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23-24 24-25

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Le Châtelet

Théâtre du Châtelet 1 place du Châtelet 75001 Paris

Melody Gardot

5 dec. 2022

Monday 05 december 2022 20h00

• Grande Salle
• from 19.5 to 129 €

American singer, songwriter and composer Melody Gardot returns in 2022 for two exceptional concerts on the legendary Olympia stage, which is sold out every time she performs. This success is also reflected in her tours of France, making her an artist not to be missed.

In 2020, she unveiled “Sunset in the Blue”, her fifth studio album. Released on October 23, the platinum-selling album reunites Melody Gardot with her “My One and Only Thrill” team: producer Larry Klein, arranger and composer Vince Mendoza and legendary sound engineer Al Schmitt.

This year, Melody is inviting prestigious guests such as Ibrahim Maalouf and Antonio Zambujo on the re-release of her album, once more on the theme of love.

Melody Gardot will be in Lyon on November 11th at the Centre des Congrès and on stage at the Olympia in Paris for five exceptional concerts on November 21, 22 and 23 and on December 3, 2022.

In view of this success, she is adding an extra concert on December 5 at the Théâtre du Châtelet.

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The Music Hall

Melody gardot.

Blessed with a beautiful alto voice and grand insight as a songwriter, Melody Gardot overcame a life-threatening bicycle accident early in her career. As amazing as her story is, what is more evident is that she possesses a blues, jazz-oriented style and dusky persona that reflect not only her afflictions but also conversely the hope and joy of making personalized music that marks her as an original.

At age 19, she was hit by a Jeep made an illegal turn, and left in the street for dead. As she lay hospitalized for months with multiple head injuries and pelvic fractures, her love for music was the best therapy she could receive.  While in her hospital bed, she wrote and recorded songs that would become the EP Some Lessons.

Upon her eventual release from intensive care, Gardot found the strength and determination to further her career.  Hypersensitive to light and noise, she wore dark glasses. On-stage she also required a special seating unit, and often wore a Transcutaneous Electro-Nerve Stimulator to assist in alleviating her neuralgic muscle pain.  Despite these hurdles, she recorded her debut full-length, Worrisome Heart , in 2007. Well-received, the album drew comparisons to Laura Nyro, Joni Mitchell, and Eva Cassidy.

In 2021, Melody joined forces with Philippe Powell, composer-pianist and son of Baden Powell, to write a record. He’s like “The Bill Evans of Brazil,” Melody would screech to her colleagues, “… he’s just got that thing that goes so deep…”.  This led to the May 20, 2022 release of Entre eux deux . Melody Gardot and Philippe Powell breathe a new life into the classic piano and voice format with their fresh perspectives. 

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About Melody Gardot

• FROM A DISTANCE: Melody Gardot on Love, Lockdown, and Working With Sting
• November 14, 2020
• By Charles Waring

Combining a soft, sensuous, silky purr with a tremulous vibrato, Melody Gardot’s voice is distinctive enough to be instantly recognisable; it’s a rare quality these days and puts her in that elite cadre of chanteuses that includes such legendary figures as Billie Holiday, Ella Fitzgerald, Sarah Vaughan and Astrud Gilberto. It may be early days yet – Gardot is still only 35 – but on the evidence of the five studio albums she’s delivered thus far, the singer originally from Philadelphia who now lives in Paris is writing herself into the pages of jazz history.

As the lush musical canvas of her latest long-player, the 13-track ‘Sunset In The Blue,’ reveals with its iridescent fusion of jazz, pop and Latin styles, Gardot occupies a unique niche; she can bring a fresh but timeless interpretation to well-worn jazz standards like ‘Moon River’ and ‘I Fall In Love Too Easily’ but also writes many of her own songs, some of which – like ‘If You Love Me’ and ‘From Paris With Love’ – sound like future standards.

But due to the Covid-19 pandemic, the birth of what became ‘Sunset In The Blue’ was not an easy one. “We set out in January 2020 to begin demos and recordings of this album hoping we would finalise in the spring,” the singer explains. “Mid-way through that process, however, all operations had come to a grinding halt.”

Despite the restrictions that lockdown and social distancing brought, Gardot felt an impulse to persist with completing the album; even if it altered the way she approached recording. “We decided to push forward,” she says, “and continue to find a way to make music despite these trying times – and it was in that moment that we discovered great beauty.”

The old adage about necessity being the mother of invention rang true for the American singer. One of the songs she had written for the project, the poignant, richly orchestrated ballad, ‘From Paris With Love,’ became the catalyst that sparked a new approach to making music. “The song took new life, serving as a beacon of light in dark times,” she reveals with pride. “It offered a chance to break the mould in terms of how we create music and also provide a number of musicians the opportunity to work, maintaining their livelihood as performers.”

In a “eureka” light bulb moment, Gardot, locked down in the “City of Light,” recorded the single ‘From Paris With Love’ in May by using social media to make contact with string players, who formed a virtual orchestra and recorded their parts separately. Some of them appeared in her promotional video for the song, which also included footage submitted by several of the singer’s quarantined fans around the world. Its theme is that love and togetherness can be a transcendent, unifying force in challenging times; and the sense of distance and isolation we’ve all felt has only served to emphasise our need for closeness and kinship with one another.

