travel oil painting tips

How To Travel With Oil Paints: A Practical Guide for Artists

How To Travel With Oil Paints?

Table of Contents

Traveling with oil paints can be an exciting but challenging endeavor, as the unique qualities of these art materials call for special considerations. Whether you are a professional artist attending a workshop or an art enthusiast planning the perfect plein air painting trip, it is essential to know the best practices for packing, transporting, and managing your oil paints safely and efficiently.

One of the first concerns when traveling with oil paints is ensuring the safety of your materials. This not only involves protecting your paintings from damage, but also taking necessary precautions to prevent the accidental spillage of potentially harmful components such as solvents and mediums. Proper packing techniques, as well as the use of containers designed specifically for oil paints, can help alleviate these concerns.

Moreover, understanding the rules and regulations around traveling with art supplies, especially by air, can save you a significant amount of time and effort. Familiarizing yourself with airport security protocols, as well as knowing any country-specific restrictions on oil paint components, will not only help you plan ahead but also prevent unpleasant surprises during your journey.

Understanding the Basics of Traveling with Oil Paints

Traveling with oil paints can be a bit of a challenge due to the nature of the materials involved. However, with some careful planning and a solid understanding of the regulations, you can safely transport your art supplies to your next painting destination.

When preparing to travel with oil paints, it’s essential to consider the Transportation Security Administration (TSA) guidelines and the Federal Aviation Administration (FAA) regulations. These agencies oversee airline travel and have strict rules regarding the transport of flammable liquids.

Oil paints themselves are not considered flammable, as they are a blend of pigments and oils like linseed or vegetable oil. However, many of the mediums and solvents commonly used in oil painting, such as turpentine or mineral spirits, are flammable materials. Gamsol, a popular odorless mineral spirit, is an example of a solvent that cannot be packed in either checked or carry-on luggage due to its flammable nature.

To comply with TSA and FAA regulations, you can opt for water-soluble oil paints or bring only the oil paints and find suitable mediums and solvents at your destination. Alternatively, you can ship any flammable materials separately via ground transportation to avoid airline restrictions.

It’s also crucial to properly pack your oil paints and related materials. Place the paint tubes in a durable, sealable plastic bag to prevent potential leaks. If you’re flying, consider security screening requirements. Some colors can look suspicious on an X-ray scanner, and it’s best to store your art materials in a transparent bag for easy inspection.

Keep in mind the temperature variations that occur during travel, especially if you’re flying. Oil paints can be sensitive to extreme temperatures, which may cause them to become too thick or too thin. To preserve your paints’ quality, store them in temperature-controlled environments as much as possible.

In summary, traveling with oil paints involves being aware of relevant regulations and guidelines, properly packing your materials, and considering temperature fluctuations. With these tips in mind, you can confidently transport your oil painting supplies to your desired destination and continue creating beautiful artworks.

travel oil painting tips

Packing Oil Paints for Travel

When traveling with oil paints, proper packing is essential. First and foremost,  check the flash point  of your oil paints, since some airlines consider them as hazardous and may have special regulations.

Pack your paints in a sturdy plastic case  or a small cardboard box. You can use  bubble wrap  or other cushioning materials to prevent any damage to the containers. Make sure the lids of the paint tubes are tightly closed, and place them individually in  plastic bags  to prevent any leaks from spreading.

For brushes and palette knives,  wrap them in protective covers  before packing them alongside your paints . This helps to keep the bristles and blades safe during travel.

When it comes to your canvas, consider using a  travel-sized canvas  or one that can be easily folded. If you’re attending a workshop or staying in a hotel, you can always buy a canvas at your destination.

For your SDS (Safety Data Sheet) or MSDS (Material Safety Data Sheet), be sure to have a copy in both your  checked luggage and carry-on bag . This provides important safety information for airport security, allowing them to know the contents of your paint tubes are safe for travel.

As for the luggage itself, always check airline regulations on carrying liquids and hazardous materials. Some airlines may require you to pack your oil paints in your  checked baggage , while others might allow you to have them in your carry-on. Make sure to  label your packaging clearly  with your personal information and any relevant details regarding the oil paints.

In conclusion, packing your oil paints securely for travel requires attention to detail and compliance with airline safety regulations. By following these tips, you’ll be able to paint wherever life takes you, without any hassle or concerns.

Choosing the Right Materials for Travel

When traveling with oil paints, selecting the appropriate materials is critical to ensure a smooth and enjoyable painting experience. The first step is choosing your colors and pigments. Focus on selecting a versatile and compact palette that includes a range of primary colors, as well as some earth tones and secondary colors. This will allow you to mix a broad spectrum of hues without overpacking.

Selecting lightweight brushes is also crucial for travel. Ensure that the brushes have good quality bristles that can withstand the rigors of being transported. A mix of different brush shapes and sizes will provide flexibility when painting. Additionally, consider investing in a travel brush holder to protect their bristles during transit.

Palette knives are another essential tool for mixing and applying paint. Opt for lightweight, easy-to-clean knives with comfortable handles. Stainless steel or plastic knives are suitable options due to their durability and reduced weight.

As for the painting surface, a lightweight canvas is ideal for portability and effectiveness. Pre-stretched canvases or canvas panels are excellent choices for travel purposes, as they take up limited space and are ready for immediate use. Alternatively, you can bring a roll of unstretched canvas and cut it to size when needed, making it an even more compact and lightweight option.

Using vegetable oil as a painting medium can be an effective and convenient alternative to traditional oils when traveling. This is because vegetable oil has a low toxicity level and can be easily obtained in most locations, making it a safer and more accessible choice for artists on the go.

In conclusion, planning the right materials for your oil painting adventures includes prioritizing lightweight, durable, and versatile options such as a compact color palette, quality brushes, palette knives, a portable canvas, and vegetable oil.

travel oil painting tips

Managing Carry-On and Checked Luggage

Traveling with oil paints can be daunting, but with proper planning and packing techniques, you can have a stress-free experience. The key is to be mindful of both your carry-on and checked luggage limitations while prioritizing the safety of your art supplies.

Carry-On Baggage  Your carry-on bag is the best place to pack your essential oil painting supplies, such as brushes, palette knives, and smaller tubes of paint. This allows for easier access during your journey and ensures they are in your possession at all times. It’s important to note that most airlines have a carry-on liquid allowance of 3.4 ounces (100ml) or less per container, and oil paints fall under this category. Be sure to check your specific airline’s guidelines before packing these items in your carry-on luggage. To avoid potential leaks, place tubes of paint in sealed plastic bags or plastic containers with screw-top lids.

Checked Baggage  Larger items like canvases, easels, and bulkier oil painting supplies should be packed in your checked luggage. For added protection, wrap your canvases in bubble wrap or foam sheets, ensuring that the surface remains free from damage during the baggage handling process.

To pack tubes of paint, follow these steps:

  • Place each individual tube of paint in a separate plastic bag.
  • Organize tubes by color and size.
  • Pack tubes in a sturdy plastic or metal container to prevent crushing.
  • Place the container in the middle of your suitcase, surrounded by cushioning materials like clothing or bubble wrap.

Remember, some countries have restrictions on importing certain art supplies, including oil paints. Make sure to research your destination’s regulations to avoid potential issues at customs. By effectively managing your carry-on and checked luggage, you can confidently transport your oil painting supplies and make the most of your artistic journey.

Transporting Oil Paints by Ground Transportation

Travelling with oil paints can seem challenging, especially considering temperature fluctuations and various regulations for different modes of ground transportation. However, with proper planning and preparation, moving your oil paints can be hassle-free and safe.

To begin with, always store and transport oil paints in a well-protected container, such as a durable plastic or metal box. Make sure the container can be tightly closed to prevent any leakage. It’s essential to pack the paints securely and add cushioning materials, like bubble-wrap or foam, to avoid damage during transit.

When choosing a method of ground transportation, options include personal vehicles, buses, trains, and even shipping via courier. Each mode has its unique requirements and considerations. For example, in a personal vehicle, you have greater control over temperature and storage but need to take extra precautions regarding the paints’ placement in the car to avoid potential hazards.

While travelling on buses and trains, inform the carrier about your oil paints. It ensures proper storage and adherence to their specific guidelines. Also, always carry a Material Safety Data Sheet (MSDS) for your oil paints and have a clear understanding of their hazardous properties.

Temperature control is a critical factor when transporting oil paints. Be mindful of the location inside the vehicle and avoid direct sunlight or extreme temperature fluctuations. Ideally, store the paints in the vehicle’s air-conditioned or temperature-controlled compartment to maintain air circulation and consistent temperature conditions.

In summary, to transport oil paints by ground transportation effectively, select a well-protected container, plan your mode of transport, adhere to carrier guidelines, and ensure proper temperature control. By considering these suggestions, you can move your oil paints safely and efficiently.

Oil painting materials

Final Precautions and Considerations

When traveling with oil paints, it’s important to take some final precautions to ensure the safety and security of your art supplies. First and foremost, make sure to pack your oil paints in a  zip-lock bag . This will prevent any potential leaks or spills, as well as keep your luggage organized.

It’s essential to consider the  hazardous  nature of oil paints while traveling. Some oil paints may have a low  flash point , making them more flammable. To find information about the specific oil paints you are using, look up their  Safety Data Sheet (SDS) , also known as  Material Safety Data Sheet (MSDS) . This document provides crucial information about the paint’s chemical composition, flash point, and other safety concerns.

When packing your oil paints, use  bubble wrap  to provide extra cushion and protection against damage. Keep in mind that some locations have specific regulations regarding bringing art supplies, so make sure to research the rules for your destination. This will help you avoid any complications with security or customs.

In addition to these precautions, it’s crucial to consider the  location  where you’ll be painting. Make sure to choose a well-ventilated area, away from open flames and heat sources. This will reduce the risk of accidents while working with potentially flammable materials.

By following these safety-minded tips, you can travel confidently with your oil paints and enjoy painting without worry, no matter where your artistic journey takes you.

Frequently Asked Questions

What is the best way to pack oil paints for air travel.

To pack oil paints for air travel, place them in a clear, sealable plastic bag to avoid leakage. You can also use bubble wrap or padded envelopes to protect the paint tubes from damage. Keep them in your checked luggage to avoid any restrictions on carrying them in your carry-on.

Are there any restrictions on taking oil paints on an airplane?

Yes, there are restrictions on taking oil paints on an airplane. Typically, you can bring a limited quantity of non-flammable oil paints in your checked baggage, but check with your airline for their specific guidelines. It is not recommended to carry oil paints in your carry-on due to their potential flammability.

How can I safely transport oil painting mediums during travel?

To transport oil painting mediums, use small, leak-proof containers or purchase travel-sized versions of your preferred mediums. Place them in a sealable plastic bag and pack them with your oil paints in your checked luggage.

What precautions should be taken for traveling with wet oil paintings?

When traveling with wet oil paintings, first place a sheet of wax or parchment paper over the surface to prevent smudging. Then, use a specially designed wet painting carrier or construct a cardboard box with foam padding to separate the artwork from other items in your luggage.

How do I protect my oil painting supplies while traveling?

To protect your oil painting supplies, use durable storage containers or padded art supply bags. Wrap brushes in cloth or place them in protective tubes, and secure any containers of mediums, solvents, or varnishes to prevent leakage.

Can I bring oil painting solvents on a plane?

No, you cannot bring oil painting solvents on a plane, as they are considered hazardous materials. It is best to purchase these items at your destination or use alternative, non-hazardous solvents like odorless mineral spirits that comply with airline regulations.

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An Easy Way to Travel with Wet Oil Paintings

Lori McNee

Here’s my best fine art tip for traveling with wet oil paintings! 🎨

Paint Tuscany with Lori McNee - Italy Workshop

While teaching a plein air painting workshop in Italy, I discovered a simple way to safely transport and travel with wet oil paintings. I’ve been transporting wet plein air paintings this way ever since.

In fact, I’ll use this same technique for transporting wet paintings home from South Africa later this summer.

Here’s how… (but watch the IG Reel below and it will all make sense!)

  • Cut a wine cork into four penny sized pieces
  • Add one slice to each corner of the wet painting
  • Gently place another painting face-down on top of the cork pieces. This should look like a thin sandwich.
  • Use blue painter’s tape and wrap to secure all four corners of the paintings. Viola!

travel oil painting tips

You can also use those silicone plastic dots, but wine corks seem more romantic to me! 😆

***Place your precious little painting bundle somewhere safe like in your carryon luggage. When you get home you may have to touch up the edges of these gems. But, this tip works great (especially for plane or backpacking travels) and cuts down on the bulk! Also, when traveling I use the lightweight #109 linen panels by Multimedia Artboard. And of course I paint sovent-free with Cobra Oil Paint which makes life and travel so much easier!

PS. I just had a cancelation for my South Africa Painting Safari! And I have a few spaces available for my upcoming Idaho painting retreat. Let me know if you would like to join us. Click Here for more info.

  View this post on Instagram   A post shared by LORI MCNEE ARTIST (@lorimcneeartist)

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How to travel with oil paints

How to travel with oil paints Packaging Labeling Documentation Prudence Oils, mediums and solvents Tips Links

Download in PDF

Over the years, many artists have asked us how they can travel with their oil paints while avoiding problems at airport controls. In this guide, we explain what you can carry in your luggage, and what you can not; what to explain and what not to; as well as what you might be allowed to carry, but you’re better off not trying to.

Most art materials are considered hazardous, but some are safe to travel with. Consequently,  your oil paints must be properly packaged, labeled and documented. Even if allowed, they can be a red flag for border agents.

Here we summarize everything you need to know to travel calmly and avoid surprises.

How to pack your oil paint tubes

Check the tubes.

Make sure they do not leak, are not filthy and that the caps are tightly closed. This is essential.

  • We recommend you pack the tubes in a way that avoids that their pointy corners, with the clattering, produce any perforations. You can use a box with compartments, bubble wrap or newspaper.
  • Keep your luggage light and try to travel with small tubes; 37ml is perfect.  Agents will not allow tubes of over 100 ml. (3.4 oz.).

Use a transparent plastic box

Yep, you better use a hard transparent plastic box —like a tupperware— to store your tubes. This will allow agents to examine the contents at a glance without having to open it, in addition to protecting the tubes from impact. The box also allows you to attach the documentation on the lid so that it is visible and accessible.

travel oil painting tips

In short, make it easy for the agents to inspect your colors, by keeping everything tidy, well packed, and clean from excessive paint stains; that’s a good start . Build a Travel Kit, it’s easy.

travel oil painting tips

Another option —low cost— is to use a transparent plastic bag with a ZIP seal. It’s not as safe, but it works fairly well.

Labeling your paintbox

Use our label.

  • Labeling the box with an “artist’s pigments” sign should be enough, but we can always do better by providing all the necessary documentation. Just in case.
  • We strongly recommend you download this label we have designed, print it and glue it to the box or bag containing the oil paints.  You can download it for free in JPG and PDF.

Traveling with oil paints: documentation for airport agents

Airport security departments have very strict regulations for flammable materials. While artistic materials are not usually flammable, some agents may think they are.

For agents to be sure that your paints are not flammable, you must print the MSDS (Material Safety Data Sheet) of the brand —or brands— of oil paints you use.

You can download these documents from the manufacturer’s pages. Below, we provide you with a list of the main brands and a download link to their MSDS.

Without the tag and MSDS, you could have problems. Highlight these two lines with a phosphorescent marker:

  • The artist’s color is vegetable oil-based and is not hazardous.
  • Safe flashpoint (550ºF or higher).

We recommend you print and visibly place these documents on your paint box  so authorities can properly inspect your luggage and you can avoid any nuisance. Let’s make it easy for the agent.

MSDS download links :

Main brands of oil colors

  • Gamblin Artist Oil
  • Gamblin 1980 Oils
  • Rembrandt Oil
  • Van Gogh Oil
  • Winsor & Newton Artists’ Oil Colours
  • Old Holland
  • Michael Harding Artist Oil
  • M. Graham Oil Color
  • Daniel Smith Original Oil Colors
  • Williamsburg Oil
  • Holbeil Artists’ Oil Color
  • Sennelier Artist Oil
  • Schmincke Mussini
  • Reeve’s Oil Colours
  • Utrecht Oil Paint
  • Utrecht Studio Oil Paint
  • Blick Artist Oil
  • Da Vinci Artist Oil
  • Daler-Rowney
  • Georgian Oil Colours
  • Norma Professional Oil
  • Permalba Oil Color
  • Fragonard Oil Colour

Sound judgement

Although your materials perfectly comply with the current TSA laws, your luggage may not be well labeled, and agents may not allow it. And then they’ll start asking questions…

The first thing —and the most important— is not to alarm them unnecessarily. Stay calm, you are not doing anything illegal. Just show the requested documentation and do not panic, even if they’re unclear.

For instance, if they inspect your luggage and ask you “What the hell are you carrying here?”,  it is better NOT to say “oil paints” because it can lead to misunderstandings . Technically, there is no problem in carrying “oil paints” inside your luggage, but it is better to talk about “colors” or “pigments”.

Not all agents are familiar with art materials and are suspicious of whether they are safe or not. So let’s make it easier and avoid referring to them as “paint”. The word is associated with a flammable material that contains solvents.

So, as Robert Gamblin suggests,  it is wise to say that you have “colors made with vegetable oils”.  This is the best answer.

travel oil painting tips

Here you can download a guide like this one, with recommendations from Robert Gamblin.

