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Massive Attack  

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I came here with slight concern at how I was going to cope with the O2, a venue I have been to only once before and hated it. It was like going to a gig in a really horrible corporate shopping centre. Well, it was even worse than my previous memory of it. Massive Attack are a band I've loved for years and I last saw them at Eden Project in 2018 which I can safely say was one of the best gig experiences I've ever had. This gig, on the other hand, was literally one of the worst. The queue to get in the venue was around a mile long, and I imagine those at the back of it didn't get in until halfway through the gig. There was only one bar and the queues were also ridiculous, with the most awful range of drinks. The band's performance to me seemed disconnected and in it's own weird little bubble, with patronising political visuals that I thought were pretty out of touch and reminded me of something I would have made in a Year 9 art project. I don't disagree with the political messages they used but it was pretty unsophisticated and amateur visual communication considering it's 2019. We ended up stood towards the back as being short, I couldn't see a thing if I was stood in the crowd. I was dismayed when they played Teardrop and you could barely hear it from the back of the standing section. Really poor quality sound compared with many other gigs I've been to and particularly disappointing knowing that this band are usually known for their strict adherence to quality. The highlight for me was hearing Horace Andy's incredible voice on Angel and Man Next Door. He brought the soul to this soulless venue and disconnected performance. I will not be returning to the O2 again, no matter how tempting the artists are.

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Just saw them this evening at Radio City/NYC. Folks...as good as the Mezzanine CD is...do NOT waste your time on watching them live. This was the WORST EVER LIVE PERFORMANCE I HAVE EVER BEEN TO (and, trust me, I have been to a gazillion and have traveled the globe to see favorites even if they were not playing in US.) Here are four reasons why I WANT A REFUND! -

1. They were late. There's no opening band. Do NOT waste time then

2. The strobes are a bloody lawsuit in the waiting. The ticket should have a RED disclaimer on it about the incessant use of strobe as they can cause seizures for those who are prone to it. SERIOUSLY!

3. CUT THE CRAP WITH THE POLITICAL MESSAGING BULLSHIT! We already KNOW this stuff, do not need Social Media 101 class videos playing in the background and how it is impacting us - do NOT insult your audience - we ALREADY know this. The whole imagery/video/messages treat you as if you are a kid. What a put-off.

4. AND, finally, ENGAGE! Engage with the audience. Welcome them! Acknowledge us! Say a WORD to them as in "THANK YOU!" We are paying for you to be here, we made you who (you think) you are. These fucking morons didn't even have the decency to either say, "hello, thank you," or "goodbye"....Even bigger names like Depeche Mode, Tool and Metallica, at least, acknowledge their audience with a simple "thank you" if not their full-fledged stage bows. All of these (less than) massive folks came off as purely arrogant and a waste of our time. ONE AND DONE! Never will consider seeing them live again. Cheers.

Having celebrated a quarter-century together last year, Massive Attack are well and truly old hands these days - not that it’s had any negative impact on the adventurousness of their live shows. Last year saw them continue to push the boundaries of audiovisual entertainment with their experimental collaboration with filmmaker Adam Curtis at the Manchester International Festival - 1500 people in an old train station that went out of commission two years before the band even formed, utterly engrossed by films at once arresting and heartbreaking and soundtracked by an array of cover versions that saw the Bristol duo draw upon every shred of musical ingenuity they have. Away from the more esoteric side of their live incarnation, their more conventional shows remain awesome spectacles, too; with giant LED screens allowing them to apply their music to political and social backdrops, and an expanded live lineup that features a revolving selection of guest vocalists, the brooding disquiet of most recent studio effort Heligoland has been weaved in seamlessly alongside cuts from nineties classics "Mezzanine" and "Blue Lines." Having evidently mastered both the recorded and live sides of their craft, Massive Attack’s staying power has moved them beyond simply being one of Britain’s most vital musical groups - they’re edging towards institution status.