“We managed to bring the gesture of connection full circle by donating – with Universal and myself – our respective royalties of this song to a charity for healthcare workers,” says Gardot. “We did what we could with what we had.”

The sense of achievement that Gardot felt after completing ‘From Paris With Love’ propelled the album project with greater momentum. “I felt incredibly inspired to keep searching for a way to make music and keep musicians working,” she says. “Our team worked nonstop in that moment until we were graced by the presence of the Royal Philharmonic Orchestra at Abbey Road to help us finalise the remaining recordings at distance.”  

The Abbey Road recording in June was remarkable as it was the first Covid-safe studio session in the world. “Absolutely fantastic,” is how Gardot recalls the experience. “(It was) incredible to be able to do this long distance. These musicians are just stellar. A fabulous cast involved on all sides, from the team at Abbey Road, to conductor Cliff Masterson, and arranger Vince Mendoza. It was something out of a dream.” 

The new album reunites Gardot with Larry Klein (pictured left), who began his career as a jazz bassist before becoming a Grammy-winning record producer whose forte is working with female artists (which include Joni Mitchell, Tracy Chapman and Madeleine Peyroux). His first collaboration with Gardot was on her second album, 2009’s Grammy-nominated ‘My One & Only Thrill,’ which went both platinum and gold in various countries around the world and established the then 24-year-old singer as a global star. Klein worked with her again in 2015 on the singer’s last studio album, ‘Currency Of Man.’ “Larry and I jokingly say we’re like an old couple,” laughs Gardot. “We’ve known each other for many years, and we have a certain way of working where we set out with an idea but then tend to turn it on its head, neither of us knowing really where the road of reinvention will lead us. It’s a free-flowing palette in terms of creation; a bit of a compromise as much as a surprise.”

Orchestrator, Vince Mendoza (right), had also worked with the singer before on the album projects that were helmed by Klein. “Vince is a phenomenal arranger and conductor,” Gardot gushes. “It was a pleasure to have him on board. Most admirable was his willingness to help us create the backdrop of ‘From Paris with Love’ with a global digital orchestra in tow. Not an easy feat by any means.”

Completing the holy trinity behind ‘Sunset In The Blue’ is veteran studio engineer Al Schmitt, now 90 (pictured below with Melody), who’s a long-time associate of the late producer Tommy LiPuma. According to Gardot, his expertise was crucial to the sound of the album.  “It doesn’t get any better than Al,” she states. “Just in terms of recording live sounds – his drum sound alone can make you lean into the speakers to get a closer glimpse of what has been captured.”

She adds: “He’s a genius in his own right. If you search quickly the projects he has worked on you would understand. In his most recent book, he even shows how he placed the mics to capture artists like Bob Dylan and Sinatra.” 

The experienced triumvirate of Klein, Mendoza and Schmitt conspire to frame Gardot’s voice with a host of impeccably elegant musical backdrops. Stylistically, the album is radically different from her previous opus, 2015’s  Currency Of Man , which had more of a retro-soul ambience.  “In terms of style, I had wanted to return to something more feminine and sensual, as we had been developing this sound the two years prior while on tour,” says the singer, explaining her return to her jazz roots. “Quite simply, I felt it was time to take that energy and that more orchestrated approach to the studio.” 

The mood is generally downbeat – but not downcast –  and among its numerous highlights is the languorous ballad, “If You Love Me,” featuring noted German flugelhorn player, Till Bronner (right). It’s the album’s tone-setting opening cut and the first of eight songs that the singer either wrote or co-composed on an album that she says was inspired by love. 

One of her original songs, ‘Ave Maria’ – not to be confused with the well-known Schubert piece with the same name – finds Gardot’s sublime vocals augmented by Mendoza’s cinematic orchestral touches. With its poetical lyrics, the song highlights the Grammy-nominated singer/songwriter’s skill as a storyteller. “This album focuses on all aspects of love, and I wanted to take that one step further with ‘Ave Maria,'” she discloses.  “Here we discover a young woman about to enter the convent, where she is questioning the love she’s been explained that she must have for an otherwise ‘invisible’ being.”

“There is no political or religious statement behind it,” she explains further: “It’s just one moment imagined as a young woman looks at the path before her, about to give her hand in marriage to someone she cannot see. She hears the people singing ‘Ave Maria,’ and begins to wonder… ‘Ave Maria…what does this all really mean?'” 

The album’s romantic ambience is further enhanced by carefully selected covers, including a revamp of English folk singer Lesley Duncan’s minor UK hit, ‘Love Song,’ which was also recorded in the early 1970s by jazz singer Peggy Lee. “Larry Klein suggested the song to me and I fell in love with her writing style on this tune,” says Gardot. “It stood out as a beautiful piece to reinvent.” 

Those who are familiar with the singer’s third album, 2012’s ‘The Absence,’ will know that Melody Gardot has a passion for Brazilian bossa novas and Mediterranean music. Her musical love affair with Latin grooves and moods is in evidence on ‘C’est Magnifique,’ a smouldering duet with the mellow-voiced crooner,  Antonio Zambujo (left).  “Antonio is a fantastic singer and artist from Portugal, who I had been listening to and admiring for many years,” enthuses Gardot. “His voice is just perfect for the song and I am very grateful to have the opportunity to sing with him.”

