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EARMILK

London duo Pet Deaths release entrancing new single "All The Things You Said You Were"

  • February 1, 2022

Sunil Shenoy

Following the release of their debut album To the Top of the Hill and Roll… , London folk-rock duo  Pet Deaths are back with a new single titled "All The Things You Said You Were." With their last release being in 2019, the group, composed of Graeme Martin and Liam Karima , provide a teaser for their new sonic direction in 2022.

Despite their slight absence from music, Pet Deaths more than make up for the hiatus with a beautiful, ethereal track melding together the genres of folk, rock, along with elaborate string arrangements and flute passages. Production from  Ian Davenport , violinist Art Sawbridge , and saxophonist Jake Parsons  provide eerie, cinematic elements which complement the vocals perfectly.

As for the track's meaning, there is a reflective tone present throughout the lyrics. Coupled with the delicate instrumental, the song touches on themes of introspection, humility, and loss. Opening lyrics, "Yet I forget how fragile we can be," indicate these ideas, with an appreciation of the present and a simultaneous remembrance of the past.

Speaking more on the new release, Karima said: "It's a letter to a lost soul, to a loved one. Loss plays a big part in everyone's life and when we go through this motion it evokes a dream like state mantra. The words were written on a reflective walk in Dalston along a small river, where ducks procreate and kids sell drugs. I thought about Virginia Woolf, I thought about my friend, I thought about Caroline Flack I thought about Sylvia Plath. It's a celebration of all the things we had and lost. The letter I sent, still waiting for a reply."

Stream the new single from Pet Deaths "All The Things You Said You Were" here on Spotify and keep an eye out for new music in the near future.

Connect with  Pet Deaths : Instagram |  Twitter |  Facebook |  Spotify  |  YouTube

pet deaths tour

Yo! I'm Sunil from Sacramento, CA. I'm currently a college student studying Psychology and Public Health. In my free time I like to shoot hoops and go to concerts. Favorite genres: hip-hop, bedroom pop, RNB, and indie. Favorite artists: Mac Miller, Berhana, Summer Salt, Frank Ocean, Yeek, Omar Apollo.

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Love Has Won

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all the things you said you were (i don't believe in ghosts)

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to the top of the hill and roll... Pet Deaths

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Pet Deaths – ‘now that’s what I call cheap talk’ – The Social

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Photo: Dani Bolton ( @theredbeanienz )

It’s the last week before the Christmas lock downs were enforced, and we’re at a sold out Sunday show with a performance by Social family members Pet Deaths , with the band showcasing new tracks from their as of yet un-released 2nd record ‘ Unhappy Ending ’. It was but a short couple weeks after this had to close early for the year and cancel our collection of yearly cosmic celebrations in the lead up to the winter solstice. In hindsight that magnified what has become a one of a kind Social evening, with the impending gloom of Christmastime adding a sprinkle of yuletide magic to the festivities. And luckily enough, all of this happened to be captured on film through the smoke and the haze by Ben Keeling and Ben Mellor-Heslop.

It was no plan of ours to look at doing any sort of live session with this, but once we had the footage and really remembered what a great night it was, we had to get it out there. Not just so everyone who was there could relive it, but so that those of you who missed it could join in with us now, bring their arms around ours and sway along together in the digital basement.

We’re hoping to do a few more things like this in the near future, so do get in touch if you want to get involved, and keep your ears to the ground for our next foray.

Pet Deaths’ made new album unhappy ending to be both explored and sat with. In age of dull disconnection and constant refreshing, the album was deliberately and acutely considered to be a journey of its own; nine new songs but one whole immersive piece for the listener to climb inside, in the quiet of reflection, in the sobering commute to and from. Recorded at a residential studio in Abingdon, Oxfordshire which they used as a retreat from the business of London – fleshed-out and toyed with over time with their acclaimed producer Ian Davenport (Slowdive, Gaz Coombes, Radiohead’s Philip Selway) who encouraged the duo to lean into the wilder parts of their minds. After a celebratory appearance at Glastonbury this year, Pet Deaths’ are set to play Audley End House with Elbow and Richard Hawley this weekend, shortly followed by a full European Tour with Folk-Rock legends Midlake as well as hosting their own headline shows in the UK in September (London, Manchester and Bristol.)

Credits D.O.P – Ben Keeling Camera Operator – Ben Mellor-Heslop Video Editor – Evan Lawday Live Sound – Benjamin Elliot Reeve Audio Mix – James Hall

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London-based Pet Deaths craft resplendent and pensively poetic folk.

Composed of Graeme Martin and Liam Karima, the duo released their widely acclaimed debut album To The Top of the Hill and Roll… in 2019, accentuating the mesmerising celestial essence and meandering gracefulness of their songwriting.

Following the success of their debut, Pet Deaths toured with Elbow and Arab Strap, alongside poignant performances at their sold out Southbank Centre show and Green Man Festival.

Exploring a wider sound palette, Pet Deaths’ new work and upcoming second album incorporates elements of art-rock with flourishes of strings and hushed flute embellishment.

Presented by Bristol Beacon

Standing event

Door:  19.30 Start Time:  20.00 Finish:  22.30

Cancellation and reschedule

The event will now take place on Fri 30 Sep 22 All existing tickets for the event originally taking place on Thu 9 Jun 22 remain valid for the new date.

“Celestial folk delivered with sincerity…wrapped around the infectious soundscapes” Louder Than War

The Crofters Rights

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Location: The Crofters Rights is located near Bristol city centre in Stokes Croft, 550m from The Bearpit and opposite Carriageworks.

Address: 117-119 Stokes Croft, Cotham, Bristol BS1 3RW

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On street parking is available 200m from the venue. The nearest car parks are St James Barton multi-storey (319 spaces) and Brunswick Square (48 spaces).

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The Crofters Rights is outside but close to the Bristol Clean Air Zone. View a map of the Zone and check if your vehicle will be charged.

Nine Tree Hill bus stop is 100m from the venue. City Centre bus stops are 600m away towards Cabot Circus.

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Pet Deaths weave captivating celestial folk on ‘The Bats In Your Hair’

Ahead of a run of shows with sir was, graeme martin and liam karima’s latest is today’s neu pick..

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8th March 2018

Pet Deaths , News , Listen , , Neu Pick

Every weekday, DIY’s new music know-it-all Neu brings you one essential new release to get obsessed with. Today’s Neu Pick comes from Pet Deaths .

Last summer, former members of Hey Sholay and Let’s Buy Happiness Graeme Martin and Liam Karima – now better known under the collective name of Pet Deaths – emerged with their debut track ‘ At The Bottom Of The Hill’ , a melancholic, nostalgic number that made their natural progression one well worth keeping an eye on.

Now the band have a debut album coming up, recorded live at the rural Courtyard Studios (Radiohead’s Oxfordshire base), and their latest offering continues their captivating ascent. According to Liam, ‘The Bats In Your Hair’ was “captured in one live take at 3.21am”, and its celestial folk tones indeed plunge the listener into the darkened abyss that can accompany those early hours. Propelled by both stately and twinkling piano melodies and slightly lo-fi vocals, it strikes a stunning balance between intensity and fragility.

Talking about the approach they took with the song, the band say: “We took the same approach as the old great records, we wanted to replicate the fragility of Blue in Green by Miles Davis and My Funny Valentine by Chet Baker”.

Pet Deaths are set to support sir Was at a sold-out show at The Lexington in London on 14th March, but they’re also his special guests at Leeds’ Headrow House on the 15th and at Rough Trade in Bristol on the 16th. Tickets are on sale now.

Listen to ‘The Bats In Your Hair’ below.

Tags: Pet Deaths , News , Listen , , Neu Pick

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Pet Deaths - Unhappy Ending (Vinyl LP - clear)

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Pet Deaths cast bittersweet folk magic on ‘At The Bottom Of The Hill’

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Coping With Your Pet's Death: An Important Guide

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Animals bring so much joy to pet parents’ lives. This special bond makes the inevitable loss of a pet extremely painful to handle. The days and weeks surrounding a pet’s death are never easy, but caring professionals and fellow animal lovers can help ease the burden. Here’s what pet parents can expect as they navigate the healing process.

