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Stephen Stills

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Stephen Stills’ name is inevitably going to be relayed back to the excellent groups he was part of (Buffalo Springfield, Crosby, Stills & Nash), but their is no denying the talent of his solo efforts.

Stills was born 3 January 1945 in Dallas Texas, United States into a military family and as a result spent most of his childhood moving from place to place. He lived in several locations with a large latino population such as Florida, Louisiana, El Salvador, and Costa Rica and gradually became immersed in the culture, specifically adopting Latin style music. His other major influences growing up included folk and blues.

In the early 60s Stills attended Louisiana State University, but left to follow his dream of becoming a musician. One of the 1st band’s he played in was an act known as the Continentals. Don Felder of the Eagles was also in this group with Stills; however, this project did not last very long. Greenwich Village soon became Stills home and he frequently showcased his material at the clubs in the area. While he was living there he formed the 9 piece vocal group, Au Go Go Singers. The group lasted until 1965 and managed to put out an album and also got the chance to tour the southeast.

The Company became Stills next project, but this act also dissolved within a short matter of time. However during their Canadian tour Stills developed a friendship with future collaborator Neil Young. Stills uprooted from New York City and headed off to LA where he became intwined in studio session work. He also auditioned for the comedy pop group the Monkeys, but was unable to get the role due to conflicting contractual arrangements.

In 1966 he formed the legendary folk/rock group Buffalo Springfield with Richie Furay and Neil Young and expanded the line up to include Dewey Martin, Bruce Palmer, Jim Messina, Ken Koblun, and Jim Fielder. The band lasted less than 3 years, but put out 3 highly respected albums within that short period of time: “Buffalo Springfield” (1966), “Buffalo Springfield Again” (1967), and “Last Time Around” (1968).

After Buffalo Springfield disbanded, Stills went back to session work, performing on albums such as Al Kooper’s “Super Session”. It was during this stint that he met ex-Byrds member David Crosby. The two musicians later connected with Graham Nash through mutual friend, Cass Elliott and the rest is history. The trio (Crosby, Stills & Nash) went on to release their classic self-titled debut and their sophomore masterpiece “Deja Vu” with Neil Young. Several other albums followed as well as lengthy tours, which included stops at two of the biggest festivals at the time: “Woodstock” and “Altamont”.

In the midst of CS&N’s heyday each member released a high profile solo album. Stills released his self-titled solo debut on 16 November 1970 to critical acclaim and commercial success. Stills recruited a deep pool of talent for this record, including Jimi Hendrix, Eric Clapton, Booker T. Jones, David Crosby, Graham Nash, and Ringo Starr (to name a few). The effort paid off as the album rose to no. 3 on the charts and eventually went gold. His follow up “Stephen Stills 2” was also a commercial success and likewise reached gold status. His 3rd studio album “Stills” was released through the label, Columbia as was it’s follow up “Illegal Stills”. Though these albums did not do as well as his first two they both were able to break into the US Albums chart in the top 30. Stills also embarked on several tours in support of these releases. One of his tours was scheduled to feature Neil Young; however, Young was forced to cancel due to throat problems. Stills and Young ended up collaborating anyways through the release of their album “Long May You Run” under the name The Stills-Young Band. This album climbed to no. 26 on the Billboard 200 and subsequently achieved gold status. Young and Stills partnership has since been admiringly referenced in the Scott Pilgrim comic book series as two of it’s main characters are named Stephen Stills and Young Neil.

In 1977 Crosby Stills & Nash released their 5th studio album “CSN”, which sold over 4 million copies and supported it with an acoustic tour. The trio toured well into the 80s, but by 1984 Still was back with another solo release “Right by You”.

From this point on he released solo albums rather infrequently. His 7th solo album “Stills Alone” came out in 1991 and his 8th studio album “Man Alive!” was issued 14 years later. His follow up “Just Roll Tape” came out only two years after “Man Alive!”; however this album was composed of recovered material recorded back in 1968.

Stills continues to tour with CS&N and has not only built a legacy for himself with this group, but has also become recognized as an endearing solo songwriter and one of the best guitarist of all time (ranked no. 28 by Rolling Stone Magazine).

Live reviews

This was a full band show at the historic 1570 seat circa 1921 Majestic Theater. It started off with a few PA problems which were resolved after the first few songs. It seemed to take him a few songs to get his voice dialed in but by "Reason to Believe", a Tim Hardin cover he was mostly in good voice. He was, however, on point with his guitar playing all night both on solo acoustic tunes, "Girl From the North Country", a Bob Dylan song, and the CSN nugget, "Find the Cost of Freedom"; as well as electric of which he played a number of different axes, seemingly changing them out every 2 or 3 songs. He ended the first 11 song set with the Crosby, Stills & Nash hit, "Suite: Judy Blue Eyes" which got the crowd up and dancing and garnered him his first Standing Ovation. After a short 25 minute intermission, he began the 2nd set with CSN's "Southern Cross" before playing a few new songs from his 2013 record with The Rides. He was talkative all night with liberal song intros and stories which enhanced the experience. 5 songs in to set 2 he performed an old Vietnam era tune of his called "Treetop Flyer" which earned a 2nd standing O. He preceded the last song of set 2 with another song from The Rides called "Virtual World" with accompanying story about how texting fans inspired it. Then he closed with an extended jam featuring all 4 members of the band soloing on the old Buffalo Springfield classic,"Bluebird". The encore followed with a slowed down jazzy take on Buffalo Springfield's "For What It's Worth" and his own "Love The One You're With" with the audience on their feet and singing along.