The album contains another duet with a more high profile participant; Sting. The ex-Police singer appears on the set’s final song, a bonus track called ‘Little Something.’ “It was surreal and groundbreaking, in the sense that I never imagined it possible to create a duet long distance,” exclaims Gardot. “The track was brought to me by French producer, Jen Jis. It was then recorded while in quarantine and released early September. Up until that point, I had never met Sting; we only met through the music. It’s quite funny, but beautiful in a way to work like this; all that mattered was the music.”

The album’s overall mood is captured by its extraordinary and eye-catching abstract artwork. “The album cover is a painting by the (American) artist Pat Steir (pictured below, right),” Gardot divulges. “She is an incredible artist. The work is called Untitled IX, 2019 (Taipei). Her work is held in the permanent collections of the Fondation Cartier, Paris; Louvre, Paris; the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; Tate Gallery, London and many more.”  

Gardot says she decided to showcase Steir’s work to show solidarity with other creative people whose livelihood has been affected by the pandemic. “While there is a deafening silence in the arts at this moment, I think it is more important than ever that we seek opportunities to support each other in any way we can,” she says. “The choice to use her piece – which I love – as a cover is as much symbolic as it is heartfelt. In the absence of any galleries being open due to Covid, I wanted to provide an outlet with this cover for an artist to be showcased to the world. This is the first time her work has been reproduced anywhere.” 

Reflecting on her life in music thus far, Melody Gardot says her first time recording in Hollywood’s Capitol Studios back in 2008 stands out as a highlight but one of the most memorable moments of her career has been today in 2020 with the making of ‘Sunset In The Blue.’  “This album holds a special place in my heart,” she confesses, “because although it sounds quite mellow and sensuous, there is a massive amount of sweat and hard work within it by all parties involved.”  

Melody Gardot’s ‘Sunset In The Blue’ is out now via Decca Records

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Melody Gardot

About this artist.

The story of vocalist, guitarist, and pianist Melody Gardot is remarkable; she's persevered against abject adversity throughout her life. Blessed with a beautiful alto voice and grand insight as a songwriter, Gardot overcame a life-threatening bicycle accident early in her career. As amazing as her story is, what is more evident is that she possesses a blue, jazz-oriented style and dusky persona that reflect not only her afflictions, but conversely the hope and joy of making personalized music that marks her as an original.

Born in New Jersey in 1985, she took up piano and played as a youngster on the nightclub scene of Philadelphia, influenced by jazz, folk, rock, and pop music. At age 19 she was a fashion student at the Community College of Philadelphia. But, on a fateful day, while riding her bicycle, the driver of a Jeep made an illegal turn, hurtling into Gardot and leaving her in the street for dead. As she lay hospitalized for months with multiple head injuries and pelvic fractures, her love for music was the best therapy she could receive. While in her hospital bed, she wrote and recorded songs that would become the EP Some Lessons.

Upon her eventual release from intensive care, Gardot found the strength and determination to further her career. Hypersensitive to light and noise, she wore dark glasses. On-stage she also required a special seating unit, and often wore a Transcutaneous Electro-Nerve Stimulator, a TENS device, to assist in alleviating her neuralgic muscle pain. Despite these hurdles, she recorded her debut full- length, Worrisome Heart, which was reissued in 2007 by the Verve label. Well-received, the album drew comparisons to Laura Nyro, Joni Mitchell, and Eva Cassidy.

In 2009, working with producer Larry Klein and arranger Vince Mendoza -- both known for their work with Joni Mitchell -- Gardot followed up her Verve debut with My One and Only Thrill. The album peaked at number two on the Billboard U.S. Jazz Albums chart. She returned in 2012 with her third studio album, The Absence, featuring production from guitarist/composer Heitor Pereira. The effort continued her upward trajectory, landing in the Top 30 on the Billboard 200 and reaching the top of the U.S. Jazz Albums chart.

Gardot altered her musical direction when she returned to the recording studio. She reteamed with Klein and focused on music strongly influenced by R&B, blues, and jazz in a set of original, socially conscious songs. Her first single/video, "Preacherman", was inspired by the death of Emmett Till. The second, "It Gonna Come", was released as a docu-video a week prior to the album. The full- length Currency of Man was released by Decca in June of 2015. In 2018, she delivered her first full- length concert album, Live in Europe. Recorded at a series of shows between 2012 and 2016, the album showcased Gardot backed by her adept touring ensemble.

In 2020, she again paired with Klein for ‘Sunset in the Blue’, which featured an all-star cast of studio contributors including Till Bronner, Antonio Zambujo, arranger Vince Mendoza and engineer Al Schmitt. The first single from the album titled “From Paris With Love” featured a ‘Global Orchestra’ of musicians. Hand assembled by Gardot from over 30 different countries and recorded in isolation during the first COVID-19 pandemic lockdown, the track was released with an accompanying video piece in order to raise charity money in support of health-care workers and public awareness for those struggling in the arts. ‘Sunset in the Blue’ was released on October 23rd to critical acclaim as yet another benchmark record in the tradition of Jazz music.