Making the Decision to Euthanize Your Pet

In many cases, pet parents must decide whether to euthanize an ill or aged pet. It is a difficult choice, even when an animal is suffering. Circumstances are typically fraught with uncertainty for the pet parent, says Dr. Lisa Moses, a palliative care and pain specialist at the Massachusetts Society for Prevention of Cruelty to Animals’ Angell Animal Medical Center in Boston.

“There really is no other decision we make in life that is similar,” Moses says. “People expect to feel clear about it and to know when it will feel right. But if you wait for that moment, you may prolong unnecessary suffering.”

However difficult the decision, euthanasia may be the kindest option for an animal who is suffering, says Michele Pich, a veterinary grief counselor and instructor at the University of Pennsylvania’s Ryan Veterinary Hospital in Philadelphia.

“Think about it in terms of the give and take of the human-animal bond: Sometimes they are here for us more, and sometimes we are there for them more,” she explains. “Euthanasia is the pet owner deciding to take on the emotional pain of letting their loved one go, to help prevent their pet from feeling any more physical pain.”

There is a difference between knowing intellectually that an animal’s life is at its end and feeling ready to choose euthanasia, Moses describes. Not surprisingly, most people put it off. In a 30-year career, Moses has had only three people tell her they felt they euthanized their pet too soon.

Pet parents often hope the pet will die peacefully in his or her sleep, but this rarely happens, and the pet usually suffers, Moses says. “I can’t make the decision for them. But I can, when needed, be an advocate for my patient, which is my first priority.”

Consider Your Pet’s Quality of Life

For Moses, decisions about euthanasia come down to quality of life. “When I meet a new patient for palliative care or a pain consultation, we always start with a quality of life assessment and come to a mutual agreement about what is in the best interests of the patient,” she says. “I think of that as a separate issue from what I might want or what the pet owner might want. What the pet wants can be different.”

To reach the best decision, Moses helps pet parents identify particularly important elements of the pet’s life and recognize that when those are lost, quality of life is greatly diminished. For example, Moses had an 18-year-old patient who always loved car rides, but the rides became physically uncomfortable for her, causing anxiety. “It no longer brought her the same pleasure,” she says.

Moses advises pet parents to be aware of subtle changes in their pet’s behavior and demeanor as clues that quality of life is declining. Such shifts can include standing apart on the edge of the dog park, no longer enjoying being petted, sleeping all the time, or altered sleep patterns (e.g. being awake at night and asleep during the day). It is particularly important to have a good relationship with a trusted veterinarian, who can offer a valuable perspective, she advises.

“Talk to people who care about you and your animal to maintain perspective,” Moses says. “When people who care about you are telling you things are changing, pay attention.”

When a Pet Dies Unexpectedly

For some pet parents, an unexpected or natural death is easier, because they do not have to make the decision to euthanize. For others, the shock only makes the loss more difficult.

“People tend to feel guilt either way,” Pich says. “When an animal dies naturally, some people tend to feel that maybe they should have caught the symptoms earlier and that they could have saved their pet. When an animal is euthanized, the guilt tends to center around whether the timing was right.”

Talking to Children About the Death of a Pet

Moses believes it is often an appropriate—and even positive—experience for children to be present when a pet is euthanized. “If you are honest and straightforward, they handle it pretty well—if they are at an age to understand why it is happening and won’t worry that it might happen to a person,” she says.

Pich agrees that it is important to be as honest as possible with children. Do not use the term “put to sleep” with children under 8, as they may associate this with their bedtime and not want to go to sleep, she advises. “If kids are old enough to have a bond with the pet, they are old enough to hear about the loss,” she says.

Whether the pet was euthanized or died naturally, Pich advises parents to avoid telling children the pet ran away or went to a farm to spare their feelings. These white lies may cause children to spend years looking for their pet rather than being allowed to grieve the loss, she says. Also, it can be good for children to see their parents grieve so they learn that being sad over a loss and expressing those feelings is normal, she adds.

Emotions Following a Pet’s Death

Regardless of the circumstances of the pet’s death, the immediate aftermath can be an emotional rollercoaster. “There is often a sense of numbness, and even sometimes relief that the animal is no longer suffering,” Pich says.

Moses says pet parents often have difficulty leaving the body after the animal dies, or they want to preserve a body part (an ear or piece of a tail), which is particularly distressing to the hospital staff.

Pich, who facilitates pet loss support groups at the University of Pennsylvania, says people often describe the house as being very quiet after a pet dies, even if there are others at home. People may initially find comfort staying busy or getting out of the house to avoid reminders.

“The emotional pain often starts to feel worse a few days to a few weeks in than it did on the first day,” Pich says. “This is surprising to many owners, but it means that the reality and the permanence of the situation are starting to set in.”

Grieving the Loss of a Pet

Pich says the stages of grief after losing a pet are similar to what people experience when losing a human loved one.

The initial stage, denial, can come at the time of a terminal diagnosis, resulting in putting off vet visits. It can also occur after the loss, in staying away from home to avoid confronting the pet’s absence.

Anger comes next and can be directed at oneself or the vet (for not being able to save the pet) or even toward the pet for not surviving. It can come out indirectly, too, Pich says, as impatience with family, friends, or coworkers.

Pet parents also may feel guilty, replaying events that led to the pet’s death and second-guessing themselves. Feelings of depression might follow, regardless of whether the person has a history of depression, as the pet parent realizes the loss is permanent.

Finally, people reach acceptance, where healing occurs, Pich says. This stage includes grieving and sadness but with appreciation for all the joy their pet’s life brought.

Finding Ways to Cope With Pet Loss

Talking to others who understand the loss and are supportive and patient can help, says Pich. Journaling, yoga, meditation, art projects, or travel may also be beneficial. “The most important thing is [for pet parents] to be patient with themselves and to make choices that are kind to themselves,” she advises.

Sometimes the loss of a pet can result in “complicated grief,” or intense and lingering feelings of sadness that interfere with daily life. This type of grief can manifest after the deaths of loved ones occur in close succession, when a new loss reminds a person of an older one, or when caregiver demands complicate the death, she says.

Pet loss support groups, where people talk with others who understand their pain, can help normalize the grief process, Pich says. Individual or family counseling also may be needed. Pet grief support hotlines can connect callers with a compassionate listener. “Don’t be afraid to ask for help,” she stresses.

Memorializing a Deceased Pet

Some people choose funeral services or memorials that acknowledge the significance of the loss, Pich says. For example, friends or family might gather to share a story or picture of the animal. These efforts honor the pet and may help people cope, especially for owners who did not have a chance to say goodbye to the pet, Pich notes. Children may want to be involved, giving them a healthy way to express their feelings, she adds.

To keep a pet’s memory alive, consider framed photos, paintings, or drawings; create scrapbooks or shadowboxes; get clay paw prints made at the vet; or keep ashes in a special place at home or scatter them, Pich suggests. Others might choose to donate money in a pet’s name to an animal charity or give no-longer-needed pet supplies to an animal shelter.

Getting a New Pet After Loss

Moses does not advise getting a new pet as soon as one dies. “It’s very tempting, but I was never a person who could do that. I felt like it was disrespectful to the relationship with the animal I lost,” she says, adding that it is ultimately an individual decision. Her advice is to wait and try to be with the pain, however uncomfortable.

Pich agrees that there is no “right” time to get a new pet. One person might be ready a week later, while another might need a year. Some people dip their toes back in by fostering a pet. A woman in one of Pich’s support groups summed it up by saying, “You know you are ready when you can bring a new pet home and not expect them to be the one that died.” 

By Carol McCarthy

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Pet Deaths Setlist at TivoliVredenburg Ronda, Utrecht, Netherlands

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  • Oct 23 2022 Sŵn Festival 2022 Cardiff, Wales Add time Add time
  • Oct 31 2022 Cambridge Junction Cambridge, England Start time: 8:00 PM 8:00 PM
  • Nov 02 2022 TivoliVredenburg Ronda This Setlist Utrecht, Netherlands Add time Add time
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Pet Deaths tickets

Frequently asked questions.

