkan, dürüst ama hep ezilen, hakkı yenen bir babanın çocuğu. Babasından dürüstlüğü, doğruluğu, hak hukuku öğrenmiş ama şunu da öğrenmiş, güçlü değilsen hepsi nafile. O yüzden hep güçlü olmayı seçmiş, bedeli neyse de ödemiş. Fevzi’ye göre mutlu olunan, gülünen anlar sadece kısa molalardır. Hayat sadece savaş ve mücadeleden ibarettir

Burhan - Levent Ülgen

Şeytan tüyü vardır. Ağzı iyi laf yapar. İkna kabiliyeti şaşırtır. Fiziğine, giyim kuşamına dikkat eder. Hayatta en önem verdiği şey neşesidir. Ona göre ne olursa olsun ne yaşarsa yaşasın neşesini kaybeden, hayattaki pusulasını kaybeder. Emekli başkomiserdir. Hayatın kitaplara, yönetmeliklere sığdırılamayacak karmaşıklıkta olduğunu çok eskiden kavramıştır. O da buna göre davranır. Ona göre ne mutlak bir iyi ne mutlak bir kötü vardır. İnsanın her şeyi yapabileceğini yaşayarak görmüştür. Bazen kendine özgü yöntemleri teamüllerle örtüşmemiş, bazen sınırları zorlayıp çizgileri ucundan aştığı olmuştur ama sonuca ulaşmayı da hep başarmıştır. Cinayet şubede en çetrefilli cinayetleri çözdüğü, narkotik şubeye sürüldüğü zaman Beyoğlu hattında kurduğu istihbarat ağıyla sokak satışını tamamen bitirdiği teşkilatta hala anlatılır. Ona göre her şart yeni durumlar, her yeni durum da kendine has önlem ve tedbir gerektirir. Prensipler de kurallar da yeri gelir eğilir, yeri gelir bükülür. Bir de şunu hep kendine de dostlarına da hatırlatır: haya kısadır ve değiştiremeyeceğin şeylere takılıp kalmak insanı çürütür.

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Deprem uzmanı Prof. Dr. Hasan Sözbilir 3 faya işaret etti: Stres birikti yeni kırılma kapıda

Dokuz Eylül Üniversitesi Genel Jeoloji Anabilim Dalı Öğretim Üyesi Prof. Dr. Hasan Sözbilir, Kahramanmaraş'ta meydana gelen 5 büyüklüğündeki depremin 6 Şubat depremlerinin bir artçısı olduğunu ve fay hattındaki hareketliliğin devam ettiğini belirtti. Sözbilir, Göksun civarındaki fay üzerinde belirli bir stres birikimi olduğunu söyledi.

Dokuz Eylül Üniversitesi Genel Jeoloji Anabilim Dalı Öğretim Üyesi Prof. Dr. Hasan Sözbilir, Maraş'ın Pazarcık ilçesindeki 5 büyüklüğündeki depremin, 6 Şubat 2023'teki depremlerin artçısı olarak değerlendirildiğini açıkladı. Yapılan incelemeler, depremin dış merkezinin, Şubat depremlerinin ilk kırılma noktasına yakın olan Narlı'nın güneyine denk geldiğini gösterdi. Bu durum, Ölüdeniz fayı üzerindeki Sakçagöz Fayı'nın kuzey ucunda yeni bir kırılmanın yaşandığını ortaya koydu. Sözbilir, ayrıca Pütürge ile Bingöl arasındaki fay hattında da önemli bir stres birikimi olduğunu ve bu bölgenin yakından takip edilmesi gerektiğini belirtti.

Ölüdeniz Fayı'nın Türkiye sınırları içindeki kollarının güneye doğru Sakçagöz Fayı, Yesemek Fayı ve Hacıpaşa Fayı şeklinde devam ettiğini belirten Sözbilir, "Daha güneyde Suriye, Lübnan, İsrail gibi ülkelerden geçerek 1000 kilometre uzunluğa kadar ulaşıyor" dedi.

Türkiye Diri Faylarının Paleosismolojik Özelliklerinin Araştırılması Projesi kapsamında ağustos ayında Narlı fayı ve bu bölümdeki yüzey kırığı üzerinde hendek çalışması gerçekleştiklerini hatırlatan Sözbilir, şunları kaydetti:

"Gözlemlerimiz 6 Şubat depreminde kuzey kesimi kırılan Narlı fayının güney bölümünün kırılmasını henüz tamamlamadığı yönündeydi. Bu görüşümüzü kamuoyu ile paylaşmıştık.

Bu depremde fayın güney bölümünde 5 büyüklüğüne karşılık gelen bir kırılmanın gerçekleştiğini görmüş olduk. Bundan sonra kırılmaların Sakçagöz, Yesemek ve Hacıpaşa faylarına doğru göç etmesi beklenir.

Benzer durum 6 Şubat 2023 tarihinde Ekinözü merkezli ikinci depremin Göksun civarındaki ucunda gerçekleşiyor.

Burada da büyük depremden beri yüzlerce deprem gerçekleşmiş durumda. Bu noktanın hemen güneyindeki Savrun Fayı üzerinde belirli bir stresin birikmiş olması gerekiyor.

Yine depremde oluşan yüzey kırığının en kuzey ucundaki Pütürge civarından Bingöl'e doğru da stres birikimi söz konusu."

Prof. Dr. Sözbilir, daha sağlıklı veri elde etmek için önümüzdeki hafta Hacıpaşa ve Yesemek faylarını yerinde inceleyeceklerini de bildirdi.

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