On August 22 2021, Philippe Powell, composer pianist and son of Baden Powell, came to Melody's studio in Paris to stay for two weeks. Their mission: write a record. Now she had heard Philippe before, and since that first crossing, many years ago, she was blown away by his talent. Hearing his compositions and observing the way he played she knew he had something. He’s like “The Bill Evans of Brazil”, Melody would screech to her colleagues, “... he’s just got that thing that goes so deep...”. This led to the May 20, 2022 release of Entre eux deux.

Melody Gardot and Philippe Powell breathe a new life into the classic piano and voice format with their fresh perspectives. Recorded in Paris, the album features 'This Foolish Heart Could Love You' and 'A La Tour Eiffel', and so much more. Sensual, romantic and intimate, 'This Foolish Heart Could Love You' is a love song reminiscent of a great jazz standard. Written by Gardot and Powell, the song arrives alongside an iconic video, produced by 247 Productions and directed by Beki Mari, who has previously worked with the likes of Rita Ora, Glass Animals, Sigrid, Paloma Faith and Sting. The video showcases the dancer étoile, Marie Agnes Gillot and her partner dancer étoile, Germain Louvet, interpreting this feeling of a feeling moment that just may escape one's grasp, while paying hommage to Auguste Rodin's love of dancers at the iconic Musée Rodin in Paris.

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Melody Gardot  

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Managing to forge a music career after a life-threatening bicycle accident, Melody Gardot (born February 2nd, 1985) has found critical success with her jazz-infused pop, finding comparisons with Nina Simone, Joni Mitchell and Eva Cassidy.

Born and raised in New Jersey, US, Melody Gardot took to music from an early age, eventually becoming a regular performer in Philadelphia, US nightclubs, during her time studying as a fashion student at the Community College of Philadelphia. Gardot's life was turned upside down, after suffering a bicycle accident that left Gardot fighting for her live, eventually spending several months recovering from multiple head injuries and pelvic fractures.

Whilst in recovery, music was to be the therapy that Gardot needed, helping combat her amnesia and find her past musical talents once again. The accident left her with hypersensitivity to both sound and light, which meant she could only listen to soft, gentle music, influencing her own direction. Whilst in her hospital bed, she taught herself guitar and began to write the songs which would eventually become her debut EP, "Some Lessons," released in 2005.

Having improved dramatically over the year, Gardot decided to pursue a career in music after recovering, with her debut EP being followed by her independently recorded full-length, "Worrisome Heart." The album caught the attention of Verve, who reissued the record in 2007. Her extremely personal music has found widespread praise for her emotive, gentle blues. Her personal story makes her rise to success even more impressive, releasing two further albums, 2009's "My One and Only Thrill" and 2012's "The Absence." Her records have consistently found international chart success, managing to top the charts in Norway and Sweden.

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With a name like that, she was surely born to sing, although there’s plenty more to Melody Gardot than meets the eye; she hails from Philadelphia, but considers herself a “citizen of the world”, and despite being just twenty-nine years of age, she’s already made a major impression in the jazz world, a genre often seen as inaccessible for people of the younger generation. It helps, of course, that Gardot writes all of her own material, but it’s also true that there’s touches of the Latin influence to her sound. She’s been nominated for Grammys and seen her records go platinum in parts of Europe, but she’s not all about recording; she’s also a committed advocate of music therapy, dedicating a sizable amount of her time to helping others through sound. As a touring artist, she’s stuck reasonably close to jazz convention at her own shows; with her extensive live band, she can deliver career-spanning sets that delve into every aspect of her music - as well as the typical guitar and drums setup, she brings a brass section, including a saxophonist, on the road with her too. She’s just completed an extensive European jaunt, which kicked off with a performance at London’s Barbican Hall and included a stop in Brighton further down the line; she’s seldom away from the territory in which she’s met with the most success, however.

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Melody Gardot in the Noches Del Botanico in Madrid: an open air show on a hot summer night and amazing music from one of my favourite singers. Melody is a natural performer, reaching to her audience with her songs and little stories once in a while and with her outstanding band (featuring young sax player Irwin Hall), she can do whatever she wants … slow and quiet as in the beautiful and touching Baby I’m A Fool or powerful and engaging as in Preacher Man or She Don’t Know from her latest CD Currency Of Man. She is an artist who can touch me deeply, as she did with her incredible rendition of Morning Sun from the same album and a simple, but extremely powerful See-Line Woman, the iconic song by Nina Simone, which she made completely her own in a version full of respect for the original, but still being able to add something special to it. The Madrid audience was fully behind her and sang with her creating some extremely beautiful moments. Melody Gardot and her band were in great form last night and delivered what easily could be the concert of the year for me. Sensational!!!

Philadelphian Melody Gardot may only be thirty years old yet she has already made quite an impression on the jazz scene with her impeccable musical talent and honest songwriting voice. There is a wonderfully personable, warm mentality to Melody's stage demeanour and she clearly enjoys the company of her accompanying musicians as they involve each other during earthy, acoustic instrumentals.

There is an assumed manner about the singer, she simply seems grateful to have the opportunity to stand onstage and share her music with the attentive audiences. She is constantly thanking them for the huge applause the likes of 'The Rain' and 'So We Meet Again My Heartache' receive. You would never believe this lady is so esteemed in the music world, having been nominated for numerous Grammy awards. A note perfect rendition of 'Baby I'm a Fool' makes the audience understand as to why many have compared Melody's music to Nina Simone. There is a rich, natural tone to her vocal and an organic humanistic approach to the way in which she makes music.