To find the prices for Pet Deaths tickets, check our ticket sales section above to see both the availability and the pricing for tickets for Pet Deaths.

Pet Deaths is currently not on tour in 2024

If you are looking to buy Pet Deaths show tickets then you have landed at the correct place. Tixel is the best place to find, buy and sell Pet Deaths tour tickets. At Tixel we cap ticket prices and offer advanced protection to both sellers and buyers to make sure no one gets ripped off. We believe ticket resale should be safe and fair and that is why Tixel is the best place to purchase Pet Deaths concert tickets.

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645 people died due to heat in metro Phoenix in 2023. Here's what is changing this year

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Six hundred and forty-five people died from heat in metro Phoenix in 2023, breaking the record set the previous year. Not only did 2023's extreme summer heat break the previous record, it saw a 52% increase.

The Maricopa County Department of Public Health released this information and more on Wednesday in a 23-page report. The 2023 Heat Related Deaths Report detailed statistics, noted problems and identified solutions, intending to reduce the number of deaths that they noted were "largely preventable."

Here's what to know about the upward trend of heat-associated deaths in the past decade and the county's plans to combat it.

What does the report say?

Maricopa County reported that from May through September 2023:

  • 645 people died from heat-associated deaths.
  • On average, 13 people died each day in July.
  • 71% of deaths occurred on days the National Weather Service issued an excessive heat warning
  • 65% of deaths involved substances like drugs or alcohol.
  • Since 2014, there has been over a 900% increase in heat-associated deaths, with 61 deaths in 2014.

Maricopa County: 645 heat-associated deaths in metro Phoenix in 2023

Who is most at risk?

People who are over 50 years old, experiencing homelessness or have a history of physical or mental health issues are most at risk for heat-related illness or death.

Unhoused people made up almost two-thirds of all heat-associated deaths, with mobile home park residents also facing major risks. Factors like constant outdoor exposure or being indoors without air conditioning impacted people the most.

The Department of Public Health advised people to check on those in their community who are older or live alone.

What resources are available?

Since 2014, Phoenix established 117 heat relief centers to provide residents with air-conditioned indoor spaces that offer water and a place for rest. These relief centers, or "cooling centers," are often libraries, churches, senior centers or community centers.

According to another report from the Department of Public Health released in February, these centers distributed over 400,000 water bottles and helped almost 30,000 people receive heat relief supplies in 2023.

It was reported that 80% of heat relief center visitors were people experiencing homelessness. More than one-fourth of people who arrived were treated for heat-related illness symptoms.

Maps that display exactly where to find cooling centers in the Valley will be available on May 1 at maricopa.gov/1871/Extreme-Heat .

What are the next steps?

The report noted that adding more relief centers, increasing their hours of operation and expanding their outreach can help keep people safe.

It recommended that all relief centers stay open from 9 a.m. to 7 p.m. whenever possible. Community members can also help by volunteering at nearby relief centers and donating supplies.

The report noted that providing naloxone, an emergency treatment used for opioid overdose, along with training education for relief center staff is necessary.

The department also advised putting cooling center information on public buses and potentially creating an informative bilingual call center.

As well as human resources, Maricopa County will give dog shoes and water bowls to heat relief centers during the summer.

The $8,000 funding for this was approved by the Board of Supervisors on Wednesday. It will be provided through the Maricopa County Community Solutions Funding through Oct. 31.

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The Boss is back: Bruce Springsteen launches 2024 tour with a joyous Phoenix concert

W hen Rolling Stone invited readers to vote for the greatest live acts of all time in 2011, it’s doubtful the results came as a huge surprise to anyone.

Not only did Bruce Springsteen and the E Street Band win the popular vote, they did it without “a close second anywhere in sight."

And that’s because their concerts were — and are , as they reminded us as Springsteen relaunched his postponed world tour on Tuesday, March 19, at Footprint Center in downtown Phoenix — the stuff of legends.

Start the day smarter. Get all the news you need in your inbox each morning.

Springsteen and The E Street Band stretch the boundaries of what it means to prove it all night while chasing moments of transcendence that can range from deeply moving to profoundly silly.

Bruce Springsteen setlist 2024: Every song he sang at Phoenix tour relaunch

Bruce Springsteen & the E Street Band relaunched their tour in Phoenix

The last time Springsteen brought the E Street Band to Phoenix , on a tour in 2016 re-exploring “The River,” they turned in a 3½-hour concert whose truly awe-inspiring six-song encore ended in a spirited revival of the Isley Brothers’ “Shout.”

The fans who flocked to Footprint Center on Tuesday night were on a pilgrimage to see the relaunch of the E Street Band’s first tour since then — a tour cut short in 2023 as Springsteen was treated for peptic ulcer disease, a potentially serious gastrointestinal condition.

Springsteen turned 74 in late September 2023. Four days later, he broke the news that he’d been forced to postpone all remaining concerts booked for 2023 “out of an abundance of caution.”

Naturally, I went into the Springsteen concert on Tuesday night assuming I might feel the need to make allowances for age and health and everything those words imply, especially when used that close together.

But the Springsteen who rocked that arena in Phoenix on Tuesday didn’t need my well-intentioned qualifiers.

He 'just kind of shot through the roof': How Phoenix radio made Bruce Springsteen the Boss

Springsteen brought his A-game to the relaunch of his world tour

The man brought his A-game at the helm of an 18-member E Street Band (or 17 if you’re not counting Springsteen as a member of that band, which seems a bit ridiculous) in a breathless journey through their glory days with an energy that only seemed to flag in the course of their nearly three-hour performance when the song itself demanded it.

He’s certainly scaled back on the physicality of his performance style.

There were no bent-knee slides across the stage. No leaping to rival a young Pete Townshend. But the sense of showmanship remains, from the playful rapport of Springsteen's onstage antics with the members of the E Street Band to the charming self-awareness of his dance moves to that moment toward the end where he tore his shirt open for no apparent reason other than to entertain.

His voice has aged a bit since the first time he followed that iconic shout of “1-2-3-4” with “the highway’s jammed with broken heroes on a last-chance power drive.” But he’s too good a singer to let that compromise the essence of his vocals, settling into a more conversational delivery on “Born to Run” that made it feel like you were hearing those same lyrics for the first time after knowing them for nearly 50 years while also sidestepping the high notes.

Springsteen and the E Street Band are on a search-and-rescue mission

My favorite Springsteen memory is the E Street Band reunion show I saw in 1999 at the Meadowlands in Jersey, where the Boss announced that they were on a “search-and-rescue mission” to regenerate, rejuvenate and otherwise rekindle the spark that is “the majesty, the mystery and the ministry of rock ‘n’ roll.”

Of course they were.

And 25 years later? Springsteen seemed as committed as ever to that search-and-rescue mission, from the time he and his bandmates made their entrance one-by-one to set the tone with “Lonesome Day,” one of three songs they played from “The Rising,” to the raucous rendition of “Twist and Shout” that brought the encore to a joyous climax, having been requested by an 18-year-old fan whose sign said this was his first Springsteen concert.

That kid obviously picked a good night to be introduced to what it means to witness Springsteen in his element, leading the E Street Band in a 29-song overview of his career.

Highlights ranged from 'Born to Run' to 'Dancing in the Dark'

The setlist made its way through countless classics, reaching back to his first album, “Greetings From Asbury Park, N.J.,” for a loose-limbed “Spirit in the Night,” and touching on a number of the most beloved songs on “Born to Run” and “Darkness on the Edge of Town” as well as “No Surrender,” “Dancing in the Dark” and other crowd-pleasing highlights of “Born in the U.S.A.,” a 17-times-platinum mainstream-saturating exercise in world domination that remains his most successful album.

They also dusted off a handful of the soul and R&B songs Springsteen covered on his latest album, 2022’s “Only the Strong Survive,” and three songs from his latest album of original material, “Letter To You,” including the solo acoustic version of “I’ll See You In My Dreams” that brought the encore to a haunted finish.

