AN EXTRAORDINARY CAREER IN MUSIC

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INDUCTION INTO THE

Country music hall of fame, grand ole opry, kentucky music hall of fame, georgia music hall of fame, album releases, platinum albums, gold albums, top 20 hits.

INCLUDING 10 TOP 10s

INCLUDING ALBUM OF THE YEAR (1995) “WHEN FALLEN ANGELS FLY” (ONLY THE 2nd WOMAN TO WIN THIS AWARD) AND 15 MORE NOMINATIONS

AND 17 MORE NOMINATIONS

GRAMMY AWARDS

FOR BEST BLUEGRASS ALBUM and BEST COUNTRY COLLABORATION WITH VOCALS

GRAMMY NOMINATIONS

INCLUDING BEST COUNTRY ALBUM, BEST BLUEGRASS ALBUM AND ALBUM OF THE YEAR (ALL GENRES)

AMERICAN MUSIC AWARD

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Country music hall of fame class of 2023, april 3rd announcement:.

Singer Patty Loveless, songwriter Bob McDill, and singer Tanya Tucker are joining the Country Music Hall of Fame. Election to the Country Music Hall of Fame is country music’s highest honor, and new members are elected annually by an anonymous panel of industry leaders chosen by the Country Music Association (CMA).

“For unerring taste in tunes, unmatched vocal soul and enduring commitment to Appalachian artistry, Patty Loveless has no equal. A thrilling quiver runs through me every time I hear her sing.”

~ Robert K. Oermann | Country Music Historian & Author

Opry Member since 1988

If any contemporary country star seemed born to be a Grand Ole Opry member, it was Patty Loveless. Growing up as one of seven children born to a Kentucky coal miner, Patty has distinct memories of singing along to the Opry on Friday and Saturday nights — at age 3 — while her mom mopped floors. As she became a teenager, she was able to meet Porter Wagoner, who recognized Patty’s tremendous voice, as did his professional partner, Dolly Parton.

“My brother Roger and I went into Porter’s office together back in 1971 where I performed a couple of songs I wrote. Porter invited us to the taping of his TV show that day, and to attend the Opry backstage as his guest. So my first visit to the Opry, when I was 14 years old, was when it was still at the Ryman,” she recalls. “Going as the guest of Dolly and Porter, it was the very first time I really got to visit backstage, and I felt like I was just in hillbilly heaven.”

In Her Own Words…

Fans of roots music have asked Patty Loveless for years to reprise the Appalachian sound of her 2001 Mountain Soul CD, and now she has at last. Like its predecessor, Mountain Soul II features Patty’s superb country vocals amid bluegrass-tinged instrumentation.

“It’s Appalachian, bluegrass and country combined,” says Patty of her new collection’s sound. “You should never try to duplicate something like Mountain Soul. What you should do is enhance. So this is like a continuation.”

The first Mountain Soul CD was issued in June 2001. As a result of its enthusiastic reception, Patty Loveless was invited to perform on the critically acclaimed “Down From the Mountain” tour. She says that experience introduced her to a whole new audience.

“I was blessed to be able to expose my music to people who normally don’t listen to country music. They loved the more organic, roots-y thing, but they don’t listen to mainstream country. I met quite a few people who told me that. They kept wanting me to try and recapture that sound. They’d say, ‘When are you going to do another record like this? We love this album.’ I guess they kind of talked me into it.”

CMA Awards Performance • Chris Stapleton

A month before the 2022 CMA Awards Show, Chris Stapleton blew the roof off the “Kentucky Rising” flood relief concert by bringing out Patty Loveless in a rare live appearance. At the CMA Awards in Nashville, the two artists gave a highly anticipated encore.

Stapleton and Loveless performed “You’ll Never Leave Harlan Alive” on the CMA Awards telecast. The song, penned by Darrell Scott, was recorded by Loveless for her 2001 album, Mountain Soul. She opened the song on her own, accompanied only by Stapleton’s guitar — with all the passion, finesse and soul you’d expect — before trading verses with the singer and wife/bandmate Morgane Stapleton.