It was a fantastic evening with smooth jazzy soul-funky music. Melody Gardot was surrounded 360 degrees by audiences in the DR- concert hall, and she managed to take us all in and have a dialogue with us. The elegant way she masters both singing within a wide range of tonality and volume/intensity and also both playing the guitar and piano so skillfully is absolutely amazing and a gift to experience. She and her 7 man band received an immediate standing ovation from a sold out concert hall. I walked out into the night feeling somewhat changed in mind and heart. My sense of connection with the friend that I brought to the concert had somewhat deepened. And on top of frightening terrorist acts in Paris the week before, this gave us love and hope and a sense of connectedness in our hearts. Music is powerful

A bit much noise of sound and whispering. lack of really singing and playing the songs as strong as there are on cd.

It was a bit disappointing as a show. I drifted away from concentration too often. Sometimes Melody sang beautifully concentrated in the ballads like 'Our love is easy" and " Baby, i'm a fool " My personal highlights.

Overall she did not make much of an impression to me with her new poppy and loud screaming sound, although the instrumentalists were great sometimes trumpet, sax, guitar etc).

She talks a lot but is hard to actually hear what she is mumbling. Im a die hard fan from her first album till the fourth, which are all very good albums This is my third concert and it wasn't the best. Might not go anymore for a next gig.

It was the coolest grooviest Jazz concert that I have ever been to. Her voice moves you and her band fill out the room with their melodies.

I will definitely go to her concert again next time that she is in town.

Superbe concert, Melody Gardot a une voix impressionnante et beaucoup de présence sur scène. Elle est magnifique par sa voix et sa présence, j'espère assister à un autre de ses concerts très prochainement.

It was an amazing show, as usual. Melody is a great artist and entertainer, and did not disappoint the expectations. Also, what a great new album! Looking forward to the next concert.

It was a great experience to listen her live. She is just amazing on the stage and the atmosphere in Opernring was beautiful. I will for sure will go more concerts of her.

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Published on Mai 19th, 2015 | by Micha

Melody Gardot – Deutschlandtour

Den Zauber der Zerbrechlichkeit entfaltet Melody Gardot , die als eine der aufregendsten musikalischen Entdeckungen dieses Jahrzehnts gefeiert wird. Im Stile einer mysteriösen Nightclub-Diva scheint sie einem Cinema Noir-Klassiker zu entsteigen. Mit unsicheren Schritten bahnt sie sich den Weg auf die Bühne, wo sie Leidenschaft, Begehren und Enttäuschung, Liebe, Leid und Lust in Songs packt, die das Publikum fesseln. Melody Gardot präsentiert ihre intensive Performance vom 7. bis 11. November in Leverkusen, Ingolstadt, Hamburg und Berlin.

Ihre vier bisherigen Alben – das beachtliche Debüt „Worrisome Heart“ , das überragende „My One And Only Thrill“ , die vielschichtige Entdeckungsreise „The Absence“ und die nostalgisch gefärbte neue CD „Currency Of Man“ – offenbaren einen einzigartigen expressiven Stil. Melody Gardot gleicht einer Verwandlungskünstlerin, deren sehnsüchtig-sanfter Blick auch das kälteste Herz zum Schmelzen bringt. Nur wenige Sängerinnen können Stimmungen und Gefühle so einfangen, wie die 29-Jährige aus Philadelphia.

Im Scheinwerferlicht erscheint eine blonde, mondäne Schönheit, mit dunkler Brille und Gehstock, wie eine verwirrende Vision. Melody Gardot haucht Töne in das Mikrofon, die den Zuhörer mit einer ergreifenden Mischung aus Jazz, Blues, Swing und Folk verzaubern. Emotionalität und Leidenschaft in der Stimme wecken Erinnerungen an Legenden wie Billie Holiday, Ella Fitzgerald, Nina Simone und Peggy Lee. Ihr subtiler Humor und ihr erzählerisches Talent verstärken die Wirkung des Auftritts.

Ihre Performance evoziert Sinnlichkeit und Nervenkitzel. Es scheint, als näherten sich die Songs den Erfahrungen eines reifen Lebens, obwohl die Protagonistin noch relativ jung ist. Fingerschnippender Blues, brasilianische Rhythmen und sinnliche Balladen zeigen eine spürbare, ganz erstaunliche Reife.

Ihre Musik ist aus dem Schmerz eines schweren Unfalls geboren, bei dem die Sängerin als 19-Jährige erhebliche Kopf- und Beckenverletzungen erlitt. Seither ist sie auf einen Stock beim Gehen und eine dunkle Brille angewiesen, um sich vor zu starker Lichteinwirkung zu schützen. Als sie noch ans Krankenhausbett gefesselt war, hatte ihr Arzt zu einer Musiktherapie geraten. Er war davon überzeugt, dass dies ihr kognitives Verhalten nach einem solchen Trauma erheblich verbessern würde. Und er behielt Recht damit!