But what made that concert special went beyond what songs they played.

The E Street Band remain a force of nature, despite the loss of Clarence Clemons — “the Big Man” as his joining of the band is celebrated even now in “Tenth Avenue Freeze-Out” — and Danny Federici, who played organ, glockenspiel and accordion from the time they put the band together in Belmar, New Jersey, until his death in 2008.

Springsteen honored their memory during “Tenth Avenue Freeze-Out," during which their images were flashed across the screens above the stage.

The new, expanded E Street Band was brilliant

The current edition of the E Street Band is a three-guitar army with Springsteen, the Valley's own Nils Lofgren and Steven Van Zandt taking turns in the spotlight, two great keyboard players (Roy Bittan and touring member Charles Giordano), violinist Soozie Tyrell, the stellar rhythm section of drummer Max Weinberg and bassist Garry Tallent, and 44-year-old Jake Clemons still doing an excellent job of honoring his uncle, Clarence Clemons, who died in 2011, with the swagger (and physical stature) one would need to even try to fill those shoes.

There’s a flashiness to Lofgren’s soloing that’s undeniable while Springsteen squeezes out the sparks in solos that rely more on the power of each individual note and how it’s phrased, as evidenced on “Prove It All Night,” in particular, while indulging in some low-end twang Duane Eddy would’ve envied on a fantastic “Letter to You.”

The E Street Band’s ranks are further fleshed out in their current incarnation by four backup singers, a four-man horn squad and percussionist Anthony Almonte.

It was quite the crowded stage.

Springsteen kept the banter to a minimum in Phoenix

Springsteen's legend is based in part on his conversational approach to showmanship, as evidenced by the classic monologues captured on “Live/1975–85.” 

But he kept the chit-chat to a minimum for much of Tuesday’s concert.

Taking the stage in a red-and-black flannel shirt with the sleeves rolled extra high, he greeted the fans with a quick “Good evening, Arizona. 1-2-3-4” and barely said another word until he’d made it through “The Promised Land,” the 10th song of the night.

Springsteen eulogized his teenage bandmate George Theiss

His first big monologue was 14 songs deep, after “Mary’s Place,” when he introduced the poignant “Last Man Standing” with the story of George Theiss, a bandmate he met at 15.

“It was 1965,” he began.

“I was 15 years old and I had been playing guitar for about six months when one summer afternoon, I heard a knock on my door and it was George Theiss, a school friend of mine, and he was looking for a guitar player to audition for his band.”

Springsteen passed the audition in a “shotgun shack” and “embarked on the greatest adventure of my life,” he said. “I played in my first real rock ‘n’ roll band and it lasted for three years. As kids. Three years! That’s a lifetime for teenagers.”

Fast forward 50 years and a much older Springsteen is visiting Theiss on his deathbed as his former bandmate is dying of cancer.

“He only had a few days to live,” Springsteen said. “And I realized that his passing would leave me as the last living member of that first band, the Castiles.”

Springsteen spoke of 'death's final and lasting gift to us'

Death brings a certain clarity, Springsteen said. “Death’s final and lasting gift to us, the living, is you get an expanded vision of the life you can live yourself. George’s death made me realize, again, just how important it is to try and live every moment you’re here.”

And with that, the stage was set for “Last Man Standing,” a haunted highlight of his latest album of original material, “Letter to You.”

The tribute to his fallen bandmate carried over into “Backstreets,” one of several emotional highlights that ventured into existential territory.

He didn’t mention the loss of his mother, Adele Ann Springsteen, who died in January at 98. But there’s no doubt that she was on his mind.

Even "Night Shift," the Commodores cover from "Only the Strong Survive," felt like it tied into the existential theme.

After bringing the show to a crowd-pleasing climax in an encore packed with some of Springsteen’s most enduring calling cards, from “Born to Run” to “Rosalita (Come Out Tonight),” “Glory Days,” an anthemic “Dancing in the Dark” and “Tenth Avenue Freeze-Out,” Springsteen sent the other members of the E Street Band away after a joyous “Twist and Shout” to end the night with a solo acoustic rendition of “I’ll See You in My Dreams.”

"I'll see you in my dreams," he sang. "We'll meet and live and laugh again. I'll see you in my dreams, yeah, around the river bend. For death is not the end and I'll see you in my dreams."

Springsteen apologized for postponing his Phoenix concert

But first, he said he was sorry he had to reschedule his world tour.

“First, I want to apologize if there was any discomfort because we had to move the show last time,” he said. “I had a mother (expletive) of a bellyache. I hope we didn’t inconvenience you too much.”

Then after making a plea on behalf of St. Mary’s Food Bank , he brought the concert to an existential close with “I’ll See You in My Dreams,” a suitably haunted reflection on the friends he lost along the way.

It was a fitting close to a concert steeped in existential musings by a legend who invited us to take that long walk on his first release with “Growin’ Up.”

More than 50 years later, Springsteen is still growin’ up, inviting us to come along. It’s a beautiful thing if you’re willing to let your guard down and experience the ride.  

Bruce Springsteen setlist 2024: Every song he played in Phoenix

Here’s every song Bruce Springsteen and the E Street Band played at Footprint Center in downtown Phoenix on Tuesday, March 19, 2024.

  • “Lonesome Day”
  • “No Surrender”
  • “Two Hearts” (with snippet of “It Takes Two” by Marvin Gaye/Kim Weston)
  • “Darlington County”
  • “Prove it All Night”
  • “Darkness on the Edge of Town”
  • “Letter to You”
  • “The Promised Land”
  • “Spirit in the Night”
  • “Don’t Play That Song (You Lied)” (Ben E. King cover)
  • “Night Shift” (Commodores cover)
  • “Mary’s Place”
  • “Last Man Standing”
  • “Backstreets”
  • “Because the Night”
  • “She’s the One”
  • “Wrecking Ball”
  • “The Rising”
  • “Thunder Road”
  • “Born to Run”
  • “Rosalita (Come Out Tonight)”
  • “Glory Days”
  • “Dancing in the Dark”
  • “Tenth Avenue Freeze-Out”
  • “Twist and Shout” (The Top Notes/Isley Brothers/Beatles cover by sign request)
  • “I’ll See You in My Dreams”

Reach the reporter at  [email protected]  or 602-444-4495. Follow him on X  @ EdMasley .

Support local journalism.   Subscribe to azcentral.com today.

This article originally appeared on Arizona Republic: The Boss is back: Bruce Springsteen launches 2024 tour with a joyous Phoenix concert

Bruce Springsteen performs with guitarist Steven Van Zandt during Springsteen's tour relaunch at the Footprint Center in Phoenix on March 19, 2024.

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Colorado Man Died From Venomous Gila Monster Bite, Autopsy Confirms

The rare fatality happened after the man endured a four-minute-long bite from the lizard to his right hand in February, records show.

A closeup of a Gila monster with black and yellow markings.

By Aimee Ortiz

An autopsy report revealed that a pet Gila monster’s venomous bite contributed to a Colorado man’s death in February in what an expert described as “an incredibly rare” fatality caused by one of the desert lizards.

The man, Christopher Ward, 34, died on Feb. 16 “due to complications of Gila monster envenomization,” said the Jefferson County Coroner’s Office autopsy report, which also cited heart and liver problems as contributing factors.

Mr. Ward endured a four-minute-long bite by the lizard to his right hand on the night of Feb. 12, the report said. He lapsed in and out of consciousness for about two hours before seeking medical attention, the report said.

Paramedics found Mr. Ward in a bed, minimally responsive and “in apparent severe distress,” the report said. He was taken to a hospital, where he was put on life support and “continued to decline throughout his hospitalization.”

Mr. Ward’s girlfriend, who was present the night of the bite and who called 911, told the authorities in Lakewood, a suburb of Denver, that she was in another room when Mr. Ward was bitten and did not know what caused the lizard to strike.

She said she had heard him say something “and it ‘didn’t sound right,’” according to an animal control officer’s report. When she entered the room, she found the lizard “latched” onto Mr. Ward, the report said.