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I haven't seen Stephen Stills in years, and I was not disappointed in this last concert. His selection of music was just right playing a lot of the songs I hoped he would play. His easy style with the audience and sense of humor was an added treat. He spoke to the crowd often.

He still has the same voice and could really sing the songs as I remember them. His skill on the acoustic and electric guitars were amazing to watch and listen to.The audience demonstrated how much they enjoyed his show by singing and dancing to most of his songs. They were on their feet through most of the evening.

He and his band deserved the standing ovation they received at the end following two encores. It was also nice to see a performer demonstrate how much he appreciated the audience's reaction to his music and talent.

Last nights show at the Ryman Auditorium in Nashville, Tennessee was great. I had seen Stills last summer in Salina, Kansas. I think it was the 4th stop on the Stills and Collins tour. He looks so much more happier and healthier this time around. Seemed much more confident. There was a mix-up with forgetting some of the lyrics (he sang the wrong lines at the wrong time, didn't actually forget the lyrics), but none of us are getting younger and most his audience realizes that and was forgiving. This guy is a legend. See him before it's too late.

rebecca-adkins-1’s profile image

Stills remains a superb guitar player but his voice has lost most of its range. It was still a wonderful concert because Judy Collins remains a force of nature and her voice (and the voices of the back-ups) covered most of Stills' vocal deficiencies. And, every once in a while you heard Stills hit a note or two reminding us of what a fabulous singer he once was.

tony-edwards-3’s profile image

I've seen Stephen Stills in concert so many times. I've seen him alone, with Crosby and Nash and with his band Manassas. It's been a long time since my last Stills concert but I can't imagine being disappointed. I just love him and his music. Can't wait to see him when he comes around my area..

caroldupuis’s profile image

He can still play his guitar real good seeing him at the Crosby, Stills. & Nash concert here in Milwaukee on May 3rd 2015 Graham Nash played the lead role with his vocals. Steven Stills can really sing yet though! And he did. But Id say would be most remembered for his guitar licks.

kevin-dieck’s profile image

Saw him at Westbury 26 August 2017 last - with Judy collins.

He can still play that guitar okay - but singing with Judy Collins is not a duet I think is great, and have to say that both of them are pretty washed up.

Still - gotta keep rocking - so good on them both.

WishYouWereHere’s profile image

What a disappointment. Sound was bad, Still was mad. They were unrehearsed and I'm out 1000 bucks for tickets. Possibly the worst concert I have seen. Now the bot says a review must be 30 words long so....

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Neil Young and Stephen Stills Honor David Crosby, Revive Buffalo Springfield at Light Up The Blues

By Andy Greene

Andy Greene

Nobody knew quite what to expect when Neil Young walked onstage Saturday night at the Greek Theater in Los Angeles to wrap up Light Up The Blues, a fundraising event organized by Stephen Stills and his wife Kristen Stills to benefit Autism Speaks. Discounting a surprise, two-song acoustic set at a Canadian environmental rally in February, Young hadn’t faced a live audience in nearly four years. The other performers at the show ( Joe Walsh , Willie Nelson , Sharon Van Etten, Chris Stills, and Lukas Nelson and Promise of the Real) stuck to about two songs each, but Young had top billing and it felt like he might give a little more.

The Stills family organized the first Light Up The Blues a decade ago, and it’s slowly built up over the years from the Club Nokia to the Pantages and Dolby theaters to now the 5,900-seat Greek Theater. Performers with autism are booked every year, and this time around the bill included opera singer Amanda Anderson, rapper Rio “Soulshocka” Wyles, and former Voice contestant Will Breman. All three played impressive mini sets that proved autism is no barrier to artistic greatness.

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Lukas Nelson came out next to lead his longtime band through “Set Me Down on a Cloud” and “Find Yourself,” showing off his amazing guitar and vocal chops. Chris Stills admitted that it was a “tough act to follow,” but he did his best by playing “100 Year Thing” and the tender piano ballad “Where Love Is Found.” “I wrote this song for a Hollywood movie,” he said. “They didn’t take it. So it’s for us tonight. I worked real hard on it.” Hopefully, there was a producer in the audience that’ll find a place for the song in another movie.

