travelling prime vs zoom

Are Zooms or Primes Better for Travel Photography? Let’s Find Out

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When it comes to travel photography, lens choice leads the way to stunning imagery. Juggling between zoom lenses with their versatile focal lengths and prime lenses, known for their crisp quality and generous maximum aperture, is a traveler’s silent debate. So, are zooms or primes better for travel photography?

While zooms whisper promises of adaptability on the go, primes boast an unwavering sharpness that can make your usual subjects pop against a full frame canvas.

It’s not just about what you capture—it’s how you tell the story through your lens.

Versatility and Convenience of Zooms

Zoom lenses are a game-changer for travel photography, offering the flexibility to capture a wide range of subjects without lugging around extra gear. They’re like a Swiss Army knife for photographers, ready to tackle any scenario with ease.

Multiple Focal Lengths

Zooming in on the action is key. Quality zoom lenses let you snap wide landscapes and tight portraits without swapping glass. Imagine standing before the Eiffel Tower one moment, capturing its grandeur with a wide angle, then zooming in on a street performer’s expressions the next – all with a twist of your lens barrel.

Dynamic Subjects Ease

Photographers know: life doesn’t stand still. With a 10x zoom range at your fingertips, you’re prepared for life’s unpredictability. Kids playing in the park or bustling city streets can be framed perfectly in an instant. No fiddling with camera bags , just pure focus on getting that shot.

Quick Framing Adjustments

Unexpected shots are travel photography’s bread and butter. A quality zoom lens lets you adapt faster than saying “cheese.” Spot an eagle soaring while hiking? Your telephoto reach brings it close without scaring it away. That’s the power of quick framing adjustments – they turn good photos into great ones.

Less Gear to Carry

Travel light and move freely – that’s every wanderer’s mantra. Instead of weighing down your camera bag with multiple lenses, one versatile zoom can cover most needs. This means more room for souvenirs or simply less strain on your shoulders as you explore.

Adaptable Shooting Scenarios

A full frame sensor camera equipped with a large aperture zoom lens is unstoppable. Whether it’s dimly lit cathedrals or sunny beach scenes , you’re covered. Photographers love this adaptability because it means no matter where their travels take them, they’re always ready to shoot.

• Swiftly switch from landscape to portrait
• Capture distant objects without moving
• One lens solution reduces weight
• Sometimes larger than prime lenses
• Might not have the bokeh effect of primes

Photography isn’t just about what we see; it’s about sharing how we feel in that moment. Many photographers testify that having fewer choices actually frees them up creatively—less time digging through their camera system means more time composing beautiful images that tell stories.

Take Sarah, a travel blogger who switched to using only her trusty 24-70mm zoom lens during her six-month trek across Asia:

• She captured vibrant market scenes and serene temples.
• Her backpack was lighter by ditching extra lenses.
• She never missed spontaneous moments thanks to quick adjustments.

Her blog exploded with comments praising the image quality and diversity she achieved with just one lens!

Quality and Portability of Primes

Primes shine with their superior optical quality, especially in dim lighting. They’re also compact, offering a lighter load for the travel photographer.

Superior Low Light Performance

Prime lenses are the go-to when you need to capture crisp shots as the sun dips. Their design allows more light to hit the sensor, making them ideal for those twilight cityscapes or starry night skies.

• Perform exceptionally well in low-light environments.
• Capture clear images without cranking up ISO too high.

Compact and Travel-Friendly

The beauty of primes lies in their simplicity. A single focal length means less glass and mechanics inside, leading to a smaller size that’s perfect for on-the-go photography.

• Easier to pack than bulky zoom lenses.
• Reduce strain on your shoulders during long explorations.

Sharper Focused Details

A prime lens is like a specialist; it knows its focal length and nails it every time. You’ll get pictures where every little detail pops, from the texture on an old building to the twinkle in a street performer’s eye.

• Outperform zooms at their specific focal lengths.
• Deliver edge-to-edge sharpness that can be lost with zooms.

Fast Aperture Mastery

With primes, you can play with shallow depth-of-field like a pro. This means you can make your subject stand out dramatically against a soft, blurred background—a storytelling tool that’s as powerful as words.

• Offer wide apertures like f/1.4 or f/2.
• Create beautiful bokeh that adds artistic flair to your photos.

Lightweight Equals Comfort

On long treks through new cities or hikes up mountains for that perfect sunrise shot, every ounce matters. Prime lenses won’t weigh you down like some heavy-duty zooms can.

• Make walking around with your camera less tiring.
• Allow for more flexibility and spontaneity in your travels.

Factors Affecting Lens Choice

Choosing the right lens for travel photography can be a puzzle. Your destination’s vibe and your personal style are huge clues to solving it.

Destination Scenes Matter

Travel spots have their own magic. Think bustling city streets or sweeping mountain vistas. Each place begs for a lens that can capture its essence. In crowded cities, wide-angle lenses rock because they let you grab more of the scene. For vast landscapes, zoom lenses are kings, letting you snag details from afar.

But here’s the kicker: some destinations throw curveballs with varied scenes. One minute you’re shooting urban art, next it’s a sunset over the ocean. That’s when versatility becomes your best buddy.

Personal Style Speaks Loud

Your style is like your photography fingerprint – totally unique. Some folks love getting up close and personal with subjects, while others prefer to hang back and take it all in.

• If you dig capturing every wrinkle on an old man’s face, prime lenses with their killer sharpness are your jam.
• But if you’re about catching life as it unfolds without fussing over gear, zooms give you flexibility without missing a beat.

The right lens feels like an extension of your eye – seeing the world just how you like it.

Budget Calls The Shots

Let’s talk money – it matters big time. High-quality glass comes with hefty price tags; we know that drill.

• Prime lenses often come cheaper than zooms but remember: one prime might not cut it.
• Zoom lenses cost more dough but think about this: one solid zoom could replace several primes.

It’s about finding that sweet spot where your wallet doesn’t cry but your photos still pop!

Activities Shape Choices

Photography isn’t just standing still and clicking away; it’s an adventure! Your activities dictate what lens hops into your bag.

Hiking up mountains? A lightweight prime won’t drag you down. Roaming cities from dawn till dusk? A versatile zoom lets you cover all bases without swapping lenses. The gist is simple: match your lens to what you plan on doing so nothing slows down your groove.

Luggage Limits Decision

Packing light isn’t just nice, it’s necessary. Airlines have baggage limits tighter than skinny jeans after Thanksgiving dinner!

Every ounce counts when traveling:

• Primes are featherweights compared to most zooms.
• But packing multiple primes vs one do-it-all zoom? That math needs weighing out carefully.

Space-saver or heavyweight champ? Your luggage has the final say in this bout.

Advantages of Zoom Lenses Explored

Zoom lenses offer unmatched versatility and a cost-effective solution for travel photography. They allow photographers to quickly adapt to various scenes without switching gear.

Flexibility in Composition

Imagine standing atop a hill, gazing at a breathtaking landscape. With a zoom lens, you can capture the grandeur of the scene and then zoom in on specific details like distant mountains or wildlife without moving an inch. This flexibility is priceless when you find yourself in spots where moving around isn’t an option.

• Snap wide landscapes or tight portraits.
• No need to switch positions.

Diverse Landscapes Captured

Travel photographers often face changing environments. One minute you’re shooting urban architecture; the next, it’s a serene beach sunset. A zoom lens allows you to seamlessly transition between these varied subjects, ensuring that no matter the setting, you’re prepared.

• Cityscape vistas and nature shots with one tool.
• Adapt to different lighting and scales easily.

Safety and Accessibility

Sometimes getting closer isn’t just hard – it’s downright risky or forbidden. Wildlife photography is a prime example where safety must come first. Here, zoom lenses are invaluable as they let photographers respect boundaries while still nailing those close-up shots of animals in their natural habitat.

• Keep safe distance from wild animals.
• Overcome physical barriers effortlessly.

Cost-Effective Choice

Purchasing multiple prime lenses can be heavy on your wallet. A single zoom lens can cover a range of focal lengths that would otherwise require several primes. For travelers who prioritize both budget and bag space, this makes zooms an economically smart pick.

• Replace several primes with one zoom.
• Save money for more travel adventures!

Quick Photographic Responses

Travel often presents fleeting moments that make for stunning photos – think street performers in action or the flash of a smile from a local market vendor. With a zoom lens, you’re always ready to capture these transient moments before they slip away because you don’t waste time swapping lenses.

• Catch spontaneous events instantly.
• Always ready for unexpected photo ops.

Prime Lens Disadvantages and Benefits

Prime lenses have their quirks, like not zooming and needing swaps. But they shine with creamy bokeh and crisp images, pushing photographers to move around for the perfect shot.

Zoom Limitations

Prime lenses keep it simple; no zoom here. You’ve got your feet for that—literally. Want a closer look? You’ll need to scoot up to your subject or back away for a wider view. This can be a bit of a bummer when you’re trying to capture that perfect travel snapshot, and there’s just no room to back up. Or maybe there’s an epic scene unfolding right before you, but stepping forward isn’t an option because, well… cliff edge.

Changing Lenses

Got dust? Swapping prime lenses might invite unwanted specks onto your camera’s sensor , especially if you’re out in the wild or dusty streets during your travels. It’s like opening the door on a windy day; stuff just flies in uninvited! Each lens change is another roll of the dice, hoping your camera’s insides stay clean.

Wider Apertures

Now let’s talk about those dreamy backgrounds. Prime lenses are ace at making subjects pop with their wide apertures—hello beautiful bokeh! That blurred-out background isn’t just pretty; it makes whatever or whoever you’re photographing stand out big time. Whether it’s a street performer’s face or the delicate petals of a flower by the roadside, prime lenses give photos that professional touch.

• Examples of bokeh in travel photography:
• A street vendor’s cart in focus with bustling city life softened behind.
• A single lantern glowing at night with everything else melting into shadows.

High Resolution Images

Less glass equals more clarity—it’s as simple as that with prime lenses. Fewer elements inside mean less chance for light distortion and sharper details. When you’re capturing the intricate textures of ancient architecture or vibrant market scenes abroad, every pixel counts!

• Case study: Photographers often report noticing finer details in their shots when using primes compared to zooms.