Noch während des Klinikaufenthalts nahm Melody Gardot ihre erste EP auf, „Some Lessons: The Bedroom Sessions“ . Seither hat sie sich mit enormem Kämpferherz über ihre Behinderungen hinweggesetzt. Die Tragik der Ereignisse mit der Wendung zum Positiven mündete in öffentliche Aufmerksamkeit und Anerkennung für ihr einzigartiges Talent, das wahrlich keines Mitleids bedarf.

Heute gilt Melody Gardot als „Singer/Songwriter-Phänomen“ und eine der erstaunlichsten Interpretinnen der letzten Jahre. Experten schwärmen von ihren provokativen, aber gleichzeitig vertraut wirkenden vokalen Qualitäten. Melody wird als „cool, kultiviert, inspirierend, stilvoll, redegewandt und sexy“ beschrieben.

Die Frankfurter Allgemeine rühmte in einer bemerkenswerten Konzertkritik die „aufs Wesentliche reduzierten Songs“, die zum „Schönsten gehören, was man seit langem in der sogenannten Unterhaltungsmusik zu hören bekommen hat“. Melody Gardot sei „eine Sängerin, wie man sie schon schnell auf den Konzertbühnen dieser Welt nicht wieder finden wird.“

„ Melody Gardot singt mit einen der schönsten und erotischsten Vibratos der Gegenwart“, urteilte der Spiegel, während die Welt ihren Auftritt mit der Überschrift „Melody Gardot handelt mit Delikatessen“ beschrieb.

Marek Lieberberg Presents

Melody Gardot

Currency Of Man

Sa. 07.11.15 Leverkusen Jazztage

So. 08.11.15 Ingolstadt Jazztage

Mo. 09.11.15 Hamburg Laeiszhalle

Mi. 11.11.15 Berlin Philharmonie

Tags: folk , Melody Gardot

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Live Nation Presents

Melody gardot, feat. philippe powell live 2022.

Den Zauber der Zerbrechlichkeit entfaltet Melody Gardot, die als eine der aufregendsten musikalischen Entdeckungen unserer Zeit angesehen wird. Im Stil einer mysteriösen Nightclub-Diva scheint sie einem Cinema Noir-Klassiker zu entsteigen. Mit unsicheren Schritten bahnt sie sich den Weg auf die Bühne, wo sie Leidenschaft, Begehren und Enttäuschung, Liebe, Leid und Lust in Songs packt, die das Publikum bannen. Ihre bisherigen Alben – das beachtliche Debüt „Worrisome Heart“, das überragende „My One And Only Thrill“, die vielschichtige Entdeckungsreise „The Absence“, die nostalgisch gefärbte CD „Currency Of Man“, die Konzert-Mitschnitte “Live in Europe” und jüngst ihr Jazz-Meilenstein “Sunset in the Blue” – offenbaren einen einzigartigen expressiven Stil. Melody Gardot gleicht einer Verwandlungskünstlerin, deren sehnsüchtig-sanfter Blick auch das kälteste Herz zum Schmelzen bringt. Nur wenige Sängerinnen können Stimmungen und Gefühle so einfangen, wie die Sängerin, Gitarristin und Pianistin aus Philadelphia. (Live Nation GmbH) Dauer des Konzerts: ca. 120 Minuten o. Pause

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MELODY GARDOT

September 18, 2022.

Doors: 6:30 PM / Show: 7:00 PM

Doors: 8:45 PM / Show: 9:00 PM

September 19, 2022

The story of vocalist, guitarist, and pianist Melody Gardot is remarkable; she's persevered against abject adversity throughout her life. Blessed with a beautiful alto voice and grand insight as a songwriter, Gardot overcame a life-threatening bicycle accident early in her career. As amazing as her story is, what is more evident is that she possesses a blue, jazz-oriented style and dusky persona that reflect not only her afflictions, but conversely the hope and joy of making personalized music that marks her as an original.

Born in New Jersey in 1985, she took up piano and played as a youngster on the nightclub scene of Philadelphia, influenced by jazz, folk, rock, and pop music. At age 19 she was a fashion student at the Community College of Philadelphia. But, on a fateful day, while riding her bicycle, the driver of a Jeep made an illegal turn, hurtling into Gardot and leaving her in the street for dead. As she lay hospitalized for months with multiple head injuries and pelvic fractures, her love for music was the best therapy she could receive. While in her hospital bed, she wrote and recorded songs that would become the EP Some Lessons.

Upon her eventual release from intensive care, Gardot found the strength and determination to further her career. Hypersensitive to light and noise, she wore dark glasses. On-stage she also required a special seating unit, and often wore a Transcutaneous Electro-Nerve Stimulator, a TENS device, to assist in alleviating her neuralgic muscle pain. Despite these hurdles, she recorded her debut full-length, Worrisome Heart, which was reissued in 2007 by the Verve label. Well-received, the album drew comparisons to Laura Nyro, Joni Mitchell, and Eva Cassidy.

In 2009, working with producer Larry Klein and arranger Vince Mendoza -- both known for their work with Joni Mitchell -- Gardot followed up her Verve debut with My One and Only Thrill. The album peaked at number two on the Billboard U.S. Jazz Albums chart. She returned in 2012 with her third studio album, The Absence, featuring production from guitarist/composer Heitor Pereira. The effort continued her upward trajectory, landing in the Top 30 on the Billboard 200 and reaching the top of the U.S. Jazz Albums chart.