The emotion only ratcheted up when Graham Nash – who had to miss the show to play a gig in Munhall, Pennsylvania – appeared on the video screens. “Hello everybody,” he said. “David was my best friend for almost 50 years. I’m going to miss him terribly in my life. I think about him every day. I’d like to revisit a beautiful piece of music, David and I doing ‘Guinnevere’ at Jazz at Lincoln Center with the famous trumpeter Wynton Marsalis. Enjoy the music, and please rejoice. I’m going to miss him every day of my life.”

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Joe Walsh livened things up with a typically goofy rendition of his 1978 solo hit “Life’s Been Good.” “If I knew I was going to have to play this next song for the rest of my life I would have wrote something else,” he said before breaking out “Rocky Mountain Way.” “But we’re stuck with this one.” He may be slightly bored by “Rocky Mountain Way” at this point, but he seemed thrilled when Stephen Stills came out to trade licks on it.

After a brief intermission, Willie Nelson – just one week shy of his 90th birthday – walked out alongside his sons, Lukas and Micah, plus harmonica player Mickey Raphael, and Promise of the Real. It was a quick medley that touched on “Funny How Time Slips Away,” “Crazy” and “My Life,” and just a tiny preview of his upcoming all star birthday bash at the Hollywood Bowl next weekend.

Cries of “Neil!” filled the Greek when Young came out next, acoustic guitar in hand and harmonica rack around his neck, to open his set with the Harvest Moon gem “From Hank To Hendrix,” followed by “Comes a Time.” Bassist Corey McCormick, drummer Anthony Logerfo, and percussionist Tato Melgar joined in on “Heart of Gold,” though the Nelson brothers surprisingly remained offstage for Young’s entire set. Stephen Stills played piano on “Helpless,” just like he did at the Déjà Vu sessions well over 50 years ago.

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Young briefly left the stage so Joe Walsh could help out Stills on “Love The One You’re With” and “Helplessly Hoping,” and the night wrapped up with Stills and Young locking vocals on “Long May You Run” like they did at so many CSNY concerts in the past. But CSNY will never play again. Buffalo Springfield is now just a distant memory. But fans got to see glimpses of both groups at this truly fantastic, emotional concert. Let’s hope it inspires Young to finally get back on the road. We don’t want to wait another four years to experience a night of music like this again.

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Review: Stephen Stills’ First Solo Tour Gets an Overdue Release

by Hal Horowitz May 1, 2023, 7:30 am

Stephen Stills Live at Berkeley 1971 (iconic/Omnivore) 4 out of 5 stars

Videos by American Songwriter

Most acts don’t start shows with their most famous songs. So it’s surprising that Stephen Stills kicked off this date on his first solo tour with “Love the One You’re With,” the opening track and hit from his 1970 self-titled debut.

The 1971 trek, in support of the disappointing second album, was a major undertaking. He brought a full five-piece brass section and named the outing The Memphis Horns Tour. But the first half featured Stills, mostly alone and acoustic. The full ensemble, with another six pieces, closes the evening. Due to his enormous popularity in Crosby, Stills, Nash, and then Young, he filled larger venues like Red Rocks and Madison Square Garden. Yet for a few nights in late August, Stills took the stage in the intimate 3500-seat Berkeley Community Theater. The tapes were rolling and this condensed compilation of highlights is the much-delayed result.

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It’s far from the first example of Stills in concert without his cohorts. A few previous live discs have already been released, but none from this jaunt featuring the expanded horn section and, for two terrific songs (“You Don’t Have to Cry” and “The Lee Shore”), guest David Crosby joining Stills on unplugged guitar and vocals.

It’s an inspired performance. Stills is in fine form, vocally, on guitar, banjo (a searing “Know You’ve Got to Run,” a precursor to Déjà Vu’s “Everybody I Love You”) and even pounding the piano for a ragged but committed mash-up of “49 Bye Byes” and the Buffalo Springfield’s “For What It’s Worth.” The show’s first half dominates this recap with 10 titles, leaving just four longer ones with the full horn-powered outfit. Only three selections are from Stephen Stills 2 .

[RELATED: ‘Stephen Stills Live at Berkeley 1971’ Captures the Legendary Singer-Songwriter’s Solo Success]

We get a sense of Stills’ diverse talents as down-home Delta bluesman (“Black Queen”), pop star (the opening tune), sensitive folkie (“Do for the Others”), political firebrand (a breathless, Dylan-inspired “Word Game”), country-influenced religious writer (“Jesus Gave Love Away for Free” wouldn’t appear on a studio album until Manassas in 1972), and R&B band leader (a searing, nearly 10-minute version of “Cherokee,” featuring horn work from most of the brass players and a roaring Stills guitar solo). There is also a reworked/rearranged “Bluebird,” titled “Bluebird Revisited,” that lacks the original’s intensity but still exhibits Stills’ willingness to interpret older material with fresh enthusiasm. 

