JOY DIVISION - DEATH TRIP (LP) Best.-Nr.91123 1987
West-German LP 1987. Black, red, blue or clear vinyl. Source: Live & studio.
Thanks to the incubation web site for the grey cover scans. FORWARD TO DEATH AFTER DEATH 1 Dead souls 6 Transmission 2 Novelty 7 Something must break 3 The sound of music 8 Incubation (Cross of iron) 4 Day of the lords 9 The eternal 5 24 hours 10 Heart and soul
Tracks 1,2,6 and 7: Central Sound Studio, Manchester in July 1979 with producer Martin Hannett. Track 3: Live: Electric Ballroom, London, August 31st 1979 Tracks 4 and 5: radio-broadcast of the Les Bains Douches-gig Paris December 18th 1979. Tracks 8-10: Live: Warehouse Preston February 28th 1980.
We think the original version of this LP was on black vinyl and came in the black and white sleeve. This version has the following printed on the labels:
SLOW DEATH TRIP - The Natural Course Of History A1. Manchester Blues 4:57 A2. Outsight (Oui, oui, c'est la guerre...) 4:06 A3. Metal Shadows 4:30 A4. The Angels Of Chaos (No Room For The Weak!) 4:28 A5. 24 Hours To Live (Slow Death) 4:02 B1. Facing An Incredible Down 3:30 B2. Oriental Invasion (European Decline) 2:55 B3. Forward To The End! 2:45 B4. The Eternal Law Of Blood 7:30 B5. Glorious Decades (For Heart & Soul) 4:05
All issues have plain labels in various colours. It would appear that any sleeve could have any colour vinyl inside.
Death Trip (HD Remastered)
Joy Division
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Discography
Find all of Joy Division's titles
by New Order , Joy Division
by Joy Division
Les Bains Douches 18 December 1979
Preston 28 February 1980
Still (Collector's Edition)
Closer (Collector's Edition)
Closer (40th Anniversary; 2020 Digital Master)
Unknown Pleasures (Collector's Edition)
Unknown Pleasures (2019 Digital Master)
'Transmissions’ The Definitive Story of New Order & Joy Division (Trailer)
Love Will Tear Us Apart
Love Will Tear Us Apart (2020 Digital Remaster)
Atmosphere (2020 Digital Remaster)
Transmission (2020 Digital Remaster)
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Deciphering the Mystery of Joy Division
A new book explores how the group turned itself into a portal for some of the most alien and beautiful information ever to be broadcast through the medium of a rock-and-roll band.
The approach to Joy Division is forbidding. This band comes sealed in a myth of monumental severity, outside rock and roll to some degree, its achievement arrested at the point of maximum force by the suicide, in 1980, of singer Ian Curtis. Reading the fragmentary testimonies in This Searing Light, The Sun and Everything Else , Jon Savage’s oral history of Joy Division, I was put in mind of “Cold Dark Matter,” the 1991 installation by the British artist Cornelia Parker. With the British army, Parker arranged for a garden shed to be blown up. Having meticulously recorded the explosion, she then collected and assembled the debris in a facsimile of the shed at the moment of disintegration, every shard and smithereen now fixed in space, flying but stopped, with a core of white light at the center.
The glare and the bloom of illumination at the core of Joy Division are a mystery. Not the mystery of why Curtis took his own life—the immediate subjective reasons for that become miserably clear as you read this book. But the mystery of how four working-class Northern English boys, mostly interested, as a unit, in beer and ciggies, and without ever really talking about it, contrived to turn themselves into a portal for some of the most alien and beautiful information ever to be broadcast through the medium of a rock-and-roll band.
Local conditions had something to do with it. Manchester was their city, the late ’70s was their time, and punk rock was their precipitator. Postindustrial vacancies, barbs of energy. They were in the tiny, existentially provoked audience when the Sex Pistols played the Manchester Free Trade Hall in 1976. “There were so few people there that you just talked to them,” says the bassist Peter Hook in This Searing Light , “because if something awful had happened, you’d talk to the person next to you, wouldn’t you? If you watched a crash, you’d say ‘Oh Jesus, that was bad, wasn’t it?’” The band was formed that night.
