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Journey to the Center of the Earth Streaming: Watch & Stream Online via HBO Max

Wondering where to watch Journey to the Center of the Earth? You’ve come to the right place, as we have all the streaming details for you. Journey to the Center of the Earth explores the story of Trevor Anderson, who undertakes a perilous voyage to Iceland to find his missing brother. During the search, he and his team find a hidden world through a colanic channel at the center of the earth. It is directed by Eric Brevig, written by Michael D. Weiss, Jennifer Flackett, and Mark Levin, and was released by Warner Bros. in July 2008.

Here’s how you can watch and stream Journey to the Center of the Earth via streaming services such as HBO Max.

Is Journey to the Center of the Earth available to watch via streaming?

Yes, Journey to the Center of the Earth is available to watch via streaming on HBO Max .

Journey to the Center of the Earth is loosely based on an 1864 Jules Verne novel of the same name. In the movie, Trevor, after discovering his lost brothers research, undertakes an expedition to Iceland. The team finds themselves trapped deep under the center of the earth, where they unravel unknown mysteries.

The cast of Journey to the Center of the Earth includes Brendan Fraser as Trevor Anderson, Josh Hutcherson as Sean Anderson, Anita Briem as Hannah Asgeirsson, and Seth Meyers as Professor Alan Kitzens. Additionally, it also features Jea Michel Pare as Max Anderson, Jane Wheeler as Elizabet, Kaniehiito Horn as Gum-Chewing Gir, and Garth Gilker as Sigurbjorn Asgeirsson.

Watch Journey to the Center of the Earth streaming via HBO Max

Journey to the Center of the Earth i s available to watch on HBO Max. HBO Max is a subscription-based streaming service by Warner Media that provides top-notch video content from a wide library of media houses, including Warner Bros., HBO, and CNN. Additionally, it also features content via third-party providers and has original content that can be watched on mobile phones, laptops, smart TVs, tablets, and other streaming devices.

You can watch the movie via Max, formerly known as HBO Max, by following these steps:

Go to HBOMax.com/subscribe

Click ‘Sign Up Now’

Choose your plan:

$9.99 per month or $99.99 per year (with ads)

$15.99 per month or $149.99 per year (ad-free)

$19.99 per month or $199.99 per year (ultimate ad-free)

Enter your personal information and password

Select ‘Create Account’

Max With Ads provides the service’s streaming library at a Full HD resolution, allowing users to stream on up to two supported devices at once. Max Ad-Free removes the service’s commercials and allows streaming on two devices at once in Full HD. It also allows for 30 downloads at a time to allow users to watch content offline. On the other hand, Max Ultimate Ad-Free allows users to stream on four devices at once in a 4K Ultra HD resolution and provides Dolby Atmos audio and 100 downloads.

Journey to the Center of the Earth synopsis is as follows:

“On a quest to find out what happened to his missing brother, a scientist, his nephew and their mountain guide discover a fantastic and dangerous lost world in the center of the earth.”

NOTE: The streaming services listed above are subject to change. The information provided was correct at the time of writing.

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The post Journey to the Center of the Earth Streaming: Watch & Stream Online via HBO Max appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More .

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Journey to the Center of the Earth

• Kids & Family

Trevor Anderson (Brendan Fraser) is a ‘science professor’ who has some pretty radical theories about the earth. Whilst in Iceland on a research trip with his nephew ( Bridge to Terabithia ’s Josh Hutcherson), they make a breakthrough discovery, and find themselves journeying towards the centre of the Earth along with their beautiful local guide, Hannah (Anita Briem). Here in the centre, they find all sorts of weird plants, dinosaurs and exotic locales. The film is made using 3D technology, and directed by a long-time computer whiz (a.k.a. VFX supervisor) who has worked on such films as The Day After Tomorrow and Pearl Harbor .

Where to watch Journey to the Center of the Earth

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Journey to the Center of the Earth | Ratings & Reviews

Audience score rating.

"Sometimes the phrase ‘a kid’s film’ is just a nice way of categorising a film that’s badly put together. Hey, it’s only for kids, why bother making it any good?"

"There's not much in the way of plot -- the story is in the tour through the labyrinthian intimacies of inner Earth. As such, it's an f/x wizard's dream, and Brevig makes the most of it."

"Neither the acting nor the story matters much here; the movie is simply the sum of its 3D effects."

"Ultimately, Journey to the Center of the Earth's minor-league visual pleasures will be most enjoyed by those with the smallest number of celluloid reference points, preferably those who have started going to the movies after "Jurassic Park" or, better yet, the Harry Potter films."

"This first feature by veteran visual effects supervisor Eric Brevig has its transporting, if benign, charms."

"Fraser on form, 3D dinosaurs, geology lessons, phosphorecent hummingbirds, killer flying fish, theme park rides, Icelandic babe - what's not to like? It skews young, but is everything an 8-12 year-old could want. Older siblings and parents will have nothing to complain about either."

"The inanity of the story is efficiently glossed over. And the pace is fast enough to keep the most sugar-laden of tykes happy. I wouldn't want to sit through it again myself, but the audience of seven and eight year olds I watched the film with seemed well happy."

"It is a competent mix of adventure, comedy and sentimentality, but what it lacks in depth of plot and character development it more than makes up for in, well, actual depth."

Journey to the Center of the Earth | Details

Journey to the Center of the Earth | Trailers

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Journey to the Center of the Earth

Diego's dream is to have his video game achievements turned into real life explorations. He is creative and curious kid, an inventor and the leader of his group of friends. Diego will spend ... Read all Diego's dream is to have his video game achievements turned into real life explorations. He is creative and curious kid, an inventor and the leader of his group of friends. Diego will spend the summer with his friends at the camp run by Pompilio Calderón, an eccentric and well-kn... Read all Diego's dream is to have his video game achievements turned into real life explorations. He is creative and curious kid, an inventor and the leader of his group of friends. Diego will spend the summer with his friends at the camp run by Pompilio Calderón, an eccentric and well-known explorer. There they find a medallion that belonged to Pola, Diego's grandmother. Foll... Read all

• Óscar Jaenada
• Margarita Rosa de Francisco
• Alejandro Calva
• 3 User reviews
• 2 Critic reviews
• 2 wins & 6 nominations

• All cast & crew
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• Apr 21, 2023
• How many seasons does Journey to the Center of the Earth have? Powered by Alexa
• March 29, 2023 (Mexico)
• Jules Verne: Journey to the Center of the Earth
• Estudios Teleméxico
• TIS Productions
• See more company credits at IMDbPro

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• Runtime 30 minutes
• Dolby Digital

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Journey to the Center of the Earth

• 2 hr 12 mins
• Travel, Fantasy, Action & Adventure, Science Fiction

Adaptation of the Jules Verne sci-fi classic about a Scottish professor who receives a rock inscribed with an explorer's description of a subterranean passage and follows the directions into a prehistoric lost world.

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3:20 Journey To The Center Of The Earth

• 1959 - Oscar - Best Achievement in Art Direction (Color) - nominated
• 1959 - Oscar - Best Achievement in Sound - nominated
• 1959 - Oscar - Best Special Effects - nominated

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James Mason

Sir oliver lindenbrook.

Alexander McKuen

Arlene Dahl

Carla goteborg, latest news see all, at the movies: studio pompeii's up for polanski thriller.

Per Variety, Roman Polanski is on board to helm his most expensive undertaking ever: Pompeii, a $130 million thriller set against the backdrop of Mt. Vesuvius before and during its eruption.... Per the Hollywood Reporter, Journey 3-D, an eye-popping remake of Journey to the Center of the Earth starring Brendan Fraser, will hit theaters in summer 2008.... Jason Schwartzman will star in The Marc Pease Experience, about a guy who, 10 years after the fact, is still living off his glory days as the star of his high school's musical productions.... Rob Corddry has been cast as Woody Harrelson's nemesis in the basketball comedy Semi-Pro.... The six-time Oscar-nominated Pan's Labyrinth expands to 1,000-plus screens this weekend.

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10 best coming-of-age movies of all time, ranked

Coming-of-age movies are widely celebrated and beloved for their ability to capture the universal experience of adolescence. Full of relatable characters going through familiar paths full of joy and challenges, these films tell heartfelt and transformative tales that depict various winding journeys toward adulthood and all that entails.

10. Boyhood (2014)

9. almost famous (2000), 8. the breakfast club (1985), 7. the graduate (1967), 6. stand by me (1986).

• 5. Y tu mamá también (2001)

4. Dazed and Confused (1993)

3. lady bird (2017), 2. moonlight (2016), 1. the 400 blows (1959).

From the nostalgic classic Stand by Me to the award-winning masterpiece Moonlight , the best coming-of-age movies ever made tell moving stories of self-discovery from different perspectives. Honest, emotional, and empathetic, these films are meant to reflect a shared experience and tug at viewers’s heartstrings in the process. Whether these are young teens looking for narratives that resonate or more mature audiences craving a trip down memory lane, there’s something for every kind of cinephile among the greatest coming-of-age movies of all time.

A truly one-of-a-kind film that took 12 years to make, director Richard Linklater’s Boyhood is both a unique epic and a groundbreaking coming-of-age drama. It follows the life of Mason (Ellar Coltrane) from childhood to adulthood, capturing both his milestones and mundane moments. Along the way, Mason’s relationships with his mother Olivia (Patricia Arquette), father (Ethan Hawke), and sister Samantha (Lorelei Linklater), change as he matures.

• 10 best epic movies of all time, ranked

Linklater’s ambitious project aimed to show the passage of time convincingly, with the same actors coming back to shoot scenes for Boyhood from 2002 to 2013 . There was no set script, as the director wanted to write the story based on how the actors transformed in real life, adding yet another layer of authenticity. Linklater even went so far as to allow the main stars to contribute to the writing process by using their real-life experiences to form part of their characters’ arcs. This visionary approach would pay off and result in the universally acclaimed film.

Almost Famous is an essential movie about the power of music to thrill and inspire, with it centered on 15-year-old William Miller (Patrick Fugit), who gets a dream assignment to write for Rolling Stone. His task is to interview the hottest new band called Stillwater, tagging along for their cross-country tour in the process. Before he knows it, William is fully immersed in the world of rock and roll and has some of the most eye-opening experiences of his life.

Director Cameron Crowe’s celebrated work makes excellent use of its early ’70s setting, using era-specific visuals and hit songs from bands like Simon & Garfunkel and The Who to create an immersive viewing experience. Its main storyline is used more as a vehicle for the cast members to shine, with the chemistry between stars like Fugit, Billy Crudup, Frances McDormand, Kate Hudson, and Philip Seymour Hoffman elevating the coming-of-age tale.

The quintessential 1980s teen movie, The Breakfast Club had a huge influence on the genre despite its simple premise of depicting five high school students spending a single Saturday in a library. The students come from different cliques but are all enduring detention together, with the group made up of the jock Andrew Clark (Emilio Estevez), the popular girl Claire Standish (Molly Ringwald), the rebel John Bender (Judd Nelson), the brainy Brian Johnson (Anthony Michael Hall), and the outcast Allison Reynolds (Ally Sheedy).

Director John Hughes created an instant hit, with the film earning over $51 million worldwide against an estimated budget of just $1 million. The Breakfast Club appealed to such a wide audience because of how well it captured teenagers at that time, including how they talked, the pressures they faced, and the similarities they all had. The film also subverted overused tropes in the category by steering clear of sex and violence, which would go on to inform future entries in the teen and coming-of-age genres.