Famous in the musical world for being the go-to locale for trip-hop in the '90s, Bristol's reputation was helped along by artists such as Portishead. Arguably the biggest force in those circles was Massive Attack, who were one of the pioneering groups in the scene at the time. Famed for merging electronica, dub, post-rock and dance, the (now-)duo of D and G (Robert Del Naja and Grant Marshall) are one of the biggest electronic forces around today, and have been at that zenith for almost two decades.

Boasting hits like Tyson, tracks like the darkly erotic “Angel”, psyched-out acidtronica anthem “Unfinished Sympathy” and one of the world's most covered tracks, “Teardrop” (as also seen on the House OST), Massive Attack's sets are studded with pinnacles. You may not even realise quite how much you know by the outfit – their music often creeps into film soundtracks or on TV shows. Live, they focus on creating an intense atmosphere, using darkness as an essential tool. Lights are also prominent features, and the band themselves often lurk in the shadows, preferring to use visual effects like video clips, montages, and strobes as focal points. They cultivate an aura to lose yourself in. It's dance music, but it's the most emotional, soul-touching, mind-boggling dance music ever made.

While MA still inventively play with music codes, there is some major flaws in that show. The concept based on random visual «Youtube» sampling to illustrate how badly we managed inequalities on earth is creating rather interesting and weird moments : like when the public is applauding/shouting because they like the song while what they see on the screen are images of bombing. This is disturbing...but and artistically relevant. The main problem is simple, it's the set list : MA are progressing more or less in a binary mode : one song from Mezzanine, one cover song that most of the public doesn't know. It's cool to acknowledge their influences, but the public is there to hear MA, not songs they don't know by bands they don't know. This is disruptive, which could be interesting, but in fact it's just a bummer, the show just doesn't work in that form. The concept is taking over the actual show and that's not cool. MA should realize that and adjust. When you do a show where the public is super high for the first songs and they finally sit down on their chair calmly by the middle of the show instead of getting higher and higher, well, it's kind of problematic. That said, there are some nice ideas here and there and their political message is positively refreshing in a way.

As soon as Massive Attack announced their new tour, I've managed to buy the pre-sale tickets for their first London show.

It was my first time inside the O2 Academy in Brixton and at first I was quite surprised by the venue: the stalls floor is not flat but is pending towards the stage, giving a chance to see something even to the short ones like me.

The supporting band already playing on stage was the "Young fathers", and I have to say they could be much better with a good sound engineer, as their voices are great but no good ensemble with the drums.

Finally at around 21 Massive Attack arrived on stage and it has started: two drums, one base, two synths and many turning at the microphone.

The background video screening was quite impressive, bright (too bright!) and psychedelic at the beginning, but very powerful, transforming the concert into a whole exhibition.

The sound was just amazing from my position (middle-center of the stalls).

They started with some new songs then played some old ones, together with hits like Karmacoma, Teardrop, Angel..

It was simply fantastic.

I agree with other comments here, there was no interaction with the public. I actually felt like that was the message they wanted to come across. This is what we have to say and we are not playing 20-year-old music that is out of date, we have a message to come across, deal with it. Like it or not, they kinda shoved it in everyone's faces. I don't think many people enjoyed the message and actually even cared for it, they just went there for a pint a bit of a night out. I was seated the whole time and people were walking around, getting beer and popcorn like they didn't give a shit at all. It was hard to concentrate with people going around and getting food and drink every 2 minutes. I don't understand well why this is permitted when it completely takes from the experience of the performance. just go out for a pint and listen to the album or something, ruining other people's experiences really is bad. and also, soooo many people leaving after teardrop, so many people leaving in the middle of the concert or falling asleep. Seriously, THIS MAKES NO SENSE!!

Massive Attack´s performance at Mad Cool 2018 was cancelled at the last minute, supposedly because of sound interference from one of the other stages. None of the other bands had a problem with sound interference, and as far as I understand, other bands agreed to drop their levels/delay their performances to allow Massive Attack to go on, but no agreement could be reached. Also, what band expects to play at a festival with no other bands playing on other stages, unless they´re closing the main stage? No announcement was made until after their performance was supposed to be finished, meaning the 25,000 people waiting couldn´t even go and see another band instead. Obviously I can´t know exactly what went on, but from the outside it appears like they got annoyed because they were in the dance tent instead of on one of the main stages and decided at the last minute not to play. Poor, poor show. A lot of very disappointed fans, and handled terribly.