Carrying oil tubes, mediums and solvents

Can we carry oils, mediums, solvents or shellac? Yes and no… it’s a tricky thing to answer, so let’s go bit by bit:

Yes, you can carry oils

According to Winsor & Newton, linseed, safflower, walnut, and poppy oils, in addition to stand-oil and drying oils, are allowed (>230°C).

However, we are aware of a few cases of artists whose oil bottles have been confiscated, but it’s not common.

Of course:  carry bottles of no more than 100 ml.

That is what the law allows

travel oil painting tips

“Flammable liquids” are defined as anything with a flash point below 141°F (60.5°C), according to this fancy website of the US Department of Transportation.

Products with flash points below 60°C are flammable materials (Group II or Group III) and are considered unsuitable for air travel. These include most:

Mediums such as  Liquin  are technically allowed, as they comply with regulations.

And the same goes for some types of solvents, such as  Gamsol   by Gamblin , or  Sansodor   by Winsor & Newton , although these solvents are on the edge of the legal limit, they are within the list of things allowed.

Gamsol  has a flashpoint of 144°F,  four degrees above the tolerance threshold , but  we do not recommend traveling with  Gamsol  inside the suitcase . That’s why we provide it at our workshops, so you can avoid annoyances.

If you still want to try to carry solvents with you,  technically  there are no problems if it’s within the list of allowed items. Of course: prepare the documentation properly and accept that, despite having everything in order, they may not allow anyway.

travel oil painting tips

For example, this is the perfect  Liquin  bottle for traveling, less than 100ml. Not enough? No problem, you can carry more units.

However, you must show that it is not flammable by attaching the corresponding MSDS. Download Liquin Original MSDS.

What happens in the real world?

From experience, we know that it is not advisable to travel with these solvents because agents usually choose to be prudent and do not allow them, regardless of flashpoint laws.

As a general rule,  never travel with liquid solvents :  even if you have the MSDS ready to be shown , you should consider them prohibited and keep in mind that mineral essences and turpentine will likely not pass a check.

On the other hand, gel mediums —especially those that are sold in a tube— have special treatment and can pass through controls more easily. The problem comes with flammable liquids.

travel oil painting tips

Gels such as  Gamblin’s Solvent-free Gel are allowed. Download  Solvent-free Gel  MSDS .

  • Above all, carry your paints inside your checked/hold luggage, and NEVER carry your paints inside your carry-on/hand luggage .
  • Put your paint box or bag on top of your stuff . Put it inside a rigid container that protects the tubes from any cargo handling displacement that may crush them and stain all your belongings with paint.
  • Remember that you should never carry a paint knife inside your hand luggage . The metal detector will go off and the scanner will detect something similar to a blade. You must document and pack all your materials inside the hold/checked luggage.
  • We recommend that you carry your materials together with your personal belongings , as it is more likely to get unwanted attention if you have a suitcase just for your materials. Checkpoints retain suitcases with only materials, for whatever reason.
  • Additionally,  be very careful with low-cost companies , as their business model is based on making a profit out of people’s carelessness. If there’s any slight issue with your luggage, they will go after you and squeeze you. So be very careful if you fly with Ryan Air or EasyJet because cheap can be expensive.
  • International Air Transport Association (IATA) is the worldwide organization of regular airlines. Within the “IATA Dangerous Goods Regulations” section on their website, hazardous materials for travel are specified.
  • Federal Aviation Administration (FAA) , is the organization that defines management roles in the world of aviation. According to their definition, your oil paints are not dangerous on an airplane.
  • According to the FAA , there is no restriction on the number of tubes you can carry. However, you should transport all liquids, pastes, and gels in containers of no more than 100ml (3.4oz).

Thanks for reading this guide

Hopefully, these tips, along with the label we have designed, will help you to have zero problems with customs agents.

Text in Spanish:  Carles Gomila Proofreading and revision in Spanish:  Itziar Lecea Translation to English:  Darren Green

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Plein Air Painting

Your guide to painting on the go.

Plein Air Painting: Your Guide to Painting on the Go banner

Whether you're a budding artist looking to sketch your first sunset en plein air or a seasoned painter in search of new inspiration, this travel painting guide is your trusty companion for all things related to painting while traveling.

Here, we'll unpack the essentials of preparing your portable art supplies for travel, focusing on practical, lightweight choices that won’t break your back or the bank. You'll discover plenty of tips for painting while traveling and how to make the most of your painting sessions, whether perched on a city rooftop or nestled in a mountain nook.

We’ll guide you through the ins and outs of sketching and painting on vacation, from seeking out those hidden, picturesque spots to understanding how different lights and shadows can transform your work. Plus, we’ll talk about the softer side of travel painting, like connecting with local cultures and how these interactions can breathe life into your artwork. Of course there are plenty of Plein air painting tips waiting for you inside too.

And when your artistic travel adventure ends, we’ll show you how to keep the creative flame burning. Learn how to turn those on-the-spot sketches into refined pieces and keep your travel memories alive through your art long after you’ve returned home.

So, whether you’re sipping coffee by the Seine or trekking through the Amazon, let’s gear up for a journey where each destination becomes a page in your artistic diary. Let "Plein Air Painting" be your guide to combining travel and art by capturing your travel experiences on canvas.

travel oil painting tips

1) Preparing for the Trip

Before you set foot on your next great adventure, let's talk about art supplies for traveling artists. Preparing for a trip as an artist isn't just about packing socks and sunscreen; it's about curating the perfect toolkit that will let your creativity flow, no matter where you are. Think of it as packing a little piece of your studio in your suitcase. We're going to dive into how to pick art supplies that are as travel-friendly as they are inspiring. From navigating airline regulations to choosing the right sketchbook, this section is all about making sure your art journey starts on the right note. So, let's get your bags ready with everything you'll need to capture the world in your unique style!

a) What To Consider When Choosing Your Art Supplies

When it comes to picking your travel art kit, it's not just about what you'll use, but also how you'll carry it. Here are some key things to keep in mind:

Airline Weight Limits : Stay within the limits to avoid extra fees. Light and compact is the way to go.

Luggage Space : Your art kit should easily fit in your luggage or car, so size and portability are key.

Durability of Supplies : Opt for supplies that can handle a bit of a shake and a bump.

Ease of Use : Choose tools that are quick to set up and pack away. You don’t want to miss a moment!

Multi-functionality : The more uses one tool has, the less you need to pack.

Security and Customs Regulations : Be aware of what you can carry on flights, especially liquids like paints. After you have selected your items, check with the airline to ensure they are allowed.

Environmental Considerations : Go for eco-friendly options, especially if you’re painting in nature. Make sure you will leave only footprints when you are done.

Local Availability of Supplies : Sometimes it’s easier, and cheaper, to buy certain items at your destination.

Personal Comfort and Ergonomics : Your painting setup should be practical and efficient. Go on a few test runs locally before you go on holiday to ensure you have everything you need and your system runs smoothly.

Climate and Terrain Adaptability : Make sure your supplies can withstand the climate of your destination. Getting caught in the rain often happens when painting outdoors.

Safety of Supplies in Transit : Pack your supplies securely to avoid any in-transit accidents. Re-usable, resealable plastic bags are your friend here.

Clean-up and Maintenance : Easy-to-clean supplies save time and hassle. Ideally you wouldn't even need to clean on site, but just close everything up then clean when you get back to base.

When creating art while traveling and you're miles away from your studio, having the right portable art supplies can be a game-changer. For the traveling artist, time is often of the essence, making the ability to master quick-drying art mediums a valuable skill. Acrylic paints are a fantastic option in this regard; they dry much faster than oil paints, often becoming touch-dry within minutes. Watercolors also dry quickly and are ideal for swift, expressive works. If you're into sketching, consider using ink or fast-drying pen markers that won't smudge as you move along.

Experimenting with different mediums can also lead to discovering new techniques and styles that suit your artistic expression. For instance, try using less water with watercolors for quicker drying or work with thin layers of acrylics, which dry faster than thicker applications. Additionally, there are mediums and additives available that can speed up the drying process of paints like oils, should you prefer to stick with traditional materials. Embracing these faster-drying mediums not only keeps your workflow smooth while on the go but also opens up new avenues for creativity.

sketchbook

b) Essential Plein Air Art Supplies

Here's a rundown of the essentials to bring along on your artistic travels:

Sketchbook : Sketchbooks work better than canvasses, but a book of canvasses will also work.

You'll want something sturdy enough to withstand a variety of environments, from a breezy beach to a bustling city street. Look for a sketchbook with a hardcover to provide a stable surface, and water-resistant pages if you're using wet mediums like watercolors. The paper weight is crucial too; heavier paper (at least 140 lb or 300 gsm) is ideal to prevent buckling and bleed-through. Size matters as well - something not too bulky but with ample space for your art. Spiral-bound sketchbooks can be handy as they lay flat and allow easy removal of pages. Lastly, consider the texture of the paper: smooth for detailed work and rougher for more expressive techniques.

Pencils and Erasers : A selection of pencils for sketching, along with a reliable eraser for those inevitable do-overs. You could also use charcoal if you are doing purely sketching with no over painting.

Travel Watercolor Set : Compact, easy to carry, and perfect for capturing scenes on the fly.

Portable Palette : For mixing those perfect shades, no matter where you are.

Brushes : Choose few versatile options. For travel painting, a well-chosen set of brushes can cover all your needs without taking up too much space. A good mix includes a couple of round brushes in small and medium sizes for versatility across watercolors and acrylics, a medium flat brush for broad strokes, a medium filbert for blending and soft strokes, and a liner or rigger brush for fine details. If space allows, add a fan brush for textures like foliage and a small angle brush for precise lines. Opt for synthetic bristles for durability and ease of maintenance, and consider brushes with protective caps or a travel-friendly brush case. This selection will ensure you're well-equipped for a variety of painting styles and techniques, making your travel art kit both compact and comprehensive. Consider ones with protective caps to keep the bristles safe.

Water Brush Pen

Water Brush Pen : A brilliant tool for watercolor painting without the need for a water cup.

Ink Pens : Waterproof and fade-proof are best, especially for those detailed line works.

Charcoal or Pastels : If that's your jam, they can add a different texture and feel to your work.

Acrylic Paint Tubes : Small tubes are travel-friendly if acrylics are your preferred medium. (Remember to check with your airline on size limits and if they need to go into the storage hold during the flight)

Collapsible Easel : A lightweight collapsible easel is an invaluable asset, providing stability and comfort when painting outdoors. These easels are designed for easy transport and quick setup. The most compact of these is a pochade easel – a tiny, all-in-one painting station that often attaches to your tripod. Pochade easels are incredibly efficient, often featuring a built-in palette, slots for transporting wet paintings, and storage for brushes and paints. They're especially ideal for oil or acrylic painters who need a flat surface for their palette and a secure place for their supplies.

Rags or Paper Towels : Essential for managing spills and cleaning brushes.

Spray Bottle : Handy for keeping your watercolors moist.

Palette Knife : Not just for mixing paint, but also for creating interesting textures. (If flying these must be stored in the hold during the flight)

Sealable Plastic Bags : Great for organizing and protecting your supplies from moisture.

Portable Chair or Stool : If you're planning on painting for a while, this can be a back-saver.

Camera : Make sure to pack your camera if your phone doesn't have a good built in one.

pochade easel

Weather : When preparing for outdoor painting, packing for various weather conditions is key to ensure both your comfort and the protection of your artwork. Here's a handy list of items to consider:

Waterproof Backpack or Bag : To keep your art supplies dry if you don't have a pochade easel Protective Covers : For your easel, canvas, or sketchbook to shield them from rain or direct sunlight. Umbrella : A portable one, possibly with a clamp to attach to your easel, can provide shade or protection from rain. Sunscreen and Lip Balm : To protect your skin from sunburn. Hat and Sunglasses : To shield your eyes and face from the sun. Lightweight Rain Jacket or Poncho : Compact and easy to carry, ideal for unexpected rain. Warm Layers : Such as a fleece or sweater, for cooler temperatures. Gloves : Thin but warm, for painting in colder weather. Comfortable, Waterproof Footwear : To keep your feet dry and comfortable. Portable Stool or Chair : One that's weather-resistant, in case the ground is wet. Water Bottle : To stay hydrated, especially in warm weather. Insect Repellent : If you're painting in a bug-prone area. Hot or Cold Beverage Flask : Depending on the weather. This is very important to keep you refreshed and hydrated and is a break from the water. Wet Wipes or Hand Towel : Handy for quick clean-ups or to dry off surfaces.

artist on the beach painting the sunset

2) Practical Outdoor Painting Tips

I have tried to arrange these tips in the order you will need them so let's dive in with getting ready to go out for the day's painting.

a) Adapting to Outdoor Conditions

When painting outdoors, the weather can be as much a part of your canvas as the landscape itself. Being weather wise is crucial for a traveling artist. Always check the weather forecast before heading out to paint. This foresight can help you prepare for changing conditions, whether it's bringing along sunscreen and a hat for sunny days or a waterproof jacket for those unexpected rain showers.

Adapt your painting technique to the conditions. On windy days, you might opt for heavier sketchbooks or easels, or choose fast-drying mediums to prevent your work from being affected by sudden gusts or moisture. In extreme conditions, consider focusing on smaller, quicker sketches rather than elaborate paintings.

Carry protective gear for your artwork too, like waterproof covers or sealable containers. And remember, sometimes the best artistic decisions are made by embracing what the weather brings – a rain drop in your paint might add a beautiful, moody element to your landscape, and the changing light of a cloudy day can offer a unique perspective on your subject.

Being prepared and adaptable to the weather not only ensures your comfort and the safety of your art supplies but also opens up opportunities for unique twists to your final artwork.

b) Keep Your Gear Accessible

Organize your art supplies for easy reach. A well-arranged bag or pochade easel saves time and lets you focus on your art. You want to be able to grab and go at a moments notice.

c) Find Unique Perspectives

Look beyond the obvious views. Sometimes the most captivating scenes are found in less frequented spots or seen from a different angle.

Unique view of the Eiffel Tower as seen through the trees

d) Balance Tourist Spots with Off-the-Beaten-Path Locations

While famous landmarks are great, also explore quieter, lesser-known areas for unique and authentic scenes. Often some of the best painting scenes, which show tons of local character, are off the manicured tourist pathways. Try and avoid very high traffic spots as the constant bustle of people obstructing your view can become quite frustrating.

e) Stay Flexible with Your Subjects

Be open to changing your subject if something more interesting catches your eye. You may see a person on a donkey walking past or a unique plant in a brightly colored pot which will make an awesome painting. Spontaneity can lead to the best artistic discoveries.

Lady sitting comfortably on a rock painting

f) Prioritize Comfort in Your Painting Spot

Choose a spot that's not only visually appealing but also comfortable to work in for an extended period. Sometimes even just a wall to lean against or a railing to rest your sketchbook on can help a lot.

g) Practice Mindful Observation

Take time to really see your surroundings before you start painting. Absorbing the details, atmosphere, and light can deeply influence your work. I usually try and find a subject that has good contrasts to work with.

h) Utilize Early Morning and Late Afternoon Light

These 'golden hours' offer soft, dramatic lighting that can add a magical quality to your paintings. This isn't always possible so...

i) Learn to Paint in Varied Lighting Conditions

Challenge yourself to paint in different lighting, from the harsh midday sun to overcast days, to enhance your skills in capturing various moods and effects. If you are on an arranged tour then choosing the best time of day isn't always possible. This is when your Artists License comes in handy to invent or extend shadow and play up contrasts to get a better effect in your painting.

Quick pencil sketch of a street

j) Sketch First, Paint Later

Begin with a quick sketch to lay down the composition and major elements. What you are looking to lay down on the paper is the essence of the scene. From there you can stop at any point if you need to. After that you are merely adding detail to the scene.

k) Be Mindful of Light and Shadow

Start by capturing the shadows since they change with the moving sun. They also set the mood and structure of your scene.

l) Immediately Take a Photo for Reference

If the light changes, having a photo can be invaluable. It lets you reference the initial light and shadow you wanted to capture at any time.

m) Capture the Moment, Not Perfection

Focus on the feeling and atmosphere of the scene rather than trying to create a perfect replica. It’s about the expression, not precision. Leave the highly detailed painting for when you get back home and time is on your side.

n) Work Quickly

Especially in changing conditions, working quickly with expressive strokes helps capture the essence of the moment. Surprisingly quick strokes can often convey more movement and life than painstaking detail.

Painting of flowers in a pot using a limited color palette

o) Use Limited Palettes for Cohesion

A limited color palette can bring harmony to your work and is easier to manage outdoors. It can also challenge you to be more creative with color mixing.

p) Embrace Mistakes as Part of the Journey

Every mistake is a learning opportunity. They add character to your work and reflect the spontaneity of outdoor painting. Mistakes are not errors, but learning opportunities!

q) Set Artistic Challenges for Yourself

Regularly challenge yourself with new goals, like using a limited color palette or completing a painting within a certain time frame, to keep your skills sharp, your approach fresh and your techniques improving.

r) Incorporate Textures and Elements from Nature

Experiment with incorporating natural elements like sand or leaves into your work, or use them for texture and pattern inspiration, adding a unique touch to your paintings. If you are however flying internationally then be aware that natural element may need to be declared at customs.

s) Use Your Camera as a Tool

Your camera is a powerful ally. Snap photos of your subject from different angles and in various lighting for reference. This will help you later for completing or revisiting your artwork as well as for creating larger detailed painting when back home.

t) Make Color Swatches for Color Reference

A camera doesn't always capture the color correctly. Create swatches of the scenes you paint. They are invaluable for maintaining color consistency and can be a great reference for future artworks.

u) Protect Your Finished Works

Use portfolio sleeves, carrying cases, or even wax paper to protect your finished pieces from smudging or damage while transporting them back home.