The Graduate is a coming-of-age movie for adults , or soon-to-be adults who aren’t quite ready yet. Directed by Mike Nichols, the film follows recent college graduate Benjamin Braddock (Dustin Hoffman), who feels lost and pressured by new expectations. During this uncertain time, he starts an affair with an older married woman, Mrs. Robinson (Anne Bancroft), which soon takes a complicated turn when he falls for her daughter, Elaine (Katharine Ross).

The 1967 film expertly blends the coming-of-age drama and romantic-comedy genres, with the result being a darkly satirical take on modern disillusioned youth. Benjamin’s struggles and anxieties are just as relevant as ever, which have helped cement The Graduate as a timeless classic that captures the rough transition between aimlessness and rebellion to self-awareness and responsibility. Mrs. Robinson is also an intriguing and increasingly sympathetic character whose narrative has taken on a life of its own and has been parodied in shows like The Simpsons .

Directed by Rob Reiner and adapted from Stephen King ‘s novella The Body , Stand by Me  is a nostalgic coming-of-age movie that takes place in the fictional town of Castle Rock, Oregon, in 1959. It revolves around four young boys: Gordie Lachance (Wil Wheaton), Chris Chambers (River Phoenix), Teddy Duchamp (Corey Feldman), and Vern Tessio (Jerry O’Connell). When they learn about the whereabouts of a missing boy’s dead body, they go out to find it, learning crucial details about each other’s lives on their journey.

Stand by Me is remembered for its simple yet stirring story that underscores the importance of friendships made at such a young age. The details of the characters’ complicated lives unfold in emotional ways, from the effect of the death of an older brother to the insecurity and anger caused by an unfair stigma. These darker aspects are seen through the eyes of innocent children, making them that much more profound. King himself called the movie “the best film ever made out of anything [he’s] ever written,” confirming that “it is autobiographical” and praising it for having accurately captured his story.

5. Y tu mamá también (2001)

Before director Alfonso Cuarón would create crucial hits like Harry Potter and the Prisoner of Azkaban , Gravity , and Roma , he crafted an important coming-of-age film called Y tu mamá también . The title is Spanish for “And Your Mother Too,” with the movie telling the story of two teenage boys, Julio (Gael García Bernal) and Tenoch (Diego Luna), who go on a road trip with an older woman named Luisa (Maribel Verdú).

Y tu mamá también is a landmark work in Mexican cinema, becoming a box office success despite being hit with the country’s most restrictive rating. To complement its political undertones that reflected the nation’s critical shift toward democracy, the 2001 film would embrace sexual freedom that eschewed toxic masculinity in favor of openness and inclusivity. Its representation of varying classes among the three characters adds to this layered commentary, too, with all of it coming together in the movie’s frank portrayal of a carefree trip on the open road.

Dazed and Confused is another coming-of-age classic by director Richard Linklater, who famously disliked the film’s reputation as a must-see stoner comedy . Like several of the filmmaker’s works, the 1993 movie has a loose plot, and it mostly captures the shenanigans of a graduating class on their last day of high school. These interconnected storylines include snapshots of hazing rituals, a packed pool hall, and no shortage of liquor.

Featuring familiar ’70s rock music and a laid-back vibe, Dazed and Confused offers a nostalgic view of a once-in-a-lifetime moment when rowdy teenagers say goodbye to their high school years in memorable ways. Through candid conversations and clever portrayals of a variety of teenage archetypes, the film gives audiences an authentic and entertaining depiction of a relatable phase in everyone’s lives. Linklater’s work is also notable for featuring a stellar ensemble cast that includes future stars like Ben Affleck, Milla Jovovich, and Matthew McConaughey.

Lady Bird is a renowned coming-of-age drama that follows the story of the high school senior Christine “Lady Bird” McPherson (Saoirse Ronan), who’s in her final year at a Catholic high school in Sacramento, California. Lady Bird is sick of her rural hometown and constantly annoyed by her pragmatic mother, Marion (Laurie Metcalf). She wants nothing more than to move to the East Coast to attend college, but soon learns that it’s not all she hoped it would be.

The 2017 film greatly benefits from Greta Gerwig’s direction, as the filmmaker infuses the award-winning movie with wit, intimacy, warmth, and humor. Saoirse Ronan is impeccably cast as Lady Bird, with the actor perfectly playing the role of the painfully relatable teen who grew up in a conservative small town. The character’s realizations and disappointments serve as important reflections of those specific yet shared experiences on the big screen. Another key part of the film is the messy mother-daughter relationship that eventually becomes part of what Lady Bird misses the most.

Directed by Barry Jenkins based on an unpublished semi-autobiographical play by Tarell Alvin McCraney, Moonlight is a visually stunning entry in the genre. It chronicles the experiences of a young Black man named Chiron, whose character is played by three different actors during the varying stages of his life. The film is divided into three chapters, each focusing on a different phase of Chiron’s life: childhood, adolescence, and adulthood.

Moonlight ‘s shocking moment at the 89th Academy Awards , where it took home the Oscar for Best Picture, hasn’t changed its lasting legacy as a stunning coming-of-age film that boldly and thoughtfully tackled race and gender. Chiron’s long journey is ultimately a deeply intimate and introspective exploration of masculinity and sexuality within the context of a community rife with intolerance and abuse. The 2016 film is a vital contribution to the genre, with its powerful storytelling successfully showcasing self-discovery from a different perspective.

The 400 Blows is a seminal coming-of-age film that served as director François Truffaut’s film debut. It depicts the tumultuous life of Antoine Doinel (Jean-Pierre Léaud), a troubled adolescent growing up in post-war Paris. It has a simple plot revolving around Antoine’s experiences with petty crime and delinquency, which soon lead to his incarceration in a juvenile detention center.

Despite premiering 65 years ago, The 400 Blows has lost none of its impact, with Truffaut’s influential stylistic choices and powerful message about societal indifference still as relevant as ever. The film’s critique of the state of the country in the 1950s resonated with audiences and critics, and its success would bring more attention to the French New Wave and French cinema as a whole. It’s impressive to think that such a straightforward story could influence the genre and filmmaking as much as Truffaut’s work did, but there’s no denying that The 400 Blows has cemented its place among the best in cinematic history.

Editors' Recommendations

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Things are admittedly slow on Amazon Prime Video during the final weekend of April. Fortunately, the martial arts action comedy Polite Society should be able to bring you some excitement this weekend. Romantic comedy fans can also check out How to Date Billy Walsh, a film that has entered the list of the top 10 most popular movies on Prime Video.

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Netflix couldn't have asked for a better late April gift than the streaming premiere of Anyone But You. Thanks to Netflix's deal with Sony, 2024's blockbuster rom-com is already on top of the list of the most popular movies on Netflix, leaving Zack Snyder's Rebel Moon – Part Two: The Scargiver in second place. But things could be much worse for Rebel Moon – Part Two, which is performing well a week after its debut.

The other new addition for the week is King Richard, a sports drama starring Will Smith that's appearing on loan from Warner Bros. Discovery. It's also one of Netflix's top movies of the week, which suggests that the film may find sustained popularity on this platform that it didn't get on Max.

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The other new addition this week is White Collar, a forbearer of Suits on the USA Network that ended 10 years ago. All six seasons of White Collar are now available, and it's already one of the most popular shows on Netflix. If White Collar can come anywhere close to the success that Suits has had on Netflix, then we can probably expect to see more shows like this in the future.

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18 Restricted Locations Around the World: Destinations Off-Limits to Visitors

Posted: April 26, 2024 | Last updated: April 26, 2024

Have you ever felt a thrill at seeing a “No Trespassing” sign? Or you may wonder about all of the secrets the world has to offer. We take you on a journey through the world’s most fascinating forbidden zones. From heavily guarded government facilities to chilling ghost towns, these 18 places are the most restricted on the planet:

Area 51, Nevada, USA

This highly guarded military base is shrouded in secrecy and conspiracy theories. The US Air Force claims it is a testing and training ground for new aircraft and weapons, but many believe it houses alien technology or extraterrestrial beings.

The Svalbard Global Seed Vault, Norway

This “Doomsday Vault” is located on a remote island in the Arctic and stores seeds from around the world in case of a global catastrophe. Established in 2008 by the Norwegian government in partnership with the Global Crop Diversity Trust, the vault transcends national boundaries. It is a testament to international cooperation in safeguarding our planet’s food security. Public access is limited to protect the seed bank’s integrity.

The White House Situation Room, Washington D.C., USA

More than just a conference room, this secure facility within the West Wing serves as the President’s command center for managing national security emergencies and coordinating critical responses. From the Cuban Missile Crisis to the 9/11 attacks, the Situation Room has witnessed pivotal moments, its walls absorbing the murmurs of strategy, the tension of anticipation, and the weight of leadership.

The Iron Mountain Data Center, Pennsylvania, USA

This massive data center, the “Fort Knox of data,” stores the digital records of some of the world’s largest companies and governments. The facility is heavily guarded and monitored, and public access is strictly prohibited.

The Coca-Cola Vault, Atlanta, USA

The original recipe for Coca-Cola is said to be kept in a highly secure vault at the company’s headquarters in Atlanta. Advanced security measures protect the vault, and public access is not allowed.

The Moscow Metro-2, Russia

This secret underground railway system was built in the 1930s as a nuclear bunker for the Soviet government. It is rumored to be connected to other government facilities and military bases, and public access is strictly forbidden.

The Ilhabela State Penitentiary, Brazil

This maximum-security prison is located on an island off the coast of Brazil and is home to some of the country’s most dangerous criminals. While not entirely inaccessible, public access is heavily restricted, creating a unique and intriguing environment shrouded in mystery.

Grand Shrine Of Ise, Japan

The Grand Shrine of Ise, or Ise Jingu, is a Shinto shrine complex dedicated to the sun goddess Amaterasu Omikami, considered the most significant shrine in Japan. It is located near the city of Ise in Mie Prefecture, on the southeastern coast of Honshu Island. The public is not allowed to see the inner sanctums of the shrines, where the glorified objects are kept. This adds to the aura of mystery and reverence surrounding the Grand Shrine of Ise.

The Vatican Necropolis, Vatican City

This underground cemetery beneath St. Peter’s Basilica is said to contain the tomb of St. Peter the Apostle. Public access is restricted to protect the archaeological site and maintain the sanctity of the Vatican.

Lascaux Cave, France

This UNESCO World Heritage Site contains some of the world’s most famous prehistoric cave paintings. Public access is limited to a small number of visitors per day to protect the delicate paintings from damage.

Niihau Island, Hawaii, USA

When a polio epidemic threatened the Hawaiians in 1952, Niihau, the smallest inhabited Hawaiian island, became a fortress against the virus. No one was allowed to leave, and outsiders were strictly forbidden from entering. Today, Niihau remains off-limits mainly, its population hovering around 170. Access is tightly controlled, making it a forbidden paradise even for the rich and famous. This exclusivity fuels the island’s mystique, painting a picture of a hidden world untouched by the modern world.

North Sentinel Island, India

This remote island in the Andaman Islands is home to the Sentinelese people, one of the last uncontacted tribes in the world. The Indian government has restricted access to the island to protect the tribe’s way of life and prevent the spread of diseases.