Kevin Torregrosa, the curator of herpetology at the Bronx Zoo, said that it’s rare to be bitten by a Gila monster and that “it’s also incredibly rare to die from one.”

“This is certainly the first one that I have firsthand knowledge of in my career,” he said on Saturday.

The Associated Press reported that it was believed to be the first death from a Gila monster bite in the United States in almost a century.

That the Gila monster bit into Mr. Ward’s hand for four minutes was not surprising, “because that’s what they do,” Mr. Torregrosa said.

“They bite, they hold on, and they chew, and that’s how they deliver their venom,” he said, adding that the venom is “very painful.” The lizards are not “active hunters for the most part,” and their venom is mainly used as a defense.

Unlike snakes, which inject their venom with fangs that are similar to hypodermic needles, Gila monsters have grooves, or channels, in their teeth so when they bite, they hold on, he said.

“The whole point of it is to get whatever is messing with them to leave,” Mr. Torregrosa said.

Mr. Ward’s girlfriend told the authorities that the lizard that bit Mr. Ward was named Winston, and it was purchased at a reptile exhibition in Denver in October, according to the animal control officer’s report.

There was also a younger Gila monster in the house named Potato, which was purchased from a breeder in Arizona in November.

The authorities told Mr. Ward’s girlfriend that it was illegal to keep Gila monsters in Lakewood, and both lizards were taken to a reptile zoo in South Dakota. Officials also removed 26 spiders of different species and brought them to an animal shelter.

Native to the Southwestern United States and Mexico, Gila monsters are relatively small and slow lizards, Mr. Torregrosa said, making it easy to avoid being bitten by one.

“You have to be messing with them to get bit,” Mr. Torregrosa said. “One is not going to run out of the bushes and bite you.”

The lizards have short legs and stocky bodies so they don’t quickly scurry about. Instead they “meander and lumber around like a tortoise would,” but Mr. Torregrosa cautioned that they can strike quickly.

Gila monsters have an eye-catching color pattern that comes in varying shades of orange, red, pink and yellow that breaks up their body contour and helps them to camouflage. The vibrant colors also serve as a warning as brightly colored animals tend to be poisonous or venomous, Mr. Torregrosa said.

The Bronx Zoo has three Gila monsters on exhibit at its reptile house, he said, and tools are used to move them when it’s time to clean their space.

“We’re not reaching into the enclosures with the animals in there,” he said. “A lot of times, that’s where incidents occur.”

He added that while he didn’t know what happened in this case, “a lot of times people think, especially with a Gila monster, that they’re a pretty slow and laid-back lizard, so they just aren’t paying attention while they’re working.”

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Putin rounds up illegal migrants to send to the frontline in Ukraine as Vladimir exploits Moscow massacre anti-migrant backlash to find more cannon fodder

  • Vladimir Putin yesterday spoke on bringing 'sphere of migration under control'
  • Follows multiple arrests of Tajik nationals over Crocus Concert Hall terror attack 

By James Reynolds

Published: 11:48 EDT, 27 March 2024 | Updated: 12:02 EDT, 27 March 2024

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Vladimir Putin is rounding up illegal migrants in Russia  to fuel his bloody invasion of Ukraine, just days after four Tajik nationals were charged over the Crocus terror attack in Moscow, with migrant groups left fearing bloody retaliation.

Paddy wagons sporting the National Guard insignia arrived at a vast online shopping warehouse in Elektrostal, Moscow today, where thousands of migrant workers were reportedly forced to show their documents.

Checks were carried out by armed and masked Russian guards and military enlistment officers, before at least 40 people were hauled away from the Wildberries warehouse.

More operations in kind are said to be planned, as Putin seeks more cannon fodder for his ongoing war in Ukraine.

It comes just days after the Crocus City Hall atrocity, which led to the deaths of at least 140 people after gunmen stormed a packed concert venue in the capital and indiscriminately targeted civilians before setting the building on fire.

A number of men from Tajikistan have since been detained in connection to the attacks, which have been claimed by jihadist group Islamic State. 

Friday's horror attack has been linked to a rise in tensions, with the BBC today reporting an increase in beatings and racism aimed at Central Asian migrants - and the embassy of Tajikistan in Russia warning citizens not to leave their homes unless necessary. 

Vehicles emblazoned with Rosgvardiya (Rosguard, the National Police) were seen outside the warehouse in Moscow as officials rounded up illegal migrants, some destined for Ukraine

Vehicles emblazoned with Rosgvardiya (Rosguard, the National Police) were seen outside the warehouse in Moscow as officials rounded up illegal migrants, some destined for Ukraine

Critics fear the atrocity in Moscow last week is already leading to discriminatory behaviour towards migrants living in Russia

Critics fear the atrocity in Moscow last week is already leading to discriminatory behaviour towards migrants living in Russia

Some of the migrants detained today will reportedly face the choice of jail or expulsion - or fighting in Ukraine for Russia.

Migrants who have been granted Russian citizenship also express fears they may be called up.

'They check who is on the side of the military, and who is evading,' one said. 'Those who evade can be taken away against their will.'

'Whoever resists is beaten with sticks by the riot police,' said another worker.

A further 38 employees of the warehouse will undergo additional checks with law enforcement to 'clarify' information gathered already, the Wildberries company told state-owned news agency RIA.

It came a day after Putin spoke on the urgency of bringing the 'migration sphere ... under control' at a meeting with the board of the Prosecutor General's Office, RIA noted.

Putin reportedly ordered that measures be handled 'professionally and competently' to 'facilitate the adoption of legal, informed and fair decisions'.

Still, critics fear the atrocity in Moscow last week is already leading to discriminatory behaviour towards migrants living in Russia.

In Novgorod region, it has been prohibited to hire foreign workers in the transport sector.

State Duma deputy Dmitry Gusev has also called for a complete 'audit' of all labour migrants living in the country - as well as those who have recently received Russian citizenship.

In Moscow, a 29-year-old woman from Yakutia was surrounded by a hostile mob on the metro and subjected to vile racist abuse. 

'Get the **** out of here,' she was told - even though she is a Russian citizen.

'Russia for Russians, Moscow for Muscovites!

'Africa for blacks, cesspit for Caucasians! Hail Tesak!'

Russian President Vladimir Putin grimaces during an annual expanded Prosecutor General's Office meeting, March 26,2024, in Moscow, Russia

Russian President Vladimir Putin grimaces during an annual expanded Prosecutor General's Office meeting, March 26,2024, in Moscow, Russia

Checks were carried out by armed and masked Russian guards and military enlistment officers, before at least 40 people were hauled away from the Wildberries warehouse

Checks were carried out by armed and masked Russian guards and military enlistment officers, before at least 40 people were hauled away from the Wildberries warehouse

Critics fear the atrocity in Moscow last week is already leading to discriminatory behaviour towards migrants living in Russia

The group reportedly ally with neo-Nazi Maxim Martsinkevich, nicknamed Tesak, meaning Machete, who died from 'asphyxia' in a Russian jail in 2020.

The scared woman said: 'It was 6.30 pm. I was waiting for the train… Very young guys…came up to me.

Putin says Moscow concert gunman were 'radical Islamists' but refuses to say they were from ISIS - as he insists the terrorists had been trying to 'flee to Ukraine'  

pet deaths tour

'One of them, the most active one, took a metal bat out of his jacket and showed me.

'They surrounded me and began to humiliate me… They called me names from the platform based on my nationality and appearance.'

She said no-one came to her aid.

Two of those threatening her were detained today and face questioning.

On Telegram, migrants from Tajikistan have shared messages expressing fears the community in Russia will suffer for the Crocus attack, as reported by the BBC.

Sharing their concern over retributive attacks, one said: 'Please, God, let [the attackers] be Ukrainian instead.'

Russia's Federal Security Service, or the FSB, said it had arrested 11 people the day after the attack, including four suspected gunmen.

Moscow's Basmanny District Court identified the four suspects behind the attack as Dalerdzhon Mirzoyev, 32; Saidakrami Rachabalizoda, 30; Shamsidin Fariduni, 25; and Mukhammadsobir Faizov, 19. 