There are extraneous moments too, particularly concerning Stills’ nearly four-minute introduction of the band, which should have been jettisoned. And with just an hour of music, the spare time could have been filled with additional tunes. A second disc would be welcome since the shows typically went much longer than 60 minutes.

Regardless, what is here, including “Lean On Me,” (not the Bill Withers classic) unavailable elsewhere, is historically relevant and an often mesmerizing illustration of one of rock music’s most gifted musicians, arguably at the top of his game.

Photo by Robert Knight Archive/Redferns

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  • September 8, 2023 Setlist

Stephen Stills Setlist at Lucas Oil Stadium, Indianapolis, IN, USA

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  • Love the One You're With (with The Jim Irsay Band ) Play Video
  • Southern Cross ( Crosby, Stills & Nash  song) (with The Jim Irsay Band ) Play Video
  • Woodstock ( Joni Mitchell  cover) (with The Jim Irsay Band ) Play Video

Note: Part of Jim Irsay Collection Kickoff Concert

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2 activities (last edit by iwuchris , 9 Sep 2023, 04:35 Etc/UTC )

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  • Southern Cross by Crosby, Stills & Nash
  • Woodstock by Joni Mitchell
  • Love the One You're With

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  • Apr 01 2022 MusiCares Person of the Year 2022 Las Vegas, NV, USA Add time Add time
  • Apr 22 2023 Light Up The Blues to Benefit Autism 2023 Los Angeles, CA, USA Add time Add time
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Stephen Stills, Neil Young, Joe Walsh Share Stage at ‘Light Up the Blues’ Concert

stephen stills tour

Stephen Stills, Joe Walsh and Neil Young performing “Mr. Soul” at the Greek Theatre, April 22, 2023

Stephen Stills and Neil Young teamed once again on stage last night (April 22, 2023) at the sixth edition of Stills’ Light Up the Blues concert series at The Greek Theatre in Los Angeles. The three-time bandmates performed songs from each of their previous (and legendary) collaborations with Buffalo Springfield, Crosby, Stills, Nash and Young, and closing with “Long May You Run,” a favorite they recorded as the Stills Young Band. Among the fellow music stars joining them for the event—organized by Stills and his wife, Kristen, to benefit Autism Speaks—were Willie Nelson and Joe Walsh. The concert marked Young’s return to the live concert stage for the first time since the pandemic. (He has previously been announced as one of the stars set to perform at Nelson’s pair of 90th birthday concerts. Those take place one week later, also in Los Angeles.)

During Young’s 11-song set, he and Stills were joined by Walsh for a sparkling version of Buffalo Springfield’s “Mr. Soul.”

The resumption of the Light Up the Blues show marked the first post-pandemic concert in the series; a May 30, 2020, edition was cancelled. The players were joined onstage by Young’s longtime touring band, Lukas Nelson & Promise of the Real, plus Chris Stills, Oliver Stills, Sharon Von Etten, and many special guests. Jeff Garlin served as emcee. The event was an immediate sell-out.

Stills honored his longtime bandmate, David Crosby, with a performance of “Wooden Ships,” which they wrote with Paul Kantner. Stills was joined by his son, Chris, and Crosby’s son James Raymond.

Young has participated in the annual benefit concert several times. The 2023 edition was first revealed on Feb. 13. David Crosby’s son, James Raymond, also performed. “His singing voice sounds so much like David that it’s scary,” Stills told the Rolling Stone . Days after the benefit was announced, Stills shared news of a previously unreleased live album from 1971 that features two songs with Croz.

Watch Stills and Walsh perform “Helplessly Hoping at the 2023 benefit

The pair also teamed on Walsh’s classic rock favorite, “Rocky Mountain Way.”

Walsh also performed “Life’s Been Good.”

Related: Our recap of the 2016 edition

Watch Stills and Young perform Buffalo Springfield’s “Bluebird”

Over the years, the Light Up the Blues Concert has also featured such artists as Crosby, Stills & Nash, John Mayer, Patti Smith, Brandi Carlile, Sheryl Crow, Beck, Burt Bacharach, Don Felder, Jakob Dylan, and more, and has raised millions of dollars in support of the work of Autism Speaks, helping to drive the organization’s mission.

Garlin introduced Nelson for his brief set.

Watch Stills and Young perform “Long May You Run”

Light Up the Blues 6 celebrates people with autism, while supporting Autism Speaks in its mission to promote solutions, across the spectrum and throughout the life span, for the needs of people with autism and their families. Proceeds from the Light Up the Blues concert will go toward Autism Speaks’ efforts, which include funding life-enhancing research, increasing early childhood screening and interventions, and improving the transition to adulthood.