Poveglia Island, Italy

This abandoned island in the Venetian Lagoon is rumored to be haunted by the ghosts of thousands of people who died there during a plague outbreak in the 17th century. The Italian government has banned public access to the island due to safety concerns and its historical significance.

Snake Island (Ilha da Queimada Grande), Brazil

This tiny island off the coast of Brazil is home to one of the most venomous snakes in the world, the golden lancehead viper. The Brazilian government has banned public access to the island to protect humans and the endangered snake population.

North Brother Island, New York, USA

Shrouded in mist and secrecy, North Brother Island stands sentinel in the East River, a silent testament to New York’s forgotten past. Once a haven for the sick and ostracized, it lies abandoned, a haunting reminder of our city’s resilience and darkest chapters.

Heard And McDonald Island, Australia

While technically part of Australia, setting foot on Heard Island and McDonald Islands is a different walk in the park. Strict access controls and permit requirements make them some of Earth’s most remote and inaccessible places, further fueling their aura of mystery.

Mezhgorye, Russia

Deep within the Russian wilderness lies Mezhgorye, a town shrouded in secrecy and speculation. Mezhgorye is a closed town, which means it is off-limits to foreigners and Russians who do not have a special permit. Security checkpoints guard the town, and visitors must have a valid passport and a special permit to enter. Whispers of underground bunkers, hidden military bases, and classified projects fuel curiosity, raising questions about its true purpose and existence.

Mausoleum Of Qin Shi Huang, China

The Mausoleum of Qin Shi Huang, China, is an awe-inspiring and mysterious archaeological site. It is the tomb of Qin Shi Huang, the first emperor of China, who unified the warring states and laid the foundation for the powerful Qin dynasty. The mausoleum is located near Xi’an, Shaanxi province, China, and is considered one of history’s most significant archaeological discoveries.

American Customs That Confuse the Rest of the World

Non-Americans are pointing out puzzling aspects of American culture, such as the obsession with sugary foods, complex tipping customs, and the prevalence of guns and violence in media. These observations highlight the cultural nuances that can confuse outsiders.

What Does the World Really Thinks of Americans

It’s obvious that every part of the world has something to say about Americans or knows something about this glorious country. To identify what foreigners think about Americans by leveraging general news articles and social media surveys, we bring you what we found.

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30 Highest Rated Movies of all Time: Movies With 100% on Rotten Tomatoes

For 23 years, Rotten Tomatoes has been the go-to for those looking to get the scoop on what is new in movies. Aggregating opinions from fans and critics across the country, Rotten Tomatoes uses its “Tomatometer” system to calculate critical reception for any given film. If 60% of reviews are positive, the movie is given a “Fresh” status, but if positive reviews fall below that benchmark, it is deemed “Rotten.” A popular piece of media will typically fall between the 70-90% range, but rarely, a project will receive a 100% score. This means every last review from critics was positive.

Close to 480 films with at least 20 reviews have achieved a 100% score, with many coming very close. Greta Gerwig’s “Lady Bird” had a 100% rating with 196 positive reviews before a critic submitted a negative one, knocking it down to 99%. The immortal classic “Citizen Kane” had a 100% rating until a negative review from a 1941 issue of the Chicago Tribune was rediscovered, revoking its 100% status.

Here are Rotten Tomatoes’ highest-rated movies that have managed to maintain a 100% score and have the highest number of reviews.

The Philadelphia Story (1940)

“The Philadelphia Story” is based on the 1939 Broadway play and follows a socialite whose wedding plans are complicated by the arrival of her ex-husband and a tabloid magazine journalist. Directed by George Cukor, he film stars Katharine Hepburn, Cary Grant, James Stewart and Ruth Hussey.

“It’s definitely not a celluloid adventure for wee lads and lassies and no doubt some of the faithful watchers-out for other people’s souls are going to have a word about that,” Variety ‘s review said. “…All of which, in addition to a generous taste of socialite quaffing to excess and talk of virtue, easy and uneasy, makes “The Philadelphia Story” a picture every suburban mamma and poppa must see – after Junior and little Elsie Dinsmore are tucked away.”

Meet Me in St. Louis (1944)

Christmas musical film “Meet Me in St. Louis” follows a year of the Smith family’s life in St. Louis leading up to the opening of the Louisiana Purchase Exposition, known as the St. Louis World’s Fair, in the spring of 1904. The film stars Judy Garland, Margaret O’Brien, Mary Astor, Lucille Bremer, Tom Drake, Leon Ames, Marjorie Main, June Lockhart and Joan Carroll and directed by Vincente Minnelli, who Garland later married.

“‘Meet Me in St. Louis’ is wholesome in story [from the book by Sally Benson], colorful both in background and its literal Technicolor, and as American as the World’s Series,” Variety ‘s review said. “Garland achieves true stature with her deeply understanding performance, while her sisterly running-mate, Lucille Bremer, likewise makes excellent impact with a well-balanced performance.”

Singin’ in the Rain (1952)

The musical romantic comedy “Singin’ In the Rain” follows three Hollywood stars in the late 1920s dealing with the transition from silent films to talkies. Starring Gene Kelly, Debbie Reynolds and Donald O’Connor, the movie was one of the first 25 films selected by the U.S. Library of Congress for preservation in the National Film Registry.

“‘Singin’ In the Rain’ is a fancy package of musical entertainment with wide appeal and bright grossing prospects,” Variety ‘s review said. “Concocted by Arthur Freed with showmanship know-how, it glitters with color, talent and tunes, and an infectious air that will click with ticket buyers in all types of situations.”

Seven Samurai (1954)

Epic samurai action film “Seven Samurai” follows the story of a village of farmers in 1586 who seek to hire samurai to protect their crops from thieves. The film was the most expensive movie made in Japan at the time.

“Director Akira Kurosawa has given this a virile mounting,” Variety ‘s review said. “It is primarily a man’s film, with the brief romantic interludes also done with taste. Each character is firmly molded. Toshiro Mifune as the bold, hairbrained but courageous warrior weaves a colossal portrait. He dominates the picture although he has an extremely strong supporting cast.”

The Terminator (1984)

Sci-fi action film “The Terminator” follows a cyborg assassin (Arnold Schwarzenegger) sent back in time to kill Sarah Connor (Linda Hamilton), whose son will one day save mankind from extinction from artificial intelligence, Skynet. Co-written and directed by James Cameron and co-written and produced by Gale Anne Hurd, the film topped the U.S. box office for two weeks and grossed $78.3 million.

“‘The Terminator,’ which opens today at Loews State and other theaters, is a B-movie with flair. Much of it, as directed by James Cameron (‘Piranha II’), has suspense and personality, and only the obligatory mayhem becomes dull,” wrote Janet Maslin in a New York Times review. “There is far too much of the latter, in the form of car chases, messy shootouts and Mr. Schwarzenegger’s slamming brutally into anything that gets in his way. Far better are the scenes that follow Sarah (Linda Hamilton) from cheerful obliviousness to the grim knowledge that someone horrible is on her trail.”

Toy Story (1995)

Animated comedy film “Toy Story” follows the first adventures of cowboy doll Woody and space cadet action figure Buzz Lightyear. Owned by a boy named Andy, Woody and Buzz are a part of a group of toys that spring to life when humans aren’t around. Birthed after the success of Pixar’s short film “Tin Toy,” “Toy Story” was the first feature film from Pixar and the first entirely computer-animated feature film.

“To swipe Buzz’s motto –“To infinity and beyond”–“Toy Story” aims high to go where no animator has gone before,” wrote Leonard Klady in a 1995 Variety film review . “Fears at mission control of the whole effort crashing to Earth proved unwarranted; this is one entertainment that soars to new heights.”

Toy Story 2 (1999)

“Toy Story 2” continues Woody and Buzz Lightyear’s journey as the co-leaders of the toy group. When Woody is stolen by a toy collector, Buzz and the other toys must find set out to find him. During his time with the collector, Woody meets Jessie and Stinky Pete, other toys also based on characters from the TV show “Woody’s Roundup.” The animated film was originally supposed to be a direct-to-video sequel, but was upgraded to a theatrical release by Disney.

“In the realm of sequels, “Toy Story 2″ is to “Toy Story” what “The Empire Strikes Back” was to its predecessor, a richer, more satisfying film in every respect,” wrote former chief film critic Todd McCarthy in a 1999 Variety film review . “The comparison between these two franchises will be pursued no further, given their utter dissimilarity. But John Lasseter and his team, their confidence clearly bolstered by the massive success of their 1995 blockbuster, have conspired to vigorously push the new entry further with fresh characters, broadened scope, boisterous humor and, most of all, a gratifying emotional and thematic depth.”

Deliver Us From Evil (2006)

“Deliver Us From Evil” is a documentary that follows the case of convicted pedophile Oliver O’Grady, who molested approximately 25 children as a priest in northern California between the late 1970s through early 1990s. Filmmaker Amy Berg tracks O’Grady down to Ireland, where he was deported after being convicted of child molestation in 1993 and serving seven years in prison.

“Given how strong this kind of testimony is, “Deliver Us From Evil’s” decision to hype it more than it needs to be is unfortunate,” L.A. Times film critic Kenneth Turan said about the film in a 2006 review. “The film has a weakness for over-dramatization, for unsettling music and portentous close-ups of O’Grady’s hands and lips that are distracting and unnecessary.”

“There is nothing over-dramatic, however, about the deeply painful testimony of the adults who were victimized as children and their still traumatized parents,” he continued. “’He was the closest thing to God that we knew,’ one mother says. ‘I let the wolf in through the gate.'”

Taxi to the Dark Side (2007)

“Taxi to the Dark Side” is a documentary film directed by Alex Gibney about the 2002 killing of an Afghan taxi drive named Dilawar, who was beaten to death by American soldiers while being detained without a trial and interrogated at a black site, a detention center operated by a state where prisoners are incarcerated without due process or court order.

The film was a part of the “Why Democracy?” series, produced by The Why Foundation, which consisted of 10 documentary films examining democracy.

“Gibney (“Enron: The Smartest Guys in the Room”) has crafted more than just an important document of systemic abuse — he’s stripped the rhetoric from official doublespeak to expose a callous disregard for not only the Geneva Conventions but the vision of the Founding Fathers,” writes Jay Weissberg in a Variety film review . “All enemies in wartime are perceived as animals, but Gibney uncovers the ways the White House and Pentagon have encouraged torture while distancing themselves from responsibility.”

Man on Wire (2008)

James Marsh’s “Man on Wire” documents the death-defining hire-wire stunts of Philippe Petit, who in 1974, performed a tightrope walk between the Twin Towers of the World Trade Center in New York City. “For contemporary audiences, Petit’s moment of mastery is inevitably shot through with a sense of loss; the following scenes, which reveal the band’s subsequent dissolution, reaffirm the bittersweet truth that triumph is but fleeting,” wrote Catherine Wheatley, who reviewed the film for Sight and Sound in 2010. “The film’s vision, though, is ultimately uplifting: relationships, like buildings, can collapse into rubble, but as [Annie Allix] tenderly puts it, sometimes ‘It is beautiful that way’.”

Poetry (2010)

Lee Chang-dong’s “Poetry” chronicles the life of Mija, a Korean grandmother who is simultaneously dealing with an early-onset Alzheimer’s diagnosis and the violent crime committed by her teenage grandson. “Now is the time to bestow on yourself the gift of one of the most, well, poetic films of 2010,” Lisa Kennedy wrote for the Denver Post in 2011. “And by ‘poetic,’ we mean rich with soulful pauses that are at once visual and aural and deeply observant of the dance of routine and quiet surprise.”