Gardot altered her musical direction when she returned to the recording studio. She reteamed with Klein and focused on music strongly influenced by R&B, blues, and jazz in a set of original, socially conscious songs. Her first single/video, "Preacherman", was inspired by the death of Emmett Till. The second, "It Gonna Come", was released as a docu-video a week prior to the album. The full-length Currency of Man was released by Decca in June of 2015. In 2018, she delivered her first full- length concert album, Live in Europe. Recorded at a series of shows between 2012 and 2016, the album showcased Gardot backed by her adept touring ensemble.

In 2020, she again paired with Klein for ‘Sunset in the Blue’, which featured an all-star cast of studio contributors including Till Bronner, Antonio Zambujo, arranger Vince Mendoza and engineer Al Schmitt. The first single from the album titled “From Paris With Love” featured a ‘Global Orchestra’ of musicians. Hand assembled by Gardot from over 30 different countries and recorded in isolation during the first COVID-19 pandemic lockdown, the track was released with an accompanying video piece in order to raise charity money in support of health-care workers and public awareness for those struggling in the arts. ‘Sunset in the Blue’ was released on October 23 rd to critical acclaim as yet another benchmark record in the tradition of Jazz music.

On August 22 2021, Philippe Powell, composer pianist and son of Baden Powell, came to Melody's studio in Paris to stay for two weeks. Their mission: write a record. Now she had heard Philippe before, and since that first crossing, many years ago, she was blown away by his talent. Hearing his compositions and observing the way he played she knew he had something. He’s like “The Bill Evans of Brazil”, Melody would screech to her colleagues, “... he’s just got that thing that goes so deep...”. This led to the May 20, 2022 release of Entre eux deux.

Melody Gardot and Philippe Powell breathe a new life into the classic piano and voice format with their fresh perspectives. Recorded in Paris, the album features 'This Foolish Heart Could Love You' and 'A La Tour Eiffel', and so much more. Sensual, romantic and intimate, 'This Foolish Heart Could Love You' is a love song reminiscent of a great jazz standard. Written by Gardot and Powell, the song arrives alongside an iconic video, produced by 247 Productions and directed by Beki Mari, who has previously worked with the likes of Rita Ora, Glass Animals, Sigrid, Paloma Faith and Sting. The video showcases the dancer étoile, Marie Agnes Gillot and her partner dancer étoile, Germain Louvet, interpreting this feeling of a feeling moment that just may escape one's grasp, while paying hommage to Auguste Rodin's love of dancers at the iconic Musée Rodin in Paris.

You may also enjoy these amazing upcoming shows!

Tue Sep 27: Lydia Pense & Cold Blood

Mon Oct 3: Seth Walker Quartet

Fri Oct 28: Larry Carlton

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Melody gardot, + laura anglade.

Channelling hushed, blue jazz, Melody Gardot captures love and loss with her tender vocals.

The singer has drawn comparisons to Laura Nyro, Nina Simone and Eva Cassidy.

In 2020, she worked with award-winning producer, Larry Klein (known for his work with Joni Mitchell) for Sunset in the Blue , which featured an all-star cast of studio contributors including Till Brönner, António Zambujo and arranger Vince Mendoza.

Sunset in the Blue showcases Gardot’s grand insight as an original songwriter and her beautiful alto voice. This is her first performance of the album in Lo.

Developing a career in music after a life-threatening bicycle accident, Gardot reached critical acclaim following the release of her debut album, Worrisome Heart , which was reissued in 2007 by the Verve label.

Recognised by Radio Canada's Ici Musique as one of the top five female jazz musicians to watch, Toronto-based French/American jazz singer Laura Anglade is making a name for herself in the jazz world.

Her debut release, I've Got Just About Everything , saw the vocalist and composer, along with her quintet, fearlessly plunging into a range of top-notch material, drawn from both the Broadway stage as well as the Great American Songbook.

Need to know

Under-14s must be accompanied by an adult

Schedule 7pm: Doors open 7.30pm: Laura Anglade 8pm: Interval 8.20pm: Melody Gardot 10.20pm: Estimated end time

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• Latest News

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‘Entre eux deux’ will be released on May 20th.

Published on

Acclaimed jazz artist Melody Gardot and composer/pianist Philippe Powell have announced a new collaborative album, Entre eux deux , set for release May 20th on Decca Records. In anticipation of the new album, Gardot shared the single “This Foolish Heart Could Love You” alongside a breathtaking music video for the sensual, intimate track.

Directed by Beki Mari and choreographed by Marie-Agnès Gillot, the music video for the new single was filmed in Paris’ Musée Rodin and features two dancers, Marie-Agnès Gillot and her male counterpart Germain Louvet.

“Dressed in archive pieces by Japanese Designer Issey Miyake, their movements dash in and out of sunlight from within the walls of the Musée Rodin as they emulate the feeling of that fleeting moment where love just might escape one’s grasp,” details the press release. The visual was intended to bring life to August Rodin’s sculptures, “as if to ‘flip the switch’ on who is the muse and who is the artist.” Fittingly, it is noted that Rodin was often inspired not by models, but by dancers.

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Entre eux deux follows Gardot’s best-selling LP, Sunset in the Blue . Released in 2020, the album was certified Gold in France, and led to the American-born singer-songwriter receiving the prestigious title of Chevalier in the Ordre des Arts et des Lettres, France’s highest cultural accolade.