Creative Composition

Prime lenses don’t let you get lazy—you have to hustle for that shot! They make you think outside the box and work those leg muscles to find fresh angles and perspectives. It’s all about positioning yourself rather than relying on a lens to do the heavy lifting.

• Fun challenge: Try shooting only with a prime lens on your next trip; it could transform how you see and capture the world around you!

Guidance for Beginners on Lens Selection

Choosing the right lens for travel photography can be a game-changer. It’s crucial to consider what you’ll be shooting and your specific needs before making a decision.

Assess Photography Subjects

Before picking between zoom or prime lenses, think about what catches your eye. Are you into snapping bustling cityscapes or tranquil landscapes? Maybe capturing the local wildlife or street scenes gets you excited. Your subjects matter because they dictate the kind of lens that will serve you best.

Start with Zooms

If you’re just getting into travel photography and aren’t quite sure what tickles your fancy, start with a versatile zoom lens. They’re like the Swiss Army knife of lenses – good at a bit of everything.

• Flexibility in composing shots
• Less need to switch lenses
• Can be bulkier than primes
• Might not offer the sharpest image quality

Low-Light Priority?

Ask yourself if you often find yourself chasing sunsets or exploring cities by night. If dimly lit scenes are your jam, then low-light performance is key. Lenses with wider apertures (smaller f-number) let in more light, which is something prime lenses are known for.

• Prime lens: Excellent for night photography due to wide apertures like f/1.4.
• Zoom lens: May struggle unless it’s a high-end model with stable aperture ranges.

Ease vs Quality

There’s always a tug-of-war between convenience and quality. Zoom lenses mean less fussing around but might compromise sharpness and speed. Primes challenge you to move around more but reward you with crisper images.

Ease of Use:

• Zooms win for their all-in-one solution.

Image Quality:

• Primes often provide superior clarity and detail.

Long-Term Investment

Think long-term when choosing your gear; it’s an investment after all! A sturdy, high-quality lens can last years and adapt to different cameras—especially if you’re using a crop sensor now but plan to upgrade later.

Considerations:

• Resale value
• Compatibility with future camera upgrades

Crop Sensor Note: Lenses behave differently on crop sensors—your future full-frame dreams could affect today’s choices!

Immediate Needs vs Future Plans

Weigh up what matters most right now against where your photo journey might take you down the road:

For beginners:

• A zoom could cover various situations as skills develop.
• A prime might encourage mastering composition early on.

Making the Best Travel Choice

Your camera bag is a treasure chest, and the right lens is your golden ticket to capturing those breathtaking travel shots . Whether you’re trekking through bustling city streets or scaling serene mountain peaks, remember that the best gear is what gets the job done for you .

Zoom lenses offer a Swiss Army knife-like versatility, letting you switch from wide-angle to telephoto without missing a beat. On the flip side, prime lenses are like your trusty sword—sharp, fast, and lightweight—perfect for nailing those high-quality shots with character.

So what’s it gonna be? What’s your opinion on the question, “are zooms or primes better for travel photography?” Will you go for the all-in-one zoom to cover all bases or pick a prime to master one focal length at a time? Whichever path you choose, embrace it with confidence.

Photography is an adventure in itself; enjoy every step and click along the way.

And hey, if you ever feel stuck choosing your next lens companion, reach out to fellow shutterbugs or trusted experts—they’ll be stoked to help you make a snap decision!

When selecting between zoom and prime lenses for travel photography, consider factors such as weight and portability, image quality preferences (sharpness and low-light performance), versatility in different shooting scenarios (landscapes vs portraits), budget constraints, and personal style of shooting. Think about what subjects interest you most during travel.

Absolutely! Modern zoom lenses are engineered with advanced optics that can produce professional-quality images suitable for various types of photography. The key is understanding your lens’s strengths and optimizing its use within its best aperture ranges.

Not necessarily. Prime lenses can range from affordable to high-end prices depending on their maximum aperture size and build quality. Some primes are very cost-effective yet offer excellent image quality.

Lens speed refers to the maximum aperture of a lens—the larger it is (indicated by smaller f-numbers), the faster it can capture light. This becomes crucial in low-light conditions or when aiming for shallow depth-of-field effects. For travel photography where lighting conditions vary widely, having a fast lens can be quite beneficial.

This depends on your priorities: If minimizing gear weight while maintaining high image quality is essential, then carrying multiple primes might suit you better. However, if convenience and flexibility are paramount because of diverse shooting situations encountered while traveling, then one versatile zoom may be more practical.

Focal length determines how much of the scene will fit into your frame—it affects perspective and composition significantly. Wider focal lengths (lower numbers) capture more of the scene making them ideal for landscapes; longer focal lengths (higher numbers) bring distant subjects closer which can be great for isolating details or photographing wildlife.

I’m a professional travel photographer, and I’ve been living the digital nomad lifestyle since 2016. I make money by working on client assignments, selling stock photography and helping other photographers by sharing my experiences on this website. I move around at my own pace (I hate fast-paced travel) and like to spend a few months getting to know each place I base myself in.

My writing and photos have been featured on industry leading websites such as Digital Photography School , Atlas Obscura and the world’s leading underwater photography resource The Underwater Photography Guide . I authored an eBook called “ Breaking Into Travel Photography: The complete guide to carving out a career in travel photography ” that has been published on Amazon. My stock images have also appeared in ads promoting destinations and companies that sometimes has been a surprise, even to me. But I guess that’s the nature of stock photography, you never know who will license them!

I’m always happy to connect, so feel free to reach out!

What Is the Best Prime Lens for Travel Photography?

Travel photography is a staple genre of the craft and one that most photographers try at some point. However, with such a broad scope and the many other genres that it encompasses, it can be hard to keep your kit bag light. So, what's the best prime lens?

There is, of course, no correct answer, only opinions. Zoom lenses are particularly popular as walkaround, do-it-all options, but if you prefer primes or you need faster glass, a prime lens might be your only option. You then have the difficult task of working out which focal length best suits your needs.

The nifty-fifty has always been a favorite of photographers from a range of genres, but for some (myself included), it's something of a half measure. What many travel photographers opt for instead is a wider prime and in this video, TKNORTH discusses his new favorite, the Sigma 24mm f/1.4 DG HSM Art . That is particularly wide and fast, which lends itself to versatility, with wider shots on the menu, but also close-ups of subjects with a narrow depth of field and good subject separation from the background.

I have used a 24mm f/1.4 before and though I didn't expect to enjoy it as I gravitate towards far longer primes, I had to concede that it wasn't short of creative applications. For me, the success of a prime that wide is its widest aperture being so wide; had it have been an f/2.8, I would have wholly disagreed with the sentiment of this video.

What prime lens do you reach for when it comes to travel photography and why? Share your thoughts in the comment section below.

If you love travel and photography, consider checking out our Photographing the World Series with Elia Locardi where we go to some of the most beautiful locations in the world and teach the process of creating world class landscape images.  Save 15% by using "ARTICLE" at checkout.

Robert K Baggs is a professional portrait and commercial photographer, educator, and consultant from England. Robert has a First-Class degree in Philosophy and a Master's by Research. In 2015 Robert's work on plagiarism in photography was published as part of several universities' photography degree syllabuses.

I find 24mm way to wide. To be honest 35mm will be bit more use I think if it comes to general purpose ....you can always pan for landscape....and it of course depends what camera you shoot....you can also crop when your camera delivers enough megapixels .

I'm going to agree. For me, a Fuji X-T3 shooter, my Viltrox 23mm f/1.4 (Full Frame 34.5mm Equivalent) is the perfect focal length for travel photography. Its versatile enough for everything that doesn't require a telephoto. If I was still shooting with Sony, I'd definitely get the Sigma 24mm.

Depends on camera and style. For crop sensor I use 24/50 combination, for full frame it’s 35/85.

No way, a 600mm F/4 is the one

I wonder for the various cute birds, has anyone found a way to convince them to volunteer for some portrait photos with a much shorter focal length, in return for compensation?

For example food, toys, or electronics?

A 24mm lens on crop body works well, but why the heck does it need to be f/1.4? This lens is nearly on par with Canon's 24-105 f/4 in terms of size and weight. Ok, travel preferences will vary. The Canon 24mm f/2.8 is a nice pancake lens, making the entire setup look like a toy and less obvious.

Low light, subject separation.

You describe special cases, not general usage. Traveling requires flexibility.

Flexibility in what exactly? If you limited to take one lens only I dont think the pancake lens will do the best job. 24/2.8 yet on a aps-c is pretty much like smartphone photos... Only the quality on pixel level is better

Give me a nifty -50. I’ll stitch in photoshop if it’s not wide enough.

I agree with other posts that for FF 35mm is the best. A touch wide but not distorting with the ability to stitch together frames.

Have not quite figured out the need for fast glass in the digital times, except for the bokeh and narrow DOF. In the film days fast glass allowed for a faster SS to handle the motion of clicking the shutter hand held! Why a travel lens at one focal point and fast glass today! When one travels you never know what you will see/come across, so a telephoto is the best to have. In the Sony world (since '14) you have several 2470, 70200 (f/4,2.8) the best is the FE 24-240mm F3.5-6.3 OSS (360 in APS-C mode) it is wide but has reach and is OSS where primes don't. How many cameras have IBIS so why use a prime without IS, you will also need sticks (extra for travel). After 8 years with most every Sony prime and telephoto lens I carry everyday in a teardrop bag a A7iii with the 24-240mm and the surprise the APS-C E 1018mm f/4 OSS (15-27mm) that is also 12-18mm in full frame (18mm if remove the light shield) that uses screw on filters and both lenses have the Haida Filters adapter that I can use the Clear Night filter at night. Be truthful, how many travel with a backpack of gear or even one lens. As far a bokeh/dof it is where you set you focus and mode, and for clarity near and far you will set f/# 2 stops above wide open. Truth, Yes when I travel away from home I have all my primes and telephotos for planned captures BUT for the unplanned everyday drive/walkabout it is my Teardrop bag. Today it is SW that gets clarity and or bokeh in the end!!!!

I like the 40mm Zeiss Batis. It's got some macro capabilities, autofocus, lightweight and is fast enough at F2.