By integrating these practices into your en plein air paintings, you'll enhance your ability to capture the essence of your travels in your artwork, ensuring each piece not only survives the journey home but also holds true to the memory and experience of its creation.

group of artists painting en plein air

3) Making the Most of the Environment

When you're out in the world with your sketchbook or easel, remember that your presence as an artist is often a point of fascination for those around you. Embracing the audience that gathers as you work isn’t just about enjoying their curiosity; it’s an opportunity to connect. These impromptu viewers can offer unexpected insights or local stories that might just spark a new idea in your artwork. Don't be shy, you soon get used to it and often leads to a sold painting.

Interacting with locals goes beyond mere conversations; it's about immersing yourself in the heart of the place. Whether it’s a tip about a picturesque spot off the beaten path or insights into the local culture, these exchanges can deeply enrich your artistic perspective. And while you're absorbing the local vibes, don't miss out on the art scene around you. Visiting local galleries and exhibitions, you get to see through the eyes of local artists, gaining new inspiration and understanding different artistic expressions.

Sometimes, the best way to truly get into the artistic spirit of a place is by joining in. Participating in a local art class or group can be incredibly rewarding. It’s not just about learning new techniques; it's about being part of a community, however briefly. often a local artist may be offering painting expeditions which you can book. These are so much fun and you always learn a lot.

When looking for a place to paint and while working it’s crucial to maintain a respectful and sensitive approach. Be it the natural environment or by following cultural norms, your role as an artist includes being a responsible and observant visitor. Sometimes items are sacred, etc. and locals may not allow or want you to paint them. If in doubt ask. This respect can often open more doors and create a deeper connection with the place and its people.

Networking with fellow traveling artists can be both inspiring and practical. Sharing experiences, tips, or even just stories over a cup of coffee can lead to friendships and valuable artistic exchanges.

Don't hesitate to experiment with local artistic materials and techniques. It's a fantastic way to integrate a piece of your travels into your art, making each piece a unique memento of your journey.

Lastly, if you're traveling with family or friends, remember to strike a balance between your passion for painting and enjoying the trip together. It's important to take time off from your art to explore and create memories with them too. After all, the stories you create together are just as inspiring as the landscapes you paint.

In the end, making the most of your environment while traveling and painting is about embracing the experience - the sights, the sounds, the people, and even the unexpected moments.

Artist painting in the studio

4) Setting Yourself Up for Future Paintings

Traveling as an artist is more than just capturing moments; it's about sowing seeds for future artistic growth. Each sketch, photograph, and memory becomes a valuable resource for more complex and inspired artworks once you're back in your studio.

Those in-between moments, like waiting at airports or train stations, are golden opportunities. Instead of scrolling through your phone, pull out your sketchbook. These moments can be surprisingly productive, offering a chance to capture fleeting scenes and expressions that might later become the centerpiece of a larger work.

Photography is another powerful tool in your artistic arsenal. It complements your sketches, providing details and perspectives that you might have missed or didn't have time to capture. Later, these photos can be invaluable references, helping to jog your memory about specific colors, light, and atmosphere.

Once you're back home, surrounded by the familiar comforts of your studio, take the time to reflect on and revise your travel works. Those quick outdoor sketches can evolve into more elaborate, refined pieces. Sometimes, a little distance from the actual scene can add a new dimension to your interpretation of it.

Art journal on a coffee table

Keeping a travel journal is another enriching practice. Whilst visual cues are the most obvious way to preserve memories and inspiration from your travels, you could also try writing ideas down. Sometimes, taking notes of the things you experience when traveling can serve as inspiration for your paintings later on. By writing visual descriptions and recording your feelings during your travels, you can add another dimension to your collection of memories. Writing allows you to make a note of all your senses beyond just what you can see, you can also describe the smells, sounds, and tactile aspects of the experience.

When you’re home, these memories will help you to conjure up the feelings of the trip, giving your paintings more depth and emotion. If you distinctly remember the feeling of the sun on your skin or the damp of the rolling mist, you can try to weave these sensory experiences into your paintings. In doing so, you will lend your works more atmosphere beyond simply recreating what you saw.

Artist sitting outside painting a Tuscan view

Remember that the essence of travel painting extends far beyond the canvas. It's about the sights you witness, the people you meet, the experiences you embrace, and the memories you create. Each stroke of your brush captures not just a scene but a moment in time, a fragment of the world as seen through your eyes.

Carry these tips with you as you wander, but also don't forget to make your own rules along the way. Art, after all, is as much about personal expression as it is about technique and skill. Let each new destination inspire and challenge you, adding depth and color to your artistic voice.

And when you're back home, with a heart full of adventures and a sketchbook full of memories, let those experiences infuse your future artworks. Share your stories, both online and off, and let your art be a bridge that connects your inner world with the outer world.

In the words of Vincent van Gogh, "I am seeking, I am striving, I am in it with all my heart." May your en plein air painting journey be one of seeking, striving, discovery, growth, and joy.

If you would like to learn more about sketchbooking you can read the Sketchbook Basics article follow the Freehand Sketching Course .

Discover 'Plein Air Painting: Your Guide to Painting on the Go' – essential reading for traveling artists. Packed with practical tips on selecting art supplies, outdoor painting techniques, engaging with local cultures, and transforming travel experiences into inspired artworks. Perfect for artists seeking to blend their love of art with the spirit of adventure.

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OPA - Oil Painters of America

Dedicated to the preservation of representational art

Taking Flight: Tips for the Winged-Artist

Lori Putnam · Jun 3, 2013 · 5 Comments

Putnam -PanelPaks Canvas

Tip of the day

Always pack like you are flying to Europe, even when you are traveling by car. You will get better at packing light and will appreciate it even when you are driving to your local beach or mountain range.  

Essential Tips For Traveling with Oil Paint

Here are a few more tips for the winged-artist, no matter where you are going: Pack less than you need You already know this one and still, you don’t listen to yourself do you? Pack no more than 2 bags: One bag will hold most of your clothing and a small bag of paint. The other bag will hold most of your paint gear and a second small bag of paint. You may also pack an optional carry-on, just remember that now you have to be able to maneuver with 3 items. It helps if your carry-on tethers to your luggage easily or is a back-pack style. Invest in a luggage scale For $15 you can purchase small luggage scale which could save you hundreds of hours of worry or hundreds of dollars. Remember to PACK the luggage scale. You will need it when you return to weigh all of those wonderful souvenirs you bought. Use your paint back pack as your carry-on In addition to your make-up and jewels, items to be included in your carry on luggage (should you opt to have that added piece) are things that would very difficult or expensive to replace such as your easel (needs to be a compact style for this. I will be posting soon on my latest equipment find!); your brush roll with brushes (be sure to remove palette knives); and 1 or 2 PanelPaks with clean panels (just enough to hold you over until they locate your checked luggage if it is stuck somewhere in transit). Also pack business cards, event and travel contacts, schedule, maps, tickets, and other information in your carry on luggage for easy retrieval upon arrival. Pack your voltage converter Pack your voltage converter for whatever country you are visiting, camera, charger, memory cards, and other expensive electronics like computers and iPads in your carry-on (or do without them for a week… even better!) Do not expand your luggage Whether or not you are the typical souvenir-buying-tourist, likely you have experienced that things just don’t fit right when you pack to come home. You always wish you had a little more room for some reason. If you flew to your destination without expanding the extra expando-zipper on your suitcase, you will be able to do that now and have plenty of room for your stuff to fit. Just don’t forget to weigh it!  

Details on traveling with oil paint and art supplies

Putnam - Paint Tubes Wrapped Baggies

ARTISTS’ PIGMENT ENCLOSED. The US Department of Transportation defines “flammable liquids” as those with a flash point 140 degrees F or below. Artist grade oil colors are based on vegetable oil with a flash point at or above 450 degrees F. THEY ARE NOT HAZARDOUS. If you need to confirm this, please contact TSA at 866-289-9673 or their Hazardous Materials Research Center at 800-467-4922.   To contact this traveler, dial (ADD YOUR PHONE NUMBER HERE).

Flying with Oil Putnam Bag Zipped

  • Back-pack (can double as your carry-on luggage, or used to provide extra padding in the top of your suitcase)
  • Plein air umbrella
  • Rain poncho or jacket
  • Flashlight and clip-on book lights (for painting nocturnes)
  • Utility tool and cork screw (seriously, cork screw is on my list)
  • Painting hat
  • Palette knives (remember NOT to have these in your carry on luggage)
  • Sketchpad and pencils
  • Empty, seal-able, OMS container* and small zip-lock bag
  • Small roll of wide, transparent tape
  • Mediums which are allowed by law (see manufacturer’s specifications)*

Putnam - Travel with Paint Carrying bag

  • Pack a small box of framing gear which includes hanging wire, strap hangers and screws, point driver, wire cutters, and screw driver. Have frames drop shipped to the location from your supplier.
  • Pre-wire frames for horizontal hanging (you can always change them if you paint vertically). Ship frames, point driver, wire cutters, and screw driver to your location.

Whatever method you choose, pack extra promotional materials (business cards, workshop brochures, copies of your bio, etc.) to have on hand or affix to the back of your painting. If I am teaching a workshop, I add ‘Workshop Booklets, 1 per student,’ to this list. Suggested Clothing Pack 3-days’ change of clothing and washing powder. Here is a copy of my personal packing list:

  • Painting clothes (shorts, jeans, tees, layers) for 3 days. Check the weather reports for the region and pack accordingly. No matter what picture you have of a place in your mind, there is no reason to show up in Carmel in a bikini if it is only going to be 62º for the high.
  • Under-garments (Okay… so my list actually says bras and panties… substitute boxers or briefs if appropriate.)
  • Barrettes and hair ties (obviously, optional)
  • Hiking shoes, tennis shoes, or boots (as geography demands) and socks; sandals if appropriate
  • Dress clothes, jewelry, and nice shoes if needed (for opening receptions, networking dinners)
  • Prescriptions and over-the-counter remedies such as Advil
  • Lotion, make-up, deodorant, toothbrush and toothpaste, razor, hair products, and soap (assuming you are not staying in a luxury spa hotel that supplies these for you).
  • Laundry detergent (dry or dissoluble sheet type) and Murphy’s Oil Soap (for removing oil paint from clothing).

"Where The Wild Things Are" by Lori Putnam - 12" x 16"

Reader Interactions

Andrea Gaye says

June 3, 2013 at 11:54 pm

I always travel with a small, unopened can of Gamsol. The flash point is 146 and therefor flyable. I print out the MSDS, underline the flash point in red marker, and tape to the outside of the can. I put this in a 1 gallon size zip lock freezer bag and place in the middle of my suitcase where it is well cushioned. I usually have my luggage inspected but nothing has ever been removed. Of course, this has to be checked in and not carried on board.

robertbrittonjr says

June 10, 2013 at 8:00 am

There’s some really good info here, Lori. Thank you.

Golf Koolit says

July 31, 2014 at 11:47 pm

I am wondering why the first place winner is not featured not here and while . I always travel with a small ,unopened can of Gamsol .And i usually have my luggage in the middle of my suitcase where it is well cushioned.

joyce snyder says

January 19, 2015 at 10:40 am

Great post from a trustworthy source. Your work is only exceeded by your generosity of sharing. Thanks. Would love a copy of this.

Discounted Brush And Palette Artist Tools By Lorrie […] ch of the sizes I like to paint. These are thin and lightweight. Each PanelPak w […]

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travel oil painting tips

Gamblin Artists Colors

Tips for Traveling with Artist’s Materials

Written by Robert Gamblin

suitcase in airport

Many artists contact us with questions about the best ways to take art materials on aircraft. I have been flying with oil painting materials for 25 years and have logged about 400,000 miles with my paints. Here are some suggestions.

What to say/not say to TSA

Artist’s oil colors contain no solvents so they are not hazardous. When security asks, “What are these?” never say oil paints. The word “PAINT” is a hot-button issue with them. (I have even heard of acrylics and watercolors not allowed on airplanes because they were described as “paints.”) Tell them that they are “‘artist’s colors made from vegetable oil.”

The Federal Aviation Administration (FAA) defines “flammable liquids” as those with a flash point 140 degrees F or below. Artists grade oil colors are based on vegetable oil with a flash point above 550 degrees F. THEY ARE NOT HAZARDOUS. Gamsol has a flash point of 144 degrees F. Visit FAA’s Pack Safe – Artists Paints for more information.

You can download and print SDS for all Gamblin materials from our website: SDS Page

  • Be ready to show the SDS to prove the flashpoint
  • If you do not know the flash point of your mediums or solvent, do not plan to take any on board
  • Do not carry on your palette knives. Put them in your suitcase and check your luggage
  • Keep your cool—don’t hassle security. Show them the SDS and explain that you are going on a painting holiday

Restrictions

According to the FAA, there is no limit to how many oil colors you travel with. However, all liquids, pastes, and gels in carry-on baggage are limited to 100-ml (3.4oz) containers at the TSA security checkpoint.

Shipping materials

Check to see if you can purchase mediums and solvents at your destination (visit our Store Locator for a list of our retail partners). If not, ship art materials ahead by ground transportation. Using the US Postal Service, artists can ship materials to most places in the world. Remember to specify “ground transportation” service. Insure the package and pay for a delivery receipt.

Checked luggage

If your luggage is inspected, it is helpful for TSA to have information about the materials. Put the SDS and a sign inside your luggage. Here’s an example from David Barclay :

travel oil painting tips

Always make sure caps are screwed on tightly.

Drying time

Oil painting materials are products of the natural world so they are tremendously responsive to temperature and humidity.

Oil colors dry faster in warm weather. Solvents and the solvent in painting mediums evaporate more quickly. A great advantage for those who want to speed up the painting process, heat may be a disadvantage for those who are used to a longer open time.

If you need more working time, and you are using a quick drying medium like Galkyd or Galkyd Lite then switch to a slower drying medium.

If you use a low viscosity medium like Galkyd Lite, try Galkyd Slow Dry. If this still does not give you enough working time, try the slowest of slow dry mediums: mix Gamsol and Poppy Oil (or Safflower Oil) in equal parts.

If you prefer a higher viscosity medium like Galkyd, add 10% Stand oil to Galkyd to increase the working time. If this is still not enough working time, as above, make a medium by mixing Gamsol and Stand oil in equal parts.

More information on painting mediums can be found in Painting Mediums and Finding Your Happy Medium . Information on painting mediums is also available in our Mediums Guide . If you want a paper copy, please contact us . We also make a Mediums Set with TSA-friendly 2 oz bottles so you can find the one or combination that is best for your painting style.

Summer heat

Another issue is the effect of summer heat on oil colors. Many of us travel in cars and leave our paints and supplies in the oven-like trunks. The viscosity of oil colors is much lower (paints are more fluid) when they get hot. Oil colors traditionally throw a little oil over the life of the tube. But storing oil colors in hot cars and trunks will increase the stress on the paints and can cause more oil to separate from the pigment. Keep your paints cool to reduce separation.

Shipping artwork

Traveling with art supplies is one challenge. Shipping fresh oil paintings is another. Here are a few suggestions.

A “fresh painting” is one that has skinned over. Dry to the touch, you can easily smear it with your finger if you press too hard. A fresh painting needs careful handling. Place your paintings face-to-face with wax paper or with non-stick baking paper between them. You can also place plastic push-pins at each corner of one of the paintings to put some additional space between the paintings. Unpack the paintings as soon as they get to their destination.

Ship varnished paintings with nothing touching the surface.

We get calls from artists asking what to do when their gallery shipped a varnished painting with sheet plastic or bubble-wrap directly on the face of the painting. Shipping paintings like this is a bad technique because the bubble wrap heats and softens the varnish while in transit. Then the pattern of the bubble wrap is pressed onto the surface.

If this happens and you varnished the painting with Gamvar, simply remove the varnish with Gamsol and re-varnish.

If you have any further questions about tips for traveling with oil painting materials, please feel free to contact us .

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Inspiration delivered to your inbox

Your choice for red can make all the difference, especially if you frequently mix pink on your palette.  Pink in and of itself is a rather interesting color conversation. Light blue and light yellow exist as variations of the colors they derive from. But add white to red and you get an entirely new color.  Consider the classic choice for primary red, a fan-favorite, Cadmium Red Light: renowned for its lipstick-like opacity and orange overtone. While this color has the most “pop” straight from the tube, Cadmium Red becomes a rather soft and more muted when mixed with white.  Meanwhile, a sultrier, more transparent option like Perylene Red offers more depth alongside a gem-like pink with higher chroma. The versatility in color mixing potential for various violets and mauve pink is precisely why we chose Perylene Red as the pigment in Radiant Red.  Pink has a rich history. And it’s persevered cultural criticism. Some love it, many people hate it. And both have good reasons. Pink’s been misused, but it’s also driven change. And it’s powerful, like it or not!  #gamblin #gamblincolors #experiencecolor #welovehue #color #colormixing #red #pink #painting #oillainter #oillainting #oilcolor #pigments

Disclaimer: The above information is based on research and testing done by Gamblin Artists Colors, and is provided as a basis for understanding the potential uses in established oil painting and printmaking techniques using the products mentioned. Gamblin Artists Colors cannot be sure the product will be right for you. Therefore, we urge product users to carefully read the label, instructions and product information for each product and to test each application to ensure all individual project requirements are met – particularly when developing one’s own technique. While we believe the above information is accurate, WE MAKE NO EXPRESS OR IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, AND WE SHALL IN NO EVENT BE LIABLE FOR ANY DAMAGES (INDIRECT, CONSEQUENTIAL OR OTHERWISE) THAT MAY OCCUR AS A RESULT OF A PRODUCT APPLICATION.