Waste Land (2010)

Lucy Walker’s “Waste Land” follows modern artist Vik Muniz to Jardim Gramacho, Brazil, the world’s largest landfill. There, he photographs the work of “catadores,” men and women who collect the refuse to recreate classical art. Legendary film critic Roger Ebert wrote for the Chicago Sun-Times in 2011, “I do not mean to make their lives seem easy or pleasant. It is miserable work, even after they grow accustomed to the smell. But it is useful work, and I have been thinking much about the happiness to be found by work that is honest and valuable.”

The Square (2013)

“The Square” is a documentary film by Jehane Noujaim, which follows Egyptian revolutionaries during the Egyptian Crisis, a period that started with the Egyptian Revolution of 2011 at Tahrir Square and lasted for three years. The film was nominated for the Academy Award for Best Documentary Feature and won three Emmys.

“Continuing to follow a group of activists as they rally against the undue powers of the Muslim Brotherhood and the Army, ‘The Square’ understands that the Revolution itself is a work in progress, and while its immediacy means it, too, will soon be superseded, it stands as a vigorous, useful account,” writes Jay Weissberg in a 2013 Variety film review .

Gloria (2013)

Sebastián Lelio’s “Gloria” follows the relationship between an aging divorce and an amusement park operator after their chance encounter at a singles disco. “With someone else in the central role, ‘Gloria’ might have been cloyingly sentimental or downright maudlin,” wrote Joe Morgenstern in his 2014 Wall St. Journal review. “With [Paulina García] on hand, it’s a mostly convincing celebration of unquenchable energy.”

The Tale of Princess Kaguya (2014)

Isao Takahata’s “The Tale of Princess Kaguya” tells the fable of a beautiful young woman who sends her suitors away on impossible tasks in hopes of avoiding a loveless marriage. In a 2015 review for Sight and Sound, Andrew Osmond wrote, “While the characters feel very simplified at times, there are scenes that put great weight on performance and subtle expressions, in a way that’s nearer to the classical Disney tradition than most Japanese animation.”

Seymour: An Introduction (2014)

Ethan Hawke’s documentary “Seymour: An Introduction” chronicles the life of Seymour Bernstein, a concert pianist who, at age 50, gave up performing to become an educator and composer. “Coming off of his superb one-two performances for Richard Linklater in ‘Before Midnight’ and ‘Boyhood,’ Hawke continues to work at a creative high level,” wrote Bruce Ingram in his 2015 review for the Chicago Sun-Times. “He demonstrates a rapport and openness with his subject that proves exceptionally affecting.”

Gett: The Trial of Viviane Amsalem (2014)

From directors Ronit and Shlomi Elkabetz, “Gett: The Trial of Viviane Amsalem” follows an Israeli woman’s three-year battle to separate from her husband who refuses to dissolve their marriage. “Ultimately the movie is wearying, but then it’s likely supposed to be,” Tom Long wrote for Detroit News in 2015. “If Viviane’s going through the wringer, you’re going through the wringer too.”

One Cut of the Dead (2017)

Shin’ichirô Ueda’s “One Cut of the Dead” follows Director Higurashi and his crew who attempt to shoot a zombie movie at an abandoned WWII Japanese facility. Things go wrong when they realize they are being attacked by real zombies. In his 2019 Los Angeles Times review, Carlos Aguilar called the film, “A master class in endless narrative inventiveness and an ode to the resourceful and collaborative spirit of hands-on filmmaking, ‘One Cut of the Dead’ amounts to an explosively hilarious rarity.”

Leave No Trace (2018)

Debra Granik’s “Leave No Trace” follows a father and daughter hiding in the forests of Portland, Ore. When a misstep tips off their location to local authorities, they must escape and find a new place to call home. Peter Travers wrote in his 2018 Rolling Stone review, “Debra Granik’s drama about a damaged war vet (Ben Foster) living off the grid with his teen daughter, brilliantly played by breakout star Thomasin Harcourt McKenzie, is hypnotic, haunting and one of the year’s best.”

Summer 1993 (2018)

Carla Simón’s “Summer 1993” is told through the eyes of six-year-old Frida, who watches in silence as her recently deceased mother’s last possessions are packed into boxes. “Some creatures are able to grow new limbs,” wrote Joe Morgenstern in his 2018 Wall Street Journal review. “Frida, given more than half a chance after demanding it, achieves something no less remarkable. She grows new joy and hope.”

Minding the Gap (2018)

“Minding the Gap” follows the relationship of three boys who use skateboarding as an outlet to escape their hardships at home. “The film captures more than a decade long documentary footage showcasing their friendship. In some documentaries, the filmmakers attempt to make themselves invisible. Despite Liu’s camera-shyness, he never pretends to be anything other than a part of the story, hitting his subjects with direct, deeply personal questions,” wrote Peter Debruge, who reviewed the film for Variety in 2018.

Honeyland (2019)

“Honeyland” is a Macedonian documentary film that was directed by Tamara Kotevska and Ljubomir Stefanov. The movie follows a woman and her beekeeping traditions to cultivate honey in the mountains of North Macedonia. Guy Lodge from Variety describes “Honeyland” as it begins as a “calm, captured-in-amber character study, before stumbling upon another, more conflict-driven story altogether — as younger interlopers on the land threaten not just Hatidze’s solitude but her very livelihood with their newer, less nature-conscious farming methods,” he said.

Welcome to Chechnya (2020)

“Welcome to Chechnya” released in 2020, exposes Russian leader Ramzan Kadyrov and his government as they try to detain, torture and execute LGBTQ Chechens. “A vital, pulse-quickening new documentary from journalist-turned-filmmaker David France that urgently lifts the lid on one of the most horrifying humanitarian crises of present times: the state-sanctioned purge of LGBTQ people in the eponymous southern Russian republic,” wrote Guy Lodge from Variety in 2020.

Crip Camp (2020)

“Crip Camp” is based on Camp Jened, which was a summer camp for teens with disabilities in the ’70s that inspired real-life activism. The film eliminates stereotypes and challenges the way people think about disabilities. “It may be startling for those who haven’t spent time with people with cerebral palsy or polio to see how a paraplegic gets from his wheelchair into the pool,” wrote Peter Debruge for Variety in 2020. “On closer inspection, it becomes clear that these teenagers…are having the time of their lives.”

76 Days (2020)

“76 Days” is a documentary released on Netflix in 2020 that shows the struggles of medical professionals and patients in Wuhan, China dealing with the COVID-19 pandemic. “As an artifact alone, the result is remarkable, capturing all the panic and pragmatism greeting a disaster before its entire global impact had been gauged, while strategies and protocols are adjusted on the hoof,” wrote Guy Lodge for Variety in 2020. “That it’s so artfully and elegantly observed, and packs such a candid wallop of feeling, atop its frontline urgency is testament to the grace and sensitivity of its directorial team, not just their timely savvy.”

His House (2020)

“His House” is a horror movie that initially released on Netflix and terrified audiences. The plot follows a refugee couple that try to create a new life for themselves in an English town by escaping South Sudan but find their new home is haunted. Jessica Kiang reviewed the film for Variety in 2020 and wrote “‘His House’ is at its most persuasively terrifying when it gets out of the house and into the existential terror of reality. Out there are aspects of the refugee experience that contain greater horrors and mortifications than all the blackening plaster, childish ghostly humming and skittering presences in the walls could ever hope to suggest.”

Quo Vadis, Aida? (2020)

“Quo Vadis, Aida?” documents the journey of Aida, a translator for the U.N. in Srebrenica interpreting the crime taking place when the Serbian army takes over the Bosnian town. “This is not historical revisionism, if anything, ‘Quo Vadis, Aida?’ works to un-revise history, re-centering the victims’ plight as the eye of a storm of evils — not only the massacre itself, but the broader evils of institutional failure and international indifference,” wrote Jessica Kiang, who reviewed the film in 2020 for Variety.

Hive (2021)

“Hive” tells the true story about a woman, Fahrije, who becomes an entrepreneur, after her husband goes missing during the Kosovo War. She sells her own red pepper ajvar and honey, and recruiting more women to join her. “Within the heavily patriarchal hierarchy of the country’s rural society, this places these maybe-widows in an impossible situation, especially when, like Fahrije, they have a family to care for,” writes Jessica Kiang for Variety . “They are expected to wait in continual expectation of their breadwinner-husbands’ return, subsisting on paltry welfare handouts, because to take a job or set up a business is looked on not only as a subversion of the natural order, but as a sign of disrespect to the husband and possibly loose morals.” 

Descendant (2022)

Netflix described its 2022 film, saying, “Descendants of the enslaved Africans on an illegal ship that arrived in Alabama in 1860 seek justice and healing when the craft’s remains are discovered.” “This past remains present, Brown shows, as activists explain how the land on which Africatown (formerly Magazine Point) was established once belonged to Meaher, who sold some of it to former slaves.,” wrote Peter Debruge for Variety . “Talk of racial injustice calls for nuance, and it’s impressive just how many facets of the conversation Brown is able to include in her film.”

20 Days in Mariupol (2023)

“20 Days in Mariupol” tells the story of a group of Ukrainian journalists who are trapped in Mariupol during the Russian invasion and struggle to continue documenting the war. The film is directed by Mstyslav Chernov, a Ukrainian director and it won the Academy Award for Best Documentary Feature Film in 2024. “Powerful as those glimpses were to international viewers, Chernov doesn’t spare his documentary more brutally sustained moments,” wrote Dennis Harvey for Variety . “There’s no political analysis or sermonizing here, just a punishingly up-close look at the toll of modern warfare on a population.”

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Mother’s day gift guide 2024: the most impressive getaways.

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Grand Hotel Victoria, Lake Como, Italy

With all that moms do for us, it can be hard to find a gift that adequately expresses our gratitude. Instead of generic gifts like flowers and chocolate, experiential gifts are a more thoughtful gesture. Whether mom is burnt out and in need of a break from the family or retired and ready to travel, the gift of a vacation is one that keeps giving years after memories are made on her trip. The below list offers something for whatever mom is seeking—from elephant encounters in Thailand to truffle-hunting in Tuscany to forest bathing in the California Redwoods.

For the beach-lover: Rosewood Mayakoba , Riviera Maya, Mexico

Rosewood Mayakoba, Riviera Maya, Mexico

With the crowds of winter dissipating come Spring, Mother’s Day is the ideal time for a quick beach getaway. Upon arriving at this lush 620-acre resort where many of the rooms are accessed by taking a boat through winding mangrove-sheltered canals, it becomes apparent this is not your typical Mexican beach resort. All 129 suites feature oversized terraces, soothing earth materials and furnishings by Mexican artisans, creating a sense of calm. Moms will want to linger at Sense, A Rosewood Spa , which has its own hydrotherapy pool, sauna, steam room and hot-cold pool circuit, in addition to offering unique wellness experiences like a shaman-led ceremony in the temezcal (sweat lodge) and treatments inspired by the rituals of the ancient Aztecs. With eight dining concepts—each reflecting the cuisine of a different region of Mexico—and plenty of activities offered by Mayakoba—the gated community in which the Rosewood is set, like golfing, diving and hiking—mom could easily spend a week here and never get bored.