Related: Our Album Rewind of the Stills-Young Band’s 1976 LP,  Long May You Run

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13 Comments so far

Johnny Trump

Where’s Richie Furay ? Not here. Buffalo Springfield

The Saguaro

Where in the article did it say that it was a Buffalo Springifeld reunion? Neil rocks with Lukas’s band!

v2787

Neil Young is and has always been one of the most overrated musicians on the planet. He’s a rough, ragged, abrasive guitarist and has an off-putting, whiny singing voice. I love Stephen Stills, but I can’t stand listening to Young. I guess opinions vary. If you like Neil Young, great. Have fun. As for me, I’ll avoid subjecting my ears to his cacophony.

Mikeotb

Over rated? I was at the iconic Dylan 30th Anniversary show at MSG. A who’s who of the greatest classic tock artists of our time. And Neil Young with his unique voice absolutely stole the show. Not sure who you grew up listening to, but in bashing Neil Young you are certainly in the minority.

TurtleThom

His voice is unique and quite original. My problem with Neil was his lack of discretion in his album releases. He is one of those prolific songwriter/artists who thinks every note he ever recorded was worthy of an album release. He was wrong. Maybe one in every three records he released was worth the effort. He needed an editor.

Ron Wilhelm

“worth the effort”? To who? Neil Young can and does release whatever he feels like. He doesn’t follow some marketing script that says only release records every three years and only if it is going to be platinum. He writes what he feels, records what he feels, and releases what he feels. That’s Neil Young.

JimF

Neil Young is one of the best artists still around. You have your opinions as does anyone but my opinion is Young is amazing. He’s truly a legend and one of my top idols of all time.

Grasshopper

Before you go on about Neil, research his youth. He has probably overcome more problems others would never expect. I’m proud of him. We share one of those deficits. He didn’t want pity. He’s made it with class, strength, and talent.

Da Mick

I’m sorry. As much as I admire Stills and Young, and what they’re raising money for, that was just pathetic. Sadly, Stills just cannot sing anymore, which is tragic because he was once so vibrant vocally. And with Young lurking around the stage singing half the lyrics to “Mr. Soul” while not at a microphone just makes me wonder if these guys should just be in an old age home now. Musicians in their primes can’t just go out and do a major performance when they’ve been away from it for long periods of time without extensive rehearsals and warming their skillsets up. What makes these guys think they can just get together and play like it was yesterday? I understand the concept of fellowship doing this show, but there were just too many guitarists out there banging away on these song creating a bunch of noise overall. While you have to admire Joe Walsh’s spirit, as he seemingly wants to get in on every gig of this type that exists, he was not adding to the mix, and was unnecessary. It was all so painful, I couldn’t watch any of their songs all the way through. Every appearance I’ve seen of Stills lately on these 1-off gigs, he’s been the same. But, somehow, I was hoping for more from Neil Young who has been performing up until recent years. We still have their great records, but leave the legacy in peace.

Jeff Tamarkin

On the other hand, Nash sounds as sublime as ever.

Amazingly, he still does, Jeff. How does he do it?

I actually asked him that in a recent interview and he said he doesn’t know! He said he doesn’t do anything special to take care of himself. Just good genes, I guess.

Jas

I was at this show at the Greek Theatre. I was thrilled to hear some Buffalo Springfield tunes and early CSN. It was also great to see Joe Walsh. I would have been happier with less Neil Young and more Stephen.

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Stephen Stills: ‘Part of me misses David Crosby dreadfully. Part of me thinks he got out of here just in time’

The 78-year-old folk rock icon talks to kevin e g perry about woodstock and the sixties, the death of david crosby and his new live album from 1971, article bookmarked.

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‘Part of me misses David Crosby dreadfully. Part of me thinks he got out of here just in time’

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I n August 1971, Stephen Stills arrived in Berkeley for the final dates of his first ever solo tour to be greeted by a surprise visitor: David Crosby . Just a year earlier their pioneering folk rock supergroup Crosby, Stills, Nash & Young had imploded in a blizzard of booze, cocaine, rampant egos and lopsided love triangles. That night, however, there were no hard feelings. “He came to see me in the dressing room before the show,” remembers Stills, who promptly invited his old friend to join him on stage. “I said: ‘Let’s do “The Lee Shore”’ and he said: ‘Alright!’ We didn’t run through it that many times – and it shows! But that’s the way we rolled back then. It was marvellous.”

Their heartfelt duet appears early on Stills’s new album Live at Berkeley 1971, which is drawn from recordings the former Buffalo Springfield guitarist recently unearthed during a deep dive into his archival vault. Now 78, Stills is speaking to me over a video call from his airy home in the hills above Los Angeles. The snowy white beard sprouting in a tuft from his chin may give him the appearance of a medieval friar but in conversation he’s mischievous and puckish, with an irreverent attitude towards his own music.

“There are some rather strange vocals,” he says of the live album, which features a solo-acoustic set followed by a full-throated electric performance backed by legendary Stax musicians the Memphis Horns. “I remind myself of… well, the term ‘barking mad’ comes to mind. We were very enthusiastic, and by the end of the shows I was literally barking because I couldn’t make the notes and everything was too fast!”