Articles like these always leave me wondering "Why?". The usual motivations for carrying a prime are improved clarity, less weight, faster lens. But, even a simple comparison of, say, the Sigma 24mm mentioned in the article versus, say, Canon's RF24-105mm challenges those benefits. The Sigma weighs a "svelte"1.46 pounds (665 grams), while the Canon weighs a "whopping" 1.54 pounds (700 grams). The Sigma spec's don't mention image stabilization, so presumably there is none. Compare that to the Canon's 8 stops of IS when mounted on a Canon R5, and the Sigma's f/1.4 doesn't seem so impressive compared to the Canon's f/4.. Improved clarity? The reviews of both lenses suggest that, if you can see the difference in clarity, you're probably looking fhrough a microscope. So, for 35 grams, would I ever really want to give up the reach of a 24-105 zoom? Not in my lifetime, where that extra reach has enabled me to capture images not possible with a 24 mm prime. .

for me in M43 land, I have the Oly 12-42, and I will always also carry the 20mm Pana. size and weight I don't even realize it's in the bag, 100g. speed is huge, 2.8 for the Oly zoom, vs 1.7 for the Pana prime.

no brainer really.

Define the type of travel photography?

If it's for weeks at a time in a far off land (like I do), then there is no single lens. You need to build a kit that is light enough to get on the small turbo prop planes that get you out in the sticks.

I like shooting with 2x identical FF bodies at the same time. Therefore I carry:

20/21 F2.8 for landscapes + light travel CF tripod.

35 F1.4 + 85 F1.8/F1.4 for 90% of the shots, one on each body.

70-200 F4 for the long end.

Everything has to be able to be carried on, especially batteries, so weight is the killer.

Well, I chose the Leica Q2 as best travel combination for me (enough MP to crop and wide enough), but before owning that I'd have chosen the Fuji X100F which I owned previously, so 35mm would do as well.

On the EOS R system I'd take the lightweight RF 35mm f1.8 IS macro lens, which is a hell of an allrounder lens, unfortunately not weather sealed. I guess you find similar options for nearly every camera system.

Unbelivable that nobody had mentioned 28mm...

Since I had an Old pancake Nikon 28mm, I've found it more organic and cinematographic than the 35mm, less wide than a 24mm, making composition less busy.

Your phone is the best choice for travel 👌

for M43, the 20mm 1.7 Panasonic is always in my bag. lens weighs 100g, and is 2.5" diameter, and 1" length.

absolutely tiny. sharpness is great, where it drops off is on the focus speed, it is slow to focus. any other aspect though, it shines.

I struggled with this recently on a trip to Hawaii. I love macro and wildlife photography, but this was a couples excursion, not exclusively a photography one. I settled for my Nikkor Z 40mm f/2 and a Nikkor Z 24-200mm f4-6.3.

For me the issue with just a prime is sometimes when I'm traveling with family, I want to crop close without dragging my kids/wife across the street or make them wait while I sneak to get close enough to wildlife. A variable zoom is great and compact - maybe not getting any professional wildlife shots, but sharp enough for myself.

I can never go without a prime though, because for human subjects I just can't go without the ability to customize my f stop at more usable levels to isolate depth of field and enhance sharpness by limiting ISO. Do I usually keep it at f/4ish? Sure. But do I take quite a few shots at 2 or 2.8? You bet.

While it is not a prime lens, it is a fixed lens. The Sony RX 10 IV is a 24 to 600 mm Zeiss lens that is by far the best camera and lens for travel photography.

35mm 1.4. You can sit directly across from the people you are traveling with and take an environmental portrait with the perfect amount of subject separation from the background and foreground. In a tight room, it may seem not wide enough but often, just put the camera against the wall and it usually works. It really captures the moment without the distortion of a 24mm. I find that 24mm really doesnt solve the problem of not having a wide enough lens in a small sapce. You will get distorted faces and the the atmosphereis will be altered by inaccurately representing the size of the room. Once in a while you do run into a large landmarks that just wont work with a 35mm but you can either bring a 16-35mm or a 24mm. Or simply use a smartphone because you probably don't want much or any background blur anyways in a shot wider than 35mm.

My SLR days go back to a Nikon FTn back in 1974. I traded it in for Hasselblad for weddings, but when I went back to 35mm, i chose the super small Pentax ME with a pancake 40 f/2.8. It had a belt clip. I took it everywhere! Best lens focal length ever. Fast forward nearly 50 years, Nikon released the Z 40mm f/2. On a Z5, it's hard to beat for a concealable travel camera. I ordered the 28 f2.8 for my Z50. 42mm equivalent with the crop. Hard to beat it now. Small and light. Crazy sharp since I'm not using the edges!

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Prime vs Zoom Lens (Which Is Best for You in 2024?)

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The prime vs zoom lens debate can be a tricky subject for beginners. With so many options, deciding which is right for you can be tough. So, what’s the difference between prime lenses and zoom lenses ? Which one is best for your needs? Read on to find out.

Prime vs Zoom Lenses

The primary distinction when looking at prime vs zoom lenses is their focal lengths . Prime lenses have a fixed focal length, whereas zoom lenses possess a broader, adjustable focal length.

Prime lenses are also typically more compact and lighter. They generally deliver superior low-light performance compared to zoom lenses. But there are other important factors, like lens quality, aperture , and price.

We’ll first look at prime lenses. Then, we’ll look at zoom lenses. Throughout our article, we’ll compare prime and zoom lenses to help you determine which ones best fit your photographic needs.

What Are Prime Lenses?

So, what is a prime lens exactly? Do prime lenses zoom? As I stated above, prime lenses have a constant focal length. In other words, they don’t zoom. And like any other photography equipment, it has advantages and disadvantages.

One issue with using prime lenses is that you may not be able to get the photo framed as you’d like it. But at the same time, they make you experiment more. They force you to think of a different way around taking a photo, one you may have missed otherwise.

Photographers buy prime lenses for two reasons, though—quality and aperture.

Prime Lens Quality

The quality of a prime lens is often vastly superior to a zoom lens as it doesn’t have as many moving parts. Furthermore, primes also have fewer optical elements inside. This means fewer chances of abnormalities. As a result, a prime lens is better at producing sharper images.

There used to be a considerable difference between prime and zoom lenses because the technology wasn’t as good. But now you can get zoom lenses that are just as good as some primes. But they come at a price.

I paid almost the same amount for my 24-70mm f/2.8 as my 35mm f/1.4. The quality of this versatile zoom lens is excellent but still isn’t quite as good as the f/1.4 prime. You still compromise even when investing lots of money into a zoom lens.

You can see how sharp the portrait image is below. It’s hard to believe that I shot this at f/1.4, the widest aperture I have. In contrast, zoom lenses would have a bit more trouble producing an image as sharp as this one.

Prime Lens Apertures

Primes have fewer moving parts, so the zooming action does not constrict them. Thus, they often have wider apertures than zoom lenses. The main advantage of having a wide aperture is that you can take photos in low light. The wider aperture lets more light into the camera.

The wide opening makes it ideal for shooting indoors—in a bar, club, or dimly lit room. These are places where you don’t want to push your ISO .

The prime lens option I mentioned above allows four times as much light into the lens as the zoom. An aperture of f/1.4 is four times larger than f/2.8. But keep in mind that f/2.8 is very good for a zoom lens.

The wide aperture also has the advantage of producing a shallow depth of field with a range of creative uses. Portrait photographers usually prefer primes because of this. A soft, creamy background is often precisely what people like to see in portraits.

I shot this photo below at f/1.4, producing a beautiful bokeh. Since zoom lenses can only go up to f/2.8 at most, they cannot produce background blur as well as prime lenses.

Prime Lens Pricing

Another significant advantage of most prime lenses is that you can buy them cheaper. For instance, you can get a 50mm f/1.8 lens ranging from around $110 to $220.

You see a dramatic increase in quality over your kit lens for that price. You also gain the ability to play around with depth of field more.

But it’s also worth noting that primes can get more expensive as the focal lengths increase. While you can get a 50mm for a few hundred dollars, you may have to shell out thousands for a 500mm.

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Special Prime Lenses

Some specific lens constructions would be impossible to adapt to a zoom lens. One of them is a tilt-shift lens.

A tilt-shift lets you manipulate your perspective by shifting parts of the lens. You can also modify your focal plane’s direction by tilting some of these elements. The effect it creates results in a unique “mini-world” look.

These lenses are the workhorses of professional interior and architecture photographers. But they are also used in portraiture and event photography sometimes.

Another type of specialized prime is the defocus-controllable lens. This useful tool lets the photographer alter the form and amount of background blur without actually changing the aperture. It’s the hidden gem of portrait photographers.

Super-telephoto lenses also rarely come as a zoom. Some excellent 150-600mm options are out there, but that’s where it stops. Focal lengths of 800mm and above (with astronomical prices) are exclusively primes.

Then, of course, there are fisheye lenses that rarely don’t have zoom counterparts. There are some, like the Canon 8-15mm , Nikon 8-15mm , and Tokina 10-17mm . But there are some good, cheap, prime fisheyes lenses, such as the Samyang 8mm .

What Are Zoom Lenses?

Zooms are perfect lenses for beginners because of their variable focal lengths. In other words, they let you zoom in and out of a scene, unlike prime lenses. Zoom lenses are a lot more complicated. Prices vary a lot more depending on what the lens does.

It’s a common misconception for beginners to think that an 18-250mm zoom lens should cost more than a 24-70mm zoom lens because it has a longer focal length. That’s not true because it does so at a price.

You get what you pay for when it comes to zoom lenses. It would be hard to compare these two zoom options because they have different purposes. So, what are zoom lenses good for?

An 18-250mm is for the hobbyist. It’s often for someone who doesn’t want to carry multiple lenses—perhaps someone who travels a lot.

A 24-70mm is for a much more serious shooter. It’s often for someone who understands the compromises when building a lens with a much longer zoom range. But, at the same time, they need to be able to change the way they’re framing a photo freely. You can’t do this with a prime.

Zoom Lens Quality

The overall image quality of zoom lenses is catching up with that of prime lens options. But I reckon there’s still a long way to go.

I notice that my zoom isn’t as sharp as my prime. But I knew that when I bought it, and I’m still delighted with the results. You could call it a happy compromise.