For the animal-lover: Anantara Golden Triangle Elephant Camp & Resort, Chiang Rai, Thailand

Anantara Golden Triangle Elephant Camp & Resort

In a country where it can be hard to ethically participate in elephant tourism, moms can rest easy knowing this elephant camp supports the rehabilitation of their 20 onsite elephants. Located on the lush Mekong River at the intersection of Myanmar and Laos, an hour north of Chiang Rai, mom could easily fill her days taking in the views of the lush valley from the pool or her own balcony in one of the property’s spacious 15 suites. But with sidecar adventures, cooking classes, a jungle spa and the opportunity to sleep amidst the elephants in a luxury pod , it’ll be hard to resist partaking in all this resort has to offer.

For the five-star adventurer: Micato Safari , India

Micato Safari

As the most populated country in the world, planning a trip to India can be a daunting task, even to the most well-travelled mom. Five-star safari outfitter Micato makes it easy with expertly crafted itineraries, a 24-hour concierge team and Indian born-and-raised travel directors who accompany guests through the entirety of their trip. From palace-hopping in Jaipur and Udaipur to witnessing royal Bengal tigers up close in Ranthambore National Park to sunset boat rides on the Ganges in Varanasi, Micato can curate a journey around whatever mom wants to see. While better known for their Africa safaris, Micato’s India safaris are their pride and joy, since the founding family lived in Goa before moving to Kenya. Their Indian ancestral roots result in bespoke itineraries that offer the chance to stay in the country’s most luxurious hotels and see a side of India inaccessible to most visitors.

For the Pacific Northwest explorer: Lotte Hotel Seattle , Washington, USA

Lotte Hotel Seattle

Located in the heart of downtown Seattle, walking distance from Seattle’s iconic Pike Place Market, this is the ideal hotel for a Mother’s Day spent exploring the Emerald City. Occupying 16 floors of the 44-floor F5 tower, the Philippe Starck-designed hotel offers some of the most luxurious accommodations in the city. The hotel’s 189 guest rooms and 32 suites provide sweeping views of Elliott Bay from floor-to-ceiling windows, which make the rooms feel while more spacious than they already are. Mom will feel like a queen in her marble bathroom, but guest room’s mid-century modern furniture adds some personality to the high-end luxury feel. On the 16 th floor, the hotel’s signature Charlotte restaurant serves up contemporary Pacific Northwest cuisine with impressive ocean views. For the special holiday, Le Spa de l’hôtel LOTTE adds a mother’s day package to their existing selection of treatments using Biologique Recherche and Bellefontaine products. She’ll want to linger to utilize the sauna, steam room and 16-head walk-in shower .

For the design aficionado: InterContinental Danang Sun Peninsula Resort, Da Nang, Vietnam

InterContinental Danang Sun Peninsula Resort

Set high in the lush hillside of the Son Tra Peninsula nature reserve, a 30-minute drive from Da Nang airport, this other-worldly resort is one of the country’s hottest destinations for a relaxing getaway. Designed by coveted American designer Bill Bensley, the black and white color palette evokes the Chinese philosophy of yin and yang, while soaring wooden pillars and silhouettes harken to ancient temple architecture, imbuing the entire property with a sense of tranquility. Moms seeking a Zen retreat will want to book a one-bedroom spa lagoon villa. Floating on stilts above the peaceful spa lagoon, the secluded villa has its own treatment room, al fresco shower garden, two outdoor terraces, a private jacuzzi and one-of-a-kind bathtub, plus a personal butler and private chef to prepare meals in the fully equipped kitchen. For moms who like to keep busy, there are no shortage of activities on offer: from cocktail making classes to the entertainment club’s karaoke rooms to the 100-seat, banana-themed movie theatre.

For Japanese quiet luxury: The Ritz-Carlton, Fukuoka , Fukuoka, Japan

The Ritz-Carlton, Fukuoka

As the country’s sixth largest city, Fukuoka has all the appeals of Tokyo—with its diversity of restaurants and shops—without the crowds. Rising 24 stories high above the growing skyline is the Ritz-Carlton, Fukuoka, what is arguably the city’s most luxurious hotel. Decorated with woven bamboo and Hakata-ori silks, the hotel’s 147 rooms and 20 suites are a tranquil reprieve from the bustling streets below, and beginning at 538-square-feet in size, they’re some of the most spacious in the city. While Fukuoka is known as the birthplace of Tonkotsu ramen and famed for their street food stalls (known as ‘yatais’), foodies will be just as happy dining at the hotel’s signature restaurant, Genyu, which honors Japanese culinary traditions like kaiseki, sushi and teppanyaki serving Wagyu beef from Iki Island and seafood from the Genkai Sea. At the Ritz-Carlton Spa, moms can treat themselves to unique Japanese treatments like a massage that incorporates rice-filled heated pillows and local ingredients like Ume blossoms.

For the Parisian: Mandarin Oriental, Paris , France

Mandarin Oriental, Paris

With the upcoming 2024 Summer Olympics, Mother’s Day is likely the last chance to experience Paris without the crowds. For mom’s seeking a quiet reprieve, the Mandarin Oriental, Paris offers a distinct kind of tranquility that only this luxury Asian hotel brand can provide. With silk bedspreads, soft rugs and pillow menus, the hotel’s 135 rooms and suites are a comfortable place to rest up after a busy day exploring the city. Mom will especially appreciate the Asian-influence at the spa, where treatments borrow from Traditional Chinese Medicine (think: massages that involve four therapists and work with the body’s meridian lines to restore energy). Foodies will want to take the hotel’s pastry- and cocktail-making classes, or join a complimentary tour of Marché St Honoré Food Market.

For the Gilmore Girls fan: Delamar West Hartford , Connecticut, USA

Delamar West Hartford

Fans of Gilmore Girls will want to plan a Mother’s Day getaway to this boutique hotel in Hartford, Connecticut, where the feel-good show is said to be based. Guests who book their Gilmore Girls -Inspired Package can relive the seminal show about mother-daughter relationships with special access to the art gallery at Rory’s alma matter, Yale University, or a visit to the Sterling Library. Richard Gilmore’s adoration for vintage cars and the annual Stars Hollow charity picnic basket auction are honored here with a chauffeured ride in the hotel’s 1941 Cadillac to your own private picnic curated by the hotel’s chefs in true chef Sookie-style. Sookie’s imaginative culinary wizardy is also celebrated back at the hotel’s Artisan Restaurant with a pre-fixe “Sookie” menu serving New England-inspired dishes and an afternoon tea Emily Gilmore would approve of. In addition to accommodations, the package includes a 60-minute couples massage, arrival bottle of bubbly and complimentary buffet breakfast.

For the bath queen: The American Club, Kohler, Wisconsin, USA

The American Club

You might not expect a manufacturing company to host the ideal mother’s day getaway but with 150 years of experience in plumbing, Kohler is an expert in designing for relaxation. What once were the dorms of Kohler manufacturing workers are now intimate, mahogany-rich rooms with bespoke bathroom features like chromatherapy (color light therapy) and infinity pool bathtubs. The real showcase of their manufacturing innovation is Kohler Waters Spa, which boasts hydrotherapy treatments unlike any you’ll find elsewhere in the country (think: an acoustic bath that synchronizes vibrations with the rhythms of the body). But it’s not all water wellness here, the 500-acre resort is home to two champion golf courses; river and forest terrain for hiking, fishing and hunting; as well as a spin and yoga studio, largely frequented by locals—making this the ideal Spring getaway for some R&R.

For the Anglophile: Rosewood London , England

Rosewood London

Holborn isn’t the first neighborhood to come to mind for a mother’s day getaway, but the Rosewood London—with its private courtyard giving the feel of a mini-Somerset House—is a destination in and of itself. With original Edwardian details, an impressive Grand Pavonazzo marble staircase and 262 chic guest rooms, this five-star hotel set in a Belle Époque building will make mom feel like royalty. For an extra-luxe stay, consider booking one of 44 suites or the Manor House Wing, the five-bedroom suite that is so large it has its own postal code. Downstairs, mom can treat herself to a spa treatment at Sense, A Rosewood Spa , an inventive cocktail at the coveted Scarfes Bar , or an art-themed afternoon tea , which features picturesque pastries inspired by the works of famous artists.

For the fitness fiend: Equinox Hotel New York , New York, USA

Equinox Hotel New York

If mom’s ideal Mother’s Day looks like experiencing top-notch fitness classes and the latest wellness treatments, then she’s sure to be impressed with a stay here. Referring to themselves as the “fittest hotel on Earth,” everything here is meant to optimize your health—from the in-room wellness amenities featuring over 80 products (think: nourishing snacks, supplements and recovery tools) to morning and evening rituals that guide guests through stretching and breathwork. With soundproof rooms, blackout blinds and king-sized beds with temperature-regulating natural fibers and for those who need it, an Equinox Sleep Coach, a stay here will leave mom totally rejuvenated. Further restoration is found at the spa which offers innovative circuit treatments featuring the latest wellness therapies like cryotherapy, infrared saunas and NutriDrip IV drips. No visit to a hotel from a fitness brand would be complete without experiencing the fitness club, which she’ll have access to with her stay. In addition to the state-of-the-art fitness center, she can try out one of their classes, the 25-yard indoor saltwater pool or simply relax on a daybed on the outdoor pool deck overlooking the Hudson Yards’ Vessel.

For the foodie: Castelfalfi, Tuscany, Italy

Castelfalfi

With summer being Tuscany’s busiest season, Mother’s Day is the best time to beat the rush. This 2,700-acre estate set in the rolling hills of Tuscany an hour outside Florence includes its own restored Medieval village (complete with a church and castle) that, on a quiet day, feels like a journey back in time. Olive groves, vineyards, a lake and forest surround the village, providing fertile ground for mom to experience the best culinary experiences Tuscany has to offer—from pizza-making workshops to truffle-hunting to tasting the homegrown olive oil and wine. When she’s not savoring and sipping, or partaking in one of the estate’s many activities—like horseback riding, ziplining in the adventure park or golfing the 27-hole golf course, the largest in Tuscany—she’ll be in the RAKxa spa. Here she’ll find an indoor-outdoor pool, experiential showers, several saunas and treatments featuring Thai modalities from renowned Thai wellness brand RAKxa and essential oils from the Tuscan countryside.

For stylish French-Canadian flair: Vogue Hotel Montreal Downtown , Quebec, Canada

Vogue Hotel Montreal Downtown

After receiving a makeover from Montreal architecture firm Sid Lee, Montreal’s iconic Vogue Hotel has been transformed from tired to chic. In a city known for its eclectic Quebecois culture, the Eastern influence here makes this Zen hotel a standout, with its muted color palette and minimalist décor exuding a kind of quiet luxury that’s hard to find elsewhere in the city. At the hotel’s signature restaurant Yama, mom can savor creative dishes inspired by Canadian celebrity chef Antonio Park’s South American, Canadian and Korean upbringing, and in the morning, she can enjoy authentic French pastries chef Park has made in collaboration with acclaimed pastry chef Bertrand Bazin at Café Bazin. Located in the heart of downtown Montreal, mom will be steps away from historical cathedrals and museums, as well as the most luxurious retailers such as Gucci, Prada and Holt Renfrew (which is directly across the street). While the hotel doesn’t have an onsite spa, they’ve paired up with Bota Bota Spa Sur L’Eau for a Mother’s Day package including a 3-hour water circuit experience on the St. Lawrence River.