Gardot’s latest release, which marks her sixth studio album, pairs her with Powell, an award-winning French-Brazillian pianist and composer. Recording the album of love songs with Gardot was an experience that Powell describes as, “the most wonderful gift a pianist-composer could ever dream of.” The combination of the two artists’ musical styles can be described as a nod to the Great American Songbook but dubbed to the Great French Songbook, due to music’s French roots.

“If I had to sum up the record in a few words, I’d say this record is a dance between two people who love and value the same things: deep poetry and solid melodies,” added Gardot in a press release. “The title Entre eux deux (loosely translated as ‘between us two’) stands true; it is a peek into the world of two artists who just really dig each other…we hope you dig it too.”

Along with releasing the collaborative album, Gardot is also set to embark on an extensive international tour, which includes a three-night residence at L’Olympia in Paris. For tour dates and ticket info, visit the artist’s official website.

Click here to preorder Entre eux deux and scroll down to view the tracklist.

Entre eux deux tracklist: 1. This Foolish Heart Could Love You 2. What Of Your Eyes 3. Plus Fort Que Nous 4. À La Tour Eiffel 5. Fleurs Du Dimanche 6. Samba Em Prelúdio (Un Jour Sans Toi) 7. Perhaps You’ll Wonder Why 8. Recitativo 9. Ode To Every Man 10. Darling Fare Thee Well

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• Category: Jazz / Blues

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• October 29, 2022 Setlist

Melody Gardot Setlist at Hala Torwar, Warsaw, Poland

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• Wayfaring Stranger Play Video
• You Won't Forget Me Play Video
• Love Song ( Lesley Duncan  cover) Play Video
• C'est magnifique Play Video
• Obstinada Play Video
• This Foolish Heart Could Love You Play Video
• Samba em prelúdio ( Vinicius de Moraes  cover) Play Video
• Moon River Play Video
• Our Love Is Easy Play Video
• Les étoiles Play Video
• If the Stars Were Mine Play Video

Edits and Comments

4 activities (last edit by K-ZOSMA7-S , 22 Jun 2023, 16:43 Etc/UTC )

Songs on Albums

• If the Stars Were Mine
• Les étoiles
• Our Love Is Easy
• C'est magnifique
• You Won't Forget Me
• This Foolish Heart Could Love You
• Wayfaring Stranger
• Love Song by Lesley Duncan
• Samba em prelúdio by Vinicius de Moraes

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Melody Gardot

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Melody Gardot Gig Timeline

• Oct 23 2022 TivoliVredenburg Grote Zaal Utrecht, Netherlands Add time Add time
• Oct 26 2022 Művészetek Palotája Budapest, Hungary Start time: 8:05 PM 8:05 PM
• Oct 29 2022 Hala Torwar This Setlist Warsaw, Poland Add time Add time
• Nov 04 2022 43. Leverkusener Jazztage 2022 Leverkusen, Germany Add time Add time
• Nov 07 2022 Koninklijk Theater Carré Amsterdam, Netherlands Add time Add time

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Melody Gardot

Sat 19 November 2022

Stage time / 7:30pm

Doors / 7:00pm

Developing a career in music after a life-threatening bicycle accident, the American songstress has drawn comparisons to Laura Nyro, Nina Simone and Eva Cassidy.

Melody Gardot reached critical acclaim following the release of her debut album ‘Worrisome Heart’, which was reissued in 2007 by the Verve label.  In 2020, she worked with award winning producer, Larry Klein (known for his work with Joni Mitchell) for ‘Sunset in the Blue’, which featured an all-star cast of studio contributors including Till Bronner, Antonio Zambujo and arranger Vince Mendoza. 

'Sunset in the Blue’ is yet another benchmark record in the tradition of jazz music, showcasing Gardot’s grand insight as an original songwriter and her beautiful alto voice. She will be performing this album for the first time in London, for the Festival audiences.

Support for Melody Gardot comes from Toronto-based French/American Jazz singer Laura Anglade.  Making a name for herself in the jazz world, Laura’s singing is reminiscent of many of the great vocal stylists of the 20th century including Anita O’Day, Shirley Horn, and Blossom Dearie, but her voice is uniquely her own. She digs emotionally and eloquently into a standard, her story-telling abilities portray a soul beyond her years.

The EFG Elements Series returns with 4 shows hand-picked in collaboration with our title sponsors, EFG, representing the richness and diversity of the Festival. The series reinforces our shared commitment to the next generation of emerging talent as well as the creation of new music.

Jazz FM’s Nigel Williams says: 'Melody Gardot performs her Sunset in the Blue album in the UK for the first time. The album that got me through Lockdown! Especially the line from ‘From Paris with Love,’ they fall in love like falling out of bed!'

That astonishing voice had a way of flaring into a sultry rasp, blending sexiness, defiance and vulnerability that evoked French singers of old ★★★★ Telegraph

When you rouse yourself from Gardot’s dream, it can be hard to recall any individual song, but the reverie is beautiful. ★★★★ The Telegraph

From our sponsors, the EFG Elements Series will reveal a range of handpicked shows from EFG.

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The EFG London Jazz Festival is produced by Serious