The appearance of Crosby on the album is rendered particularly poignant by the singer-songwriter’s death in January this year, at the age of 81. Stills says the news took him by surprise. “He was on his way to a last tour, and my son [Christopher] was going to play with him,” says Stills. “He just went to take a nap and didn’t wake up. Not a bad way to go, actually. There’s part of me that misses him dreadfully, and there’s part of me that thinks he got out of here just in time, if you look at the world.”

As well as Crosby’s “The Lee Shore”, on Live at Berkeley 1971 the pair also perform Stills’ composition “You Don’t Have to Cry”. The song has a special place in the mythos of Crosby, Stills and Nash as it was the first song they ever sang as a trio, although in keeping with the group’s fractious reputation there is some dispute over the details. Graham Nash says the fateful meeting happened at Joni Mitchell’s bungalow in Laurel Canyon , but Stills maintains it was actually The Mamas & the Papas’ singer Cass Elliot who gave CSN their first audience in 1968. “I remember this vividly,” he says. “She had these big fluffy pillows and couches that I sank into, so I couldn’t find a place to play guitar. The kitchen turned out to be wonderful. I sat in the corner with David on one side and Graham kind of standing around. We sang it once and he said: ‘Do that again.’ The third time he chimed in and we knew that we were done for.”

As Stills remembers things, it was the following night they repeated the trick at Joni Mitchell’s place. “I suppose because the story’s more glamorous, [Crosby and Nash] decided to superimpose that as the first time we sang it,” chuckles Stills. “That’s the story of our lives! The story of that group.” He slips into a good-natured impersonation of himself and his bickering bandmates: “‘No, I remember!’ ‘No, I remember!’”

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“Watching those boys discover their blend was exciting. It was boys in love,” Mitchell recalled later. Wherever it was they first met, it didn’t take Crosby, Stills and Nash long to cement their place in musical history. They helped define the “California Sound” with the release of their self-titled debut album in 1969, with Stills contributing classic songs including “You Don’t Have to Cry”, “Helplessly Hoping” and epic opener “Suite: Judy Blue Eyes”, which was written about his imminent breakup with folk singer Judy Collins. The record has since gone platinum many times over.

From left, Crosby, Nash and Stills in 1983

Later that year, the band added Stills’s former Buffalo Springfield bandmate Neil Young to the line-up for a string of live shows, including Woodstock, before the quartet put out Déjà Vu in 1970. Cracks soon started to appear on a subsequent tour. The band who had started out in sun-kissed Laurel Canyon, wreathed in an air of pot-smoking hippy optimism, were now descending rapidly into cocaine-fuelled competitiveness and internecine squabbling. Stills, in particular, was accused of excessive control freak tendencies, and was briefly sacked from the group after playing an unscheduled extended solo set at New York’s Fillmore East when he heard Bob Dylan was in the audience.

When the group splintered, all four members released solo albums but Stills had the distinction of outselling the rest with Stephen Stills , helped by hit single “Love the One You’re With”. During the recording of the song Stills met and began a relationship with backing singer Rita Coolidge, who then left him for Nash – only compounding romantic rivalries in a group that had already seen both Crosby and Nash date Mitchell. The song’s free-love-advocating title and chorus (“If you can’t be with the one you love, honey, love the one you’re with”) was inspired by a line Stills heard keyboardist and Beatles collaborator Billy Preston say at a party. “He threw it off on the fly and I said: ‘That’d be a great song,’” remembers Stills with a nostalgic laugh. “He said: ‘Do it!’ So I did.”

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Stills’s first solo album is well known among guitar aficionados for being the only record to feature both Jimi Hendrix and Eric Clapton. That piece of trivia reflects both the high esteem Stills was held in by his virtuoso peers, and his ability to ignore meddling record executives. “I was rather sneaky about it,” recalls Stills. “When their people found out they all complained. Jimi’s producer was particularly adamant about it: ‘Don’t play guitar for that son of a b**** again!’ But we had the attitude of jazz guys. There was a community of us, a potpourri of everybody intermingling all the time like the jazz guys back in the Fifties used to do.”

Less than a year after releasing his first solo album, the ever-productive Stills returned with Stephen Stills 2 in 1971. That summer he set out on a debaucherous run of shows that, thanks in part to the involvement of the Memphis Horns, was soon dubbed “The Drunken Horns Tour”. While Live at Berkeley 1971 was recorded in the intimate confines of the 3,500-capacity Berkeley Community Theatre, earlier stops had seen Stills play to 20,000-strong audiences in arenas like New York’s Madison Square Garden and The Forum in LA. “That’s why it came off as loose as it did,” reasons Stills. “At Madison Square Garden I got the crowd going so much that we put three cracks in the wall. I know because the engineer came directly to me to complain: ‘You’ve got to be careful, this thing might come down!’ He put a fright into everybody because the whole building was bobbing, which the Albert Hall can take but not one of these glass and steel things that they build over here!”