Rebels & Angels • Terry McBride

The title cut from Terry McBride’s recent album, “Rebels & Angels,” was co-written by McBride and Chris Stapleton.   “Luke Laird (producer) asked me what I would be interested in bringing to the record, and I had this song I loved that I had written with Chris Stapleton,” McBride tells of how Patty got involved on the record. “I loved that song, and I knew it would never be recorded because it is so country and it’s a waltz– it was such a throwback.

“I was listening to the story line of the song one day and I realized it lends itself perfectly for a duet, being all about rebels and angels. I thought wouldn’t it be cool if I sang the first verse and a female sang the second verse. One of my favorite singers is Patty Loveless. The first tour I did with McBride & The Ride was Desert Rose and Patty and us. So I sent the song to Luke and said I’d love to have Patty on it, and he emailed her and then she called me.  I was like being a fan boy talking to Patty – she was so gracious and so sweet. Even to this day she shares all about the song on socials, and it gets a lot of response to that in the streaming world because of Patty’s involvement. We are on over 300 playlists at the moment. Her fans are over the top excited about it.”

Bible and a .44 • Trisha Yearwood

Collaborating with other artists is always exciting for Patty, and there are several projects in which she has participated of late. One of those is this extraordinary feature vocal on Trisha Yearwood’s “Bible And A .44” from Trisha’s album Every Girl.

Trisha’s new album includes covers by women ranging from Karla Bonoff ( “Home” ) and Gretchen Peters ( “The Matador” ) to Ashley McBryde ( “Bible and a .44” ), a newer artist Yearwood discovered through her singer-songwriter stepdaughter, Allie Colleen.

For her McBryde cover, Yearwood called on Patty, whom she describes as “one of the first artists that was nice to me” after Yearwood signed to MCA, for guest vocals. “When I heard ‘Bible and a .44,’ I just was like, ‘I want to sing that,’” Yearwood said. “It’s about her dad, but it was so about my dad for me. We cut it, and then I just kept hearing Patty Loveless. She was kind enough to come sing on it.”

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Grand Ole Opry

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Patty Loveless

Patty Loveless

Latest setlist, patty loveless on december 2, 2023.

Grand Ole Opry House, Nashville, Tennessee

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  • Nothin' but the Wheel
  • Put a Little Love in Your Heart
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Patty Loveless at Grand Ole Opry House, Nashville, TN, USA

  • You Can Feel Bad
  • If My Heart Had Windows
  • Blame It On Your Heart
  • My Kind of Woman, My Kind of Man
  • Go Rest High On That Mountain

Patty Loveless at CMA Theater, Nashville, TN, USA

  • You Don't Even Know Who I Am
  • Don't Toss Us Away
  • Too Many Memories

Patty Loveless at Walk of Fame Park, Nashville, TN, USA

  • I Fall to Pieces

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  • Blame It on Your Heart ( 28 )
  • Halfway Down ( 21 )
  • Here I Am ( 20 )
  • Nothin' but the Wheel ( 17 )
  • You Can Feel Bad ( 17 )

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Patty Loveless, Tanya Tucker and Bob McDill to join the Country Music Hall of Fame

Two legendary vocalists and one of Nashville’s most prolific and profound songwriters will take their place in the Country Music Hall of Fame later this year.

Patty Loveless , Tanya Tucker and Bob McDill are the Hall’s 2023 inductees, the Country Music Association announced Monday.

Loveless and Tucker were selected for the annual “Modern Era Artist” and “Veteran Era Artist” categories, respectively. McDill was selected in the “Songwriter” category, which rotates with “Recording/Touring Musician” and “Non-Performer” categories each year.

Their induction will raise the total number of members to 152. Inductees are voted on by CMA’s Hall of Fame Panels of Electors, an anonymous body chosen by the CMA Board of Directors.