Post-punk : what a great term. We’re all post-punk. Punk happened, and then—at some point—we did. For bands in the era of Joy Division, it meant music that sounded like ideas. Tony Wilson, trickster-broadcaster and high theorist of the Manchester Geist , signed them to his new label, Factory. “The degraded city was part of Joy Division’s life,” said Wilson. “The idea of the city is a theme that runs through this whole thing, Manchester being the archetypal modern city.” Martin Hannett became their producer—dimensional slippage was his fixation, the little blips and space-smears and echoes of otherness with which he would open up the Joy Division sound.
And as musicians, they were, each of them, unique: Peter Hook’s aggressively melodic, high-fretted bass playing, the instrument itself slung somewhere around his knees, was like a hum or lamentation inside the skull; the guitarist Bernard Sumner combined his own cold architecture with the Eastern snarl of the Stooges’ Ron Asheton; Stephen Morris played the drums as if setting (and then frowningly solving) a series of bitter mechanical problems; and the groggy, cavernous baritone of Ian Curtis, singing in the accent of an evacuated Jim Morrison, marked out a ritual space in the middle of the music.
So along the horizontal axis, so to speak, these were the coordinates: the people and the circumstances, the run of time. Ian Curtis had a wife and a job and a baby daughter and a little house in Macclesfield, outside Manchester. He liked knocking around with his mates and playing in his band. But he also lived on the vertical axis: timelessness, separation. He had visions. “Someone take these dreams away / That point me to another day,” he sang in “Dead Souls.” Were they petit mal episodes, precursors to the epilepsy that would blight his last couple of years? They had their own imagery and atmosphere: Rome, Egypt, the Third Reich. Curtis would space out into arenas of fascist grandeur, smelling blood: “I traveled far and wide through many different times, / What did you see there?/ I saw the saints with their toys, / What did you see there? / I saw all knowledge destroyed.”
Things converged, or radiated outward in a web—it was impossible to tell which. At any rate, the momentum was irresistible, to the band and those around it. Rock and roll was left far behind as 1979’s Unknown Pleasures— still recognizable, just, as a rock album—was vacuumed up into the inhuman latitudes of 1980’s Closer . Music-press photographers, sent to cover the mumbling, disparate Joy Division, would be startled to find an unaccommodated but entirely coherent band aesthetic beaming through their lenses. Curtis, who in performance would dance like someone trying to give himself a fit, to induce an electrical event, staring fixedly while whipping up a vortex of trapped panic with his body, had his first grand mal seizure; his marriage began to break down; and as the music of Joy Division towered ever more remotely, his lyrics became excruciatingly personal. “This is the crisis I knew had to come / Destroying the balance I’ve kept .” The band’s reputation was growing. Curtis was channeling Kafka, Burroughs, Munch, the 20th century, himself. Personal-impersonal, human-inhuman. And yet somehow it was all hidden, hooded, none of it discussed or made explicit. This perhaps is the answer, or an answer, to the mystery: that gruffness, Englishness, willed monotony, beer, understatement, and a kind of climatic depression all provided the perfect cover for the growth of an artistic monstrosity.
Savage’s book is excellent. With Joy Division, eventually, words peter out or fritter away into uselessness. Which doesn’t mean we shouldn’t keep trying, of course, but reading the dazzled witnesses in This Searing Light , and the undone experts, and the bandmates fumbling with the abrupt immensity of their singer’s absence, everything partial, broken, everything occluded in some respect, the oral-history method makes more and more sense. Where would this band have gone had Curtis lived? Joy Division, the entity, had dance music in it, an electronic future, and also great depths of romanticism awaiting discovery: The posthumous single “Atmosphere” is bombastically gorgeous. In the mid-’90s, when Ryan Giggs was tearing down the left wing for Manchester United, black hair flying behind a pale face and billowy red shirt flattened against his ribs, United fans would serenade him to the tune of Joy Division’s biggest hit, “Love Will Tear Us Apart”: “Giggs, Giggs will tear you apart a-gain .” A most unexpected fate for this saddest and fiercest of bands: folk music.