Arts Creative Hub

With jacqueline coates.

Arts Creative Hub

How To Pack A Wet Oil Painting For Travel

Here's how to pack a wet oil painting for travel with jacqueline coates, how do you pack a wet painting when you need to travel.

I’m in that situation right now, hi my name is Jacqueline Coates.

I’m just finishing my season at French Art School and I’ve actually got a trip tour I’m working on, so I’ve already packed two, two pieces, they’re 1 meter square, haven’t quite finished working on them in France so I’m taking them home to my studio in Kapunda the Barossa Valley, South Australia and I’m gonna work on them there where I’ve got more time because my time is a bit limited when I’m in France and I’ve got plenty of time back home.

So these two were okay but this one actually, but all that beautiful oils out and unfortunately I have to say goodbye to these oils and go back to my studio in Australia and work on this one. So I started reworking in this area, only yesterday and then we got a bit caught up and we’ve been having a great time, I’ve done some other things and I’ve also been relaxing, so I thought that’s okay I’m gonna take the paintings home and carry them.

So how do I stop this part being messed up? Well what I’m doing is I’m putting some sponges on the corner to create about almost an inch or about an inch of extra height, I’m putting that on the sides as well. It’s much easy to fix along the corners, I like it a lot better because you can wrap right around and actually keep them in place for the sides. Then I’m going to place these, let’s pop these down, then I’m going to pop this face down on my other canvass, so before I do that I just put these two face-to-face, wouldn’t mind having something that support this, now hold on a tick, I’ll just get a piece of cardboard.

It will increase the weight just a tiny bit so the bank updates from my art so they’re always getting things in and they always need to get rid of them tools because I’m packing things inside them, so now we put it face down to rest on top of the other ones and I’ll get this to sit, I’ll actually cut, scour this and get it to go right down but as you can see there’s a good half to one inch space in between so nothing’s going to be rubbing against the painting it’s gonna be safe in transit then we’re gonna bubble wrap it up, I’m going to add shoulder straps to this and they’ve got ratchets so I put two and then I tie them at the top and I simply carry it over my shoulder. I’ll be towing one case and I’ll have my paintings over my shoulder and there I go.

International traveling artists you can do it too if you need to. So just make sure you put a space between your paintings when you need to travel with them, as you can see it’s like an extra layer that allows for air in between so it’s as simple as that.

I hope you found this useful, it’ll take us too long and you’ll be bored watching us actually doing this packing but you get the concept, create air between the paintings, trim everything, tie it all down with tape, triple bubble wrap it so you can almost bounce a thing and you’re ready to go and put your address on it and your phone number and your country, who you’re flying with on what day from where to where. So that way it’s easier to track and if you can find your flight numbers even better, hope you found that useful.

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Articles » Painting » 9+ Best Travel Art Supplies for Painting Artists Who Travel

9+ Best Travel Art Supplies for Painting Artists Who Travel

  • Last Updated: July 8, 2021
  • Written by: Elisabeth Larson Koehler

This article may contain affiliate links, please read my affiliate disclosure for more information.

A map of the world on a table with travel art supplies lying around it

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One of the perks of painting is that all of the necessary materials are fairly portable. This article will guide you through which travel art supplies are the easiest to pack and take with you.

We are lucky in this day and age to be able to carry our paints in small paint tubes and have easels that are light and foldable. However, there are a LOT of different materials out there and it can be hard to know what exactly you need to paint and travel. I will break down exactly what you will need, so that you can easily be a traveling artist, painting on the go!

Painting Surfaces Best for Travel

This is one of the more important of the travel art supplies you’ll need to remember to take with you. As wherever you paint you will always need something to paint on.

a hand with two rolled up canvas art supplies ready for travel

I recommend using loose gessoed canvas that can be rolled up. Boards will take up more space than stretched canvas. Not to mention you have to be a little more careful not to puncture or damage stretch canvases!

You can gesso your own canvas or purchase it already primed and ready to paint on! When you are ready to start your painting, you will simply cut out a size that is appropriate for your project. Then attach the piece of canvas to a hard board with some masking tape. This hard board will act as a support for all of your paintings on your journey. You will be able to use both sides if you wish to do multiple paintings at a time! I do this often 😉

Art Supplies for Storing Paintings and Canvas

To transport your canvas I recommend to roll it up and store it safely inside a mailing tube. This provides excellent protection for your painting surface and keeps it from getting any creases.

an artist holding a mailing tube that is being used as an art supply carrying case

In addition, I recommend for you to use the mailing tube to store your completed paintings on your travels ( once they are dry ). Again this is a wonderful way to protect your work from getting any folds or creases. When traveling we often accidentally drop things or stack things on top of one another. Therefore storing your work in a mailing tube alleviates a lot of worry about any damage that may incur to your work!

✨ A quick tip about rolling up paintings – keep the painted side on the outside! I know this sounds odd but it is the best way to take care of your paintings while rolling them up. Rolling oil paintings inwards can cause them to chip or flake which will become visible when laid out flat again.

Travel Art Carrying Case

product image of a dark wood colored Sienna brand art carrying case

What if your paintings are still wet and you need to continue your travels? Enter the wet panel art carrying case ! You can purchase one or make your own. They allow you to store wet painting safely inside a box in such a way so that it won’t touch anything else. I personally keep my painting taped down to a board to allow for me to place my painting safely inside a carrier if I need to do so.

Art Supplies to Speed up Drying Time

If you are using oil paints and would rather not have to deal with wet paintings while traveling. There are specific travel art supplies that can help speed up the drying time.

Liquin for traveling artists

product image of a bottle of liquin

Liquin will help a great deal to speed up the drying time! Using just a little will go a long way. Add it to your paint at times when you would normally use linseed oil to thin out your paint.

Whenever I use Liquin in a painting, I take out a small amount of it from the jar using a palette knife and place a little pile of it onto my palette. This way it is easy for me to add it as needed while I mix my oil paints .

Lightweight Travel Easels

An easel can be a little bit of a headache for artists who are traveling, as it is most likely the largest item out of all your travel art supplies. However, there are some great travel easel options out there for every budget!

Pochade boxes for travelers

an open pochade box sitting on a surface with a view of the city behind it

A pochade box is one of the most popular easels for plein air painters and traveling artists. They are also quite historical as they came into popularity in the 19th century when artists started to paint out of doors. Pochade boxes tend to be small and are highly portable as you can store not just your materials inside them but also your painting. You can purchase one or make your own out of a cigar box!

pochade box mounted on a tripod, showing how to travel art supplies

French easel travel supplies

I personally use a French easel when I travel as well as in my studio. So, it is nice to be able to use the same easel that I always use when on the go. Similar to the pochade box, it allows you to store a lot of supplies inside the easel including your palette. It can be folded up smaller which makes it easy to carry and transport.

Travel easel in a room with art supplies on the easel's palette tray

However, the downside to a French easel however is that it can be a bit heavier than other options, due to its wood construction. So, if you are looking for something particularly lightweight, this might not be the best option for you.

Tripod easel with palette box

The tripod easel and palette box can sometimes be a good alternative to the traditional French easel. The versions made out of aluminum can be lighter weight and less prone to breakage. In addition, this variety gives you a good distance between the painting and the palette – something missing with a pochade box.

tripod easel with palette box tray pictured in a white room and a blue travel case resting on the floor

A good camera tripod easel with a palette box can be a little pricey. However, if you are planning to do a lot of plein air painting or walking with your painting supplies. It is really worth it to get a lightweight easel, as your back will thank you! 🙂

Brushes and Brush Cleaner

For traveling I recommend the Guerilla ‘mighty mite brush washer’ . It is leak proof, you don’t have to worry about soiling things when traveling with with linseed oil or turpenoid. In addition, it works as a terrific brush cleaner that lasts a long time.

the 4 oz Mighty Mite Brush Washer travel art supplies container

Palette cups

You could also use oil painting palette cups. These are small metal cups that you can clip onto your palette. They are not meant to be a brush cleaners however. So you can’t clean your brush in this as thoroughly as you could in a regular brush cleaner. However, these make for super useful travel art supplies. As they work great as receptacles to keep your linseed oil and or turpenoid in – when you need to use those in your painting.

image of the Guerrilla Painter Large Mouth Double Palette Cups

Paints for Travel

Most paint tubes come in a large or small size – typically 37 ml or 150 ml size tubes. So, when traveling with your painting supplies it is best to use small sized tubes. As this will help a great deal with keeping the weight down.

a large blue tube of oil paint next to a smaller orange tube of paint

If small sized paint tubes are still too heavy and you don’t need to take that much paint with you… Then you could purchase small containers to store your paint in. Just keep in mind, that the paint will dry quicker in such containers than if it remained in a tube!

So, if you are planning to travel and paint for just a few days then small containers work nicely. However, not if you will be on the go with your travel art supplies for a couple of weeks or longer. As the paint will likely dry out over that period time.

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several small travel art supplies paint containers filled with oil paint

Traveling with Oil Paints on an Airplane

It is possible to travel with your oil painting supplies on an airplane . However, there are a few things that are valuable to know before you start packing your travel art supplies! After traveling many times with oil paints – believe me when I say that you will appreciate knowing how to fly with oil paints!

travel oil painting tips

Start Taking your Travel Art Supplies with you!

Whether you are traveling by car or plane, all of the tips for painting above will help a great deal. As you now have a good base of which are the best travel art supplies to take with you. So that you can have a smooth experience as a traveling artist.

It can be extra work to carry your painting supplies with you on the move – but doing so is deeply rewarding and more than worth it…

The experience of getting to paint the places you visit is very rich. You notice and experience things you would not have otherwise. And, you have the extra perk of having a recorded visual memory of your travels!

Have you ever painted while traveling before? If so, I would love to hear how your experience went! What travel art supplies do you wish you had brought with you or maybe left behind?

Want to remember this? Save  9+ Best Travel Art Supplies  to your favorite Pinterest board!

9+ best travel art supplies for painting artists who love to travel. Read more at ArtStudioLife.com

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4 thoughts on “9+ best travel art supplies for painting artists who travel”.

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I am not traveling very far but when I do travel I have a few art supplies! And I have taken a couple of trips to Yosemite National Park, and Big Sur, and even Lake Tahoe it was beautiful with so much to paint! I have a few travel watercolor sets! And I have gotten good at scouting out a spot with natural beauty as well as shade!

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Hi Abbi – oh that is wonderful that you have taken your art supplies with you to some of those beautiful places! Watercolor sets are the best for traveling as they don’t require many materials. I have found that painting in different places does make you better at being able to scout good painting locations – and its wonderful when shade accompanies a good painting view 😉

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Hi Elizabeth! I have been Plein Aire painting for years. Since I paint locally one of the best aids is my garden wagon. It collapses and stays in the car trunk ready to load up and head into nature filled up with all the painting supplies mentioned. It is better than using a backpack!

Hi Sandy! Oh that is a really good tip. What a great setup to be able to collapse it and keep it in your car. I completely agree – Carrying everything in a backpack can be quite exhausting as once you reach your destination you are a bit too tired to paint! 😉

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Monday, August 15, 2011

Top tips for travelling artists - oil painters.

  • the novice who has never travelled before doesn't know what he or she doesn't know - but needs to!
  • those who have travelled with their paints before are trying hard to remember what went wrong last time!
  • while the experienced artist and seasoned traveller is very often trying to find a way of rationalising or improving upon what they did last time - for the nth time!
  • provide some links to useful information
  • invite people to identify the blog posts on which they have discussed what they do
  • ask people to contribute their three top tips for travelling with different types of media 
  • travelling with oil paints
  • travelling with watercolour paints
  • travelling with pastels
  • travelling with coloured pencils
  • Top Tips from
  • Artists who travel a lot
  • artists who are travelling with paints for the first time
  • artists who like to take just the bare essentials
When security asks, "What kind of paints are these?" Never say "oil paints"; say that "these artists paints are made from vegetable oil and contain no solvent." For air travel, flammable liquids are those that have a flash point 140 degrees F. or below. If you do not know the flash point of your mediums or solvent, do not take any on board. Gamblin
  • Artists' oil paints do not contain solvent, are not hazardous and can be taken on plane s (Gamblin, Langridge, Katherine Tyrrell)
Linseed oil based colours are NOT considered “Dangerous Goods” as classified in the International Air Transport Association’s (IATA) Dangerous Goods Regulations. They are not flammable (as described in Class 3 or Class 4 criteria), poisonous or corrosive, nor do they fall within any other class description of “Dangerous Goods”. A UN number does not apply to these materials because such numbers are assigned only to “Dangerous Goods” by the United Nations Committee of Experts on the Transport of Dangerous Goods. based on statement by Langridge Colors
  • Do not travel on planes with medium or solvents . Virtually all solvents used for oil painting are FLAMMABLE and can NEVER be taken on a plane. Many mediums have flash points near the limit.   ( Michael Chesley Johnson,  Katherine Tyrrell)
  • The flash point below which goods are deemed to be dangerous is 61 degrees Celsius / 140 degrees Fahrenheit - so it's ESSENTIAL that you know whether the flash point data you have access to is in celsius or fahrenheit
the flash point is the temperature at which a product will flame, therefore a higher flash point is better Winsor and Newton - health and safety data information
  • Gamblin says that Gamsol has a flash point of 146 degrees fahrenheit.  (Gamblin) Officials may feel this is very close to the limit.  I wouldn't chance it.
  • Liquin has a flash point of 70 degrees celsius
  • M. Graham’s Walnut/alkyd medium has a flash point of 215 degrees and is safe
  • Linseed oil is not hazardous 
  • Locate an art store at your destination in advance for a supply of solvent and/or medium - or have some delivered to where you are staying/studying in advance   (Michael Chesley Johnson)
  • Do NOT carry your oil paints in your carry-on luggage (Michael Chesley Johnson)
  • Do NOT pack palette knives in your carry on luggage.  (Benoit Philippe)
  • Print out relevant Material Safety Data Sheets  before travelling - and take them with you in your hand luggage with the flash points and other relevant information clearly highlighted.  Printed sheets from reputable sources are more likely to convince airport security than you are.   (Winsor & Newton,  Michael Chesley Johnson, Scott Burdick, Daniel Smith )
Since putting the following notice in with my paints, I haven’t had any trouble: “the US Department of Transportation defines “flammable liquids’ as those with a flash point of 140 degrees F or below, Artist grade oil colors are based on vegetable oil with a flash point at or above 450 degrees F.  THEY ARE NOT HAZARDOUS.  If you need to confirm this, please contact TSA at 866-289-9673 or their Hazardous Materials Research Center at 800-467-4922.”  “I also include a MSD (Manufacturer Safety Data) sheet from the paint manufacturer….” Scott Burdick
  • Health labelling varies in different parts of the world - be sure to check you are familiar with what the labels means before you travel.  This Winsor and Newton explanation is helpful
There is no direct relationship between the EU and USA systems of health labelling as the categories used have different levels and limits, e.g., Flammable in the USA is not automatically considered as Flammable in the EU. Winsor and Newton - health and safety data information
  • Make sure that the printed material safety data sheets relate to the brand of paints you are carrying in your luggage!  These are the manufacturers who provide material safety data sheets (msds) - and the links to go the relevant website ( Benoit Philippe / updated by Katherine Tyrrell )
  • Art Spectrum material safety data  sheets
  • ColArt Group Lefranc and Bourgeois data sheets safety's product management site
  • Daler Rowney Health and safety data sheets
  • Da Vinci paints - product technical info
  • M Graham oil colours and medium   -  material safety data  sheets
  • Michael Harding Health and Safety - note no msds sheets available
  • Artist Oil Color MSDS (pdf)
  • Artist Oil Mediums & Varnishes (pdf)
  • Langridge Colours - material safety data sheets
  • Old Holland - Health and safety  -  note no msds sheets available
  • Schminke  oil paints -  material safety data  sheets
  • Winsor & Newton Health and Safety Data Information
  • Williamsburg Oil Colours - air shipping or travelling information
  • Sennelier -    note no msds sheets available
  • Zest It Health and Safety Information  - not classified as requiring an MSDS - however MSDS available
Unfortunately many MSDS do not provide accurate classification for transport purposes. You should further inquire with the manufacturer or distributor or have the product tested by an authorized laboratory. IATA - Dangerous Goods HAZMAT FAQs
  • Write on the container "Artist's Oil Colors - Made with Vegetable Oil'    (Michael Chesley Johnson)
  • ALWAYS say if asked that the oil colours contain no solvent  (Michael Chesley Johnson)
  • Do NOT use the word "paint" - it seems to set off alarm bells with the uninitiated.  ALWAYS refer to your tubes as "artists colours"  (various)
What liquids, aerosols and gels am I allowed to bring on board? The International Civil Aviation Organisation, the UN’s aviation standard-setting body, has defined guidelines that more and more governments are adopting. The current restrictions for liquids, aerosols and gels from ICAO and in effect in most many countries are that they must be in containers 100ml or equivalent, placed in a transparent resealable plastic bag with max capacity 1-litre. At screening,  plastic bags should be presented apart from other carry on items International Air Transport Association
  • Paint tubes in checked baggage on a plane may burst as all art materials travelling in checked baggage are in an unpressurised part of the plane. They therefore need to be contained.  (Katherine Tyrrell)
  • Enclose all art supplies in clear zip-loc bags (Dan)
  • Wrap paint tubes in foam sheeting or bubble wrap to reduce the chance of puncture.  Pack all paint tubes in ziplock bags in checked baggage (Jennifer Young)
  • Beware that checked baggage as well as hand luggage can be searched.  Artists have arrived at their destination to find that their baggage has been inspected!  
  • Pack your tubes of paint in transparent bags with their related msds sheet and a statement that they are not hazardous (see above for wording)
  • Shipping oil paints beforehand avoids potential problems of arriving to find no paint. (William Weith)
  • Isolate your paints from your clothes  (Michael Chesley Johnson)
  • Put all your oil paints into a sealed container which isn't going to spring open easily   (Katherine Tyrrell)
  • Consider mailing your paints in a very robust container to your destination - after all it's how the paints you buy online  reach you!  Make sure you include your home and destination address in with the paints and not just on the packaging. ( Kath Schifano, Michael Chesley Johnson
  • Buy your oil paints at your destination and bring them back as paintings. This can be a lot of fun! Regional visitor centres can be very helpful (Jennifer Young)
  • the best source for solvents at your destination BEFORE you leave (remember hardware stores stock turpentine)
  • where the local art stores are and how easy they are to get to
  • whether local art stores will despatch to where you are staying (saves overseas postage)
  • Identify the correct word for your solvent or turpentine before you leave home! 
  • turpentine en Francais- “La terebentine”
  • turpentine in Italiano- “La trementina”  (Jennifer Young supplied the translations)
  • Think about weight at every stage and how it can be reduced
  • precut canvas is the lightest support you can carry easily (Karen E Lewis)
  • pads of oil paper are also light and provide a lot of support relative to space / weight. They're good for oil sketches
  • Remember that oil paints shipped to your destination will be coming back as paintings so plans for weight allowances need to allow for this (Sarah Wimperis)
  • Work to a uniform size - it makes transporting wet oil paints home so much simpler 
  • Limit you palette to essential colours   (Jennifer Young)
  • Vary the size of paint tube to how likely you are to use it and use smaller tubes for plein air painting - especially if a flight is involved.  (Jennifer Young)
storing oil colors in hot cars and trunks will increase the stress on the paints and can cause more oil to separate from the pigment. Keep your paints as cool as possible to reduce separation. Gamblin Colors
  • Remember that drying times vary depending on local temperatures and humidity.  Remember to factor that in to your expectations as to drying time.  You'll only really find out how long it takes when you get there.
  • Find a washing line and hang your paintings out to dry.   (Sarah Wimperis, Bill Adams) 
  • Think about using alkyd paints rather than oil paints in order to speed up drying.     (Vivien Blackburn).   However be aware that some consider alkyds to be hazardous for travel by plane (I'm checking this point)
  • Use an alkyd based white for mixing and to speed up drying time eg Gamblin's Quick Dry White  (Jennifer Young, Vivien Blackburn)
  • Do remember to take a wet panel container so you can get your wet paintings home again 
  • Winsor & Newton - Travelling with your Paints
  • Gamblin  -  I travel frequently. Can I take my oil colors through airline security?
  • Michael Chesley Johnson   Plein Air Painter's Blog  -  Travelling with Paints
  • Dan - Empty Easel -  How to Pack Your Painting Supplies and Artwork for an Airplane Flight
  • Part 1, Painting Supports  - sound practical tips for preparing supports ahead of time
  • Part 2, Toning Canvas  - includes instructions for creating toned supports
  • Part 3, Medium
  • Part 4, Making a Lap Box  - brilliant "how to" explanation!
  • Benoit Phillipe -  My French Easel  -  Travel with artist oil paint   (some of the links for msds are out of date and the correct links are identified above in the tips section)
  • Karen Phipps   A Visual Journey   -  Travelling with oil paint/TSA warning
  • William Weith  Artist in the Wild -  Flying with oil paints
  • Jennifer Young  -  Paintings of France, Italy and Beyond  Jennifer Young - 
  • Travelling with oil paints  (2006)
  • Flying with artist oil paints, plus tips for plein air
  • more oil painting w/out solvents   (discusses use of walnut oil)
  • Wet Canvas - travelling with oil paints
  • Plein Air Artists  (on Ning)  - 
  • How do you travel with your paints?
  • Traveling legally with oil paints and turps
  • Gamblin Colors -  Tips for Traveling with Oil Painting Materials #14
  • Daniel Smith (blog)  
  • Tips on Packing Oil Paint When Traveling by Airplane
  • Packing to Paint - Scott Burdick Outlines Four Options for Taking Art Materials on Your Travels
  • Winsor and Newton - Travelling with your paints
  • Guerrilla Painter - Air Travel