Patty Loveless 

When Loveless received her invitation into the Country Music Hall of Fame, her thoughts turned to the teenager who decorated windows inside Music Mart USA, a downtown Nashville record shop neighboring the Ryman Auditorium. 

A Kentucky native, Loveless spent summers in Nashville, visiting her industry-savvy older brother Roger Ramey. Inside Music Mart, she remembers dressing the displays with new releases from Marty Robbins and Merle Haggard – top country stars of the time and regular performers inside the nearby home of the Grand Ole Opry . 

Like many in Music City, she hoped to one day be worthy of a record store display or Opry performance. And like so few who chase Nashville’s promise of neon-soaked success, Loveless’ hitmaking ambitions eventually became a reality. 

“It’s like I was dreaming,” Loveless told The Tennessean, part of the USA TODAY Network, “and all of a sudden, this dream – it came true.” 

CMT Awards 2023 winners: Lainey Wilson, Cody Johnson, Jelly Roll and the night's victors

Born Patty Lee Ramey, Loveless comes from a long-running tradition of landmark country singers – including Hall of Fame members Loretta Lynn, Keith Whitley and The Judds – to hail from the so-called “Country Music Highway” in eastern Kentucky. One of seven children born to a coal mining family, Loveless was raised on Saturday night Opry broadcasts, the Stanley Brothers and 1950s rock ‘n’ roll records. 

She picked up a guitar at age 11. When it came to lessons, Loveless said she didn’t want to learn “Old McDonald.” She wanted the chords to “Harper Valley P.T.A.” As a kid, Loveless took her love of music to local jamboree stages, where she and Ramey caught the attention of country act the Wilburn Brothers. She was soon swept into Nashville’s thriving country music scene – sharing stages with Dolly Parton and touring with The Wilburn Brothers. 

In 1976, she relocated to North Carolina after marrying Wilburn drummer Terry Lovelace. The marriage dissolved, and she embraced a new name – Loveless. Spending nearly a decade in North Carolina, Loveless honed her craft on speakeasy stages, covering top rock hits of the late 1970s and ‘80s. 

Eventually, she found her way back to Nashville – and this time, she made good on her childhood dreams of singing country music. She inked a deal with MCA and began releasing music in 1985 produced by her now-husband and longtime collaborator Emory Gordy Jr. Three years after her first single, Loveless scored her first top five country hit, the Steve Earle-penned “A Little Bit In Love.” From there, the hits kept coming: “Timber, I’m Falling In Love,” “Chains, “Hurt Me Bad,” “Blame It On Your Heart,” “I Try To Think About Elvis” … and the list goes on. 

Kelsea Ballerini talks gun violence  at CMT Music Awards, walks red carpet with Chase Stokes

Throughout the late 1980s and into the ‘90s, Loveless embraced a neotraditional country style that merged old-school playing with a honky-tonk attitude and occasional rock ‘n’ roll flare. Growing up, she loved Elvis Presley, Patsy Cline, Molly O’Day and Otis Redding. Listeners who turn on a Loveless song can hear a little of each, while knowing fully that it’s Loveless behind the microphone. 

“When I got into the rock clubs, I learned a lot more about my phrasing and where to go with the way that I delivered my style,” Loveless said. “But I was always influenced early, early on by Loretta Lynn and Patsy Cline, Connie Smith … and then Linda Ronstadt came along. I incorporated that into some of the country music I was doing.” 

She added, “I very much was influenced at a very, very young age, listening to all the music my parents listened to.” 

In 2001, after a decade-plus of major label hitmaking, Loveless returned to her roots by releasing the Appalachian-inspired album “Mountain Soul.” She reprised the project in 2009 for what would be her last studio effort to-date, “Mountain Soul II.” 

2023 CMT Music Awards: Here's what you didn't see on TV

She largely retreated from the limelight in recent years, but Loveless can still be found occasionally collaborating with artists such as Chris Stapleton or Carly Pearce – follow Kentuckians among the cohort of modern singers to praise her withstanding influence. 