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Joy Division|Death Trip (Hd Remastered) [Live]
Death Trip (Hd Remastered) [Live]
Joy Division
- Released on 31/05/2019 by Dust records
- Main artists: Joy Division
- Genre: Metal
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Stephen Morris, Composer, Lyricist - BERNARD SUMNER, Composer, Lyricist - Ian Curtis, Composer, Lyricist - Joy Division, MainArtist - Peter Hooks, Composer, Lyricist
1987 Dust Records
About the album
- 1 disc(s) - 16 track(s)
- Total length: 01:05:09
- Composer: Various Composers
- Label: Dust records
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10 Things You May Not Know About Joy Division
Joy Division, the post-punk musicians from Manchester with late lead singer Ian Curtis, remain to this day one of the UK’s most influential bands on the modern rock scene. Take a look at some of the most important facts you should know about the group while you immerse yourself in their powerful music and intense lyrics.
The Lead Singer Never Auditioned
Initially, the group consisted of Bernard Sumner and Peter Hook who had known each other since school. In the summer of 1976 they decided to form the band, inspired by a Sex Pistols show. Their lead singer Ian Curtis was a later addition, when he responded to the band’s advertisement for a vocalist. They hired him without an audition. Later, Sumner would say that the reason for this was that he ‘knew he was alright to get on with and that’s what we based the whole group on. If we liked someone, they were in.’
She Hasn’t Just Lost Control, She’s An Iconic Song
One of the band’s most iconic songs ‘She’s Lost Control’ was written by Ian Curtis for a girl with epilepsy. In fact, when Curtis was working as an administrator in the Job Centre, the girl used to come in to claim her benefits. Her seizures were so often, that she had to wear a helmet. ‘One day she just didn’t come in anymore,’ says Bernard Sumner. ‘[Ian] assumed that she’d found a job, but found out later that she’d had a fit and died.’
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Science Is More Helpful Than You Think
The cover of their album ‘Unknown Pleasures’ was found by one of the band members in the Cambridge Encyclopedia of Science. Allegedly Bernard Sumner (or Stephen Morris) stumbled upon this image, which represents a Fourier analysis of the radio waves emitted by the Pulsar CP 1919. Pulsar is the remnant of a dying sun when it collapses in on itself. The final design of the cover was made by designer Peter Saville.
The Lyrics Are Never Fully Explained
The band are famous for their dark, troubling and sorrowful, yet still poetic, lyrics that Curtis wrote. Unlike other bands, Joy Division never explained what their lyrics meant, nor did they print lyric sheets. Once, to a journalist’s question regarding the message of their songs, Curtis answered: ‘We haven’t got a message really; the lyrics are open to interpretation. They’re multidimensional. You can read into them what you like.’
Tony Wilson
There is an interesting story on how Ian Curtis pursued their producer, Tony Wilson, to get the band a slot on a TV show to perform live. Allegedly, Curtis wrote a provocative letter to Wilson and when handing it to him, he swore at him and demanded to know why Wilson would not let them play. However, the ploy worked and Wilson gave them the slot to perform ‘Shadowplay’ and later ‘She’s Lost Control’.
The Origin Of The ‘Dead Fly Dance.’
Prior to being diagnosed with epilepsy, Curtis would often sing while performing a dance that became known as the ‘dead fly dance’. The reference is to do with Curtis’ arms, as they would ‘start flying in [a] semicircular, hypnotic curve.’ Later, Curtis experienced epileptic seizures while performing, often leaving him ashamed of himself. However, for a long time fans of the band thought that Curtis’ attitude on the stage was part of his performance.
1980: The End Of Joy Division
Right before Joy Division’s US tour, Curtis hanged himself. He was found by his wife Deborah in their kitchen. Deborah reported that the previous night they had argued and she left. Later Curtis got drunk and committed suicide. When Deborah found his body, ‘Stroszek’ by Werner Herzog was playing on the TV and ‘The Idiot’ by Iggy Pop on the radio. Although his band mates saw his suicide as an impulsive act, his wife later admitted that Curtis had confessed to her that he had no desire to pass his twenties. Ian Curtis died on 18th May 1980 at the age of 23.
Joy Division Continues
This band became an influence for a number of bands such as The Cure, Radiohead and Editors. Specifically, the album ‘Unknown Pleasures’ inspired the (back then) newly-formed band U2 and their lead singer Bono. In fact, after the death of Ian Curtis, Bono allegedly told Tony Wilson: ‘not to worry because he would take over from where Ian left off.’
Joy Division’s Success
Although Joy Division only managed to record two albums before Curtis committed suicide (‘Unknown Pleasures’ and ‘Closer’), they are considered to be one of the most influential post-punk groups. The band’s distinct sound along with Curtis’ sorrowful lyrics opened the way for the alternative scene both in Manchester , where the group came from, but also globally. After Curtis’ death, the remaining members formed New Order, a band with a different sound but equally successful.