4 comments:

Katherine - you are brilliant! What a resource and oh what a pity it was posted this week, just after my return from Turkey where I hadn't dared pack my paints in fear of having them confiscated. Oh well, next year :) Also, you were my first alert to the troubles at home - who needs newspapers when we have Katherine!

travel oil painting tips

Lots of great advice and top tips - thank you for sharing. I'm looking forward to the post on watercolour and coloured pencils; I'm continually changing my sketching kit!

travel oil painting tips

an excellent post! I see you used my plastic food box with clips idea for transporting the paints :>) I wouldn't necessarily agree with working to a uniform size of painting - as I prefer to relate the size and proportions to the subject. Working plein air and travelling I would normally work on oil or acrylic paper - so works would be sized on the paper according to the needs of the painting and then cropped at home - resulting in the same uniformity and ease for travel, but more freedom of composition in working. Often I work square or near square - also long thin formats and they are essential to the composition I want. I tend not to like the standard proportions of A3 etc.

travel oil painting tips

I'm just starting with oil painting and traveling across country by car. Trying to figure out best way to transport wet canvasses in car or rv. Thanks for advice!

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10 oil painting techniques to transform your artwork

Give your art a boost with these essential oil painting techniques.

oil painting techniques

Oil painting techniques can seem particularly hard to master when you first start painting. There's a learning curve with all types of painting, of course, but oil painting can seem particularly overwhelming. Fortunately, some simple, practical techniques for oil painting can make the transition much smoother, transforming your process and breathing new life into your work. 

Here we'll look at 10 essential oil painting techniques that can help you paint with confidence, from advice on how to hold the brush to using a palette knife. Watch the summary video below, then scroll down for details on the ten techniques. If you need to stock up to get started, see our pick of the best oil paints , best oil paint canvas and the best oil paint supplies . You might also want to explore our practical guides to canvas painting for beginners and our tutorials on how to draw . 

10 oil painting techniques in detail

01. hold the paintbrush correctly.

There are many ways that an artist can grip the paintbrush when painting, but there's one 'go-to' method that every artist should know to get the most fluidity and sensitivity from each stroke. Hold the brush handle as far back as you can.

This might feel uncomfortable at first, but it provides the greatest degree of control over the brush since it allows you to paint with your whole arm, not just your wrist. For more brush advice, see our guide to how to choose which paint brush to use and how to clean paintbrushes .

 02. Master your brush orientation

When you're painting, it can be very easy to forget that your brush has two sides or orientations. There's no need to limit yourself to always making wide strokes using the flat side of your brush. Every brush can be turned on its side for sharper lines or strokes. Learning to control your lines with your brush orientation will help you paint faster and with more versatility.

 03. Vary the amount of pressure

Avoid using 'heavy hands' on your paintbrush. Sometimes the amount of pressure that you apply to a stroke can make the difference between perfection and a mess. The heavier your pressure, the more your paints will blend and create ridges along the sides of your brushstrokes. Get familiar with how your light, medium, and heavy strokes look on the canvas and vary your pressure appropriately to achieve the desired effects.

04. Harness the power of the painting medium

Oil painting isn't only about the paint. An essential part of controlling paint comes down to your use of a painting medium – typically a mixture of solvent and oil used to modify the paint and make it behave in different ways. Adding lots of medium will make your paint flat and transparent like a wash, whereas adding just a little medium will give your paint a mayonnaise-like consistency. Check out the best art supplies roundup for more brilliant resources.

05. Keep your colours pure

Be careful when you grab from the paint piles on your palette. Make sure your brushes are clean or you'll taint the colours you want to use. It’s vital to preserve the intensity of the colours straight from the tube, so remember to clean your brushes regularly – even between strokes if need be.

06. Use two-colour mixtures if possible

Grabbing from every single paint pile while mixing will create a dull and less intense mixture. Practise mixing what you need using just two colours and white. By increasing your colour knowledge and getting better at mixing, you can paint more quickly and efficiently, and your work will benefit.

07. Don't over-mix

When mixed colours first collide, there are tiny inconsistencies in the mixture that actually help to add vividness and interest to your paint. Therefore, when you combine colours to create a mixture it’s important to make sure you only mix them as much as necessary before applying the stroke. If you over-mix two colours, you will turn an interesting mixture into a flat and boring pile of paint.

08. Don't skimp on paint

Sometimes you'll want a thin wash, but at other times you need a thick stroke to achieve your desired effect, so make sure you're using enough paint to create the type of stroke you need. Don't hold back on the paint at the expense of your painting. If you find yourself constantly swirling a brush around a thin pool of paint on your palette, then it's probably time to make the mixture again.

09. Try wet-on-wet versus dry brush

Remember that you can paint directly onto a wet surface or you can wait for it to dry and put wet paint over that. Paints will blend on the canvas when working wet-in-wet, which is great for creating transitions or gradients. Painting with a dry brush will give you a more textural effect, which is perfect for painting brick or dirt. See more in our guide to wet-in-wet watercolour painting techniques .

10. Don't forget the palette knife

The palette knife isn't merely a trowel that you use to mix paint! At times, it can also be used very effectively to make interesting strokes. A palette knife is particularly useful for making textural and unpredictable strokes – effects that you'd be hard-pressed to duplicate with a brush.

Related articles:

  • Best art books : Read all about it
  • Oil painting techniques : Elevate your skills
  • Best paintbrushes for oils : Get the best brushes

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11 Oil Painting Techniques And Styles Every Artist Should Know

Yassir Mazhar

  • Last Updated: December 3, 2023

oil painting techniques

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Oil painting can be intimidating, especially for beginner oil painters. But with certain simple techniques and methods, you can take your skills to the next level.

In this article, you will learn about 11 oil painting techniques that will help you master your painting process.

Why You Should Try Glazing

Why you should try wet-on-wet, why you should try blending, why you should try scumbling, why you should try impasto, why you should try this dry brushing, why you should try underpainting, why you should try imprimatura, why you should try blocking in, why you should try chiaroscuro, why you should try grisaille, tools you will need for these techniques, properties of oil paint, fat over lean, thick over thin, and slow-drying over fast-drying, how many techniques do you need to learn to be good, what technique did the old masters use, which oil painting techniques are the easiest to apply and give the most rewarding results, what are the two methods of oil painting, where to start.

Glazing is the technique where you apply a thin layer of translucent paint over a dried surface. This helps create subtle shifts in hues, add depth to shadows , and refine details in your oil painting.

For this oil painting technique, mix paint with an oil medium and apply thin layers of (translucent oil paint) over the first layer of paint that has dried.

‘Certain oils tend to yellow more over time, so you definitely don’t want to use vegetable oil. Stick with refined oils: linseed, poppy seed, walnut, spike oil.’ – Natalie Richy , professional fine artist, and art tutor.

art of oil painting

Glazing helps add depth to your painting. When light hits your oil painting, it first reflects off the opaque layer of paint, and then the several layers of hardened oil refract it. This gives your oil painting translucency and softness. Watch this video to understand glazing more.

Sfumato is another painting technique related to glazing as it utilizes the technique of applying layers of thin glazes to create a foggy, almost ethereal effect in paintings.

2. Wet-on-Wet

Wet-on-wet oil painting , also called Alla Prima, is an oil painting technique where the painting is done in layers of paint without waiting for the previous layer to dry.

Alla Prima is Italian for ‘all at once’, which describes the technique perfectly. It is a direct oil painting style, and instead of finishing an oil painting in months, you could have a finished painting in as little as two days. All you need is wet paint and stiff paint brushes.

You can create interesting textures on the wet surface of your oil painting by using different levels of pressure with your brush and by using different types of brushes. Since the surface is wet, you can use the dense layers of paint on the canvas to create depth or move paint around easily.

different paint techniques

If you like impressionistic and quick oil painting styles used by artists like Vincent van Gogh, Alla Prima could be your ideal painting technique.

However, this is one of the oil painting techniques that require a lot of practice to master, to put down the right color and strokes in just one go. But with enough practice, it’s definitely worth it.

If you want to learn more about this technique, watch this tutorial:

3. Blending 

Blending is when you use soft strokes with your brush to blend two colors together on the canvas instead of using pre-mixed transition tones from your palette. This is a more common oil painting technique and is pretty straightforward.

All you need is a soft brush to execute this painting technique. The best thing about oil paint is that it dries very slowly. This gives you enough time to blend colors into a perfect, seamless gradient.

Use a soft round brush to blend edges in your painting. Don’t use a flat brush to do this; it won’t get the job done well.

Another thing to watch out for is too much blending (blending where there should be some texture left or where transition tones aren’t needed). This could muddy the colors or blend some of the details and textures of your painting.

oil art

If you are going for a smooth, soft look for your painting, this is one of the painting techniques that would suit you.

Many artists use this technique for portrait painting , as it can beautifully capture the color gradients of the skin.

Watch this video if you want a visual tutorial on how to do it:

4. Scumbling 

Scumbling requires applying paint with a stiff, dry brush straight from the tube. This will create texture as you paint.

In this technique, you use a relatively dry stiff brush without any medium to paint on a layer of your painting with a soft hand and expose parts of the previous layer. The stiff brush would pull some of the paint from the opaque base layer beneath, adding depth.

It’s done to add interesting textures and create depth or softness in the painting.

styles of oil painting

This is one of the oil painting techniques that artists use in landscapes and skyscapes. You can soften edges and lines in your painting and give it a more organic look.

This technique also works great for creating clouds, smoke, etc. It gives them a fluffy look, which is very hard to achieve with thinned paint. If you want to learn more about scumbling, watch this tutorial:

Impasto is one of the more impressionistic oil painting techniques, where brush strokes are left visible for added oil paint texture . You’ll need a medium to thicken your oil paint, and a palette knife or a stiff brush to make an impasto painting.

The thick paint, mixed with the medium, is applied directly on the canvas with either a knife or a very stiff brush, with no blending, leaving sharp edges and lines.

The medium used to thicken the paint for impasto paintings gives the paint more volume. The thick layers of paint dry more quickly due to the medium.

Does this sound fun to you? Find out more about palette knife painting .

oil painting styles

If mixing colors on the canvas rather than the paint palette and having fun with quick strokes is your thing, this technique might be perfect for you.

This is a fun oil painting technique, so you should try it out at least once and see if it works for you.  To learn more about this technique, watch this tutorial:

6. Dry Brushing

You’ll need some dry brushes and paper towels for this painting technique. There is no need for mediums like linseed oil to thin the paints – we want the raw paint only when dry brushing.

Apply the paint directly from the tube or after mixing your colors with a palette knife. Then use a paper towel to remove the excess paint from your brush. Start painting and use a stabbing motion to get the paint on the canvas.

This will add texture and depth to your painting. The trick is to use very little paint, a stiff dry brush, and strong rough strokes. This would create a thin layer of paint, with some of the underpainting showing through.

It helps when applying the paint if your painting has a dry and textured surface, instead of a smooth surface.

oil painting style

Using a dry brush will allow you to create a blurry, soft atmospheric effect in your painting. It is also great if you want to lightly add shadows in your painting.

So if textured, full-of-character paintings are more your style , this technique might be just right for you.

To learn more about how to execute dry brushing, watch this video:

7. Underpainting

Underpainting lets you focus on your work’s tonal depth and value before adding in the paint colors. For this reason, it’s considered one of the essential oil painting techniques for beginners to start with. All you need to execute this technique is some solvent and earthy tones of oil paint.

Paint a base layer of an earthy tone using a ton of solvent mixed with oil colors. Then map out the composition of your painting, adding value and tonal depth as well, using similar colors.

The monochrome underpainting will dry quicker, so you can start painting the subsequent layer sooner. After the base layer has dried, you can use a glazing medium and apply the glazing method mentioned above to add color to your painting.

oil painting tips

This technique will help you focus on one thing at a time. While you are making the underpainting, you won’t have to worry about color theory, just the tones, and values of your work.

Adding transparent layers of paint afterward will also add more depth to your painting. To learn more about how to do an underpainting, watch this tutorial:

8. Imprimatura

In this technique, you paint the whole painting surface with a thin layer of paint mixed with a solvent to establish a mid-tone. Imprimatura and underpainting are the two oil painting techniques where the canvas is first tinted.

After the first base layer has been painted with thin paint, you can start applying thicker paint and create multiple layers.

Use earth pigments to execute this technique, as they dry faster and give your painting a warmer feel. This is one of the oil painting techniques that the old masters used to create their artworks.

painting with oils

Working on a canvas with a mid-tone helps you better understand and develop tones in your painting. This technique will also allow you to seal your underdrawing.