I have noticed from using both lens types that photos appear much softer when the aperture is wide open. Pictures look better at a narrower stop. This is more noticeable with zoom lenses, but that’s just part of the compromise.

There is one thing to keep in mind, though. An expensive zoom can easily surpass a cheap prime lens in image quality. But there are exceptions to this, like the Canon 50mm .

Zooms are less sharp because of optical errors coming from their complex nature. But expensive, unique glass elements and coatings correct some of these errors. As a result, you see drastic increases in quality.

So, there is quite a considerable quality overlap in prime vs zoom lenses. There are websites out there that will show you sharpness samples and MTF charts . They can give you a general idea of how a particular lens performs.

But if you plan on getting a new lens, I advise getting your hands on it and having a quick test. There’s a lot more to it than sharpness and aperture.

Zoom Lens Aperture

I always know my 24-70mm lens parameters because the aperture is f/2.8 throughout the zoom range. But cheaper lenses often lack this feature.

A more inexpensive zoom, such as a Canon 18-55mm kit lens , has an aperture of f/3.5 when it’s zoomed all the way out at 18mm. But it slowly narrows the aperture to f/5.6 as you zoom in, letting in less than half the light. We call these variable aperture lenses.

Reaching f/2.8 throughout the entire range is an achievement that is not very common with crop-sensor lenses. But the three large brands (Canon, Nikon, and Sony) now offer f/2.8 standard zooms. They are part of their advanced crop-sensor systems.

They are quite expensive, though. They come close in price to their full-frame counterparts.

Some zooms go beyond the notorious f/2.8 frontier. A few years ago, photographers praised Sigma for introducing an 18-35mm f/1.8 and a 50-100mm f/1.8 for crop sensor cameras.

These have since become very popular in the mirrorless videographer community, but also among photographers. They are relatively affordable, especially for what they offer.

Not long ago, Canon introduced a 28-70mm f/2 lens with the new RF mirrorless system. It’s a beast of a lens, for sure, at a beast of a price. But some professionals love it for its image quality and large aperture.

Zoom Lens Price

Quality zoom lenses can cost a lot of money, but they do reach a limit. A good zoom can only do so much before the lens maker has to stop making compromises and start making a new version for a different focal range.

When buying lenses, a zoom is often cheaper and more sensible. You can do more with it.

Conclusion: Are Prime Lenses Better Than Zoom?

So, are prime lenses better than zoom? Which do you think wins the prime vs zoom argument? I will use a prime lens when I know what I’m shooting and the focal length that fits the situation. Or I’ll use it if I’m shooting in low light and want to let more light into the lens.

But I probably still use a zoom lens more often. It’s not a better option. But I can do more with it. And even though it’s heavier, it’s worth the extra weight.

I would encourage everyone to use a prime. I found that my photos started coming out much better after using one. And it also taught me a lot about aperture and depth of field. My camera bag will always have prime and zoom lenses because they have different uses.

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Prime vs. Zoom Lenses: The Definitive Guide for Photographers

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When you embark on the journey of photography, the significance of lenses becomes undeniably clear. Your lens is the eye through which your camera sees the world, and whether you choose a prime lens or a zoom lens can dramatically impact your photographic results. This comprehensive guide will delve into the intricacies of prime and zoom lenses, helping you understand which might best suit your photographic endeavours.

As a Leica M user, I’m all about shooting prime lenses. Indeed, I tend to click 1 focal length onto my M and stick wit it for a few months and then not bother with others. I get enjoyment out of the challenge of forcing myself to do something new every now and then. But I get it, as a Leica M user I am a rare type of photographer. So, if you are into mirrorless or DSLRs, what is the difference, and benefits or constraints of using just prime or zoom lenses?

The Essence of Prime Lenses

Often referred to as fixed focal length lenses, prime lenses offer a specific angle of view. Lenses are characterized by their focal length, which directly correlates with the field of view captured: the lower the number, the wider the angle; the higher the number, the narrower the angle. With a prime lens, this focal length is static, leading to a host of advantages and challenges.

The M Range from Leica tends to be more about prime lenses.

Advantages of Prime Lenses

Superior image quality.

Without the need for complex internal mechanisms, prime lenses often boast superior optics, yielding sharper, more detailed images. They are engineered with fewer glass elements, reducing the potential for aberration and light dispersion.

Beautiful Bokeh

A term derived from the Japanese word for blur, bokeh refers to the aesthetic quality of out-of-focus areas. Prime lenses frequently feature large maximum apertures (e.g., f/1.4, f/1.8), facilitating a shallow depth of field that can make subjects stand out against a dreamy, blurred background.

Low-Light Prowess

The wide apertures allow more light to hit the sensor, enabling photographers to shoot in lower light without resorting to flash or suffering camera shake from slow shutter speeds.

Creative Discipline

Fixed focal lengths force photographers to move and explore new perspectives, fostering creativity and compositional prowess.

Affordability and Value

Generally more cost-effective than their zoom counterparts, prime lenses also retain their value well, serving as a long-term investment. Can be a con though, as you generally end up buying a lot more Prime lenses rather than Zoom lenses, so they can blow the budget.

Portability

Most prime lenses are lighter and more compact, making them a preferred choice for travel and street photography.

Challenges of Prime Lenses

Less versatility.

With a single focal length, prime lenses lack the flexibility to quickly change compositions without physically moving closer to or farther from the subject.

Multiple Lenses Needed

To cover a range of focal lengths, you may need several prime lenses, which can add up in cost and bulk, and cost.

Advantages of Zoom Lenses

The versatility of zoom lenses.

Zoom lenses offer a range of focal lengths at your fingertips. By turning the zoom ring, you can alter your composition from wide-angle to telephoto without changing your position or the lens.

The SL range from Leica tends to be more about using Zoom Lenses.

Flexibility

A zoom lens, like an 18-55mm or 70-200mm, can cover a wide array of focal lengths, making it incredibly versatile for different photographic scenarios.

Convenience

Tamron is a great third party manufacturer of lenses, and has a brilliant range of zoom lenses for Canon, Nikon, Sony and more mounts.

Ideal for events and situations where changing lenses is impractical, a zoom lens enables you to capture a variety of shots quickly.

Weight and Space

Carrying one zoom lens can be lighter and take up less space than multiple prime lenses.

High speed zoom lenses such as these from Sony, the 16-35mm F2.8, 24-70 F2.8mm and 70-200mm F2.8 are pretty much as ‘do it all solution.’

Challenges of Zoom Lenses

Image quality.

Complex construction can sometimes lead to lower image quality compared to prime lenses, particularly in terms of sharpness and aberrations.

Aperture Limitations

Zoom lenses typically have smaller maximum apertures, which limits the amount of light that can enter, reducing their effectiveness in low-light situations and their ability to create shallow depth of field.

Size and Weight

High-quality zoom lenses, especially those with a large maximum aperture or extensive focal length range, can be large and heavy.

Cost: High-end zoom lenses that offer the best quality can be quite expensive.

Concluding Thoughts on Prime vs. Zoom Lenses

Choosing between a prime and a zoom lens is not just a matter of quality but also of your photography style, subject matter, and personal preferences. Prime lenses challenge you to think creatively, while zoom lenses offer unparalleled convenience and flexibility. Both have their place in a photographer’s bag, and often, the decision comes down to the specific needs of the shoot.

As you advance in your photographic journey, the temptation to expand your lens collection will grow. Yet, regardless of whether you lean towards the crispness of primes or the versatility of zooms, remember that the best lens is the one that helps you realize your vision and capture the moments that matter to you.

Now that you’re armed with this knowledge, you can step into the prime vs. zoom lens debate with confidence and make an informed decision on which lens will best enhance your photographic artistry. Embrace the qualities of your chosen lens, and let it inspire your creative process, for it’s not only about the equipment but also about the vision behind the lens that creates truly compelling images.

• November 5, 2023

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The 5 best prime lenses for travel photography

Prime lenses are great for travel photography. For real! We know prime lenses have a bit of a reputation as being impractical for traveling because you need to carry multiple lenses to cover every situation, and you have to ‘zoom with your feet’. But hear us out… Prime lenses have some distinct advantages for travelers:

• A good prime lens will deliver amazing image quality at a lower price tag compared with zoom lenses, which is great when your budget also has to factor in travel expenses.
• Prime lenses have fewer moving parts and glass elements. This means they are smaller and lighter than zoom lenses, which is a huge plus if you like to travel light.
• Prime lenses come with wider apertures than similarly priced zoom lenses, meaning you can take decent photos in lower light without breaking the bank.

If you’re looking to add prime lenses to your camera bag, read on. We’ll talk you through some features to look for and introduce you to five types of prime lens which, together, will have you covered in any travel scenario.

Features to look for in a lens

Before you go shopping, there are some features and terminology you need to know so that you get the right lens for you.

If you’re a bit of a seasoned photographer, you can skip this section and head straight down to our overview of the five best prime lenses for travel photography.

Focal length

Denoted in millimeters, the focal length of a lens indicates the distance between the camera sensor and the optical center of the lens when focused at infinity. In a 50mm lens, there is 50mm between the optical center and the sensor, while in an 85mm lens the distance is 85mm.

That’s the technical part. In real life, the focal length is known as a measure of how wide the lens’s field of view is. A smaller number means a wider field of view. We’ll get more into this later when we look at the best prime lenses for travel photographers.

Full frame vs crop sensor

Cameras have different-size image sensors. This matters when you buy a lens. More expensive cameras will often have a full-frame sensor, but many DSLR and mirrorless cameras use smaller sensors. These are collectively known as crop sensors, the two most common of which are APS-C and Micro Four Thirds.

Crop sensors do not capture the full field of view as seen through the lens. A photo shot with a 24mm lens on a full-frame camera will have a wider field of view than a photo shot with the same lens on a crop-sensor camera. As an example, the APS-C equivalent of a 24mm lens on a full-frame camera would be 16mm.

Great prime lenses for travel photography

With all that out of the way, let’s look at what kind of prime lenses every travel photographer should have in their camera bag.

Landscape and night sky: 24mm or shorter

You will want a wide-angle lens with a focal length of 24mm or less for landscape photography. (Try 16mm or less for crop-sensor cameras.) These lenses let you capture some seriously sweeping vistas and can add a lot of depth and drama to your photos. They’re great for making cramped spaces look larger too.