Excellent, Exquisite and Emotional.

The music of Massive Attack is distinctly identifiable and seeing them live lived up to expectations.

With certain orchestral and no-lyric aspects to their music, any visual display show that accompanies Massive Attack becomes important. In this case it was spectacular and the lights complimented the music well. There were heavy political comments and imagery, particularly focusing on the war in Syria. Undoubtedly much of the audience were surprised by this with many not sure how to feel about it. But if you're an artist with a message why not take the stage and do something with the thousands of people at your mercy!

Overall a great night out. Word must be mentioned towards the fantastic venue that the Brixton academy is. A perfect place for this gig (and many others!)

They have been my favourite band since the 90s, their show and performance was great and as usual their political messages and feeling of unity that they create was strong, but it wasn't loud enough, it was like listening to a car radio from outside the car. Too many tickets sold, in my opinion, thousands of people queuing for over an hour to get food and drink, I could see people leaving while they were playing looking disappointed, as it was hard to see anything. We left during the last song as We didn't want to get stuck getting out, after all there were 27,000 people in a very small space, We weren't the only ones, thousands of others had the same idea. Such a shame that the organisation was so poor, I look forward to seeing Massive Attack again in better conditions.

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Want to see Massive Attack in concert? Find information on all of Massive Attack’s upcoming concerts, tour dates and ticket information for 2024-2025.

Massive Attack is not due to play near your location currently - but they are scheduled to play 15 concerts across 10 countries in 2024-2025. View all concerts.

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MASSIVE ATTACK: una data in Italia a luglio

A cinque anni dall’ultima esibizione in Italia, i Massive Attack annunciano finalmente il ritorno nel nostro paese. La band britannica, composta da Robert “3D” Del Naja e  Grant “Daddy G” Marshall sarà di scena il prossimo 13 luglio 2024 a Mantova , in Piazza Sordello , location nella quale si erano già esibiti nel 2018.

I biglietti saranno in vendita a partire dalle ore 11 di mercoledì 13 dicembre a questo indirizzo.

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Blur, secondo Damon Albarn il concerto al Coachella potrebbe essere stato l’ultimo

Thom yorke, in uscita la colonna sonora del film di daniele luchetti confidenza, la vita in negativo nel video hk dei plastic palms, in anteprima, rewilding è il nuovo singolo di thurston moore, pubblicato in occasione dell’earth day, la cantante degli sprints, karla chubb, è stata molestata durante il concerto della band, la line up del fans out festival con tropical fuck storm, teenage dads e molti altri, i nuovi annunci e le serate del c2c festival 2024 a torino, the smile, pulp e the jesus and mary chain al medimex 2024 di taranto, sexto ‘nplugged 2024: la line up del festival con slowdive, bdrmm, cosmo e molti altri, il c2c a milano con sega bodega e dj python, intervista ai bodega: “a volte è necessario un reset mentale per ricordarci di assaporare la bellezza che ci circonda”, suffragette records è il negozio di dischi in tasmania che celebra la musica delle donne, per le donne, dischi da ascoltare questa settimana (8 – 14 aprile), i miei nirvana, dischi da ascoltare questa settimana (1 – 7 aprile), dove guardare il coachella 2024 in streaming, su rai 3 c’è blob speciale kurt cobain, in arrivo un nuovo documentario e un libro sui beach boys, tutto quello che c’è da sapere e dove guardare i brit awards 2024, il programma di seeyousound 2024, in arrivo una graphic novel su lemmy e i motörhead, thurston moore, in arrivo il memoir sonic life, i cure dalla a alla z nel libro curepedia di simon price, r.e.m., in arrivo la nuova biografia maps and legends, rumore 387 | aprile 2024 – 30 anni senza kurt cobain, editoriale 386: pit(ch) stop, rumore 386 | marzo 2024 – yard act, utopie brit rock, rumore 385 | febbraio 2024 – sonic youth, la meglio gioventù, rumore 384 | gennaio 2024 – the smile, dai radiohead al futuro, i massive attack saranno in italia per una data.