This is one of the easiest and most rewarding painting techniques for beginners. Learn more about how to make an imprimatura with this video:

9. Blocking In

With the blocking in technique , you will block out the entire canvas with paint in rough shapes. Study your reference and decide what the basic shapes are that make up the composition. Then add those shapes roughly onto the canvas in the colors you think would fit. This will all be done in one tone.  Use enough paint so that no white gesso from your canvas shows through.

After you block out the basic shapes, you can add different tones, shadows, and fine details.

oil painting portraits

This technique is perfect for you if you are intimidated by the blank canvas or tend to go too detailed too fast. By roughly adding the basic shapes of your subject, you will get a good feel for the entire composition before you get into the details.

It also means you haven’t wasted hours painting if you realize the proportions or composition is off and your painting needs to change. Since oil paints are slow drying, you’ll have ample time to fix everything and define shapes.

To learn more about why blocking in can be useful and how to do it, watch this video:

10. Chiaroscuro

The word Chiaroscuro means ‘light-dark’ in Italian. It’s used to create noticeable contrast in paintings. Most paintings done with this technique use a one-light focus to create drama with a strong contrast between light and dark tones.

Many artists use this technique to paint dramatic portraits. The trick is all in how you develop the contrast in your painting, you don’t really need any special tools, just basic supplies and a good understanding of tonality to execute it perfectly.

underpainting oil

If you’re a big fan of how the Renaissance masters painted, or want to add drama and tension to your paintings, this technique would definitely be the one for you.

You can combine this technique with glazing to increase the depth of your work. To understand chiaroscuro more, watch this video:

11. Grisaille

A grisaille painting is similar to an underpainting but executed completely in tones of gray. The method originated in the Renaissance period. A grisaille painting can be presented as a finished painting or can be used as an underpainting, which is then glazed over to add color.

This technique is very similar to the underpainting technique, although it is not very commonly used anymore, it can be very rewarding.

thick oil painting

One of the best things about monochromatic paintings is that they let you focus on tonality alone . If you want to study tones, this technique would be very useful for you.

Watch this video to understand how to make a grisaille painting in depth:

To execute the techniques mentioned above, you’ll need the following tools and supplies:

  • A palette knife (impasto)
  • Glazing medium (glazing)
  • Soft round brushes (blending)
  • Stiff brushes (dry brushing, scumbling)
  • Solvents (imprimatura, underpainting)
  • Oils (oiling out)

Along with these, you would also need the basic oil painting supplies such as oil paints, brushes, canvases etc. Read this article if you’re not sure what oil painting supplies to get.

Oil Painting Basics

Techniques such as blending, blocking in, imprimatura, and underpainting are some basics that are very useful to artists when they’re starting out.

Blending is important to get smooth gradients in your art, blocking in helps you better understand composition, imprimatura helps you understand and develop tones better and doing underpaintings helps you focus on tones first and color later.

using oil paints

Oil paints generally dry very slowly. But some pigments dry faster than others, for example, earth tones dry faster than the rest of the colors.

You can also use different mediums to alter the properties of oil paints. Some mediums reduce the drying time, some increase volume, while others change things like consistency and transparency.

These three oil painting rules are essentially the same and are important to remember.

Fat over lean means as you go from one layer to the next, each new layer should have a higher oil-to-paint ratio, to increase drying time and avoid cracking.

thick oil paintings

Your base layer should be thin (more solvent, less oil) and in the layers after progressively increasing the oil ratio in your paint. This will also ensure that the previous layers dry faster before the next layer is painted on.

Not following these rules would make it hard for you to work and avoid getting a muddy painting. It can prolong your painting time and can cause your painting to crack over time.

The basic techniques mentioned above would help you create decent artwork. Different oil painting techniques create different effects, so use several techniques in the same piece and see what works for you. For example, you could use underpainting and chiaroscuro together in one piece and then use glazing to add depth.

You don’t need to master all the techniques above to be a good oil painter, although trying them out will be a great learning experience and help you figure out which methods are more fitting for your art style .

portrait painting techniques

The old masters used a variety of techniques for their paintings. Vincent Van Gogh used the Alla Prima and impasto technique to create most of his works.

Johannes Vermeer used glazing to create his infamous ‘Girl with the pearl earring’. Renaissance masters often used techniques like imprimatura and chiaroscuro.

The oil painting techniques that are easiest to apply and give the most rewarding results are blending, underpainting, imprimatura, and glazing.

However, most of the oil painting techniques mentioned in this article are relatively easy to execute and are worth trying.

painting oil

The two main methods most commonly used in oil painting are Alla Prima and layering. Alla Prima is a wet-on-wet technique where the entire painting is completed before the paint dries. With layering, you slowly build layers on your painting to increase depth and add value.

In this article, you’ve learned the different techniques available to bring your oil paintings to the next level.

But, with all these options, where should you start?

If you are new to oil painting, learning the fundamentals of tones, composition, and value, along with the nuances of oils and all these techniques, can often be overwhelming.

If you want a simple step-by-step walkthrough, check out this free beginner’s guide to oil painting webinar to get you started on the right path.

You’ll find out everything you need to know about oil paint supplies, how to mix colors correctly, and how to apply some of the techniques above.

types of oil paints

Related posts:

  • Oil Painting for Beginners: How to Paint With Oils
  • Top 15 Best Oil Painting Mediums (With How To Choose Guide)
  • 14 Easy Oil Painting Ideas for Beginners (Step-By-Step)
  • Acrylic vs Oil Paint: What’s the Difference?
  • How Long Does Oil Paint Take to Dry? Improve Your Drying Times

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Jae Johns

35 Oil Painting Tips for Beginners and Experts

By: Author Jae Johns

Posted on Last updated: January 23, 2021

Categories Painting

Home » Painting » 35 Oil Painting Tips for Beginners and Experts

35 Oil Painting Tips for Beginners and Experts

No matter how much time you spend doing it, there will always be more that you can learn as time passes.

I love oil painting because of its rich colors and wide range of control. Since this is one of my favorite mediums, I threw together a few tips that can really help the oil painting process.

Painting with oil is fun and largely experimental, so try to be creative with it.

Let Your Paint Dry Before You Move It

—If there is one surefire way to ruin your day when painting with oil, it is moving it too soon. Oil paint takes a fairly long time to dry, and moving it increases the chance of ruining it. When you are done painting, make sure that you leave it alone until you are certain that it is dry.

Mix Small Amounts of Paint

—Learning how to paint in oil can be a bit of an expensive learning curve. Mix small amounts of paint as you work to avoid creating more than you need. This can help you to save on paint, and consequently, money. As you paint more, you will learn how much you need for each work of art.

how to paint in oil

Experiment with Different Brands

—Not all oil paints are created equal, which is why painting in oil can be different every time. Try experimenting with different brands so you always know which ones are good for you. Subtle changes in pigment and color can really matter for style.

Try Out Different Brush Styles

—In the same way, you should try different paints, trying different brushes is crucial. Every brush has a different feel and output, which is why you must learn all about them. You might just find that some brushes suit your style or purpose better than others.

Allow Adequate Drying Time When Layering

—One major point of contention when learning how to paint in oils is layers. Painting in layers is one of the biggest perks of oil paint, but you must let the paint dry between layers. If you don’t you will end up ruining your painting or with an awkward texture.

Use A Varnish When You Are Done

—Painting with oil is a great way to make long-lasting paintings, but all paint need protection. A good varnish can go a long way when it comes to preserving your art. Take the time to let your paint dry and then add a varnish on top to keep it safe from natural elements like dust or sun.

Paint Layers When Paint is Partially Dried for Stunning Texture Effects

—Though you want to be careful when painting in layers, there can be perks to still-wet paint. Learning how to paint in oil is largely dependent on experimenting. You might learn that painting on still wet layers can give you an incredibly unique texture.

splatter art

Use Splatter Art for Exciting Backgrounds

— Splatter art is one of the more fun kinds of painting around. Simply add a glob of paint to your brush and fling it at the surface. You might just find that this becomes your new favorite way to make backgrounds. It is also incredibly fun.

Use Tools to Sculpt Dried Layers for Controlled Texture

—Oil paint is unique because of its thickness. When painting with oil, you can always use spatulas and blades to create fun texture effects after the layers dry.

Blend Using Your Finger

—Though you might not want to do this without gloves, using a finger to blend gives you great control. So much of learning how to paint in oil is learning the paint. Find out what you are looking for and experiment with this personalized blending approach.

Try Painting with the Color Wheel

— The color wheel is the key to managing colors when you paint. As long as you are ready to spend time learning how to use it, you can make some seriously beautiful scenes.

Avoid Using Black Paint in Shadows

—A common mistake that people make is using black in shadows. When painting with oil, black paint can have a very serious contrast with all other paint types. Consider using purples, browns, and blues for shadows instead.

oil paint on hands

Apply Oil Paint to Various Surfaces

—Oil paint has well and truly deserved its place on the canvas, but that isn’t all it is good for. Experiment with what other kinds of surfaces you can apply oil paint too. It is truly great for crafting.

Use Sponges to Create Unique Textures

—Every painter should have a sponge whether they are painting with oil or not. A sponge helps you to apply a really unique pattern to your artwork, and can really bring it to life.

Try Encaustic Painting for More Engaging Creations

—Encaustic painting is becoming more popular and it is easy to see why. You can use encaustic with wet oil paint for some truly unique effects. This is a great way to take control of your texture!

Experiment with Different Canvas Textures

—A fun way to experiment with your painting process is to try surfaces with different textures. These fun changes can bring a lot to your paintings, and some can be incredibly useful for creating unique looks. When learning how to paint in oil, experimenting with this can help you learn a lot about your style and brushes.

Avoid Mixing Your Paint Too Well

—One of the biggest charms when it comes to oil painting is how well it can mix, but you can mix it too well. Many painters immediately mix their paint until it is a single fluid color, but this generally flattens the look. While you can certainly mix your paint to make the desired color, leave some of the unmixed perfections. It adds a lot.

paint on surface

Let Paint Dry Between Color Changes to Avoid Mixing

—An easy mistake when learning how to paint in oil is to not let your paint dry when you switch colors. Oil paint is notorious for easy mixing, so if you need two colors side by side, let one dry first. It can be a pain, but it is better than accidentally mixing your colors.

Add Extra Oil for a Thinner Texture

—A simple but necessary oil painting tip is to understand that you can control oil paint consistency. Try adding oil to your paint if you want it to be thinner. It works like a charm.

Try Mixing Your Own Paints with Oil and Pigment

—Some people like to have complete control over how they use their paint without fear of it drying it. Mixing your own paint allows you to only make as much as you need. It is also great for creating custom colors.

Use Paints from a Set Until You Learn How They Go Together

—The real benefit to using paint sets when learning how to paint in oil is color consistency. Paint from sets is generally made to look good next to other paints in the set. Try using sets to get good color flow before you start collecting colors at random.

For Unique Looking Backgrounds, Try Finger Painting

—Finger painting is not just for children and it can be great with oil paint. Put on your favorite gloves and use your fingers to make a completely original background.

Leave Paintings at Room Temperature to Dry

—Oil paint can be a bit of a pain because of its dry time. Since dry time can always be influenced by the environment, avoid keeping your drying paintings in hot or cold. It can influence the overall product.

paint drip effect

Hang a Painting for a Drip Effect

—Drip effects are becoming all the rage because of how cool they look. If you are interested in trying this approach, simply apply some slightly runny paint and hang it up. Gravity will take it from there.

Use Broader Brushes for Backgrounds and Finer Brushes for Detail

—Different brushes suit different purposes. While there are no hard rules here, a thicker brush makes for more consistent backgrounds. Transversely, fine brushes are better for adding details.

Try Holding Your Brush at Different Orientations

—Believe it or not, there are different ways to hold a paintbrush. Experiment with holding your brush at different angles to see how it influences your control.

Wash Your Brushes Thoroughly Between Uses and Allow to Air Dry

—If there is one way to make oil painting expensive, it is treating brushes poorly. The biggest rule when learning how to paint in oil as a hobby is brush care. Paint those brushes quickly between each use to preserve their integrity.

Rinse Your Brushes Between Paints to Avoid Crossing Colors

—An easy way to ruin a painting is not knowing how to mixcolors the right way .. If you are going to use the same brush for two paints, make sure you wash it off. This is crucial for guaranteeing that your paints show up the right color every time.

Place Colors Together on A Pallet Without Mixing for A Cool Color Effect

—Sometimes you want an even color, but other times you want more life. Mixing two or three colors, giving them a single swirl, and then painting can be great. It gives a unique multicolored look that you are guaranteed to love.

how to paint in oil

Try Painting with A Wet Brush vs. A Dry Brush

—When learning how to paint in oils, brushes are a hot topic. The wet brush vs. dry brush debate is ongoing. Each style gives a completely unique stroke, so experiment with these and see what you can make. You might find that you have more tools than you thought!

Avoid Adding Any Actual Water to Your Painting

—Since oil paints are oil-based, you want to avoid mixing water with them. While a damp brush can work fine, dodge any actual fluid getting in your paints. It can disrupt the look and feel of the painting greatly.

Protect Your Oil Paintings from the Sun

—After you have made a beautiful creation, the last thing that you want is to lose it. Oil paintings, while able to last the ages, can be susceptible to the sun. If you are going to preserve your painting in a sunny area, cover it with glass or varnish with UV protection.

Run A Dry Brush Over Partially Dried Paint for A Cool Background Texture

—Though running a paintbrush over partially dried paint can ruin a painting on accident, it has other uses. If you do this intentionally, you can end up with some very color and texture spreads. Use it to spice up your art.

Avoid Using Just One Color

—The beauty of oil paints is that they are high in pigment. This means that they look beautiful whenever you use them. To capitalize this, use different colors throughout the painting to create a more vibrant effect.

Use Alcohol To Clean Away Oil Paint

—In the event, you have an emergency need to clean away oil paint , try using a bit of alcohol. Alcohol on a cotton swab or cloth can work wonders against a pesky paint problem.

When it comes to oil painting, the sky really is the limit. There are so many ways to create amazing colors and textures, which makes it so unique. People can use the same oil paints and paint the same image and end up with something different. As you explore with your oil painting process, dare to ask: what if? You might just find the secret to your style this way!

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Oil Painting for Beginners – A Novice’s Guide on How to Use Oil Paints

Avatar for Charlene Lewis

Oil paint has been around for hundreds of years and was a favorite to artists such as Da Vinci, Salvador Dali, Michelangelo, and Rembrandt. The reason oils are such a great medium is because of their great texture and layering capabilities within your artwork. For those just beginning oil painting, this article will provide you with some helpful oil painting tips as well as a guide on how to use oil paints to achieve the best results in your work.

Table of Contents

  • 1.1 Organize Your Space
  • 1.2 Start Small
  • 1.3 Choosing Your Oil Painting Surface
  • 1.4 The Right Oil Painting Tools
  • 1.5 Cleaning Your Brush
  • 1.6 Working with Oils, Solvents, and Chemicals
  • 1.7 Framing Your Oil Painting
  • 2.1 Complete Oil Painting Set for Beginners: MEEDEN Oil Painting Set for Beginners and Students
  • 2.2 The Simplest Oil Painting Guide for Beginners: The Oil Painting Course You’ve Always Wanted by Kathleen Lochen Staiger
  • 3.1 Underpainting
  • 3.2 Scumbling
  • 3.3 Alla Prima
  • 3.4 Glazing
  • 3.5 Impasto
  • 3.6 Sfumato
  • 4.1 Materials You Will Need:
  • 4.2 How to Oil Paint
  • 5.1 What Is the Best Oil Paint for Beginners?
  • 5.2 How to Oil Paint?
  • 5.3 What Do I Need to Start Oil Painting?
  • 5.4 What Are Some Oil Painting Basics?

Oil Painting Basics

Oil paints are hugely popular not only for their textures and techniques but also for their brilliant hues and color options. For those who have worked with acrylics before, oil paint will not seem very different based on the texture or consistency of the paint itself.

However, having an oil base, they do take much longer to dry. Oil paints also require the use of potentially harmful chemicals and solvents to create different effects and to achieve various painting techniques, unlike your acrylics, which are water-based and therefore safer to use. Below, we have outlined some oil paint basics, which will assist in getting you better prepared on how to use oil paints for the first time.

How to Oil Paint

Organize Your Space

Setting up your art studio at home is often an underestimated first step. This is important as you need to make sure that you not only have the right materials and tools for the job, but also the right space. This could be in a well-lit room in your home or even under a shady tree outside. Good ventilation is key when working with oil paints and solvents. Also, make sure that you have set up a drop cloth or an old sheet over the floor to prevent mess. The oil will not come out of fabric easily.

Start Small

Often when starting a new project, we tend to get excited and want to go big on our first attempt. While this is a personal choice, many find it easier to learn something new by starting small and not being overwhelmed with too much on your first try. Take your painting process step by step until you are comfortable in starting a larger project with more elements.

Try out various techniques on different surfaces and a smaller canvas in order to get a feel for which ones you enjoy doing and which ones you may need to work on a bit more. Once you have found your groove, you may be the one giving out oil painting tips of your own!

Choosing Your Oil Painting Surface

The beauty of oils is in their versatility. They can be used on different surfaces such as canvas, paper, or wood. Certain canvas options already come primed for use with oils, but you can also purchase a primer or gesso and do this step yourself. The purpose of a primer is to prevent the oils and chemicals in your paint from damaging the surface area. It also provides a base coat that assists your paint in better adhering to this surface.