If you want to take photos of the night-sky, you also need one of these. Wide-angle lenses are excellent for capturing stunning images of starlit landscapes, and with one of these you can expose your photos for longer before the stars go blurry due to the earth’s rotation.

Now, wide-angle lenses have some downsides too. Unless you get an absolute top-of-the-line lens, which can set you back thousands of dollars, you may notice some distortion in your images that makes straight lines appear curved. This means street or city photography, which often involves lots of straight lines, will not always look the best. Portraits may also look unflattering for the same reason.

Indoors, landscape, street: the 35mm all-rounder

One of our favorite lenses is the 35mm. It is a wonderfully versatile lens and produces great-looking photos. If you’re into landscape, street, or indoor photography, this may well be the type of lens that should sit on your camera by default. While not quite a wide-angle lens, it’s great for landscape photography. It gets you closer to points of interest while still capturing a lot of surrounding landscape. This is also the perfect lens to photograph action on the street. Because of its fairly wide field of view, you can move closer to your subject while still getting a lot of surroundings in your photo.

Even entry-level 35mm lenses normally come with wide maximum apertures, meaning they are great for indoors shooting in low light and will do decent portrait shots too. The crop-sensor alternative lens would be 24mm; however, portrait photos may suffer due to distortion.

Street and portraits from a medium distance:  50mm

You can’t go wrong with a 50mm lens if you enjoy portrait photography. On full-format cameras, a 50mm is referred to as a standard – or normal – lens because it sees the world much the same as the human eye. For this reason, photos taken with a 50mm lens look very natural, making it a fantastic choice for portrait photography.

Capturing street scenes, a 50mm lens lets you put a little distance between you and your subject, which is handy for situations where you can’t be right up-close to the action.

As with 35mm lenses, even an entry-level 50mm will normally come with a wide maximum aperture. And best of all, these prime lenses tend to offer excellent quality and value for your money.

If you have a crop-sensor camera, consider a 35mm lens.

Portraits and street from a greater distance: 85mm

At 85mm, we’re moving into telephoto territory. These lenses are old favorites among travel photographers focusing on street and portrait photography.

At maximum aperture, these lenses will give you an incredibly nice, soft background. This is great for capturing shots of people on the street, where the background can often be busy and the light less than ideal. Just throw that aperture wide open and your photos will look fantastic.

Thanks to the longer focal length, this lens is great if you prefer to keep a bit of a distance to the people you’re photographing. An added benefit is how these lenses compress perspective, making the background appear much closer. These lenses also really shine for portrait headshots as they do not distort your subject’s facial features.

For a crop-sensor camera, you may consider a 50mm lens instead if you focus on portraits.

Wildlife: 135mm

If you take photos that require you to get up close and personal with subjects that don’t necessarily want to be up close and personal with you – such as wildlife – you’re going to need a telephoto lens. A 135mm prime lens offers a nice compromise between portability, quality, and price, which makes it an excellent choice for travel photographers looking to capture wildlife shots. An added benefit is the creamy smooth background you can produce, especially if your 135mm lens sports an f2 maximum aperture or better.

If you’re serious about wildlife photography, get an even longer lens, such as 200mm or 400mm. Beware though, these lenses are large and can put a serious dent in your budget.

If you only take two prime lenses in your camera bag…

We’d love to put all five of these prime lenses in our bag whenever we go traveling. That’s not very practical though. Most camera bags for travelers will fit your camera with one lens mounted plus one or two more lenses at best.

If you carry a full-frame camera and are looking for maximum versatility from just two lenses, consider going with 35mm and 85mm. Between them, they will have you covered for landscape, indoor, street and portrait photography. In a pinch, you can also capture decent night-sky photos and some wildlife shots (providing the wildlife isn’t too shy).

For crop-sensor cameras, a 24mm lens and a 50mm lens could well be a winning combo. These cameras tend to be smaller, so consider sneaking in an 85mm lens too if your camera bag has enough room.

Speaking of bags: If you’ve invested money into some quality prime lenses, make sure you have a good camera bag that will protect your investments while you’re on the go. GATTA bags are sturdy and versatile, and they’re pretty chic too.

What’s your winning combination of prime lenses for travel photography? Let us know in the comments.

Christie Noir

Jackie Noir

Jackie Hazel

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Prime vs Zoom – Are you using the wrong lens?

• Lens Guides
• April 25, 2023 April 25, 2023
• by Richard Adams

Choosing between a prime vs zoom lens is not easy. On the one hand, zooms are supremely versatile – offering a wide range of focal lengths within a turn of the twist. But on the other hand, prime lenses are cheaper, sharper, and smaller.

In this Prime vs zoom comparison, we’ll explore the differences between zoom and prime lenses to determine which is best suited for your style of photography.

What are Prime lenses?

Prime lenses do not zoom. Instead, prime lenses are fixed at a single focal length, thus providing a singular angle of view. Therefore, walking your camera closer to your subject is the only way to ‘zoom’ with a prime lens. Read – What is Focal Length in Photography .

However, prime lenses do come with some profound benefits. First, they offer fantastic image quality – often at reasonable prices. And second, they tend to be much smaller than an equivalent zoom lens.

Therefore, prime lenses are optimal so long as you can control the distance between yourself and your subject. For instance, stepping toward or away from the person you photograph is easy when shooting portraits. In contrast, the direction a bird takes in flight takes is entirely out of your control, and you may need a zoom lens to keep up.

What are Zoom lenses?

Zoom lenses offer a range of focal lengths enabling you to move away or toward your subject without moving yourself. This can be hugely advantageous if your movement is restricted and you can’t move closer to your subject or your subject is in control of distance, such as a bird in flight.

But more than that, zooms lenses are highly convenient. For instance, a single zoom lens can replace an entire bag of prime lenses. Nor do you have to change lenses to find the ideal angle of view for your shot. For these reasons, zoom lenses are a more popular choice – even in cases where a prime lens produces better results.

Prime vs Zoom Compared

Zoom vs prime – image quality.

Prime lenses deliver superior image quality since they are optimized for a single focal length. In contrast, a zoom lens is burdened by a more complex design and must balance image quality across its entire zoom range. For this reason, even the cheapest prime lenses can outperform more expensive pro-grade zooms by some margin.

Therefore, buying an appropriate prime lens could represent an affordable yet significant upgrade if your photography demands specific focal lengths.

Prime vs Zoom for low-light shooting

Prime lenses tend to have much larger apertures than Zoom lenses, enabling them to pass more light to your camera’s sensor resulting in lower ISO and superior image quality. Read – What is Aperture in Photography .

This is useful if you use fast, light-starved shutter speeds to capture blur-free images of moving subjects or shoot static subjects in low light without the stability of a tripod.

Prime vs Zoom for Background Blur

Because prime lenses have larger apertures, they can better blur backgrounds than zoom lenses. For this reason, prime lenses such as the 50 and 85mm are hugely popular for portrait photography.

Prime vs Zoom for Travel

Prime lenses are smaller and lighter than zooms because they are optimized for a single focal length. At the same time, a zoom lens needs space to expand and retract as you zoom toward and away from your subject. Furthermore, Zoom lenses often rely on more complex optical formulas and mechanisms and are heavier as a result.

However, a single zoom can replace multiple prime lenses and, in such cases, offer a route to a lighter kit overall. This is particularly true of Travel Zooms, which pack huge zoom ranges into compact lenses – often at the expense of image quality.

Prime vs Zoom for Creativity

Both prime and zoom lenses present opportunities and barriers to creativity. For instance, a zoom lens will likely offer you the focal length that best suits your creative vision. However, such freedom can also stifle creativity as you are effortlessly guided toward lazy compositions.

In comparison, the relative rigidness of prime lenses forces you to find unique angles and compositions, enabling you to present the familiar in unfamiliar and exciting ways. But, while constraint can lead to innovation, sometimes it leads to failure, and you are cursing your decision to leave your zoom lens at home.

Therefore, neither lens is inherently more creative than the other. But one may fit one moment of chaos better than the other.

Prime vs Zoom for Beginners

Primes and Zooms are equally suitable for beginners. If you only care about getting the shot – a zoom lens is a more reliable option. However, if you want to engage in photography as an art, the constraints of a prime lens will flex your creative muscles in ways a zoom will not.

For the best of both worlds, I advise any beginner to buy a camera with a versatile kit lens and then supplement it with an affordable prime lens such as a 50mm. This way, you can bounce between a zoom lens’s practicalities and a prime lens’s superior performance without breaking the bank. Read – 35mm vs 50mm .

Prime or Zoom – My experience

My move into so-called serious photography began with a Nikon D40 and an 18-55mm kit lens. After a few years, I started reading articles such as this and agonizing over whether I’d be happy to trade the versatility of a zoom lens for the outright performance of a prime lens.

Going Prime!

Eventually, I decided to buy the Nikon AF-S DX 35mm F1.8G and what a revelation it was. First, the combination of image sharpness, superior contrast, and epic background blur was genuinely transformative, and my photos began to look more like those I aspired to take. But, I was more surprised at how I reacted to the fixed focal length.

Rather than lamenting the loss of a zoom, I became hooked on zooming with my feet and finding unusual angles – both of which are necessary when shooting primes. And it wasn’t just the results I was getting; it was the supreme satisfaction of the process that ultimately elevated photography from an outcome-based process to an outright hobby.

I still use Zoom lenses

Initially, I had expected my Nikon AF-S DX 35mm F1.8G to be a niche lens. Yet, it soon became my daily driver while my versatile kit Zoom stayed home, rotting away in my draw.

To this day, I still mostly use prime lenses for general everyday photography. My favorite everyday lens is a cheap 50mm lens or equivalent. But on special occasions, my 50mm lens is joined by an ultra-wide and telephoto zoom.

Zoom or Prime – which should you buy

Whether you buy a Zoom or Prime comes down to your photography. Specifically, it comes down to your ability to control the distance between you and your subject.

For example, if you shoot portraiture, you’ll have no trouble walking your camera and lens toward or away from your subject. Therefore, you might as well take advantage of what a prime lens offers. But, if you’re shooting a football game from the sidelines, a zoom lens’ ability to chase a player as they move up and down the field is invaluable.