The four men, identified as Tajik nationals, appeared in a Moscow court on Sunday on terrorism charges and showed signs of severe beatings.

One appeared to be barely conscious during the hearing.

The men were charged with committing a group terrorist attack resulting in the death of others. The offence carries a maximum sentence of life imprisonment.

They were all ordered to be held in pre-trial custody until May 22.

Mirzoyev and Rachabalizoda admitted guilt after being charged, according to AP, citing court officials.

A view of the burned Crocus City Hall concert venue following a terrorist attack, March 25

A view of the burned Crocus City Hall concert venue following a terrorist attack, March 25

So far, 140 people have died and the death toll is expected to rise

So far, 140 people have died and the death toll is expected to rise

Saidakrami Rachabalizoda

The terrorists who carried out the attack have all been detained and charged with terrorism

Shamsidin Fariduni

All four of them have been beaten and tortured by Russian security forces

While Islamic State has claimed responsibility for the attack, President Vladimir Putin has said the four men were arrested while trying to flee to Ukraine.

Kyiv denies any connection to the attack.

READ MORE:  Blundering Belarus dictator Lukashenko destroys Putin's evidence that Zelensky was behind ISIS attack by revealing the terrorists first tried to flee to HIS country, not Ukraine 

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Putin has made no reference to ISIS' claims.

US intelligence also said after the attack it had information confirming ISIS was responsible for the attack.

Yesterday, head of Russia's Federal Security Service (FSB) Alexander Bortnikov bizarrely pinned blame on the United States, Britain and Ukraine.

Speaking after the meeting with the board of the Prosecutor General's Office, he was asked whether the US, Britain and Ukraine were behind the terrorist attack, according to Russian news agency TASS .

'We believe that this is true. In any case, we are now talking about the factual information we have. This is general information, but they have a long record of this sort.'

'What is [Ukraine] expected to do to demonstrate its capability? It is expected to carry out sabotage and terrorist acts in the rear,' he continued.

'This is what both the chiefs of Ukraine's special services and the British special services are aiming at. US special services have repeatedly mentioned this, too.'

The Crocus Concert Hall was attacked by armed gunmen on March 22, when terrorists opened fire on civilians and set the auditorium on fire in Russia's deadliest attack in 20 years.

According to the latest data, 140 people have been confirmed dead as a result of the attack, the most recent dying in hospital today.

A total of 80 people injured in the attack remain hospitalized, the official added, and 205 others have sought outpatient medical assistance.

The Moscow Times reported today as many as 360 had been injured in the attack.

Three days before the attack, Putin denounced the U.S. Embassy's March 7 notice urging Americans to avoid crowds in Moscow , including concerts, calling it an attempt to frighten Russians and 'blackmail' the Kremlin ahead of the presidential election.

After Britain echoed the notice, Kremlin mouthpieces accused both of 'complicity' if terrorists did hit Moscow.

A view shows the burning Crocus City Hall concert hall following the shooting incident in Krasnogorsk, outside Moscow, on March 22, 2024

A view shows the burning Crocus City Hall concert hall following the shooting incident in Krasnogorsk, outside Moscow, on March 22, 2024

.

ISIS' news agency Amaq released sickening a 90-second selfie video of the attack that is too graphic for MailOnline to share

The news of a terror warning on March 7 came only hours after the FSB claimed to have thwarted an ISIS plot to slaughter Jews in a Moscow synagogue.

It was unclear whether the events are linked.

According to the FSB, a large cache of weapons and bomb parts were found during a raid on an Islamic State cell in Kaluga, southwest of the capital.

Russian state media reported militants had been gearing up to shoot Jewish worshippers at a synagogue in the capital before security officials stormed the premises and gunned them down.

'While being arrested, the terrorists put up armed resistance to the Russian FSB officers, and as a result were neutralised by return fire,' the Russian state-owned TASS news agency quoted the security service as saying in a statement.

  • Moscow attack: Central Asian migrants hit by backlash in Russia - BBC News
  • www.gazeta.ru/au...
  • Number of Wounded in Crocus City Hall Attack Rises to 360 - The Moscow Times
  • tass.com/emergen...

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Boris Pasternak's museum house

Guided tour of Pasternak's museum housein Peredelkino village

Pasternak’s “important achievement both in contemporary lyrical poetry and in the field of the great Russian epic tradition" was honored with a Nobel Prize for Literature in 1958. For many readers outside Russia, Pasternak is known mainly as the author of the touching historical novel Doctor Zhivago written in 1957. The novel as a whole communicates the haphazard, uncertain and chaotic quality of life caused by the Russian Revolution and the heroic case of quiet humanism demonstrated by a single person.

Pasternak’s translations of Georgian poets favored by Joseph Stalin probably saved his life during the purges of the 1930’s. However, the individualistic Pasternak was not suited to the Soviet artistic climate when art was required to have a clear socialism-inspired agenda and so Russian publishers were unwilling to print Pasternak’s novel. In fact, Doctor Zhivago first appeared in Italy in 1957.

Pasternak won his Nobel Prize the following year. Despite Pasternak politely declining his Nobel Prize quoting: “because of the significance given to this award in the society to which I belong”, the award nevertheless spread his fame well beyond Russia. He ended his life in virtual exile in an artist's community in Peredelkino village. His last poems are devoted to love, to freedom and to reconciliation with God.

Pasternak was rehabilitated posthumously in 1987. In 1988, after being banned for three decades, "Doctor Zhivago" was published in the USSR. In 1989 Pasternak's son accepted his father's Nobel medal in Stockholm.

Pastenak loved his house in Peredelkino, the house and surrounding nature featuring in his poetry. The poet considered the cycle of poems "Peredelkino", which he completed in the spring of 1941, to be his best work. The poet spent the first difficult months of the war in Peredelkino; he completed the novel "Doctor Zhivago" here, wrote the Lara poems and translated Shakespeare and Goethe. It was in this house that he learned he was to be awarded the Nobel Prize for Literature on October 23rd 1958. He died here on May 30 1960.

The house in Peredelkino only acquired the status of a museum in 1990, thirty years after the poet's death and a century after his birth. The museum has fully preserved the environment and atmosphere of the house where Boris Pasternak lived and worked. The director of the museum is Elena Pasternak, grandaughter of Boris Pasternak.

pet deaths tour

Pasternak’s grave can be found in Peredelkino cemetery which is situated 20 minutes walk from the poet’s house.

Tour duration: 6-7 hours

Tour cost: English -  150 USD, Spanish, French, Italian, Portuguese - 180 USD

Additional expenses: car - 150 USD, or train - 10 USD

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Stuart Appleby details his journey through grief before winning 1999 Houston Open

Stuart Appleby posing with the 1999 Houston Open trophy. (Bob Strauss/PGA TOUR Archive)

Stuart Appleby posing with the 1999 Houston Open trophy. (Bob Strauss/PGA TOUR Archive)

Almost walked away from golf after death of wife Renay in 1998

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Editor’s Note: During his 23-year PGA TOUR career, Stuart Appleby won nine times. Two of those victories were at the Houston Open, in 1999 and again in 2006. His first Houston title came nine months after Appleby became a widow following his wife’s untimely death in England in the summer of 1998. On the 25th anniversary of his win at TPC Woodlands, Appleby reflected on that period of his life, when he briefly considered walking away from the game but ultimately decided to continue and then went on to win in Houston.

In the spring of 1999, there was a lot on my mind, and most of it had very little to do with golf. I actually don’t remember a lot of specifics about my Houston Open win that year other than just how hard TPC Woodlands was. I won the tournament at 9-under, beating John Cook and Hal Sutton by a stroke.

More importantly, that was also my first PGA TOUR victory since my wife, Renay, died a year earlier in car crash in London. There was a time after the accident that I wasn’t sure I wanted to continue playing.

As I look back, I know I came really close to quitting golf. In August, about a month after Renay died, I was back in Australia, and I just remember feeling in my soul, telling myself that I would never play golf again. I was done. And it felt real. When I thought it, whether I said it loud I don’t know, but it honestly felt like a truthful statement, a fair call.