For the Manhattanite: The Peninsula New York , New York, USA

The Peninsula New York

Upon entering the lobby from Fifth Avenue, mom will immediately be wowed by this hotel’s grand entrance with its opulent staircase, flower arrangements and sparkling chandeliers. Head upstairs and she’ll be even more impressed with the accommodations—the 239 apartment-styled rooms and suites are spacious by New York standards. With king-sized beds fitted with Fili D’Oro linens from Italy and the hotel’s Wellness Program offering sleep patches and peaceful bath rituals, she’ll rest well in the city that never sleeps. She also has a 24-hour wellness concierge and in-room mental health services like access to a meditation app. Downstairs, mom can enjoy a semi-buffet brunch and champagne bar after a bouquet-making workshop with the hotel’s Champagne Brunch & Floral Experience on Mother’s Day. The package also includes a $30 gift certificate to The Peninsula Spa , where mom can experience one of their popular Biologique Recherche facials, the aromatherapy steam room or take a dip in the indoor pool.

For the forest-bather: Canyon Ranch Woodside , California, USA

Canyon Ranch Woodside

While there are no shortage of wellness retreats across the United States, Canyon Ranch consistently remains a favorite for their unique programming and superb service. Their California property, located less than an hour outside San Francisco, is a standout for its location in the Redwoods. Rooms here look like soaring glass treehouses set high in the canopy. Nature lovers can get their fix forest bathing and hiking the many trails on property, or simply lounging on their own private balcony. Immersion in nature is the theme here as local ingredients appear in the spa and at the restaurant, which serves a daily set menu of local, vegetable-forward cuisine. Mom can take her pick of a specific expert-led retreat (think: ‘Find Your Purpose’ and ‘Journey to Empowerment’) or craft her own customized itinerary ahead of her trip with the support of Canyon Ranch’s on-staff wellness guides.

For Canadian cosmopolitanism: Shangri-La, Toronto, Canada

Shangri-La, Toronto

With summer being Canada’s high season, Spring is the perfect time to visit the country’s largest city. With so many neighborhoods to explore, the Shangri-La, Toronto is ideally situated in the heart of downtown, steps away from public transit. Located in the Entertainment District, mom will be close to some of the city’s best restaurants and theatre performances. The five-star hotel’s 202 spacious rooms feature wrap-around windows and Zen décor, providing a quiet reprieve from the bustling streets below. For further R&R, mom can take her pick of five ethically sourced soaks and bath bombs from the ensuite bath menu created in partnership with local bath brand Bathorium, the first hotel offering of its kind in the country. Downstairs, a Spring afternoon tea is served in the lobby lounge, one of the city’s hottest meeting spots. Inspired by the hotel’s bee apiary, the afternoon tea service is a celebration of the golden nectar harvested onsite with artful treats like beehive honey cake topped with apple compote and dulce whip ganache. Pair the afternoon tea with the hotel’s special Mother’s Day buffet brunch for the complete experience.

For the spa goddess: Grand Hotel Victoria , Lake Como, Italy

Grand Hotel Victoria

Home to the largest spa in Lake Como, the Grand Hotel Victoria is the ideal getaway for mom’s seeking relaxation and rejuvenation. The 12,800-square-foot spa boasts a Himalayan salt room, ice room, two wood saunas, and a series of experiential showers, jacuzzis and pools for a complete hydrotherapy circuit. The abundant natural beauty of Lake Como serves as the inspiration for both the facilities—like a silent relaxation room featuring a wall made of nutrient-rich moss—and the treatments, which incorporate local ingredients. Upstairs, the five-star hotel exudes all of its original Belle Époque grandeur with soaring ceilings, ornate columns and sparkling chandeliers. Set overlooking sparkling Lake Como against the backdrop of the majestic mountains, the Grand Hotel Victoria is a hidden gem in the quiet Northern town of Menaggio, away from the crowds of the busier towns on the lake’s southern edge.

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The Crackdown on Student Protesters

Columbia university is at the center of a growing showdown over the war in gaza and the limits of free speech..

This transcript was created using speech recognition software. While it has been reviewed by human transcribers, it may contain errors. Please review the episode audio before quoting from this transcript and email [email protected] with any questions.

[TRAIN SCREECHING]

Well, you can hear the helicopter circling. This is Asthaa Chaturvedi. I’m a producer with “The Daily.” Just walked out of the 116 Street Station. It’s the main station for Columbia’s Morningside Heights campus. And it’s day seven of the Gaza solidarity encampment, where a hundred students were arrested last Thursday.

So on one side of Broadway, you see camera crews. You see NYPD officers all lined up. There’s barricades, steel barricades, caution tape. This is normally a completely open campus. And I’m able to — all members of the public, you’re able to walk through.

[NON-ENGLISH SPEECH]

Looks like international media is here.

Have your IDs out. Have your IDs out.

Students lining up to swipe in to get access to the University. ID required for entry.

Swipe your ID, please.

Hi, how are you, officer? We’re journalists with “The New York Times.”

You’re not going to get in, all right? I’m sorry.

Hi. Can I help please?

Yeah, it’s total lockdown here at Columbia.

Please have your IDs out ready to swipe.

From “The New York Times,” I’m Michael Barbaro. This is “The Daily.” Today, the story of how Columbia University has become the epicenter of a growing showdown between student protesters, college administrators, and Congress over the war in Gaza and the limits of free speech. I spoke with my colleague, Nick Fandos.

[UPBEAT MUSIC]

It’s Thursday, April 25.

Nick, if we rewind the clock a few months, we end up at a moment where students at several of the country’s best known universities are protesting Israel’s response to the October 7 attacks, its approach to a war in Gaza. At times, those protests are happening peacefully, at times with rhetoric that is inflammatory. And the result is that the leaders of those universities land before Congress. But the president of Columbia University, which is the subject we’re going to be talking about today, is not one of the leaders who shows up for that testimony.

That’s right. So the House Education Committee has been watching all these protests on campus. And the Republican Chairwoman decides, I’m going to open an investigation, look at how these administrations are handling it, because it doesn’t look good from where I sit. And the House last winter invites the leaders of several of these elite schools, Harvard, Penn, MIT, and Columbia, to come and testify in Washington on Capitol Hill before Congress.

Now, the President of Columbia has what turns out to be a very well-timed, pre-planned trip to go overseas and speak at an international climate conference. So Minouche Shafik isn’t going to be there. So instead, the presidents of Harvard, and Penn, and MIT show up. And it turned out to be a disaster for these universities.

They were asked very pointed questions about the kind of speech taking place on their campuses, and they gave really convoluted academic answers back that just baffled the committee. But there was one question that really embodied the kind of disconnect between the Committee — And it wasn’t just Republicans, Republicans and Democrats on the Committee — and these college presidents. And that’s when they were asked a hypothetical.

Does calling for the genocide of Jews violate Penn’s rules or code of conduct? Yes or no?

If the speech turns into conduct, it can be harassment.

And two of the presidents, Claudine Gay of Harvard and Elizabeth Magill of the University of Pennsylvania, they’re unwilling to say in this really kind of intense back and forth that this speech would constitute a violation of their rules.

It can be, depending on the context.

What’s the context?

Targeted at an individual. Is it pervasive?

It’s targeted at Jewish students, Jewish individuals. Do you understand your testimony is dehumanizing them?

And it sets off a firestorm.

It does not depend on the context. The answer is yes. And this is why you should resign. These are unacceptable answers across the board.

Members of Congress start calling for their resignations. Alumni are really, really ticked off. Trustees of the University start to wonder, I don’t know that these leaders really have got this under control. And eventually, both of them lose their jobs in a really high profile way.

Right. And as you’ve hinted at, for somewhat peculiar scheduling reasons, Columbia’s President escapes this disaster of a hearing in what has to be regarded as the best timing in the history of the American Academy.

Yeah, exactly. And Columbia is watching all this play out. And I think their first response was relief that she was not in that chair, but also a recognition that, sooner or later, their turn was going to come back around and they were going to have to sit before Congress.

Why were they so certain that they would probably end up before Congress and that this wasn’t a case of completely dodging a bullet?

Well, they remain under investigation by the committee. But also, as the winter wears on, all the same intense protests just continue unabated. So in many ways, Columbia’s like these other campuses. But in some ways, it’s even more intense. This is a university that has both one of the largest Jewish student populations of any of its peers. But it also has a large Arab and Muslim student population, a big Middle Eastern studies program. It has a dual degree program in Tel Aviv.

And it’s a university on top of all that that has a real history of activism dating back to the 1960s. So when students are recruited or choose to come to Columbia, they’re actively opting into a campus that prides itself on being an activist community. It’s in the middle of New York City. It’s a global place. They consider the city and the world, really, like a classroom to Columbia.

In other words, if any campus was going to be a hotbed of protest and debate over this conflict, it was going to be Columbia University.

Exactly. And when this spring rolls around, the stars finally align. And the same congressional committee issues another invitation to Minouche Shafik, Columbia’s President, to come and testify. And this time, she has no excuse to say no.

But presumably, she is well aware of exactly what testifying before this committee entails and is highly prepared.

Columbia knew this moment was coming. They spent months preparing for this hearing. They brought in outside consultants, crisis communicators, experts on anti-Semitism. The weekend before the hearing, she actually travels down to Washington to hole up in a war room, where she starts preparing her testimony with mock questioners and testy exchanges to prep her for this. And she’s very clear on what she wants to try to do.

Where her counterparts had gone before the committee a few months before and looked aloof, she wanted to project humility and competence, to say, I know that there’s an issue on my campus right now with some of these protests veering off into anti-Semitic incidents. But I’m getting that under control. I’m taking steps in good faith to make sure that we restore order to this campus, while allowing people to express themselves freely as well.

So then the day of her actual testimony arrives. And just walk us through how it goes.

The Committee on Education and Workforce will come to order. I note that —

So Wednesday morning rolls around. And President Shafik sits at the witness stand with two of her trustees and the head of Columbia’s new anti-Semitism task force.

Columbia stands guilty of gross negligence at best and at worst has become a platform for those supporting terrorism and violence against the Jewish people.

And right off the bat, they’re put through a pretty humbling litany of some of the worst hits of what’s been happening on campus.

For example, just four days after the harrowing October 7 attack, a former Columbia undergraduate beat an Israeli student with a stick.

The Republican Chairwoman of the Committee, Virginia Foxx, starts reminding her that there was a student who was actually hit with a stick on campus. There was another gathering more recently glorifying Hamas and other terrorist organizations, and the kind of chants that have become an everyday chorus on campus, which many Jewish students see as threatening. But when the questioning starts, President Shafik is ready. One of the first ones she gets is the one that tripped up her colleagues.

Does calling for the genocide of Jews violate Columbia’s code of conduct, Mr. Greenwald?

And she answers unequivocally.

Dr. Shafik?

Yes, it does.

And, Professor —

That would be a violation of Columbia’s rules. They would be punished.

As President of Columbia, what is it like when you hear chants like, by any means necessary or Intifada Revolution?

I find those chants incredibly distressing. And I wish profoundly that people would not use them on our campus.

And in some of the most interesting exchanges of the hearing, President Shafik actually opens Columbia’s disciplinary books.