You may also prefer Zoom lenses for outright convenience. While a single prime lens may be lighter than a zoom lens, a single zoom lens can replace a bag full of prime lenses leading to a more lightweight system overall. Furthermore, a zoom lens lets you jump focal lengths quickly. For instance, you can use a zoom lens to bounce swiftly between portraits and group photos without changing lenses or wearing out your shoes.

How to choose between a Zoom and Prime lens.

If you’re unsure whether to buy a prime or zoom lens, explore your photos and the focal lengths used to take them. For example, I found I was using my old 18-55mm lens at its extremes – thus, I could have easily exchanged my zoom for two prime lenses.

It’s much the same when I photograph birds in that I use whatever lens I have; I’m using it at its longest, most zoomed-in focal length – effectively wasting the rest of the lens. However, there is no rule of thumb, and your use case is unique.

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Compared to zoom lenses, prime lenses are sharper, more compact, cheaper, and typically have larger apertures for superior low-light performance and background blur.

However, a prime lens can only be effective if you can control the distance between you and your subject. Thus, prime lenses are an excellent choice for portrait, landscape, and street photography.

But in cases where your subject controls the distance, such as a bird-in-flight or a participant in a sporting event, a zoom lens’s ability to chase down your moving subject will prove more critical than any disadvantage in image quality.

Likewise, a Zoom lens’s ability to access different focal lengths is supremely convenient. Yet, the freedom of a zoom lens can stifle creativity as it is all too easy to zoom your way to a predictable composition. In contrast, the rigid nature of a prime lens will challenge you to find compositions through unusual angles, potentially resulting in a more compelling photo.

Thus, switching to a prime lens could be hugely beneficial if you use your zoom lens repeatedly at the same focal lengths. Moreover, a prime lens may expand your creative envelope leading to your own unfamiliar take on familiarity.

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Prime vs Zoom Lens: Which is Best? | Pros & Cons in 2024

Prime vs zoom: which should you buy? Check out this guide for the differences between the two types of lenses plus the pros & cons of each!

Learn | Photography Guides | By Ana Mireles

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Buying a lens is neither an easy nor a superficial matter. Some may argue that it’s more important than the camera itself.

If you’re looking to upgrade your current lens or add a new one to your equipment, you can find yourself lost in a sea of possibilities.

One of the most common difficulties photographers face is deciding between a prime and a zoom lens (or choosing between a compact camera with a ‘fixed’ prime vs a zoom lens.

The thing is, there’s really no straight answer as to which one is best. Whether you choose a prime lens or a zoom lens depends on your needs and preferences.

I know that this alone isn’t a helpful answer, so let me explain what these two types of lenses are and, more importantly, the advantages of each.

Prime vs Zoom Lenses: Which is Better?

The main difference between a prime lens and a zoom lens is focal length. While prime lenses have a fixed focal length, zoom lenses, on the other hand, have a wider and variable focal length. Prime lenses tend to be smaller, and lighter and offer better low-light performance than zoom lenses. Zoom lenses are generally heavier but thanks to their wider focal range, they are far more versatile.

Table of Contents

What is a Prime Lens?

Credit: Mark Condon

A prime lens is one where you cannot change the focal length (i.e, the field of view is ‘fixed’). Unlike a zoom, getting your subject closer or further away is only possible by physically moving.

This has some other implications aside from the magnification of the subject. When the distance between the camera and subject changes, you have to consider more factors.

One of these is the compression effect . This refers to the apparent separation between the subject and the background.

The depth of field will also be different, because the closer you are to the subject, the narrower it will be. This is a general rule that doesn’t apply to telephoto lenses with macro capabilities, for example.

You should also consider the lens distortion – for example, a wide-angle lens tends to distort the subject to some degree. See: why do lenses distort?

If you use it to photograph a landscape, you may notice some curvature on the horizon because you’re further away from the subject.

If instead, you photograph a dog that’s next to you, you’ll see how its face will be very distorted giving it a huge snout. That might look cute, but it’s distorted none the less.

So, moving back and forward with a prime lens is not the same as using a zoom lens. This doesn’t mean it’s better or worse, it just means that it’s different.

Prime lenses have many points in their favour, but I’ll get to those later on. Let’s talk about zoom lenses now.

What is a Zoom Lens?

Credit: Hunter Moranville

As you might have guessed already, zoom lenses have movable focal length. This means that by moving the optical elements inside the lens, you can change the angle of view.

Sometimes this means that you can have three types of lenses in one: a wide-angle lens, a normal lens, and a telephoto lens. For example, with a 35-105mm zoom lens would cover the whole range.

In other cases, it stays within the same lens type while still offering a range variation. For example, a 10-24mm is a wide-angle zoom lens. On the other side of the spectrum, you can get a telephoto zoom lens ; one of the most common is the 70-200mm.

With zoom lenses, you can get your subject to appear closer or further away with the turn of a ring, and without changing the physical distance.

Advantages of Prime Lenses

Left: 90mm prime Right: 55-200mm zoom. Credit: Greg Cromie

Some people argue that prime lenses provide a higher image quality. However, there have been great improvements in zooms from most manufacturers.

I believe some zoom lenses can deliver the same level of quality. Not all of them though – which brings me to the first advantage of prime lenses.

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Obviously, there’s a wide variety of prices in both prime and zoom lenses, but as a general rule of thumb, prime lenses are less expensive.

At least they are if you’re talking about the price-quality ratio. A good prime lens will be cheaper than a good zoom lens.

So, if the budget is tight, it’s usually better to get a great prime lens than an average zoom. It will give you better quality and sharper images.

Prime lenses are much lighter than zooms because they have fewer optical components inside. This might sound like a shallow consideration in choosing the right gear, but there are two arguments I could say in defence of it.

First, the quality will not suffer, and often it will be higher than with a zoom. Therefore you’re not compromising your work or your images by including the weight into the decision making process.

Second, a heavy lens is not a minor issue. If you’re going without a specific photographic target in mind, you might not want to carry heavy gear with you. As a result, you could end up missing some great shots.

Additionally, if you do decide to bring it along, at some point you’re going to get tired and you won’t be as focused. You’re probably just going to be thinking about going home to rest.

Lugging around a heavy camera can also have serious health complications in the long run.

You need only consider the growth of the mirrorless market to see that the issue of size and weight is real. Many photographers are now choosing mirrorless cameras over DSLRs because of their lighter weight.

3. Wider Aperture

Being able to shoot at f/1.4 allowed me to keep this early morning (low light) shot at ISO 100 1/4s. Credit: Mark Condon

Thanks to the amazing developments by manufacturers, nowadays you can find some fast zoom lenses that make this gap smaller. But still, they haven’t reached the wider apertures that you can get with prime lenses.

For example, some of the fastest zoom lenses can offer an aperture of f/2 at a very high price (see the Canon 28-70mm RF, for example).

In general, a fast professional zoom keeps a maximum aperture of f/2.8 throughout all its focal lengths. The most common will offer an aperture of f/3.5 on the shortest end and f/5.6 when zooming in – you may have one of these ‘kit’ zoom lenses, after purchasing your first DSLR.

There’s nothing wrong with a kit lens for beginner photographers, but it’s usually the first item you’ll want to upgrade when lens shopping.

You can still blur the background with a basic zoom lens if you get close enough to your subject – Nikon 10-20mm f/4.5-5.6

However, while something like an f/2.8 zoom is desirable, it’s also expensive, and usually the realm of pros or hobbyists with deeper pockets.

On the other hand, a common and affordable prime lens can be f/1.4. Some extraordinarily fast lenses can even open up to f/0.95.

This is an important issue if you face low light conditions on a regular basis – with a ‘slower’ lens, you may need to compensate by shooting at higher ISOs or slower shutter speeds in order to capture the shot.

e.g. a 50mm f/1.4 prime let in 4-stops more than a f/5.6 zoom lens, meaning you can use a faster shutter speed , which can allow you to capture images in a wider variety of shooting conditions.

Or, if you want to have a shallow depth of field for better subject isolation in portrait photography or creating nice bokeh backgrounds (the ability to create background blur).

There’s definitely some special quality about a photo taken with a prime lens shot wide open – the creamy out-of-focus areas can give it an ethereal feel.

4. Creativity

Some photographers will tell you that they simply prefer lenses with fixed focal lengths because it forces them to be more creative with their shots.

The constraint of not being able to zoom means they have to either physically change position, or find a creative way to frame their composition using the only focal length they have available.

Whether this is truly an advantage will depend on the genre of photography you’re shooting.

While creatively composing portraits with a 50mm prime lens can be a rewarding pursuit, trying to capture wildlife, for example, would be much more difficult.

Advantages of Zoom Lenses

Getting up close to your subject is easier with zoom lenses than prime lenses. Credit: Mark Condon

All these advantages of prime lenses might have you wondering, why would you get a zoom then? Well, there are some times that they’ll work better.

For example, if you’re not sure what conditions you’re going to be facing, or when the action is going to be very fast and you have to adapt quickly to moving subjects.

Let’s see where zoom lenses have the edge on this side of the prime lens vs zoom lens.

1. Flexibility

Zoom range is by far the top advantage that zoom lenses offer and in itself could trample all the advantages of a prime lens depending on your needs.

The possibility of changing focal length without having to change the lens is amazing. You’ll never miss the image of a lifetime because you were distracted changing lens. They’re also incredibly versatile options for event photography .

So yes, this is a big plus, but having a selection of different focal lengths in a single product will mean making compromises in aperture, price, and weight.

2. Practicality

Having multiple focal lengths in one zoom can be very practical. For example, you don’t have to plan, think, and carry multiple specific lenses that could cover all your possible needs.

You can just grab your camera with your zoom lens and you’re ready to go. This can be very useful when you’re traveling, for example, or if you just like to have your camera with you at all times in case the perfect picture opportunity presents itself.

Also, in some outdoor situations, it’s uncomfortable and impractical having to change lenses. Every time you do, you risk getting dust or water in or damaging the sensor. Having just one lens that serves multiple purposes spares you from that.

3. Ease of Learning

If you’re just starting in photography it’s very difficult to know what type of photos you’re going to be taking the most.

And even if you know, you might not know yet which focal length is ideal for that photographic genre. So having a zoom lens to start will let you try out different situations until you’re ready to specialize.