Il gruppo trip hop Massive Attack torna in Italia dopo oltre 5 anni

Dopo più di cinque anni tornano i Massive Attack  dal vivo, in Italia. Le ultime loro notizie risalgono al loro forte impegno per l’ambiente e un EP  Eutopia . Gli ultimi concerti dalle nostre parti, invece, risalgono al 2019 ( qui la foto gallery del concerto milanese ). Anche perché nel 2022 il tour che avrebbe interessato il nostro paese (ma non solo) era stato cancellato a causa dello stato di salute di un membro del gruppo. Fra le date cancellate c’erano anche le  tre tappe italiane , previste per giugno a Roma, Milano e Ferrara, e quella al  Primavera Sound . Quest’anno, inoltre, il gruppo ha perso un membro importante come il chitarrista Angelo Bruschini comparso all’età di 62 anni a causa di un cancro ai polmoni.

Gotico bristoliano: Mezzanine dei Massive Attack

L’unica data italiana (per ora) di Robert “3D” Del Naja (che lo scorso anno abbiamo visto festeggiare lo Scudetto del Napoli ) e Grant “Daddy G” Marshall, ormai gli unici membri fondatori rimasti, sarà il 13 luglio 2024 in Piazza Sordello a Mantova, dove si erano già esibiti nel 2018. E i biglietti saranno in vendita da martedì 12 dicembre. Nel 2019 erano stati protagonisti della nostra cover story – potete acquistare il numero qui .

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I Massive Attack tornano in Italia dopo sei anni

Tutte le informazioni su Massive Attack Mantova: come acquistare i biglietti e il costo dell’unico concerto in Italia del tour 2024.

I Massive Attack annunciano oggi il loro grande ritorno in Italia dopo sei anni con un imperdibile appuntamento il 13 luglio 2024 in Piazza Sordello a Mantova .

Il gruppo formato da Robert “3D” Del Naja e grandt “Daddy G” Marshall, è pronto a riportare la magia del trip hop nel nostro paese con uno show indimenticabile.

Ecco tutti i dettagli per l’acquisto dei biglietti .

Massive Attack Mantova: modalità di acquisto dei biglietti

I biglietti per il concerto dei Massive Attack sono disponibili:

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Per quanto riguarda il costo, basta cliccare sul link di cui sopra per avere maggiori dettagli sul prezzo dei ticket a seconda del settore della location.

Il ritorno dei Massive Attack in Italia

I Massive Attack sono consideratigli inventori del Trip Hop, riprendendo i ritmi dall’hip hop, utilizzando i campionamenti elettronici e unendo moltri altri generi musicali tra cui il dub, il reggae e la musica d’ambiente.

Alcune delle composizioni più riconoscibili della loro produzione musicale si distinguevano per l’assenza di ritornelli, caratterizzandosi invece per atmosfere drammatiche intensamente trasmesse attraverso l’uso di crescendi di chitarra distorta, sontuosi arrangiamenti orchestrali o loop di basso incisivi.

Il ritmo della loro musica si discosta spesso dalla vivacità prevalente nella scena dance britannica, risultando più lento e riflessivo.

• Massive Attack

Massive Attack is an English trip-hop group formed in 1988 in Bristol, consisting of Robert "3D" Del Naja, Grant "Daddy G" Marshall and formerly Andy "Mushroom" Vowles ("Mush"). Their debut album Blue Lines was released in 1991, with the single Unfinished Sympathy reaching the charts and later being voted the 63rd greatest song of all time in a poll by NME. 1998's Mezzanine , containing Teardrop , and 2003's 100th Window charted in the UK at number one. Both Blue Lines and Mezzanine are featured in Rolling Stone's list of the 500 Greatest Albums of All Time

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Massive Attack

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Event Dates

Sunday, 25 Aug

Clifton Downs, Bristol

Act 1.5 Climate Action Accelerator presents

Massive Attack have announced Act 1.5, a large-scale climate action accelerator event that sees Robert Del Naja and Grant Marshall play what will be their first concert on UK soil in 5 years. Taking place on 25th August 2024 at Clifton Downs in their hometown of Bristol, it promises to be the lowest carbon show of its size ever staged.