As for entering the Country Music Hall of Fame? That’s the stuff dreams are made of. 

“Seeing this little girl from 14 years old, looking back and thinking my gosh, I’m going to be in the Country Music Hall of Fame,” Loveless said, “I wanna cry about it, to tell you the truth. It brings back so many wonderful memories for me.”

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Patty Loveless

  • Inducted 2023
  • Born January 4, 1957
  • Birthplace Pikeville, Kentucky

With a powerful, expressive voice, Patty Loveless blended influences of bluegrass, honky-tonk, and West Coast country-rock. In the process, she created a distinctive, tradition-based sound updated with a modern lyrical perspective on relationships, families, and other real-life concerns. The convincing, lived-in sincerity of her mountain-bred voice helped her songs ring true, whether conveying heartbreak or humor.

Between 1988 and 2003, Loveless achieved thirty-one Top Twenty country hits. Among them were five #1s, including “Blame It on Your Heart,” “Timber I’m Falling in Love,” and “Lonely Too Long.” Her forays into bluegrass and mountain music, on Mountain Soul (2001) and Mountain Soul II (2009), received widespread acclaim. She has been honored with two Grammys and five Country Music Association awards, including 1995 Album of the Year for When Fallen Angels Fly and 1996 Female Vocalist of the Year.

A Coal Miner’s Daughter

Born Patty Lee Ramey on January 4, 1957, Loveless lists her birthplace as Pikeville, Kentucky, which had the hospital closest to her family’s home in Elkhorn City (population: 1,085 in 1960). Her father, John Ramey, a second-generation coal miner, and her mother, Naomi, moved frequently, residing at times in company-run coal camps in Kentucky and West Virginia. In the late 1960s, the family moved near Louisville so her father could receive better treatment for black-lung disease. He died ten years later, at age fifty-eight.

Loveless began singing and writing songs at age eleven. When she was twelve, her father bought her an acoustic guitar, so she could accompany herself while singing and ease the loneliness she felt when the family moved to Louisville. She soon joined her brother Roger—seven years her senior—in a duo, the Singing Swinging Rameys, performing at fairs and festivals. When they appeared as an opening act at a 1971 Louisville Gardens concert, an impressed Doyle Wilburn of the popular country duo the Wilburn Brothers suggested they should come to Nashville.

The Rameys soon made a visit to Music City, but on a whim stopped at the office of Grand Ole Opry star Porter Wagoner, who welcomed the duo and responded enthusiastically to their music. That evening, he took them backstage at the Opry and introduced them to his musical partner, Dolly Parton, who listened to their original songs and encouraged Patty to keep writing and singing.

The Wilburns continued in their support, signing Patty as a songwriter to their music publishing firm, Sure-Fire Music. Two years later, she began performing with the Wilburn Brothers on weekends, and after graduating from high school in 1975, she joined a Wilburn Brothers’ twenty-week tour. She performed with Americountry Express, a band consisting of other Wilburn band members.

At age nineteen, Patty married Wilburn Brothers’ drummer Terry Lovelace. The couple moved to Kings Mountain, North Carolina, and eventually formed a cover band, performing rock and pop hits in clubs across the eastern United States. Along the way, Patty altered her stage name from Lovelace to Loveless.

An Acclaimed Debut, and a Commercial Breakthrough

In 1985, brother Roger arranged for Patty to record demos in a Nashville studio. Her tape drew interest from three record labels, with MCA talent executive and producer Tony Brown making the strongest play for the singer. Loveless signed with MCA Records and, before long, ended her tumultuous first marriage.