I just wasn’t interested, and I didn’t want to play golf anymore. My reasoning was I didn’t have the person I was supposed to share my career with. So, what was the point?

On the left, Stuart Appleby and the late Renay Appleby pose at the 1997 Honda Classic. On the right, a letter sent to PGA TOUR members in 1998 concerning the death of Renay Appleby. (PGA TOUR Archive)

On the left, Stuart Appleby and the late Renay Appleby pose at the 1997 Honda Classic. On the right, a letter sent to PGA TOUR members in 1998 concerning the death of Renay Appleby. (PGA TOUR Archive)

I can’t put my finger on anything specifically that changed my mind, but not long after that critical juncture, I knew the PGA Championship at Sahalee Country Club outside Seattle was coming up in mid-August, and those retirement thoughts suddenly disappeared. I decided I was going to play, and I did. I don't remember much about that week in Sammamish, Washington. I know I did a pre-tournament media interview, where I looked disheveled and just beaten down. And that’s pretty much how I felt. I missed the cut that week, but the PGA started my climb out, which was, perhaps, therapy through playing. The next week, I played in The International in Denver and the NEC World Series of Golf in Akron after that.

Then I went back to Australia, where things started to brighten even more. I finished second at the Australian Open in early December, losing to Greg Chalmers at Royal Adelaide, and I was part of the International Presidents Cup team that beat the U.S., at Royal Melbourne. I went 2-1-1 in my four matches.

The good stretch continued, the gloom continuing to lift. I won the Coolum Classic in Australia, right before Christmas, five months after Renay’s death. For sentimental reasons, I played in that tournament because Renay loved the place. I shot a 63 in the third round and went on to beat Craig Spence by four shots. My parents were there, and a few from Renay’s family were also in attendance, which made it even more special.

One thing on my mind was that wherever I went, I thought of the people I met, knowing that it must have been quite uncomfortable for them because I knew they didn’t know what to say to me, and I didn’t know what to say back. Truthfully, so much of that time in my life is a blur. Golf really did help pull me out of the anguish I felt.

I think that’s why Houston ended up meaning a lot to me six months after Coolum because that was a win on the PGA TOUR, the best Tour in the world, against proper, veteran players. I had to hold off Cook and Sutton at the end in a tournament that also featured so many other great players.

TPC Woodlands was a terribly challenging course, and I only broke 70 one day (a second-round 68). I shot a pair of 70s in the first and third rounds and entered the final round three strokes behind Hal.

Sunday mid-morning, I was on the range doing my normal work when Ken Venturi stopped to watch. He was there for the CBS broadcast. I was hitting it pretty well, playing nicely, and as I wrapped up my session, Ken said, “If you hit it like that, boy, you’ll win.”

Here was this absolute broadcast legend, a legend of the game, really, saying what he said, and I was like, “Oh, okay, thanks, Ken, for that bit of pressure.” But it was a nice thing to hear, and I don’t know if that had anything to do with how I played that day, but I got off to a quick start, making birdie on the par-5 opening hole. By the time I made the turn, however, I was 1-over for the day, with a couple of bogeys.

Although I only made two birdies the rest of the way, one was crucial, a 15-foot putt at the par-4 17th that gave me the lead. Playing in the group behind me, Hal made back-to-back bogeys, on 16 and 17. I parred 18, and when Hal missed a birdie putt on his closing hole that would have forced a playoff, I had the win.

In my post-round media conference, naturally the press asked me about Renay. I credited her, telling the reporters that she gave me strength not only that day but that whole week. I also remember saying that she was going to be with me forever in whatever it was I was doing; not just golf.

Something else I appreciated was Hal taking the time to tell the media after the tournament something to the effect that it was my time to win, and if someone had to beat him, he was happy it was me. He said he understood how much this victory meant and that he was sure there was someone smiling down on me. That was incredibly nice and generous of him to say.

I love to play golf, and it’s fun to win. Yet, what I’ve learned is it’s relationships that are important, and that’s why Houston was significant to me. That win, that week, reminded me of Renay, who, before her death, was always pretty much with me. She caddied for me and was a good player herself. She taught the game and comprehended the nuances and the psychology. I could talk to her about things, and she understood.

Then she was gone, and suddenly death was a very personal thing. How are you supposed to feel when someone close to you dies?

I have a rough idea.

We were just into a marriage relationship, just getting our lives going. Then I think about people who lose a spouse after 50 years, and I would think, That’s so good. At least you had 50 years. Then I stop and ponder it more. Losing someone after 50 years must be so difficult.

I keep that in mind and realize that one thing that got me through my tragedy was I tried to look at it knowing there are people who have a worse story than me—whatever that story is—and they’re doing it harder than me.

Victories are nice on a personal satisfaction level but only for a fleeting moment. You hold a trophy for five minutes. It’s nothing much else after that. But when you’re on your deathbed, you’re not going to say to your children, “Oh my gosh, do you remember that putt I made on the 72nd hole back 50 years ago?”

There are much more important things in life.

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pet deaths tour

USTA CEO Lew Sherr Details Blueprint for Tennis’s Premier Tour

  • Author: Jon Wertheim

Spain’s Carlos Alcaraz (20) may have beaten Italy’s Jannik Sinner (22), the latest iteration of a swelling and textured rivalry that now stands at 4–4. But the fiercest battle to play out last week in Indian Wells, Calif., did so in boardrooms and conference rooms.

Andrea Gaudenzi, chairman of the ATP, announced that he had officially secured a $1 billion commitment from Saudi Arabia to bankroll a streamlined tennis ecosystem. The hitch: a 1000-level event would be added to the calendar, to be staged in The Kingdom.

And on the other side of the net … a proposal for a Premier Tour—put forth by the four majors, presenting an uncharacteristically united front—outlining a new professional tennis model offering:

  • The four majors.
  • Ten other events: 96-player draws; men and women; equal prize money; all held outdoors.
  • A team event.
  • Year-end finals for both men and women held at the same site.
  • Guaranteed off weeks before and after majors and a minimum two-month offseason.
  • A PGA-style tour, open to the top 100 or so players; with a developmental tour open to players ranked roughly 101–300.

Carlos Alcaraz is congratulated by Jannik Sinner after winning their semi-final match in the BNP Paribas Open at Indian Wells.

The BNP Paribas Open served as the backdrop for talks of a new tennis ecosystem.

Jayne Kamin-Oncea/USA TODAY Sports

For a sport that, historically, has done change the way the royal family does transparency, this was a jarring disruption in the truest sense. For starters, it would mean the end of the WTA and ATP tours as they have existed for decades; and the death or demotion of more than 100 tournaments that currently dot the calendar, from Dallas to Doha.

Credit/blame for the Premier Tour generally goes to Australian Open chieftain Craig Tiley, who was moved to act dramatically, threatened as he was by a Saudi event in January that would squelch Aussie Open run-up momentum. Likely because Tiley, a born deal-maker, can polarize within the sport, it is now Lew Sherr, the USTA’s chief executive officer and executive director, who has become the front-facing figure for the Premier Tour.

Sherr spoke with Sports Illustrated this week about the Premier Tour, what it is and isn’t and what problems it addresses.

The following has been lightly edited for brevity and clarity.

Jon Wertheim: Let’s start broad and then get to specific questions. What are you presenting?

Lew Sherr: So it all starts from a proposition that tennis is an attractive sport, but that it underperforms commercially, which is creating challenges to support athletes and for the sustainability of tournaments. I don't think that's news to anybody in the industry.

We'll go back to 2021. The [seven tennis stakeholders] commissioned Boston Consulting Group to understand what the issues were in the sport and what the opportunities might be. And all of that research—which included 5,000 tennis fans around the world surveyed—pointed to the fact that tennis, while broadly popular, had 70% of tennis fans only engaging with the sport through the four majors.