Many cameras sold in starter kits come with a zoom lens included. While this is a smart way of getting started, you shouldn’t stay too long with that lens.

Even if you decide that zoom lenses are better for you than prime lenses, then you should invest in a professional zoom that will give you better quality than kit lenses.

Prime vs Zoom Lens FAQs

Are prime lenses better than zoom?

That really comes down to what you want to use it for: each type of lens has its advantages. Primes tend to be sharper, smaller and lighter, and with wider apertures. Of course, they have the limitation of a fixed focal length, so in many situations, a zoom lens is better.

Are prime lenses sharper than zoom lenses?

Generally speaking, prime lenses are sharper than zoom lenses of comparable focal lengths. This is because zoom lenses have extra glass inside that has to move in order to shift the focal length, causing some diffraction. Still, these days there are many excellent and very sharp zoom lenses on the market. In this part of the zoom lens vs prime lens, prime still wins but things are changing.

Why are prime lenses more expensive?

Prime lenses can be more expensive due to their wider apertures and superior optical quality. That said, it really depends on what you’re comparing: if you want a zoom lens of comparable focal length and quality, it will likely cost more.

Should I buy a prime or zoom lens?

Consider your style of shooting and what you’ll be using it for. If you want flexibility and versatility – one lens that will suffice in many situations – go for a zoom. If you want a beautiful portrait lens with nice bokeh, or a lighter lens to carry around, opt for a prime.

Prime vs Zoom Lens | Final Words

Prime lenses don’t allow you to do this while standing on the beach! Credit: Mark Condon

So in the battle of prime vs zoom lens, which is best? In truth, there’s no right answer to the question of lens selection in this instance. As with many other debates, it’s all about what’s better for you .

Most photographers end up having both zooms and prime lenses as part of their gear. Some situations might call for different needs that can be best approached with one lens or the other.

There’s a wide variety of lenses from each camera manufacturer and also from third parties – so you can take your pick. I do recommend that you try them out first.

If you have the possibility, rent the camera lens that you want for a few days and take it out for a photoshoot. This can give you a better idea of what you’re getting.

It’s definitely a contentious topic in the photography community, so let’s hear in the comments below what type of lens you prefer to keep in your camera bag .

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

For almost any type of opportunistic run&gun/travel/hiking/landscape/street photography, a quality weather sealed standard zoom is the way to go, something like a 24-105/4 or a 24-70/2.8. If you are like me, you might never swap it all day long. Optionally pair it with your preferred wide and/or tele if your niche takes you there. Keeping the kit light and (reasonably) affordable is key, since you will be carrying all that stuff everywhere.

Those zoom lenses pair nicely with a weather sealed body that has good ISO performance for low-light capability, and plenty of megapixels so that optical zoom can be a bit extended by digital crop if needed. Tons of versatility and convenience right there, even without the extra wide and tele range. Oh, and don’t forget stabilization, IBIS (+lens IS) is very nice for having a lot more room to play with handheld exposures.

In a studio or on location for a paid shoot (not me), then it might make more sense to bring a broader selection of lenses and swap in different primes and zooms as needed for the job, possibly with multiple bodies as well.

Great article, lots of info and easy for a newbie to understand:)

I feel like prime lenses suits better for phjotographs taken in studio while zoom lenses are better for unpredectible situations

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Home » Travelling heavy: Should you bring your prime lenses on holiday?

Travelling heavy: Should you bring your prime lenses on holiday?

When I purchased my original Canon EOS 5D in 2008, I did what many photographers do when they buy into a new system, and purchased the kit lens that Canon bundled with it: the EF 24-105mm f/4L IS USM. It’s a decision I don’t regret in the slightest, and over the years this trusty optic has given me the type of service I’d expect from a pro-spec L-series lens designed to survive the rigours of everyday use. My example has seen a lot of activity and has the scars to prove it, yet it continues to perform as well as the day on which I bought it – and it’s never been serviced. This is hardly surprising given its excellent versatility and durable build – two qualities that continue to make it the most popular lens in Canon’s lens line-up for newcomers to full frame.

A lens dilemma

With a trip to Japan just around the corner, I had a tough decision to make: should I take the EF 24-105mm f/4L IS USM that I know and love, or should I choose a slightly different approach? Most travel photographers will tell you that a lens with a focal length of around 24-105mm is a good choice for full frame if you don’t want to be continually uncoupling lenses in the field and carrying multiple primes to cover the same focal length. My first-ever trip to the Far East, courtesy of Sigma Imaging, had the potential to be a trip of a lifetime and the more I thought about it, the more I was inclined to sacrifice the space and weight-saving conveniences of a single zoom for the superior image quality I’d get from carrying a few of the manufacturer’s primes.

What really swayed my decision was an image search on 500px of the numerous low-light opportunities in and around the bustling metropolitan city of Tokyo. The maximum aperture of my EF 24-105mm f/4L IS USM wouldn’t present an issue with the camera locked off on a tripod, but for handheld shots in and around the busy streets, where it could be awkward to assemble a set of sticks, I knew a faster lens would be preferable.

The primes helped isolate many subjects from busy and distracting surroundings

A quick search online, and a read of a few forums on the subject of best focal-length primes for travel, offered interesting suggestions. To make the right selection of lenses for my trip, they had to be complementary to the type of shots and subjects I envisaged taking. For landscape work, I was tempted by the Sigma 20mm f/1.4 DG HSM | Art, but I chose the Sigma 24mm f/1.4 DG HSM | Art lens because it would keep my kitbag 300g lighter. With 35mm being my favourite focal length for documentary shots, I couldn’t leave home without my Sigma 35mm f/1.4 DG HSM | Art and packed it alongside my Sigma 50mm f/1.4 DG HSM | Art. I still consider this 50mm the sharpest optic in my collection of lenses and the one I turn to most frequently for portraiture.

With three lenses chosen and space for one more in my hand luggage, I turned my thoughts to what medium telephoto lens to take. Given that all the other lenses I’d chosen were fast, at f/1.4, I decided the fourth lens should be equally fast, and settled for the Sigma 85mm f/1.4 EX DG HSM – an older lens rumoured to be replaced later this year. I’d never used it before, and felt it was about time to give it a try.

The night before my flight, I started assembling my kitbag. In went my trusty Canon EOS 5D Mark III with spare batteries, four Sigma lenses, a selection of NDs and ND grads and my MacBook Pro. I also packed accessories such as my portable hard drive for backing up images on the move and my Gitzo GT1545T Series 1 Traveler Carbon eXact tripod. At the last minute, I became anxious at the thought of my full-frame DSLR failing or picking up a fault. I knew I’d be livid if anything went wrong in Japan and I didn’t have a back-up camera with me. I didn’t like the idea of having no other option than my iPhone, so I made space for the small, but very capable, Canon EOS 760D. This would accept all the lenses in my bag and would only be pulled from my hotel safe in an emergency.

The Japan itinerary

My route had me visiting a number of interesting sights in Japan, starting with two days in Tokyo before travelling north by bullet train to the Fukushima region, which is in the north-east of Japan’s main island of Honshu. There, I would experience a night’s stay at a ryokan – one of the traditional Japanese inns that date back to the Edo period (1603-1868), when they served travellers along Japan’s highways. Later, I’d travel south to Mount Fuji and then to Kyoto, the former imperial capital of Japan, via Lake Ashi in the Hakone area of the Kanagawa prefecture.

Dismal weather, typical of Japan’s rainy season, greeted me on arrival at Tokyo Narita Airport. The persistent rain and grey skies scuppered any plans of getting shots that afternoon, so I prepared for my next day’s early morning visit to Tsukiji market, well known for being one of the largest fish markets in the world.

At Tsukiji market

Turret trucks are a great subject to shoot and are often found hauling fresh fish on the market streets

I arrived at 6am to a hive of activity and couldn’t pull the camera from my bag fast enough. The hectic streets and speedy turret trucks transporting goods around the market were great subject matter. Conscious of how the market workers might react to me working close up to their faces using the 35mm f/1.4, I settled for the 50mm f/1.4 DG HSM | Art. It allowed me to capture a series of shots similar to what my eyes were seeing, and after a patient wait at the far end of one of the most vibrant streets, I was rewarded with a turret truck to photograph as it headed directly towards the camera (see below). An aperture of f/1.8 gave me a fast 1/2,000sec shutter speed that was required to freeze the movement without needing to push the sensitivity beyond ISO 400. It was one of those shots that I knew had potential as soon as I took it. The beautiful rendition of blur behind the central subject makes the shot what it is and gives it considerably more impact than it would have had if it was taken using my 24-105mm zoom at its maximum aperture of f/4.

Having the option to shoot at f/1.4 made all the difference in challenging low-light situations

Lunchtime presented the opportunity to capture some candid shots of a Japanese chef at work. For a second, I thought I might have missed the shot as I swapped my 50mm lens for the wider Sigma 35mm – something that remains one of the drawbacks of using the wrong prime lens at a vital moment. Thankfully, the chef resumed his position in the spotlight, and I opted to shoot from the hip to make sure I didn’t come across as too intimidating. My best shot (see right) was taken after four attempts and, by using the lens wide open at f/1.4, I overcame handshake issues by using a reasonably fast 1/400sec shutter speed in an incredibly dim and dingy environment.

On top of the world

A vertical view from Tokyo’s Skytree spectator tower. This image was cropped tightly from the original and a longer focal-length lens would have been preferable

My Tokyo adventure also took me to the top of the Skytree, which claims to be one of the tallest observation towers in the world. Here, I turned to using the 24mm f/1.4 DG HSM | Art to capture breathtaking vistas of the city. With the light being rather flat, I found myself being forced to go in search of different perspectives. The upper observatory provided a fascinating vertical view of the city streets below, and for the first time on my trip I became jealous of photographers who were using longer telephoto zooms to create tightly composed shots. I was almost at the point of asking the photographer next to me if he’d let me borrow his EF 70-300mm f/4-5.6 L IS USM lens, which he had coupled to an EOS 6D. As it turned out, though, I managed to create the shot I’d envisaged all along by cropping heavily into an image taken with the 85mm f/1.4 EX DG HSM.