The event will mark the culmination of 25 years of climate activism on the part of the band, and a first physical fruition of their collaboration with climate scientists and analysts from the renowned Tyndall Centre for Climate Change Research , including Massive Attack’s commissioning of the only Paris 1.5 compatible roadmap for decarbonisation of the Live Music Sector.

The band had previously planned a prototype show of this nature in Liverpool; ambitions that were thwarted by global pandemic and their boycotting of an Arms Fair being held in the city. As part of the ACT 1.5 initiative, Liverpool has now become the first City worldwide to commit to a global gold standard of Paris 1.5 compatible carbon reductions as a condition for licensing major live music events.

Massive Attack were the first band globally to become members of the UN Race to Zero programme – committing all of their touring & production activities to Paris 1.5 compatible decarbonisation measures, in all scopes 1, 2 and 3 – and the band have now worked together with partners UN Race To Zero , Zenobe , Ecotricity , Train Hugger and Act 1.5 to construct a unique event.

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The Bristol duo also shared they’ll be playing shows with Cocteau Twins’ Liz Fraser, who lent her vocals to the Mezzanine single ‘Teardrop’.

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Following the news of their world tour celebrating the 20th anniversary of their landmark 1998 album Mezzanine , Massive Attack have revealed the date for the North American leg of their tour.

As uDiscover previously reported , the show aims to re-imagine Mezzanine using “custom audio reconstructed from the original samples and influences.”

‘Bad Girls’: Donna Summer’s Expansion On Disco

‘mezzanine’: how massive attack took things to a whole new level, dj snake and peso pluma team up for new single ‘teka’.

As part of the album’s anniversary celebrations, the band’s classic is also being reissued both on CD and an extended box set format that includes two coloured LPs while a third disc will feature previously-unheard Mad Professor remixes from the original 1998 sessions, set for release on 16 November.

For the more esoteric collectors, the band also encoded the album into DNA , which in turn was put into cans of matte black spraypaint.

Massive Attack play the following North American dates in 2019. Visit their official site for details.

Massive Attack Mezzanine Tour

01-28 Glasgow, Scotland – SSE Hydro 01-28 Manchester, England – Manchester Arena 01-31 Brussels, Belgium – Palias 12 02-01 Amsterdam, Netherlands – AFAS Live 02-04 Frankfurt, Germany – Jahrhunderthalle 02-05 Munich, Germany – Zenith 02-06 Milan, Italy – Mediolanum Forum 02-08 Rome, Italy – Palalottomatica 02-09 Padua, Italy – Kioene Arena 02-11 Paris, France – Zenith 02-13 Nantes, France – Zenith de Nantes Metropole 02-14 Bordeaux, France – Bordeaux Metropole Arena 02-18 Lisbon, Portugal – Campo Pequeno 02-22 London, England – O2 Arena 02-24 Dublin, Ireland – 3Arena 03-01 Bristol, England – Steel Yard, Bristol 03-12 Toronto, Ontario – Sony Centre for the Performing Arts 03-14 Boston, MA – Boch Center Wang Theatre 03-15 New York, NY – Radio City Music Hall 03-19 Philadelphia, PA – The Met Philadelphia 03-22 Detroit, MI – Masonic Temple 03-23 Chicago, IL – The Chicago Theatre 03-28 San Francisco, CA – Bill Graham Civic Auditorium 03-29 Los Angeles, CA – Hollywood Palladium 03-30 Los Angeles, CA – Hollywood Palladium 04-02 San Diego, CA – Cal Coast Credit Union Open Air Theatre at SDSU

November 3, 2018 at 7:47 am

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Massive Attack

Along with Portishead and Tricky, Massive Attack remain one of the most respected acts from the famed "Triphop" scene. Robert Del Naja and Grant more...

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