When beginning oil painting, it can make life easier to use a thicker paper and then move onto canvas or wood options when you are more comfortable.

The Right Oil Painting Tools

Aside from your color palette options, quality paintbrushes are also a must with oil painting. This does not mean you need to go out and buy a huge set of the most expensive brushes. Starting out, it is helpful to buy a small set of up to three or even five differently shaped and sized brushes. Purchasing loose or single brushes when you need a top-up or a specific size is an option too with all paintbrushes.

Synthetic brushes can be used with oil painting, and natural hair paintbrushes are also an option but will be pricier. Brushes made from hog hair are most popular when it comes to oil painting.

Oil paints can be expensive, especially when looking for a professional or reputable brand. There are some great options though, that will not cost a fortune and that are great for beginners. Just like your paintbrushes, these can come in sets or as single paint tubes. When thinking about how to use oil paints, it may be better to purchase a full set that includes all the materials, as it would be more cost-effective and easier to get all your supplies at once. This also has the benefit of working out cheaper when you need to top up one or two colors in the future.

While easels and paint palettes are not always seen as necessary, they certainly do have their advantages, especially when dealing with a long-drying paint like oil. Using an easel will make it easier to sit or stand comfortably while you paint and give you a safe spot for your painting to rest and dry on in-between coats or layers. If you like to take your art with you, there are smaller table easels that come in handy too. Your paint palette will assist you in playing with colors and blending different shades. These usually come in plastic or wood, but ceramic options are also readily available and are very easy to clean up.

How to Use Oil Paints

Cleaning Your Brush

Cleaning your paintbrush is a rule of thumb when you are done painting with any medium. But did you know it is also beneficial to clean while painting or in-between coats when using oils? This is to protect and ensure the longevity of your bristles, as well as to add sheen to your painting. Cleaning your brushes can be done using a mixing medium or by using an artist soap. Choosing solvents to clean your brushes is effective, but they can also damage them and eat away at the casing and the bristles.

As with other paint mediums, you can keep your solvent and possibly some water in two small cups or containers with you while you paint. Once you have dipped your brush in the medium or solvent, wipe it with some paper towel to rub the paint off. Then mix it in your water cup, rub it onto your artist soap, rinse, and dry off again. Practicing this will ensure long-lasting paintbrushes.

Working with Oils, Solvents, and Chemicals

We all know by now that oil cannot be mixed with water. When using oil paints this is no different. To best thin your paint, clean your brushes, and properly apply certain techniques, you will need to get yourself an oil mixer medium.

Mixer mediums that are most used with oil paints are usually other oils, such as linseed, walnut, or safflower oil. These are safer and more natural options that will add a soft, glossy sheen to your work.

Some do prefer the use of stronger solvents like paint thinners and turpentine, which are much more dangerous and should not be used without wearing protective gloves or a mask. Your chemical or solvent usage also needs to be monitored in order to prevent over-applying on your actual painting, as these will eat away at it or can cause the surface to bubble.

Framing Your Oil Painting

You may or may not decide to frame your oil paintings once you are done. The benefit of using a frame with a glass piece in it is that your work will be safe and not easily damaged. If you choose not to use a frame with glass, you can apply a fixative spray or sealant coat to your art so as to prevent smudging and damage over the long term. The tricky thing with oil paints are that they can take up to six months for each layer in your work to completely dry. So, try to put it in a safe place where it will not rub up on anything until it is ready for this step. In summary, the oil painting basics you will need to get started are:

  • A clean, well-lit, and ventilated area ;
  • A dropcloth to prevent spills and messes;
  • An easel for easy painting while standing or sitting;
  • Quality oil paints ;
  • Three to five differently sized paintbrushes ;
  • A pre-primed surface area (or one that you will prime);
  • An oil mixer or chemical solvent for mixing colors , painting, and brush cleaning;
  • A container for the mixer medium and container for water;
  • A paint palette for a better color-mixing experience;
  • A fixative or frame to preserve your work.

The Best Oil Painting Tools for Beginners

Now that you know where to start, the next step is to move on to which products to begin oil painting with. Below, we will look at our top product recommendations for those beginning oil painting for the first time.

Oil Paintings Techniques for Beginners

Complete Oil Painting Set for Beginners: MEEDEN Oil Painting Set for Beginners and Students

Meeden has created this all-inclusive 46-piece set for oil painting beginners and enthusiasts. It includes 24 beautifully rich oil pigments, 10 hog hair brushes, an adjustable wooden table easel, a wooden paint palette, six plastic knife tools, as well four different canvas sizes ! All this quality for a great price makes this deal hard to beat! Meeden’s oil set for beginners can be used for yourself or as a great gifting option for an artist of any level. The only item that is not included is your oil or solvent mixer; this will need to be purchased separately.

MEEDEN Oil Painting Set

  • Richly pigmented with strong colors and permanence
  • Solid beech wood easel with premium acid-free canvases
  • Cost-effective and of excellent quality
  • Value for money
  • 24 vibrant oil colors
  • Adjustable table easel is easy to transport
  • 10 differently sized hog hair brushes
  • Six painting tools to achieve texture
  • Four canvas options
  • Wooden paint palette
  • No oil medium or solvent included

The Simplest Oil Painting Guide for Beginners: The Oil Painting Course You’ve Always Wanted by Kathleen Lochen Staiger

Kathleen Staiger is the author of this step-by-step guide on how to oil paint. This book, available in both kindle or paperback versions, will instruct you on various oil painting techniques for beginners as well as tips and tutorials, covering still-life painting, landscapes and portraits, brush control, techniques, and color mixing. Each topic is explained in easy-to-read diagrams and includes illustrations and demonstrations for easy reference. Having taught oil painting for over 35 years, it is no surprise that after taking her classes, many of Kathleen’s students have galleries and exhibitions of their own. Now, you could have one too!

The Oil Painting Course You've Always Wanted: Guided Lessons for Beginners and Experienced Artists

  • Crystal-clear, step-by-step lessons that build to reinforce learning
  • Topics are covered in clear text, diagrams, illustrations, and exercises
  • Learn about brush control, color mixing, painting landscapes, and more
  • Simple, easy-to-use guide
  • Detailed exercises and demonstrations
  • Includes illustrations and diagrams
  • Author has over three decades of oil painting experience
  • Short, to-the-point book
  • Available in kindle and paperback options
  • Not available as a hardcover

Oil Painting Techniques for Beginners

Now that we know what products to use, we can discuss some oil painting techniques for beginners. Just as with other paint mediums, there are many techniques when using oil paints. Below, we will highlight the most popular ones for you in order to get a better idea on what you can accomplish with this medium.

Oil Painting Basics

Underpainting

This technique is fairly basic and is the method of painting a fine base coat over your canvas in just one color. This will include the outlines and shadows as well as the background. The purpose of an underpainting is to provide a foundation for your oils to build off of and to allow for the use of shadows and depth.

This is also known as dry brushing. Scumbling utilizes a small, yet thick application of paint on your brush, where you use quick, short strokes to add texture. No thinning agent or medium is used for this technique, as you need your paint to be thick. This style can also be used to soften edges and details in your oil painting.

This style refers to a wet-on-wet oil painting technique . This means painting your entire oil painting without giving your layers a chance to dry. What makes this method so popular among oil artists is the fact that it speeds up the time in which you can complete a full oil painting, allowing for a single day’s work rather than a few days or a week. To achieve this technique, some other mediums may be required.

Unlike alla prima, glazing uses the same concept, except you wait for each individual layer to dry before adding more color over it. The effects achieved here will be a noticeable texture and glossy layers, adding a sheen to your artwork.

Oil Painting Tutorial

A well-known technique, impasto makes use of broad and quick brush strokes, allowing for a more defined piece of art. This technique is best used for adding highlights, creating shadows, and adding depth. To achieve the best results, palette knives and painting tools are used with impasto work.

Opposite to impasto, sfumato is a softer and gentler approach. It allows for smoothing sharp edges or softening harsh outlines. The key with this technique is to always use a soft and clean brush for each new color of oil added to your canvas.

Being aware of the various oil painting techniques makes your possibilities with oils endless! Now, we will take a look at oil painting step by step with our oil painting tutorial below.

Oil Painting Tutorial

For this tutorial, we are going to look at doing a still life oil painting step by step. This tutorial will cover the materials you will need as well as detailed instructions on how to achieve your very own still life oil painting.

Oil Painting Step by Step

Materials You Will Need:

  • Palette knives and tools
  • Paint palette
  • Acrylic or an acrylic marker
  • Containers with water and mixer medium or solvent
  • Roller towel

How to Oil Paint

  • When first beginning oil painting, you will need to decide on a subject or subject matter to paint. The go-to when oil painting for beginners is to start with something easier, such as a still life. Often, taking a photo of your object and working off of that can be easier than trying to beat the sun’s shadows and loss of daylight. This step can also be useful in using your photo to trace outlines onto your canvas with tracing paper or grid paper.
  • Roughly sketching your drawing beforehand will assist in eliminating errors or misjudging lines and shapes. For this preliminary drawing, you can use a light pencil, diluted acrylic or oils, and even charcoal. This medium will need a fixative before going over it with your paint, however, in order to prevent smudging and to protect your colors. Another popular and easy-to-use option for sketching is an acrylic marker.
  • A helpful suggestion to remember is to try to find different colors or shapes that tie in the various components of your painting together. It is helpful to find a theme and add hints or connecting elements to that when starting. It can also be beneficial to try your ideas on paper before going straight to the canvas, as this way you can get a feel for the colors, shapes, and elements you would like to include.
  • Once your sketch is done, the next step would be the background for your oil painting. This base coat acts as an absorbent layer or foundation for the rest of your painting, which will prevent it from drying out or cracking. This layer should be applied thinly in either oil or acrylic paint and allowed to dry before continuing.
  • The next question is whether you want a colored layer or a black or white layer for the background. This would depend on the theme of your painting; are you wanting a warmer tone or a cooler one? If you would like a cooler undertone and darker shadows, then a darker or cool color will work best in the background. Using white as a background will inevitably brighten up the other colors once they are applied, adding highlights and possibly a warmer tone.

Oil Painting Tips

  • When it comes to adding color to your oil painting, the idea is to add layers so as to achieve the desired texture and realism. You want to start with your shadows and by adding in light. Then, move onto the areas needing to be filled with color. This method will be repeated until you are satisfied with the result.
  • The most important rule to remember when learning how to oil paint is the ‘thick on thin’ method. This is to say that each layer that is added will be thicker and have more color than the previous layer. In order to ensure this is the case, you will need to slowly dilute the initial layers, making them less and less diluted each time you add on one. Doing your painting without following this rule can lead to flaking or peeling layers of paint.
  • Your final layer or add-on to your oil painting will consist of very light strokes. The goal is to tie everything together with lighter tones in order to draw the eye. To get the best results, use your white accents or shadow colors straight from the tube to highlight specific details or features. For these accents, you do not need to water your oils down.
  • The last rule – possibly even more essential than the rest – is to allow enough dry time. This is crucial between layers of paint as well as at the end before framing or sealing your painting. If your oils are still wet, they will be damaged. Although, if you are not keen on the wait time, the alla prima method would be the perfect quick oil painting option.

Beginning Oil Painting

Now that you are all clued up on the basic oil painting techniques, we hope that you have fun exploring this medium and all of its possibilities!

Frequently Asked Questions

What is the best oil paint for beginners.

There are many reputable and quality brands to choose from when it comes to oil paint. Some good names include Winsor & Newton, VanGogh, Gamblin, and Sennelier. Beginners can also use these brands, however they may find them to be more expensive.

How to Oil Paint?

Just as with any other form of artistry, oil painting is a skill that will need time to be perfected. There are many online videos and tutorials that will explain oil painting step by step. However, the only real way to learn anything is to start!

What Do I Need to Start Oil Painting?

Thankfully, you do not need much when you are first starting out. It is easier to start small and build up your paint and art tool supply as you go along. When first starting, the main things you will need are a canvas or paper, oil paints, a minimum of three differently sized oil brushes, and your oil or chemical mixer. Should you have the option of starting with an easel or paint palette, these will be highly beneficial.

What Are Some Oil Painting Basics?

The basics of oil painting are quite simple. Five key rules to remember are that oils take a long time to dry; they can be mixed with other paint mediums; they will need the use of oil mediums or chemical solvents to be fully useable; when using oil, your brushes will need to be cleaned regularly; and oil paintings need to be protected.

charlene lewis

In 2005, Charlene completed her Wellness Diplomas in Therapeutic Aromatherapy and Reflexology from the International School of Reflexology and Meridian Therapy. She worked for a company offering corporate wellness programs for a couple of years, before opening up her own therapy practice. It was in 2015 that a friend, who was a digital marketer, asked her to join her company as a content creator, and this is where she found her excitement for writing.

Since joining the content writing world, she has gained a lot of experience over the years writing on a diverse selection of topics, from beauty, health, wellness, travel, and more. Due to various circumstances, she had to close her therapy practice and is now a full-time freelance writer. Being a creative person, she could not pass up the opportunity to contribute to the Art in Context team, where is was in her element, writing about a variety of art and craft topics. Contributing articles for over three years now, her knowledge in this area has grown, and she has gotten to explore her creativity and improve her research and writing skills.

Charlene Lewis has been working for artincontext.org since the relaunch in 2020. She is an experienced writer and mainly focuses on the topics of color theory, painting and drawing.

Learn more about Charlene Lewis and the Art in Context Team .

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Oil Painting Tips for Beginners

Oil painting is a fantastic medium and was the generally preferred choice for old master painters. Oil paint is slow drying and versatile, allowing you to easily manipulate it on the canvas .

I started out with acrylic paints but was quickly frustrated by the extremely fast drying times and the changing in colors as the acrylic paint dries. So I decided to make a transition into oil paints.

It was certainly a steep learning curve but I am extremely glad I made the transition.

Unfortunately, oil painting can seem very daunting to a beginner. Compared to acrylic painting, there are many rules you must follow to ensure the paint dries properly and you can easily get overwhelmed by all the procedures.

If you are interested in oil painting, then these oil painting tips should help you out. I note though these are just to get you started. You will need to conduct more research as oil painting is a very complex craft.

If you are a seasoned oil painter yourself and have some tips to add, please feel free to contribute in the comment section at the bottom.

Tip 1: Paint Fat Over Lean

Tip 2: paint thick over thin, tip 3: prepare your canvas, tip 4: try painting with a limited palette, tip 5: upsize your paint brush, tip 6: your palette knife is not just for mixing colors, tip 7: learn global techniques you can use in all your paintings, tip 8: incorporate scraping, tip 9: careful with blending, additional readings, thanks for reading.

This is probably the most important rule of oil painting, especially if you are painting wet on wet (a technique where you do not let the paint dry in between layers).

Fat paint refers to how much oil is present. By adding an oil medium to your paint, you are making it fatter. By adding a solvent to your oil paint, you are breaking down the oil and making it leaner.

The fatter the paint, the slower it dries.

The reason for painting fat over thin is that the layers on top must dry slower than the layers on the bottom of your canvas. If not, the paint will crack as it dries.

A simple way of tackling this is to have a process for painting. Start with very lean paint (paint plus solvent). Then add layers that are slightly fatter (paint plus a mix of solvent and oil medium). Every subsequent layer should be fatter than the prior (more oil medium / less solvent).

This is a similar principle to the fat over lean rule , in that it is based on the drying time of oil paint. Thick oil paint dries slower than thin.

So in theory, your first layers should be very thin, almost glazes of paint. Then as you build up your painting you will be increasing the amount of substance and oil.

Preparing your canvas is a commonly overlooked but very important step. What does it actually mean?

Firstly, you must make sure your canvas has sufficient gesso coating. This is generally the case for most pre-primed canvas you buy from art stores.

Next, you should consider laying down a muted background color for your canvas. I like to use raw umber. This achieves the following:

  • It gives you more of a middle ground to work with on your canvas rather than a glaringly white canvas. Painting straight onto a white canvas could warp your sense of value.
  • It avoids any bare white parts of your canvas being exposed.
  • It is an easy way to just start your painting and stops you from procrastinating, waiting for the perfect time to strike the canvas.

Now that you have a colored background layer down on your canvas, you should consider placing a sketch for your composition.

The sketch does not have to be all da Vinci. All it needs to do is set out the major shapes in your composition.

The purpose of the sketch is to merely guide you around the canvas. A sketch is also particularly useful if you are dealing with any perspective lines in your painting (i.e. a cityscape).

More colors do not mean a more sophisticated painting. If anything, it is often the opposite.

In your next painting, try limiting your palette to the bare essentials of blue, yellow, red (the primaries), and white. By mixing the three primary colors you get a natural black. Add some white to that and you have gray. The three primary colors can then be used to mix whatever color you need.

Using a limited palette will help focus your painting and create harmony. The more colors, the more difficult it becomes to balance your painting and control the chaos.

Anders Zorn, Kvinna som klär sig, 1893

Anders Zorn was known to use a very limited palette of Yellow Ochre, Cadmium Red Medium, Ivory Black plus White. This is often referred to as the Zorn palette .

The Ivory Black was used by Anders Zorn as a very dark blue and the Cadmium Red and Yellow Ochre made up all three of the primary colors. With the addition of white, he was able to create a broad range of colors but retain harmony across his paintings.