So you're the fourth most popular sport in the world, but 70% of those fans are only watching the four events during the year. And the feedback also indicated that events during the season lack consequence. Fans have a hard time following the narrative. We dilute our own product. We compete with our own product. You might have six events in a given week. Fans struggle to know where they should be watching. Why is Sinner playing in Rotterdam and Alcaraz is somewhere in South America? The solution that came back from all of that fan research? The best way to present the sport to fans was in a format where the best players are playing in a prescribed sort of elite season. At the same time, you're accounting for player health, rest, peaks in performance.

JW: That takes care of fans and players. What about tournaments?

LS: From a tournament perspective, there are just too many tournaments that are not viable. And because they're diluted, they're competing with one another. So we try to address the structural impediments in the system and bring forward a more expansive, a more holistic solution that would tackle all of that. … Ten tournaments [out of roughly 140] drive 80% of all of the economics. Four of them are the Grand Slams plus six others. So it's unbelievably concentrated. I don't think I'm telling you anything that you haven't reported, that you didn't know. So what we set out to do, the slams together, unified to say, if we can lean in and try to address the structural issues that the sport is facing, maybe there's a new opportunity.

JW: If tennis’s value today is X, what are you anticipating the valuation to be if all goes to plan?

LS: We estimate—and the consultants—that number is roughly a billion dollars in annual economic lift. Now that doesn't happen overnight. You've got to build to that and there are contracts and cycles. But it is substantial. We're talking about a successful sport that still has huge, huge economic potential.

JW: The biggest objections to me would seem to be, 1) the other guys have a bag with a billion dollars in it. You have consultants’ projections. 2) Everyone thinks the sport is under-monetized. Everyone thinks it’s confusing and the calendar is too crowded. But there are dozens and dozens of 500- and 250-level events that don’t seem to fit in.

LS: Our view is that billion is redistributed below to make sure players are earning sustainable for success. It’s a reimagination. We’ve gotta separate ourselves from what exists today. The analogy with what the ATP sort of developed with the Saudis, I guess is a bit of an apples and oranges. These are not, these are not mutually exclusive opportunities.

JW: What are you telling that guy that’s dumped a lot of money into his 500-level event?

LS: We are prioritizing creating sort of sustainability at the lower levels of our sport, we think there is an enormous amount of growth. Part of our proposition: there is revenue that has to be redistributed to other events. And we think there is an opportunity to create a much more viable proposition. There are 10 events that are driving 80% of the revenue in our sport. That’s not sustainable. We need to get to a sustainable model.

JW: I’m hearing four majors and 10 events that will be 96 draws; men and women; all outdoors; and the 10th is likely a grass event pre-Wimbledon. Accurate?

LS: Yeah, our vision for the calendar reflects four Grand Slams. We think 10 is the appropriate number of Premier Tour events. I can’t overstate the importance of all combined, all equal prize day one for the sport operating entity combined. And truly creating a gender-neutral sport is absolutely paramount for us and a critical sort of piece of this thing. We also think there is an opportunity for an international team event that would fit within this calendar; and then a year-end combined event.

JW: I’ve heard two weeks of protection pre and post the four majors.

LS: There’s absolutely one week. The other piece: we’re prescribing specific play-down weeks. So we know that competition matters. And if you’re a lower-ranked player, you may not be getting enough match play. If you lose early in a model like this, there may not be enough matches for you to be at your peak performance, so we’ve identified a series of weeks over the course of the year where you could drop down to get more match play, drop into what we think would be sort of the highest level of contender tour events.

JW: Your [model] is avoiding the sportswashing issue in a way that your competing offer is not. Would you take money from Saudi Arabia if they decided to reallocate with you?

LS:  What I will tell you is that we’ve not had one conversation with an external stakeholder about investment in this. We want to get this format right. We don’t doubt that there will be a number of people lining up to potentially want to invest in this. We’re not sure that we need external investment. We might be able to do this with some sanctioned sales. So it may not require equity. But what we also know is it’s an incredibly attractive sport. And you’re seeing increased investment in sport. And we’re good.

We want to focus on delivering the product in the right way to create something that's sustainable. That's right for fans, that’s consistent with what we set out to do at the outset. I won't exclude or include anything at this stage. But right now we, we've not been pursuing external investment.

JW: What do you see as the biggest challenge to this getting done?

LS: This is a massive reimagination of the way the sport is presented and change is hard. And we want to get it right and we’re taking our time and we’re working with stakeholders to make sure that we’re thinking through all of these questions that you’re asking and others are asking, because that stuff is important. Ultimately it’s going to require change from within and that’s really hard, right?

JW: The tours, as we know them, have outstanding media rights contracts. They have venue contracts. They have vendors. They have pension plans. They’ve got liability policies. What happens if there is no ATP and WTA as we know it? And can you do it all by Jan. 1, 2026?

LS: I think putting a date on this is really hard. If that needs to happen [Jan. 1, 2026] would be achievable. My guess is you will see a transition period, but we’re up to conversations we’ve had with, with players, the conversations we’ve had with tournament owners.

Look, everybody gets it, right? I think you probably would agree. This is a better presentation of the sport. However, the how you get there is where the complexity lies, right? And, and how long does that take? And what has to happen to get there and making sure that we don't compromise to the point that you lose the integrity of the vision in order to get there.

So it’s a process and, and we are committed. We’re working as quickly as we can work, but we’re not willing to sacrifice getting it right. We’re not trying to take some shortcuts or band-aids to get to something that ultimately is not going to serve us well in the long term. 

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  3. Pet Deaths @ Alcatraz, Milano

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  4. Heartbreaking Photos of Pet Owners Saying Goodbye to Their Dying Pets

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  5. PET DEATHS

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  6. Pet Deaths' Celestial Folk Is Truly Absorbing

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COMMENTS

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  2. Album Review: Pet Deaths

    London two-piece Pet Deaths follow-up their 2019 debut 'To the Top of the Hill and Roll…' with an equally sombre second album 'Unhappy Ending' which cements the band as a gifted but possibly one-dimensional alternative duo. ... Having just wrapped a co-headline tour with Cassyette around the US, they kicked off their UK tour in style ...

  3. Pet Deaths Full Tour Schedule 2022 & 2023, Tour Dates & Concerts

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  6. London duo Pet Deaths release entrancing new single "All The Things You

    Following the release of their debut album To the Top of the Hill and Roll…, London folk-rock duo Pet Deaths are back with a new single titled "All The Things You Said You Were." With their last release being in 2019, the group, composed of Graeme Martin and Liam Karima, provide a teaser for their new sonic direction in 2022.. Despite their slight absence from music, Pet Deaths more than ...

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  16. Pet Deaths Tickets and Dates

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  19. Pet Deaths Setlist at TivoliVredenburg Ronda, Utrecht

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  25. Moscow

    Price per person. 641,69. View details. About the tour Reviews 10. 8 days / 7 nights. St. Petersburg Moscow. We offer you a unique opportunity to visit Russia's two largest cities, Moscow and St. Petersburg. This fascinating, week-long tour will take you to the historic Russian capitals that have always played the most important part in the ...

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    The men were charged with committing a group terrorist attack resulting in the death of others. The offence carries a maximum sentence of life imprisonment. They were all ordered to be held in pre ...

  27. Pasternak museum house tour

    The director of the museum is Elena Pasternak, grandaughter of Boris Pasternak. Pasternak's grave can be found in Peredelkino cemetery which is situated 20 minutes walk from the poet's house. Tour duration: 6-7 hours. Tour cost: English - 150 USD, Spanish, French, Italian, Portuguese - 180 USD. Additional expenses: car - 150 USD, or train ...

  28. Stuart Appleby's journey through grief before winning 1999 Houston Open

    Almost walked away from golf after death of wife Renay in 1998. Editor's Note: During his 23-year PGA TOUR career, Stuart Appleby won nine times. Two of those victories were at the Houston Open ...

  29. USTA CEO Lew Sherr Details Blueprint for Tennis's Premier Tour

    USTA CEO Lew Sherr details plans for tennis's Premier Tour, which would include the four majors plus 10 events. ... and the death or demotion of more than 100 tournaments that currently dot the ...