We have already suspended 15 students from Columbia. We have six on disciplinary probation. These are more disciplinary actions that have been taken probably in the last decade at Columbia. And —

She talks about the number of students that have been suspended, but also the number of faculty that she’s had removed from the classroom that are being investigated for comments that either violate some of Columbia’s rules or make students uncomfortable. One case in particular really underscores this.

And that’s of a Middle Eastern studies professor named Joseph Massad. He wrote an essay not long after Hamas invaded Israel and killed 1,200 people, according to the Israeli government, where he described that attack with adjectives like awesome. Now, he said they’ve been misinterpreted, but a lot of people have taken offense to those comments.

Ms. Stefanik, you’re recognized for five minutes.

Thank you, Chairwoman. I want to follow up on my colleague, Rep Walberg’s question regarding Professor Joseph Massad. So let me be clear, President —

And so Representative Elise Stefanik, the same Republican who had tripped up Claudine Gay of Harvard and others in the last hearing, really starts digging in to President Shafik about these things at Columbia.

He is still Chair on the website. So has he been terminated as Chair?

Congresswoman, I —

And Shafik’s answers are maybe a little surprising.

— before getting back to you. I can confirm —

I know you confirmed that he was under investigation.

Yes, I can confirm that. But I —

Did you confirm he was still the Chair?

He says that Columbia is taking his case seriously. In fact, he’s under investigation right now.

Well, let me ask you this.

I need to check.

Will you make the commitment to remove him as Chair?

And when Stefanik presses her to commit to removing him from a campus leadership position —

I think that would be — I think — I would — yes. Let me come back with yes. But I think I — I just want to confirm his current status before I write —

We’ll take that as a yes, that you will confirm that he will no longer be chair.

Shafik seems to pause and think and then agree to it on the spot, almost like she is making administrative decisions with or in front of Congress.

Now, we did some reporting after the fact. And it turns out the Professor didn’t even realize he was under investigation. So he’s learning about this from the hearing too. So what this all adds up to, I think, is a performance so in line with what the lawmakers themselves wanted to hear, that at certain points, these Republicans didn’t quite know what to do with it. They were like the dog that caught the car.

Columbia beats Harvard and UPenn.

One of them, a Republican from Florida, I think at one point even marvelled, well, you beat Harvard and Penn.

Y’all all have done something that they weren’t able to do. You’ve been able to condemn anti-Semitism without using the phrase, it depends on the context. But the —

So Columbia’s president has passed this test before this committee.

Yeah, this big moment that tripped up her predecessors and cost them their jobs, it seems like she has cleared that hurdle and dispatched with the Congressional committee that could have been one of the biggest threats to her presidency.

Without objection, there being no further business, the committee stands adjourned. [BANGS GAVEL]

But back on campus, some of the students and faculty who had been watching the hearing came away with a very different set of conclusions. They saw a president who was so eager to please Republicans in Congress that she was willing to sell out some of the University’s students and faculty and trample on cherished ideas like academic freedom and freedom of expression that have been a bedrock of American higher education for a really long time.

And there was no clearer embodiment of that than what had happened that morning just as President Shafik was going to testify before Congress. A group of students before dawn set up tents in the middle of Columbia’s campus and declared themselves a pro-Palestinian encampment in open defiance of the very rules that Dr. Shafik had put in place to try and get these protests under control.

So these students in real-time are beginning to test some of the things that Columbia’s president has just said before Congress.

Exactly. And so instead of going to celebrate her successful appearance before Congress, Shafik walks out of the hearing room and gets in a black SUV to go right back to that war room, where she’s immediately confronted with a major dilemma. It basically boils down to this, she had just gone before Congress and told them, I’m going to get tough on these protests. And here they were. So either she gets tough and risks inflaming tension on campus or she holds back and does nothing and her words before Congress immediately look hollow.

And what does she decide?

So for the next 24 hours, she tries to negotiate off ramps. She consults with her Deans and the New York Police Department. And it all builds towards an incredibly consequential decision. And that is, for the first time in decades, to call the New York City Police Department onto campus in riot gear and break this thing up, suspend the students involved, and then arrest them.

To essentially eliminate this encampment.

Eliminate the encampment and send a message, this is not going to be tolerated. But in trying to quell the unrest, Shafik actually feeds it. She ends up leaving student protesters and the faculty who support them feeling betrayed and pushes a campus that was already on edge into a full blown crisis.

[SLOW TEMPO MUSIC]

After the break, what all of this has looked like to a student on Columbia’s campus. We’ll be right back.

[PHONE RINGS]

Is this Isabella?

Yes, this is she.

Hi, Isabella. It’s Michael Barbaro from “The Daily.”

Hi. Nice to meet you.

Earlier this week, we called Isabella Ramírez, the Editor in Chief of Columbia’s undergraduate newspaper, “The Columbia Daily Spectator,” which has been closely tracking both the protests and the University’s response to them since October 7.

So, I mean, in your mind, how do we get to this point? I wonder if you can just briefly describe the key moments that bring us to where we are right now.

Sure. Since October 7, there has certainly been constant escalation in terms of tension on campus. And there have been a variety of moves that I believe have distanced the student body, the faculty, from the University and its administration, specifically the suspension of Columbia’s chapters of Students for Justice in Palestine and Jewish Voice for Peace. And that became a huge moment in what was characterized as suppression of pro-Palestinian activism on campus, effectively rendering those groups, quote, unquote, unauthorized.

What was the college’s explanation for that?

They had cited in that suspension a policy which states that a demonstration must be approved within a certain window, and that there must be an advance notice, and that there’s a process for getting an authorized demonstration. But the primary point was this policy that they were referring to, which we later reported, was changed before the suspension.

So it felt a little ad hoc to people?

Yes, it certainly came as a surprise, especially at “Spectator.” We’re nerds of the University in the sense that we are familiar with faculty and University governance. But even to us, we had no idea where this policy was coming from. And this suspension was really the first time that it entered most students’ sphere.

Columbia’s campus is so known for its activism. And so in my time of being a reporter, of being an editor, I’ve overseen several protests. And I’ve never seen Columbia penalize a group for, quote, unquote, not authorizing a protest. So that was certainly, in our minds, unprecedented.

And I believe part of the justification there was, well, this is a different time. And I think that is a reasonable thing to say. But I think a lot of students, they felt it was particularly one-sided, that it was targeting a specific type of speech or a specific type of viewpoint. Although, the University, of course, in its explicit policies, did not outline, and was actually very explicit about not targeting specific viewpoints —

So just to be super clear, it felt to students — and it sounds like, journalistically, it felt to you — that the University was coming down in a uniquely one-sided way against students who were supporting Palestinian rights and may have expressed some frustrations with Israel in that moment.

Yes. Certainly —

Isabella says that this was just the beginning of a really tense period between student protesters and the University. After those two student groups were suspended, campus protests continued. Students made a variety of demands. They asked that the University divest from businesses that profit from Israel’s military operations in Gaza. But instead of making any progress, the protests are met with further crackdown by the University.

And so as Isabella and her colleagues at the college newspaper see it, there’s this overall chilling effect that occurs. Some students become fearful that if they participate in any demonstrations, they’re going to face disciplinary action. So fast forward now to April, when these student protesters learned that President Shafik is headed to Washington for her congressional testimony. It’s at this moment that they set out to build their encampment.

I think there was obviously a lot of intention in timing those two things. I think it’s inherently a critique on a political pressure and this congressional pressure that we saw build up against, of course, Claudine Gay at Harvard and Magill at UPenn. So I think a lot of students and faculty have been frustrated at this idea that there are not only powers at the University that are dictating what’s happening, but there are perhaps external powers that are also guiding the way here in terms of what the University feels like it must do or has to do.

And I think that timing was super crucial. Having the encampment happen on the Wednesday morning of the hearing was an incredible, in some senses, interesting strategy to direct eyes to different places.

All eyes were going to be on Shafik in DC. But now a lot of eyes are on New York. The encampment is set up in the middle of the night slash morning, prior to the hearing. And so what effectively happens is they caught Shafik when she wasn’t on campus, when a lot of senior administration had their resources dedicated to supporting Shafik in DC.

And you have all of those people not necessarily out of commission, but with their focus elsewhere. So the encampment is met with very little resistance at the beginning. There were public safety officers floating around and watching. But at the very beginning hours, I think there was a sense of, we did it.

[CHANTING]: Disclose! Divest! We will not stop! We will not rest. Disclose! Divest! We will not stop!

It would be quite surprising to anybody and an administrator to now suddenly see dozens of tents on this lawn in a way that I think very purposely puts an imagery of, we’re here to stay. As the morning evolved and congressional hearings continued —

Minouche Shafik, open your eyes! Use of force, genocide!

Then we started seeing University delegates that were coming to the encampment saying, you may face disciplinary action for continuing to be here. I think that started around almost — like 9:00 or 10:00 AM, they started handing out these code of conduct violation notices.

Hell no! Hell no! Hell no!

Then there started to be more public safety action and presence. So they started barricading the entrances. The day progressed, there was more threat of discipline. The students became informed that if they continue to stay, they will face potential academic sanctions, potential suspension.

The more they try to silence us, the louder we will be! The more they —

I think a lot of people were like, OK, you’re threatening us with suspension. But so what?

This is about these systems that Minouche Shafik, that the Board of Trustees, that Columbia University is complicit in.

What are you going to do to try to get us out of here? And that was, obviously, promptly answered.

This is the New York State Police Department.

We will not stop!

You are attempting participate in an unauthorized encampment. You will be arrested and charged with trespassing.

My phone blew up, obviously, from the reporters, from the editors, of saying, oh my god, the NYPD is on our campus. And as soon as I saw that, I came out. And I saw a huge crowd of students and affiliates on campus watching the lawns. And as I circled around that crowd, I saw the last end of the New York Police Department pulling away protesters and clearing out the last of the encampment.

[CHANTING]: We love you! We will get justice for you! We see you! We love you! We will get justice for you! We see you! We love you! We will get justice for you! We see you! We love you! We will get justice for you!

It was something truly unimaginable, over 100 students slash other individuals are arrested from our campus, forcefully removed. And although they were suspended, there was a feeling of traumatic event that has just happened to these students, but also this sense of like, OK, the worst of the worst that could have happened to us just happened.

And for those students who maybe couldn’t go back to — into campus, now all of their peers, who were supporters or are in solidarity, are — in some sense, it’s further emboldened. They’re now not just sitting on the lawns for a pro-Palestinian cause, but also for the students, who have endured quite a lot.

So the crackdown, sought by the president and enforced by the NYPD, ends up, you’re saying, becoming a galvanizing force for a broader group of Columbia students than were originally drawn to the idea of ever showing up on the center of campus and protesting?

Yeah, I can certainly speak to the fact that I’ve seen my own peers, friends, or even acquaintances, who weren’t necessarily previously very involved in activism and organizing efforts, suddenly finding themselves involved.

Can I — I just have a question for you, which is all journalism, student journalism or not student journalism, is a first draft of history. And I wonder if we think of this as a historic moment for Columbia, how you imagine it’s going to be remembered.

Yeah, there is no doubt in my mind that this will be a historic moment for Colombia.

I think that this will be remembered as a moment in which the fractures were laid bare. Really, we got to see some of the disunity of the community in ways that I have never really seen it before. And what we’ll be looking to is, where do we go from here? How does Colombia repair? How do we heal from all of this? so That is the big question in terms of what will happen.