A simple way of improving your painting technique is to take the largest brush you are comfortable using, and up-sizing it. Try using this brush for as long as you can before downsizing to smaller brushes.

A large brush has such influence on your painting and forces you to be decisive and efficient with your strokes. You will also be able to cover the canvas much quicker.

You can read more about artist paint brushes here .

Palette knives are not only useful for mixing colors on your palette. They can be a fantastic painting tool used for applying paint in an impasto style or for scraping paint off your canvas.

You can also use palette knives to put paint on the canvas without any blending, which you would get from using a brush.

There are some artists who have left paintbrushes behind entirely in favor of palette knives.

Richard Schmid

Richard Schmid skillfully uses the palette knife to create crisp strokes of color as shown by these flowers. You can read more about using the palette knife for painting here .

Instead of spending all your time learning how to paint a specific beach scene or type of tree or cloud formation, invest in learning global techniques which you can use in all your paintings.

Great painters have mastered a handful of techniques that they use over and over again in all their paintings. Learning how to paint a highly specific scene will teach you exactly that, but nothing more.

Instead of adding more paint to create objects in your painting, try scraping paint off your canvas. This is a great technique for adding texture, detailing trees, or even just signing your painting.

You can use the blunt end of your paintbrush or palette knife .

 Pro Hart, Australian Painter

Pro Hart was a famous Australian painter who used scraping in many of his paintings, usually to depict the harsh and sketchy Australian environment.

Blending is a common technique used in oil painting to create a refined and smoothed appearance. It is particularly useful for pushing objects back in perspective by softening the edges into the background (i.e. distant mountains which blend into the sky).

With that being said, it is one of the most overused techniques in oil painting. This is likely due to those painters trying to create a realistic finish as they view the painting from close. But you should not be painting for people to view up close. You want them to see the painting from a reasonable distance.

Your brush strokes should be visible up close, but as you step back from your painting, there will be optical blending and those strokes will no longer be clearly visible.

Oil Painting – The Ultimate Guide For Beginners

9 Oil Painting Techniques For Beginners

How To Clean Your Oil Paint Brushes

How To Start An Oil Painting

Oil Paint Drying Time And How You Can Manipulate It

I appreciate you taking the time to read this post and I hope you found it helpful. Feel free to share it with friends. If you ever want to learn more, check out my  Painting Academy  course.

Happy painting!

travel oil painting tips

Draw Paint Academy

Dan Scott is the founder of Draw Paint Academy. He's a self-taught artist from Australia with a particular interest in landscape painting. Draw Paint Academy is run by Dan and his wife, Chontele, with the aim of helping you get the most out of the art life. You can read more on the About page .

22 comments on “Oil Painting Tips for Beginners”

very very good

Fantastic advice thanks

No problem Tanya!

Can you recommend a sturdy easel and some quality brushes for oil painting?

Hi Sayanti. I will email you separately regarding this. Dan

Nobody has explained fat over lean to me, you have now I know how to start. I didn’t want to take formal lessons in case they influenced me I don’t have a style but have done a bit of Chinese water colours in the past. Thanks Maureen

Glad to help Maureen. It is certainly a tricky concept to get your head around.

generally beginners start with copying their favourite painting, and later develop their own method. Is it okay to start with copying other paintings? can you please tip on this?

Hi Shobhana

Doing studies of historical paintings is perfectly fine and a great way to practice. However if you are just starting out then copying the master paintings may be a bit daunting. You could end up getting discouraged as the difficulty level of those paintings is very high.

What I prefer to do is study the great historical paintings in great detail. I will try and learn how they went about a painting, what processes they used, what colors they used and any other techniques. I will then try and use what I have learned in my own paintings. I feel this way I am still creating something original but with the guidance of the old masters.

I hope this helps.

What’s the difference between traditional oil paints and alkyd oils or water-miscible oils?

Hi there. The main difference is the drying time. Alkyd and water-mixable oils can be completely dry within 24 hours. This is not the case for traditional oil paints.

I note however my answer is limited in that I have only ever used traditional oil paints. Why change what works?

Dan, these are very interesting tips. Thank you very much. Artur from Poland

No problem at all Artur!

Thank you for inspiring me to get started! Your tips were very helpful to me.

It`s very beautifull tips!!! I also make a painting, maby you can see it here http://paintingsforlove.com/  and say what you think about it

Thanks Kistochka. Beautiful paintings!

Dan, I want to transfer a sketch to a canvas using transfer paper, and then paint using wet on wet technique. I am wondering if I use a workable fixative first, can I then apply my medium and oil paint to do my painting?

I am sure there is some kind of fixative which you could paint over, however I have not used any. You would need to be careful that any fixative does not impact the binding of the oil paint.

I would actually transfer the sketch then just paint over it without the fixative.

Kind regards

I was always wondering if I need to paint in a separate room when using oil paints? I heard they have quite a strong smell and need a long time to dry and since ma apartment is very small I wouldn’t want to live in paint smell for days. What would you suggest?

When working with a realistic painting that has oil paint that is already dry, is there a technique to apply and blend the fresh paint. Does the dried paint need a thin coating of oil? Or medium? If so, what would you suggest using?

Toning your canvas should not be a hard and fast rule. Some of the greatest painters, including most of the Impressionists., painted on a white canvas; the reason being the “light” of the white canvas comes through the paint layers.

it will help me so much! thank you.

Leave a Comment Cancel reply

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Oil Painting Guide: 10 Tips for Beginners

Lisa Marder is an artist, painter, and teacher with over two decades of experience. She is a Harvard-trained artist with a focus on landscape paintings and works in a variety of media, including watercolor, oil, acrylic, pastel, ink, and digital. Lisa is a member of the National Association of Women Artists.

John Lund -- Marc Romanelli / Getty Images

Artists have been painting with oil paints for hundreds of years and oil paints continue to be popular worldwide due to their versatility, quality, and color. While getting started with oil painting is fairly easy, there is a little bit more to it than acrylics, since you are working with solvents and mediums and the drying time is much longer. Individual artists who have been painting for a while have their own favorite brands, brushes, palettes, and mediums, but here are some general tips that may be useful to you if you are just starting out with oil paints.

Start With Small Paintings

Painting small gives you the chance to try out techniques and experiment with color without investing too much time or material into the process. You can buy some small 8x10 inch canvases or canvas boards, or even try painting with oils on paper . (Remember to gesso the paper first).

Get Organized

Set up space in a well-ventilated area where you can keep your palettes and supplies out and at-the-ready and your paintings visible. This will give you the chance to see and think about your work, even if you're not actually painting. It will also make the process of painting easier so that you will be inclined to paint more often, even daily if possible. Your work will improve rapidly if you paint a lot. This is the practice of making art.

Invest in Brushes

Buy professional grade paints as you can afford them rather than student grade. Professional grade has a greater ratio of pigment to binder. Buy only a few higher quality brushes —three different sizes should be good to start with. You can buy more and experiment with the different shapes as you paint more. You can use synthetic brushes made for acrylic paints for oil, but there is also a range of natural hair brushes that can be used with oil. Bristle (hog) brushes are the most commonly used.

Prime Your Painting Surface

You can paint on many different surfaces—canvas, wood, paper—but whichever you choose, it's important to apply a type of primer called gesso to the painting surface to prevent the oil from seeping into the surface, protect the surface from the acids in the paint, and provide a surface that the paint will adhere to more easily. You can also use pre-primed boards or canvas and apply another coat or two of gesso to them if you like a smoother surface. Ampersand Gessobord is a nice smooth durable surface to work on.

Understand Color and Color Mixing

Primary paint colors are not "pure" but rather lean toward   either yellow or blue, making them warm if toward yellow, or cool if toward blue. This influences how the primary colors mix to produce the secondary colors.

Use a Limited Painting Palette

Don't feel that you have to use all the colors in your painting at once. Start with a monochrome painting , a painting of only one hue plus its shades (black added) and tints (white added). You can use any color you like depending on whether you want a cool or warm painting. This will allow you to get the feel of the paint. When you are ready, add a warm and cool of each primary color to your palette, along with earth tones like burnt sienna, burnt umber, and yellow ochre.

Start With an Oil Sketch

This is a thin underpainting consisting of a color and turpentine (or odorless turpentine substitute such as Turpenoid). This will dry quickly so that you can then add subsequent layers of paint and color without having to wait too long for it to dry. Burnt sienna is useful to lay out values and composition, whether you work on a white canvas or tone it with a neutral gray first.

Understand Paint Order

Paint thick over thin, fat over lean, and slow-drying over fast-drying. That means using thinner paint and less oil in the first layers, saving thicker paint and higher oil content for later layers. This will help ensure that earlier layers dry first and will help to keep your painting from cracking. Start with an underpainting of paint and turpentine, then move to a painting medium of a combination of turpentine and linseed oil in a ratio of 2:1. Linseed oil can yellow with age (which is more apparent on light colors) but dries faster than other oils. 

Clean Your Brush

It's important to clean your brush between colors and with soap and water when finished painting. Oil painting can get messy. Have paper towels and rags handy to wipe excess paint and turpentine off your brushes. Have two containers available while painting—one for turpentine for cleaning your brush between colors and one for medium to mix with your paint. 

Keep It Tidy

Oil paints and mediums are hazardous if ingested or absorbed into the skin. Keep them stoppered and out of reach of pets and small children. Dispose of paints, mediums, rags, paper towels, and disposable paper palettes or paper plates (also good to use as palettes) properly. You should wet or soak rags and paper in water before discarding them since they are flammable, can heat up when drying out, and sometimes spontaneously combust.

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IMAGES

  1. 6 Tips To Help You Paint Like An Impressionist

    travel oil painting tips

  2. HOW TO TRAVEL WITH OIL PAINTS

    travel oil painting tips

  3. Oil Painting for Beginners

    travel oil painting tips

  4. 5 Useful Oil Painting Tips for Beginners

    travel oil painting tips

  5. My Ultimate Travel Art Supply Kit

    travel oil painting tips

  6. This series of romantic travel art is made from original oil paintings

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VIDEO

  1. Oil painting work on progress

  2. Oil Painting TIPS: 3 things you should ALWAYS think about

  3. Starting a new oil painting! #oilart #art #oilpainting #oillandscape #painting

  4. Oil Painting Tips: Watch Me Create a Stunning Sunflower Field in a Summer Haze

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  6. OIL PAINTING: 3 Essential Tips!

COMMENTS

  1. How To Travel With Oil Paints: A Practical Guide for Artists

    Place the paint tubes in a durable, sealable plastic bag to prevent potential leaks. If you're flying, consider security screening requirements. Some colors can look suspicious on an X-ray scanner, and it's best to store your art materials in a transparent bag for easy inspection.

  2. How to Travel With a Wet Canvas, Oil Painting Tips for Plein Air

    On the wet side of your canvas, push a pin into each corner (make sure the pins go fully into the stretcher bar). Then place another canvas—painted or not—facedown on the pins protruding from the first canvas and push down gently at each corner to secure the pins into the second canvas. You can also buy special clips called canvas carrier ...

  3. An Easy Way to Travel with Wet Oil Paintings

    Lori McNee All author posts Polular Posts Here's my best fine art tip for traveling and transporting wet oil paintings by airplane or car - perfect for plein air painting.

  4. HOW TO TRAVEL WITH OIL PAINTS

    Yes, you can carry oils. According to Winsor & Newton, linseed, safflower, walnut, and poppy oils, in addition to stand-oil and drying oils, are allowed (>230°C). However, we are aware of a few cases of artists whose oil bottles have been confiscated, but it's not common. Of course: carry bottles of no more than 100 ml.

  5. Plein Air Painting: Your Guide to Painting on the Go

    1) Preparing for the Trip Before you set foot on your next great adventure, let's talk about art supplies for traveling artists. Preparing for a trip as an artist isn't just about packing socks and sunscreen; it's about curating the perfect toolkit that will let your creativity flow, no matter where you are.

  6. How to Pack your Oil Paints for Airline Travel

    How to pack your Easel. You can either pack your easel or carry it on the airplane with you. If you have a cover for your easel it will be fine for you to carry on, otherwise it might be best for you to pack it as well in your checked luggage. My french easel has paint marks all over it and once took it as a carry on without a cover and would ...

  7. Taking Flight: Tips for the Winged-Artist

    Refer to them as "artists' pigments". Panels 4 or 5 for each day x 7 days = 28 to 30 panels. Put half of your panels in one bag and the other half in the other. Wet Panel Carriers I suggest bringing wet panel carriers for carrying wet paintings. I have 2 PanelPaks in each of the sizes I like to paint.

  8. How to Travel With Oil Paint

    Step 1 Place each tube of paint in a plastic zippered bag. Put each tube in its own bag if possible; if it does leak, you'll still be able to use the paint inside instead of it mixing with...

  9. Tips for Traveling with Artist's Materials

    Drying time Oil painting materials are products of the natural world so they are tremendously responsive to temperature and humidity. Oil colors dry faster in warm weather. Solvents and the solvent in painting mediums evaporate more quickly.

  10. How To Pack A Wet Oil Painting For Travel

    I hope you found this useful, it'll take us too long and you'll be bored watching us actually doing this packing but you get the concept, create air between the paintings, trim everything, tie it all down with tape, triple bubble wrap it so you can almost bounce a thing and you're ready to go and put your address on it and your phone number and ...

  11. MY TINY OIL PAINTING SET UP + how I travel with my oil paints

    In this week's vid I'll be giving you TONS of info on my oil painting set up for super small spaces, as well as information on how I travel with my oil paint...

  12. 9+ Best Travel Art Supplies for Painting Artists Who Travel

    254 One of the perks of painting is that all of the necessary materials are fairly portable. This article will guide you through which travel art supplies are the easiest to pack and take with you. We are lucky in this day and age to be able to carry our paints in small paint tubes and have easels that are light and foldable.

  13. MAKING A MARK: Top tips for travelling artists

    Top tips for travelling artists - oil painters Artist at work in Provence Identifying the best way to travel with your paints, other art materials and associated paraphernalia is a question which throws up a number of conundrums for many artists: the novice who has never travelled before doesn't know what he or she doesn't know - but needs to!

  14. Oil Painting for Beginners: How to Paint With Oils

    What to Paint? Oil Painting Techniques for Beginners to Try Helpful Oil Painting Exercises How to Clean Up After an Oil Painting Session Some Final Oil Painting Tips for Beginners Frequently Asked Questions Now Let's Paint! Art by Dottie Lo Bue What Stands Between You and Oil Painting? It's normal to feel uncertain when starting something new.

  15. 10 essential oil painting techniques and tips

    01. Hold the paintbrush correctly Hold your brush at the end for maximum control There are many ways that an artist can grip the paintbrush when painting, but there's one 'go-to' method that every artist should know to get the most fluidity and sensitivity from each stroke. Hold the brush handle as far back as you can.

  16. 11 Oil Painting Techniques And Styles Every Artist Should Know

    1. Glazing Why You Should Try Glazing 2. Wet-on-Wet Why You Should Try Wet-On-Wet 3. Blending Why You Should Try Blending 4. Scumbling Why You Should Try Scumbling 5. Impasto Why You Should Try Impasto 6. Dry Brushing Why You Should Try This Dry Brushing 7. Underpainting Why You Should Try Underpainting 8. Imprimatura Why You Should Try Imprimatura

  17. 35 Oil Painting Tips for Beginners and Experts

    Mix Small Amounts of Paint —Learning how to paint in oil can be a bit of an expensive learning curve. Mix small amounts of paint as you work to avoid creating more than you need. This can help you to save on paint, and consequently, money. As you paint more, you will learn how much you need for each work of art. Photo by Anna Kolosyuk

  18. 5 Oil Painting Tips for Beginners

    To help bright-eyed artists eager to try oils, we spoke with two artists who also teach painting and compiled five tips for familiarizing yourself with the medium. 1. Paint Safely. Photo by Heather Moore, via Flickr. Before you begin, it is extremely important to consider where you will paint.

  19. Oil Painting for Beginners

    A Beginner's Guide on Oil Painting Basics Our Recommended Tools for Beginning Oil Painting The Best Oil Painting Tips and Tricks ... wellness, travel, and more. Due to various circumstances, she had to close her therapy practice and is now a full-time freelance writer. Being a creative person, she could not pass up the opportunity to contribute ...

  20. Oil Painting Tips For Beginners

    Tip 1: Paint Fat Over Lean Tip 2: Paint Thick Over Thin Tip 3: Prepare Your Canvas Tip 4: Try Painting With a Limited Palette Tip 5: Upsize Your Paint Brush Tip 6: Your Palette Knife Is Not Just for Mixing Colors Tip 7: Learn Global Techniques You Can Use in All Your Paintings Tip 8: Incorporate Scraping Tip 9: Careful With Blending

  21. Oil Painting Guide: 10 Tips for Beginners

    Oil Painting Guide: 10 Tips for Beginners By Lisa Marder Updated on 09/16/22 John Lund -- Marc Romanelli / Getty Images Artists have been painting with oil paints for hundreds of years and oil paints continue to be popular worldwide due to their versatility, quality, and color.

  22. My 10 Best Oil Painting TIPS To Instantly Improve Your Paintings

    10 Quick And Easy Color Tips For Oil Painting Paint Coach

  23. Tips for Setting up an Oil Painting Palette

    Cleaning Your Palette. It is good practice to clean our palettes, though some artists love building up mounds of paint and colour. Use a palette knife to take all the paint off; this is much more efficient and immediate than using tissue. You can place the left-over paint in the bin, or I often like to reuse it.