‘The people in power are never going to pay attention to musicians and artists’

Along with the CSN tunes and solo material on Live at Berkeley 1971, Stills also plays a solo piano version of perhaps his best-known creation: Buffalo Springfield’s “For What It’s Worth”. One of the definitive protest songs of the Sixties, it’s become a soundtrack staple in everything from Vietnam documentaries to films Lord of War and Tropic Thunder. Stills picks out Forrest Gump as his own favourite needle-drop, although he’s typically self-effacing about the song itself. “I can’t listen to it that many times in a row before I start to cringe,” he says, “But it’s good for the fans and for the audience because it takes you back to that time.”

He adds that the song reminds him of what he now sees as the strident atmosphere of the era. “The other night I ran across the director’s cut of Woodstock ,” he says. “It’s the funniest movie I’ve ever seen, because we were so wrong about so many things! We were all searching for enlightenment, but it turned into a lot of rants. Watching all the American kids lolling around in the mud, I remembered that there were peace talks trying to go on at the time. I thought: ‘Oh, the North Vietnamese must be quaking in their f***ing boots looking at this!’ Those ironies struck me, here at age 78.”

While “For What It’s Worth” is often associated with the anti-war protests, Stills actually wrote it about the Sunset Strip riots of 1966. That November, young hippie demonstrators – including Jack Nicholson and Peter Fonda – faced off with police over plans to enforce a 10pm curfew for under-18s and close down a nightclub called Pandora’s Box. “It was a funeral for a bar,” recalls Stills. “[The police] had just been issued this riot gear, and they all fell out in a full Macedonian battle array: ‘Let’s do it! Let’s test this stuff out on these defenceless drunken kids!’ The rest, as they say, is history.”

Live at Berkeley 1971 concludes with another Stills protest anthem, that year’s thrilling “Ecology Song”, which marries upbeat horns with pointed lyrics about corporate greed and America’s shameful involvement in the death of the planet. It could have been written yesterday. “I was rather early!” says Stills. “It wasn’t something people were writing about, because it’s kind of difficult to write about things that directly. There are some bad rhymes in there! It’s a bit preachy. You can get trapped into very ordinary proselytising, so it’s something one does with a certain amount of discretion. You can’t overdo it or you run the risk of becoming a crushing bore, but for its time it was rather forward-looking.”

Does he wish the powers-that-be had paid a little more heed to his warnings about the emerging climate catastrophe? Stills shrugs off the idea with a laugh. “The people in power are never going to pay attention to musicians and artists,” he says. “We’re fruitcakes!”

‘Stephen Stills’s Live at Berkeley 1971’ is out now

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stephen stills tour

Yola, Todd Rundgren, Real Estate and More Tapped for Crosby, Stills & Nash Tribute Show

Crosby, Stills & Nash will be honored with a tribute show at New York's Carnegie Hall featuring artists including Yola, Todd Rundgren, Real Estate and Iron & Wine.

The Music of Crosby, Stills & Nash , scheduled for May 13, is the 19th annual benefit concert in Michael Dorf's "The Music of..." series following previous iterations dedicated to Paul McCartney, David Bowie, and Prince. Dorf, the founder and CEO of City Winery, is producing the event through his MDP (Michael Dorf Presents) company.

The lineup also boasts Grace Potter, Rickie Lee Jones, Joseph, Shawn Colvin, Aoife O'Donovan, Neal Francis, Sammy Rae, and Taylor Meier of Caamp. Michelle Willis, a former member of Crosby's Lighthouse Band, and keyboardist Todd Caldwell, who played with various incarnations of CSN over the years, will be a part of the house band.

100% of net proceeds from the event go to music education for underserved youth through programs like Grammy in the Schools , Young Audiences New York , The Center for Arts Education , and Music Will .

"To be a part of this incredible evening at Carnegie Hall, celebrating the music that David, Stephen, and I created together, is a profound honor," Graham Nash, who will be participating in the show, said in a statement.

"I look forward to seeing a diverse and talented group of artists perform our songs," he added. "Music has always been about connection, about sharing stories and emotions that resonate with each other. This event allows us to relive those connections and support a cause close to our hearts — music education."

While Neil Young occasionally joined the band after their 1969 debut, turning CSN into Crosby, Stills, Nash & Young, the decision was made to focus on the original trio as Young was already celebrated with his own tribute concert in 2011. The evening will, however, feature reinterpretations of both group and solo songs.

"We didn't want every artist to be from that era or be colleagues," Dorf told Rolling Stone . "Those harmonies are so much in our collective subconscious. So we were also thinking of new artists or other voices who can interpret the songs so you can hear the lyrics in a different and more profound way."

So far, Nash is the only original member slated to participate. David Crosby died a little over a year ago, and although Dorf's team has reached out to Stills and still hopes that Young could make an appearance, they both have yet to officially sign on.