Brown recruited veteran musician Emory Gordy Jr. to co-produce Loveless with him. Her self-titled first album, released in January 1987, drew acclaim from the press and from veteran country artists, including George Jones and Willie Nelson, both of whom took her on tour and invited her to join them onstage. Loveless’s second album, If My Heart Had Windows (1988), provided her commercial breakthrough. The title song, a cover of a 1967 George Jones classic written by Dallas Frazier, became her first Top Ten hit. A rockabilly-influenced take on Steve Earle’s “A Little Bit in Love” shot to #2 on the charts.

In June 1988, she became a member of the Grand Ole Opry, inducted onstage by Wagoner. With her third album, Honky Tonk Angel (1988), Loveless earned her first #1 hits, “Timber I’m Falling in Love” and “Chains.” Her next two albums— On Down the Line (1990) and Up Against My Heart (1991)—continued her hot streak, with hits such as “I’m That Kind of Girl” and “Hurt Me Bad (In a Real Good Way).”

In 1992, Loveless underwent successful laser surgery to rid herself of a persistent throat ailment and switched to Epic Records, where she would work again with producer Emory Gordy Jr., whom she had married in 1989. As the 1990s continued, Loveless reached new peaks in record and ticket sales, radio hits, and awards recognition. Her achievements came by building on her strengths: applying her supple, emotive voice to catchy, upbeat tunes and probing the heart’s shadowy corners through nuanced, engaging interpretations of dead-serious ballads.

Only What I Feel (1993), her first million-selling album, included the exuberant “Blame It on Your Heart.” The depth of emotion she instilled in ballads “How Can I Help You Say Goodbye” and “Nothing But the Wheel” became a hallmark of her style. When Fallen Angels Fly (1994) and The Trouble with the Truth (1996) extended her catalog of million-selling albums. She earned ten Top Ten singles between 1993 and 1997, including two #1s, “You Can Feel Bad” and “Lonely Too Long.”

Mountain Soul Marks a New Era

At the dawn of the new century, Loveless forged a new, creative direction with the album Mountain Soul , inspired by the bluegrass, gospel, and old-time music of her native Appalachia. Despite receiving little radio play, Mountain Soul landed on many Top Ten country album lists for 2001 and, later, on lists of the best country albums of the decade. In 2002, Loveless co-headlined the Down from the Mountain tour, a concert inspired by the popular film O Brother, Where Art Thou? She revisited traditional music on Mountain Soul II , which won a Grammy for Best Bluegrass Album.

In recent years, Loveless has been on a hiatus, staying close to her home in the Georgia mountains as Emory Gordy deals with health issues. She has occasionally recorded with other artists, providing harmony on Alan Jackson’s “Monday Morning Church” and on recordings by John Prine, Bob Seger, and others. A new generation of country stars—including Miranda Lambert, Carly Pearce, Chris Stapleton, and Chris Young—has enlisted her for duets as well. Her influence continues to grow, as emerging country and Americana artists cite her powerful voice and her ability to create country music hits while staying connected to country music’s core traditions.

—Michael McCall

00:00  /  00:00

Patty Loveless’ achievements came by building on her strengths: applying her supple, emotive voice to catchy, upbeat tunes and probing the heart’s shadowy corners through nuanced, engaging interpretations of dead-serious ballads.

Patty Loveless began singing and writing songs at age eleven. She soon joined her brother Roger in a duo, the Singing Swinging Rameys, performing at fairs and festivals.

Black-and-white publicity photo of Patty Loveless from 1975, when she was using her family name Ramey.

Before they were collaborators, Patty Loveless and Vince Gill first met at Fan Fair in 1985.

MCA Records publicity photo of Patty Loveless, 1987.

Patty Loveless performing at Fan Fair in 1988.

A postcard sent to members of the Patty Loveless International Fan Club in 1989. Photo by Walden S. Fabry Studios.

Publicity photo of Patty Loveless, 1989.

Patty Loveless accepts the CMA Award for Album of the Year, 1995.

Patty Loveless, left, with Loretta Lynn, 1999. Photo by Raeanne Rubenstein.

Patty Loveless, 2023. Photo by Joseph Anthony Baker.

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