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Joy Division - Death Trip. More images. Label:Not On Label (Joy Division) - 91123: Format: Vinyl, LP, Compilation, Unofficial Release. Country:Germany: Released:1987: Genre: ... it features two of the missing tracks from the released Joy Division's - Les Bains Douches 18 December 1979. Reply See 1 reply 1 . Helpful. Release [r1798027] Copy ...
JOY DIVISION - DEATH TRIP (LP) Best.-Nr.91123 1987. West-German LP 1987. Black, red, blue or clear vinyl. Source: Live & studio. Thanks to the incubation web site for the grey cover scans. Tracks 1,2,6 and 7: Central Sound Studio, Manchester in July 1979 with producer Martin Hannett. Tracks 4 and 5: radio-broadcast of the Les Bains Douches-gig ...
Electric FuneralJoy Division. Released. 1988 — Italy. Vinyl —. LP, Unofficial Release, White Label. Explore the tracklist, credits, statistics, and more for Death Trip by Joy Division. Compare versions and buy on Discogs.
Today I noticed there's an album up on Spotify called "Death Trip (Hd Remastered)", which sounds like a bunch of obscure live recordings from the band. ... The quality of the sound coming out this bootleg reminds me of the time when joy division got screwed by putting an ideal for living on a 7 inch and when they got it back it sounded like ...
Joy Division · Album · 2018 · 16 songs. Listen to Death Trip (Hd Remastered) on Spotify. Joy Division · Album · 2018 · 16 songs. Joy Division · Album · 2018 · 16 songs. Home; Search; Your Library. Create your first playlist It's easy, we'll help you. Create playlist. Let's find some podcasts to follow We'll ...
A1, A2,B1, B2: Central Sound Studio, Manchester in July 1979. A3: Live: Electric Ballroom, London, August 31st 1979 A4 and A5: radio-broadcast of the Les Bains Douches-gig Paris December 18th 1979.
Listen to Death Trip (HD Remastered) by Joy Division on Deezer. Disorder, Love Will Tear Us Apart, Insight...
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Joy Division - Dead Souls Track 1 Side 1 on "Death Trip" LP unofficial release
April 9, 2019. The approach to Joy Division is forbidding. This band comes sealed in a myth of monumental severity, outside rock and roll to some degree, its achievement arrested at the point of ...
Streame Death Trip (Hd Remastered) auf Spotify. Joy Division · Album · 2.018 · 16 Songs.
Death Trip (HD Remastered) | Joy Division. Stream and download in Hi-Res on Qobuz.com
Death Trip (Hd Remastered) [Live] | Joy Division. Stream and download in Hi-Res on Qobuz.com
Ian Kevin Curtis (15 July 1956 - 18 May 1980) was an English singer, songwriter and musician. He was best known as the lead singer, lyricist and occasional guitarist of the post-punk band Joy Division, with whom he released the albums Unknown Pleasures (1979) and Closer (1980). He was noted for his unique dancing style influenced by his experiences with epilepsy, as well as his dark baritone ...
10 Things You May Not Know About Joy Division. Georgina Liapati 13 January 2017. Joy Division, the post-punk musicians from Manchester with late lead singer Ian Curtis, remain to this day one of the UK's most influential bands on the modern rock scene. Take a look at some of the most important facts you should know about the group while you ...
Death Trip, a Bootleg of songs by Joy Division. Released in 1987 (catalog no. NR91123; Vinyl 12"). Genres: Post-Punk.
[Verse 1] Someone take these dreams away That point me to another day A duel of personalities That stretch all true realities [Chorus] That keep calling me They keep calling me Keep on calling me ...
Joy Division were an English rock band formed in Salford in 1976. The group consisted of vocalist, guitarist and lyricist Ian Curtis, guitarist/keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris.. Sumner and Hook formed the band after attending a June 1976 Sex Pistols concert. While Joy Division's first recordings were heavily influenced by early punk, they soon ...
View credits, reviews, tracks and shop for the Vinyl release of "Death Trip" on Discogs.
Death Trip (HD Remastered) (Joy Division) 31.05.2019. Subscribe to our newsletter Get info on all new releases, every week