Nick, Isabella Ramírez just walked us through what this has all looked like from the perspective of a Columbia student. And from what she could tell, the crackdown ordered by President Shafik did not quell much of anything. It seemed, instead, to really intensify everything on campus. I’m curious what this has looked like for Shafik.

It’s not just the students who are upset. You have faculty, including professors, who are not necessarily sympathetic to the protesters’ view of the war, who are really outraged about what Shafik has done here. They feel that she’s crossed a boundary that hasn’t been crossed on Columbia’s campus in a really long time.

And so you start to hear things by the end of last week like censure, no confidence votes, questions from her own professors about whether or not she can stay in power. So this creates a whole new front for her. And on top of it all, as this is going on, the encampment itself starts to reform tent-by-tent —

— almost in the same place that it was. And Shafik decides that the most important thing she could do is to try and take the temperature down, which means letting the encampment stand. Or in other words, leaning in the other direction. This time, we’re going to let the protesters have their say for a little while longer.

The problem with that is that, over the weekend, a series of images start to emerge from on campus and just off of it of some really troubling anti-Semitic episodes. In one case, a guy holds up a poster in the middle of campus and points it towards a group of Jewish students who are counter protesting. And it says, I’m paraphrasing here, Hamas’ next targets.

I saw an image of that. What it seemed to evoke was the message that Hamas should murder those Jewish students. That’s the way the Jewish students interpreted it.

It’s a pretty straightforward and jarring statement. At the same time, just outside of Columbia’s closed gates —

Stop killing children!

— protestors are showing up from across New York City. It’s hard to tell who’s affiliated with Columbia, who’s not.

Go back to Poland! Go back to Poland!

There’s a video that goes viral of one of them shouting at Jewish students, go back to Poland, go back to Europe.

In other words, a clear message, you’re not welcome here.

Right. In fact, go back to the places where the Holocaust was committed.

Exactly. And this is not representative of the vast majority of the protesters in the encampment, who mostly had been peaceful. They would later hold a Seder, actually, with some of the pro-Palestinian Jewish protesters in their ranks. But those videos are reaching members of Congress, the very same Republicans that Shafik had testified in front of just a few days before. And now they’re looking and saying, you have lost control of your campus, you’ve turned back on your word to us, and you need to resign.

They call for her outright resignation over this.

That’s right. Republicans in New York and across the country began to call for her to step down from her position as president of Columbia.

So Shafik’s dilemma here is pretty extraordinary. She has set up this dynamic where pleasing these members of Congress would probably mean calling in the NYPD all over again to sweep out this encampment, which would mean further alienating and inflaming students and faculty, who are still very upset over the first crackdown. And now both ends of this spectrum, lawmakers in Washington, folks on the Columbia campus, are saying she can’t lead the University over this situation before she’s even made any fateful decision about what to do with this second encampment. Not a good situation.

No. She’s besieged on all sides. For a while, the only thing that she can come up with to offer is for classes to go hybrid for the remainder of the semester.

So students who aren’t feeling safe in this protest environment don’t necessarily have to go to class.

Right. And I think if we zoom out for a second, it’s worth bearing in mind that she tried to choose a different path here than her counterparts at Harvard or Penn. And after all of this, she’s kind of ended up in the exact same thicket, with people calling for her job with the White House, the Mayor of New York City, and others. These are Democrats. Maybe not calling on her to resign quite yet, but saying, I don’t know what’s going on your campus. This does not look good.

That reality, that taking a different tack that was supposed to be full of learnings and lessons from the stumbles of her peers, the fact that didn’t really work suggests that there’s something really intractable going on here. And I wonder how you’re thinking about this intractable situation that’s now arrived on these college campuses.

Well, I don’t think it’s just limited to college campuses. We have seen intense feelings about this conflict play out in Hollywood. We’ve seen them in our politics in all kinds of interesting ways.

In our media.

We’ve seen it in the media. But college campuses, at least in their most idealized form, are something special. They’re a place where students get to go for four years to think in big ways about moral questions, and political questions, and ideas that help shape the world they’re going to spend the rest of their lives in.

And so when you have a question that feels as urgent as this war does for a lot of people, I think it reverberates in an incredibly intense way on those campuses. And there’s something like — I don’t know if it’s quite a contradiction of terms, but there’s a collision of different values at stake. So universities thrive on the ability of students to follow their minds and their voices where they go, to maybe even experiment a little bit and find those things.

But there are also communities that rely on people being able to trust each other and being able to carry out their classes and their academic endeavors as a collective so they can learn from one another. So in this case, that’s all getting scrambled. Students who feel strongly about the Palestinian cause feel like the point is disruption, that something so big, and immediate, and urgent is happening that they need to get in the faces of their professors, and their administrators, and their fellow students.

Right. And set up an encampment in the middle of campus, no matter what the rules say.

Right. And from the administration’s perspective, they say, well, yeah, you can say that and you can think that. And that’s an important process. But maybe there’s some bad apples in your ranks. Or though you may have good intentions, you’re saying things that you don’t realize the implications of. And they’re making this environment unsafe for others. Or they’re grinding our classes to a halt and we’re not able to function as a University.

So the only way we’re going to be able to move forward is if you will respect our rules and we’ll respect your point of view. The problem is that’s just not happening. Something is not connecting with those two points of view. And as if that’s not hard enough, you then have Congress and the political system with its own agenda coming in and putting its thumb on a scale of an already very difficult situation.

Right. And at this very moment, what we know is that the forces that you just outlined have created a dilemma, an uncertainty of how to proceed, not just for President Shafik and the students and faculty at Columbia, but for a growing number of colleges and universities across the country. And by that, I mean, this thing that seemed to start at Columbia is literally spreading.

Absolutely. We’re talking on a Wednesday afternoon. And these encampments have now started cropping up at universities from coast-to-coast, at Harvard and Yale, but also at University of California, at the University of Texas, at smaller campuses in between. And at each of these institutions, there’s presidents and deans, just like President Shafik at Columbia, who are facing a really difficult set of choices. Do they call in the police? The University of Texas in Austin this afternoon, we saw protesters physically clashing with police.

Do they hold back, like at Harvard, where there were dramatic videos of students literally running into Harvard yard with tents. They were popping up in real-time. And so Columbia, really, I think, at the end of the day, may have kicked off some of this. But they are now in league with a whole bunch of other universities that are struggling with the same set of questions. And it’s a set of questions that they’ve had since this war broke out.

And now these schools only have a week or two left of classes. But we don’t know when these standoffs are going to end. We don’t know if students are going to leave campus for the summer. We don’t know if they’re going to come back in the fall and start protesting right away, or if this year is going to turn out to have been an aberration that was a response to a really awful, bloody war, or if we’re at the beginning of a bigger shift on college campuses that will long outlast this war in the Middle East.

Well, Nick, thank you very much. Thanks for having me, Michael.

We’ll be right back.

Here’s what else you need to know today. The United Nations is calling for an independent investigation into two mass graves found after Israeli forces withdrew from hospitals in Gaza. Officials in Gaza said that some of the bodies found in the graves were Palestinians who had been handcuffed or shot in the head and accused Israel of killing and burying them. In response, Israel said that its soldiers had exhumed bodies in one of the graves as part of an effort to locate Israeli hostages.

And on Wednesday, Hamas released a video of Hersh Goldberg-Polin, an Israeli-American dual citizen, whom Hamas has held hostage since October 7. It was the first time that he has been shown alive since his captivity began. His kidnapping was the subject of a “Daily” episode in October that featured his mother, Rachel. In response to Hamas’s video, Rachel issued a video of her own, in which she spoke directly to her son.

And, Hersh, if you can hear this, we heard your voice today for the first time in 201 days. And if you can hear us, I am telling you, we are telling you, we love you. Stay strong. Survive.

Today’s episode was produced by Sydney Harper, Asthaa Chaturvedi, Olivia Natt, Nina Feldman, and Summer Thomad, with help from Michael Simon Johnson. It was edited by Devon Taylor and Lisa Chow, contains research help by Susan Lee, original music by Marion Lozano and Dan Powell, and was engineered by Chris Wood. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. That’s it for “The Daily.” I’m Michael Barbaro. See you tomorrow.

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• April 23, 2024   •   30:30 A Salacious Conspiracy or Just 34 Pieces of Paper?
• April 22, 2024   •   24:30 The Evolving Danger of the New Bird Flu
• April 19, 2024   •   30:42 The Supreme Court Takes Up Homelessness
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• April 17, 2024   •   24:52 Are ‘Forever Chemicals’ a Forever Problem?
• April 16, 2024   •   29:29 A.I.’s Original Sin
• April 15, 2024   •   24:07 Iran’s Unprecedented Attack on Israel
• April 14, 2024   •   46:17 The Sunday Read: ‘What I Saw Working at The National Enquirer During Donald Trump’s Rise’
• April 12, 2024   •   34:23 How One Family Lost $900,000 in a Timeshare Scam

Hosted by Michael Barbaro

Featuring Nicholas Fandos

Produced by Sydney Harper ,  Asthaa Chaturvedi ,  Olivia Natt ,  Nina Feldman and Summer Thomad

With Michael Simon Johnson

Edited by Devon Taylor and Lisa Chow

Original music by Marion Lozano and Dan Powell

Engineered by Chris Wood

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Columbia University has become the epicenter of a growing showdown between student protesters, college administrators and Congress over the war in Gaza and the limits of free speech.

Nicholas Fandos, who covers New York politics and government for The Times, walks us through the intense week at the university. And Isabella Ramírez, the editor in chief of Columbia’s undergraduate newspaper, explains what it has all looked like to a student on campus.

On today’s episode

Nicholas Fandos , who covers New York politics and government for The New York Times

Isabella Ramírez , editor in chief of The Columbia Daily Spectator

Background reading

Inside the week that shook Columbia University .

The protests at the university continued after more than 100 arrests.

There are a lot of ways to listen to The Daily. Here’s how.

We aim to make transcripts available the next workday after an episode’s publication. You can find them at the top of the page.

Research help by Susan Lee .

The Daily is made by Rachel Quester, Lynsea Garrison, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Chris Wood, Jessica Cheung, Stella Tan, Alexandra Leigh Young, Lisa Chow, Eric Krupke, Marc Georges, Luke Vander Ploeg, M.J. Davis Lin, Dan Powell, Sydney Harper, Mike Benoist, Liz O. Baylen, Asthaa Chaturvedi, Rachelle Bonja, Diana Nguyen, Marion Lozano, Corey Schreppel, Rob Szypko, Elisheba Ittoop, Mooj Zadie, Patricia Willens, Rowan Niemisto, Jody Becker, Rikki Novetsky, John Ketchum, Nina Feldman, Will Reid, Carlos Prieto, Ben Calhoun, Susan Lee, Lexie Diao, Mary Wilson, Alex Stern, Dan Farrell, Sophia Lanman, Shannon Lin, Diane Wong, Devon Taylor, Alyssa Moxley, Summer Thomad, Olivia Natt, Daniel Ramirez and Brendan Klinkenberg.

Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Special thanks to Sam Dolnick, Paula Szuchman, Lisa Tobin, Larissa Anderson, Julia Simon, Sofia Milan, Mahima Chablani, Elizabeth Davis-Moorer, Jeffrey Miranda, Renan Borelli, Maddy Masiello, Isabella Anderson and Nina Lassam.

Nicholas Fandos is a Times reporter covering New York politics and government. More about Nicholas Fandos

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