In hot water

My wider prime lenses were used to photograph this traditional Japanese garden

The next day, I swapped the high-rise buildings and urban streets of Tokyo for the remote Mukaitaki Inn, where the hot water of the river on which the inn is located comes from deep beneath this volcanic region. A tranquil location with a koi pond, Japanese gardens and thermal spring baths, it is complemented by stunning architecture and some of the last real geisha in Japan. With no shortage of photo opportunities, I discarded modern western clothes for a yukata (a casual kimono-like garment) and set about photographing the garden in all its splendour.

Here, the 24mm and 35mm primes came into their own. In the past, when using my 24-105mm zoom, I’ve been guilty of trying to find a shot from where I’m already standing. However, here, I found the combination of grey skies above and the fact I had a fixed lens attached to my DSLR was forcing me to move to find better positions to shoot from. This ultimately led to stronger compositions and better images. At this moment, and not for the first time on the trip, it felt like I’d made the right decision to discard my zoom for the prime lenses.

Visiting Mount Fuji

On Friday morning, I took a tour bus from central Tokyo to Mount Fuji. Of all the locations I visited in my week in Japan, it was the most challenging to shoot – even with perfect visibility. The midday sun and an overabundance of tourists didn’t help the situation. Alas, the tour didn’t give me the time or opportunity to venture off limits to capture the reflection shot of Mount Fuji with Lake Shojiko in the foreground. But the afternoon proved to be far more successful, with Lake Ashi and the mountains beyond offering an idyllic backdrop for the replica pirate ships that cruise the area.

Lake Ashi and its stunning views provided the perfect backdrop for a few telephoto landscape shots

This was my chance to get more familiar with the 85mm f/1.4 EX DG HSM and use it to create a natural perspective of the landscape. Closing the aperture down to f/8 allowed me to avoid the vignetting this lens introduces at its widest apertures and preserve the best level of sharpness from edge to edge. Given the way the lens performs and the gorgeous out-of-focus blur it creates, it’s difficult to think how the rumoured replacement Art version could be an improvement. With the success of the 20mm, 24mm, 35mm and 50mm Art lenses, an 85mm f/1.4 Art could be next in line.

Shooting on a bus tour

The famous Arashiyama Bamboo Grove on the outskirts on Kyoto

After the previous day’s experience, I was slightly sceptical about what photo opportunities might arise from my bus tour of castles and temples around Kyoto. As it turned out, I learned a lot. With crowds of tourists three or four people deep in places, I found it best to avoid the classic touristy shots and focus solely on the subject of portraiture, switching every now and again between my 50mm and 85mm lenses.

A visit to Kinkaku-ji temple gave me the opportunity to shoot a group of immaculately dressed Japanese women at work behind a souvenir stand. Once again, I found my 85mm lens provided the perfect working distance without making it feel as if I was being intrusive. I’d shoot one, maybe two frames and move on, never wanting to spend too long on one shot owing to the time restraints of the tour.

Later that afternoon, at Kasuga Taisha Shrine, I captured what turned out to be my favourite photograph of the trip. As is often the case with such shots, an element of luck was involved. After spotting a chance to photograph a woman wearing a traditional Japanese dress and walking beside a column of pillars bathed in sunlight, I wanted to wait until she returned. The shot had huge potential, but 15 minutes later I was still patiently waiting. During this time, I experimented with both my 50mm and 85mm lenses, but found the 85mm got me closer to the pool of light and helped keep a few distractions out of the left side of the frame.

This impromptu shot was captured at Kasuga Taisha Shrine using the Sigma 85mm f/1.4 EX DG HSM

Then, out of the blue, she brushed past my right shoulder and retraced her steps. This was my chance. Perfectly posed, I rattled out eight continuous frames as she walked into the distance. The moment was gone in a flash and I turned around, half expecting to see at least one other photographer happy to have captured the same shot as I did. As it turned out, I was the only photographer with the foresight to wait and risk missing the tour bus.

On my return to the city, I couldn’t stop looking at what I’d captured – a shot that, to me, typifies traditional Japan and its fascinating culture.

Final thoughts

My journey from Kyoto to Tokyo gave me the chance to back up all my images and consider my experience of travelling to Japan, documenting my trip using just four prime lenses. The hardest decision I faced every morning was whether I should pack all four lenses or leave a couple behind in the hotel safe to lighten my load. Given that I wasn’t sure of what I’d stumble across, I ended up taking all four primes in my shoulder bag every day. I didn’t like the idea of leaving a lens behind only to find out later that I might need it to capture something truly special.

The main hindrance of carrying four primes and a full-frame DSLR all day was the weight and strain it put on my right shoulder. I loved having direct access to my kit from my hip, but at the same time found it a burden to not be able to equally distribute the weight of my bag’s contents across both shoulders. In hindsight, I could have taken a backpack with me for the days when I was on my feet for long periods. That said, if I had used a backpack, I wouldn’t have had the option to change lenses for impromptu shots – and Japan provides many opportunities for these. The weight of the four prime lenses and full-frame DSLR totalled just shy of 4kg – enough to know that I had it with me, and a few kilograms more than I’d usually be comfortable with.

The 85mm f/1.4 allowed me to frame shots tightly without being obtrusive

A tough call

Would I take the same lenses on the same trip? It’s a tough call, especially having used every lens at one point or another. The lens I used least was the 24mm f/1.4 DG HSM | Art, and I’d have no qualms about leaving it behind, provided I had the Sigma 35mm f/1.4 DG HSM | Art in my bag. The 50mm and 85mm lenses were used regularly, but if it came to choosing only two lenses I’d plump for the 35mm and 85mm focal lengths. And I won’t deny it, there were times when a slightly longer telephoto zoom would have been useful. Some photographers may find that three prime lenses covering 24mm, 50mm and 105mm are more appropriate for the subjects they shoot.

The best thing about prime lenses is that they encourage us to zoom with our feet. They can prevent us falling into the bad habit of shooting from a fixed position using a zoom and get us thinking more creatively about composition, depth of field and the impact the subject matter has on the overall image. My experience of visiting Japan and travelling with prime lenses has taught me that the all-in-one zoom lens for travel photography is hugely overrated. Yes, there’s a lot to be said for the convenience and versatility of zoom lenses, not forgetting the way they can reduce the weight in your kitbag. However, for the best visual clarity and to capture a dynamic perspective on my worldwide trips I’m converted to using primes and wouldn’t think twice about doing it again.

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Samsung Galaxy Z Flip 6 vs Z Flip 5: Which phone model should you buy?

Samsung Unpacked just opened the doors to a slew of new and exciting tech, including two new wearable devices. The event also showcased the latest flagship foldable Samsung smartphones, like the Samsung Z Fold 6 and Galaxy Z Flip 6 . Meant to work like an old-school flip phone with a modern AI-powered twist, the new Z Flip 6 isn't your dad's old Motorola Razr -- heck, even the Razr isn't your parents' old flip phone .

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Specifications

You should buy the samsung galaxy z flip 6 if..., 1. you want a better camera.

The Galaxy Z Flip 6 may be an iterative upgrade, but the camera takes a big leap forward from the previous model's 12MP main camera to a 50MP one. The new 50MP wide-angle camera supports 2x optical zoom and AI-powered zoom with up to 10x. 

The FlexCam is also getting an update with new creative features like Auto Zoom, which automatically adjusts the image framing by detecting the subject and zooming in and out to find the best framing option. 

2. You want to dive into more AI features

Galaxy AI is fully integrated into the new Samsung Galaxy Z Flip 6, with new features coming to the FlexWindow and an AI-forward Snapdragon 8 Gen 3 processor. 

While the 3.4-inch FlexWindow offers new widgets and notification options, it also gives users access to new Galaxy AI features without opening the Z Flip 6. Users can quickly reply to texts with suggested replies, which use AI to analyze the context of the text conversation and give accurate suggestions. 

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The Flip 6 also features an AI-powered wallpaper option that changes in real-time. The Photo Ambient feature changes the wallpaper depending on the time and weather and can even analyze your wallpaper to suggest where to place the clock and change the frame color.

3. You're a bit clumsy

If you're looking to get a new flip phone and are choosing between the Samsung Galaxy Z Flip 6 and Flip 5, there's one less obvious feature you should consider, especially if you're a bit clumsy, like I am. 

The Galaxy Z Flip 6 and Z Fold 6 are the first foldable phones to get a formal dustproofing score. Though most flagship devices boast an IP68 rating for water resistance and dustproofing, older Samsung foldables have an IPX8 rating. The Z Flip 6 and Z Fold 6 now have an IP48 rating, which means they can resist dust particles larger than 1mm in size.

This may not sound like a big deal, but other foldables on the market, including the latest Motorola Razr Plus (2024) , OnePlus Open , Google Pixel Fold , and previous Samsung foldables have an IPX8 rating or lower. IPX8 indicates that devices can resist continuous water immersion of up to 1.5 meters for up to 30 minutes. 

Foldable smartphones aren't as dust-tight and water-resistant as flagship Samsung S24 devices or iPhones because they've got more hinges and small crevices that can hold particles. 

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You should buy the samsung galaxy z flip 5 if..., 1. you want to wait for a bigger upgrade.

Samsung has only made a few upgrades to its flip phone this time after making some big advancements to performance and the hinge with the Flip 4 and Flip 5.  

The Z Flip 5's Flex Hinge gave the device the more solid feel of a smartphone unit rather than a device split in two halves, one of the biggest problems with foldables. The hinge also made the device thinner when folded and it was a quieter mechanism than in previous versions. 

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Waiting for a bigger upgrade also means you could get the Galaxy Z Flip 5 for a discounted price. It's already $100 cheaper than the Z Flip 6, starting at $1000 at its full price, but the launch of a new model is sure to drive that cost down, though you can already get up to $500 in trade-in credit .

2. You want a specific (discontinued) color

Though Samsung is releasing the Z Flip 6 in six colors, including new Peach and White options, it's also discontinuing the Lavender and Green colors we saw with the Z Flip 5. While color isn't a big deal to many smartphone users, it can be more important for foldable fans, who mostly see the device's exterior when the phone is closed.

If you're not excited about the new colors and prefer the Lavender or Green options, it's probably best to stick with the Galaxy Z Flip 5.

Buy the Samsung Galaxy Z Flip 5

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