"Bruce Springsteen and David Byrne played at their tributes, and R.E.M.'s last show in New York was at theirs, when they came out for the encore," Dorf added. "Neil doesn't do these things very often and has his own charities. But we try to get the artists involved."

Never miss a story — sign up for the Q newsletter for the latest music news on all your favorite artists, all in one place.

VIP tickets for the show are on sale as of today. General admission tickets will go on sale March 20 at carnegiehall.org .

City Winery founder Michael Dorf is celebrating the music of Crosby, Stills & Nash.

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  1. Tour Dates

    Tour Dates. Stephen Stills is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and seminal member of a number of successful bands. Stills has combined record sales of over 35 million albums. Get music, merch and more.

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    Unfortunately there are no concert dates for Stephen Stills scheduled in 2024. Songkick is the first to know of new tour announcements and concert information, so if your favorite artists are not currently on tour, join Songkick to track Stephen Stills and get concert alerts when they play near you, like 70206 other Stephen Stills fans. 2024.

  3. Stephen Stills Official Website

    Stephen Stills is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and seminal member of a number of successful bands. Stills has combined record sales of over 35 million albums. Get music, merch and more.

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  5. Stephen Stills Concerts & Live Tour Dates: 2024-2025 Tickets

    Stephen Arthur Stills is an American guitarist and singer-songwriter best known for his work with the Buffalo Springfield and Crosby, Stills, Nash & Young. Stephen Stills was born in Dallas, Texas on January 3, 1945 to a military family. Moving around as a child, he developed an interest in blues and folk music.

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    Stephen Stills Gig Timeline. Apr 01 2022. MusiCares Person of the Year 2022 Las Vegas, NV, USA. Add time. Apr 22 2023. Light Up The Blues to Benefit Autism 2023 Los Angeles, CA, USA. Add time. Sep 08 2023. Lucas Oil Stadium This Setlist Indianapolis, IN, USA.

  19. Stephen Stills, Neil Young, Joe Walsh Share Stage at 'Light Up the

    The resumption of the Light Up the Blues show marked the first post-pandemic concert in the series; a May 30, 2020, edition was cancelled. The players were joined onstage by Young's longtime touring band, Lukas Nelson & Promise of the Real, plus Chris Stills, Oliver Stills, Sharon Von Etten, and many special guests. Jeff Garlin served as emcee.

  20. Stephen Stills: 'David Crosby got out of here just in time'

    I n August 1971, Stephen Stills arrived in Berkeley for the final dates of his first ever solo tour to be greeted by a surprise visitor: David Crosby.Just a year earlier their pioneering folk rock ...

  21. Stephen Stills and Judy Collins Recording Collaborative Album

    Stephen Stills and fellow Rock and Roll Hall of Famer Judy Collins will hit the road together to mark the first time the two have ever shared the stage together. The tour begins in late July as Stills is also planning a jaunt with supergroup The Rides, and runs through September as the two will follow up a recording session that will result in ...

  22. Stephen Stills Tickets

    The Stephen Stills Concert Experience. Stephen Stills has become one of the top Pop artists in the 2024 music scene, delighting fans with a unique Pop sound. Stephen Stills tickets provide an opportunity to be there in person for the next Stephen Stills concert. So experience it live and be there in person for a 2024 Stephen Stills Pop concert.

  23. Lineup announced Crosby, Stills & Nash tribute show

    Crosby, Stills & Nash will be the subject of a tribute concert in New York City this May, and we now know the artists who'll be on hand to celebrate their legendary catalog. The Music of Crosby Stills & Nash is set to take place May 13 at Carnegie Hall, with a lineup that includes Todd Rundgren , Iron & Wine , Rickie Lee Jones , Grace Potter ...

  24. Yola, Todd Rundgren, Real Estate and More Tapped for Crosby, Stills

    Crosby, Stills & Nash will be honored with a tribute show at New York's Carnegie Hall featuring artists including Yola, Todd Rundgren, Real Estate and Iron & Wine. The Music of Crosby, Stills ...

  25. Stephen Stills Bio

    Stephen Stills is one of rock music's most enduring figures with a career now spanning six decades, multiple solo works, and four hugely influential groups - Manassas, Buffalo Springfield, Crosby, Stills & Nash (CSN), and Crosby, Stills, Nash & Young (CSNY). ... which captures Stills' 2008 concert at the London venue. In 2013, Stills ...

  26. Grace Potter, Todd Rundgren, Neal Francis & More To Honor ...

    The Music Of Crosby, Stills & Nash will be the focus of music impresario and philanthropist Michael Dorf's 2024 benefit concert at historic New York City venue Carnegie Hall. The star-studded ...

  27. News

    Stephen Stills is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and seminal member of a number of successful bands. Stills has combined record sales of over 35 million albums. Get music, merch and more.