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27 charcos from amber cove - Puerto Plata Forum

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27 charcos from amber cove

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Also how much do they charge? Should I pay with local currency or do they take US money.

When I get off the guagua how long is the walk to reach the falls?

At the falls, do I need to pay cash ( dominican money or do they also take US money) or can I pay with a credit card?

On the way back do they have guagua that comes often or should I expect to wait a long time?

I don't know if you can simply wave the bus down like a guagua or if you need to be at a "stop" ... I assume it would stop at the cruise terminal, but I don't know ... it's ~50 pesos for the bus

The bus leaves whenever they feel it is full enough, I wouldn't expect to wait very long.

I took Javilla Tours from Santiago to POP last year ... it's like a big guagua (you're not packed in like sardines like a guagua) ... not nearly as nice as Metro or Caribe buses but it's 24 hours and run much more often.

Pesos is best, but US money is accepted anywhere ... I personally don't like to use my credit card in 3rd world countries.

That's how I will be travelling to the falls (I arrive in POP tomorrow), I'll have more answers after I do it myself.

I read that they have lockers for $3, that 12 falls is 550 pesos and that cabs are $100 (driver waits and drives you back not bad if you have 4 people sharing)

This topic has been closed to new posts due to inactivity.

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Styles Group Chat

Dissecting the ‘Cowboy Carter’ Cover: Beyoncé’s Yeehaw Agenda

On Tuesday, the pop star revealed her new album’s cover, a constellation of country signifiers reminding fans of her Texas roots.

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By The Styles Desk

As Beyoncé gears up for the release of her next solo album, “Cowboy Carter,” she teased fans on Tuesday with the new record’s cover, which, like her previous album, shows her sitting on a horse. But unlike on that record, “Renaissance,” this time she’s in full rodeo gear, riding a white stallion, kicking off a new era of her three-act project .

It has been nearly two years since she dropped “Renaissance,” which birthed a world tour and inspired an array of sequined and chrome-heavy looks among fans internationally. If Act I, as she called that album, paid homage to disco and house music, Act II is sure to be her official entry into country music.

In advance of the album’s release, on March 29, members of The New York Times’s Styles desk took a close look at the album cover, and what it represents for Black American contribution to country music.

Gina Cherelus How do we feel about the album cover? Off rip, I love how she and the horse have matching hair. I wonder if it’s the same one from “Renaissance” or a new member of the stable. Either way, they’re both striking.

Melissa Guerrero I always appreciate visual consistency! Which is something we’re definitely seeing in these first two acts, so far.

Marie Solis Since “Renaissance,” she’s clearly been trying to reinscribe images of Black women into the history of the cowboys and the West , which is a quintessential part of the American mythology — and a terrain ripe for patriotic and nationalist symbols.

Cherelus Especially during an election year. It all feels very intentional.

Solis I’m also so struck by her gaze. She’s confronting the viewer.

Frank Rojas Beyoncé is looking directly into the camera with her face forward and it really feels like a reclaiming. Her hair is in the air and she is taking charge.

Cherelus Holding the flag in one hand and the horse’s reins in the other, she’s positioned with authority. And in heels!

Rojas How do you all feel about the hint of the American flag in the corner?

Cherelus She’s reminding listeners and fans that her entry into this genre isn’t as random as many might assume. Country music is Black music .

Solis I think her saying this is not a country album but “a ‘Beyoncé’ album” calls back to the gate-keeping she faced from country fans when she released “Daddy Lessons” in 2016. But it also speaks to her particular style of image making; she’s creating her own visual language and lore, even if she’s relying on these recognizable symbols to do it. And what’s more all-American than Beyoncé?

Guerrero A Redditor pointed out that the galloping horse evokes the 19th-century “Horse in Motion” photographs, by Eadweard Muybridge , which were prominently featured in Jordan Peele’s “Nope” (another piece of media that nods to Black cowboys, but more specifically in Hollywood).

Cherelus Given the American flag’s associations with the right and how it has recently been customized to represent conservative passions, I think it’s her way of reminding us that the flag doesn’t belong to one specific group.

Guerrero And it’s interesting that the flag is also a bit off-camera.

Solis I was thinking of “Nope,” too! Which led me to Emma Goldberg’s Styles piece from last year about how people keep returning to the American West as a site of reinvention.

Rojas Melissa, I like that you mentioned Black cowboy culture and its history. It reminds me of what the Compton Cowboys symbolize : reflecting their times, but also paying tribute to one’s history and culture.

Guerrero Agreed, Frank! The group has been deeply embedded in Compton for years.

Cherelus Similar to the chrome pieces she wore on the “Renaissance” cover, the cowboy hat she’s wearing on the cover will definitely be a sellout style this year. The sash is making me think she’s also influenced by Black, Southern pageantry culture on this album. Think: Miss Juneteenth. She is a Texas girl, after all.

Rojas And rodeo queens!

Cherelus Since rodeo queens also carry the flag after they win the title, this is probably a direct nod!

It’s fascinating, how it’s gotten to the point that Beyoncé seems to believe she has to position herself as a cowgirl on a horse, wearing red, white and blue, holding the American flag on an album cover to drill it into people’s heads that her interest in country isn’t a fad. This is something she cares deeply about, and I can’t think of any other artist at her level who would have to do so much convincing.

Solis Beyoncé albums are often a snapshot of our times. She evolves along with our culture, to enter the discourse of the moment.

Guerrero When I think of “Lemonade” or Kendrick Lamar’s “Damn,” it points to a very specific moment in American history. So does Marvin Gaye’s “What’s Going On.” There’s something powerful about art that is in conversation with the current reality.

Rojas I like what Beyoncé is doing here, creating a space where other people can feel seen, from cowboys and cowgirls to vaqueros. (Exhibit A: I brought my cowboy hat from Mexico to the office today for our chat.)

Gina Cherelus , Marie Solis , Frank Rojas and Melissa Guerrero contributed reporting.

Arboles y Flores en República Dominicana

Las raíces de mi árbol

Árbol de Jabilla Criolla

Es un árbol de hojas perennes que puede alcanzar los 60 metros de altura. Desarrolla un tronco recto, cilíndrico, sin ramas en su mitad inferior. Su copa es amplia y muy extendida, presentando gruesas ramas que crecen de manera horizontal.

Las hojas son grandes, simples, en forma de corazón. Tienen un pecíolo largo, nervaduras muy marcadas y color verde brillante.

El Árbol de Jabilla Criolla es una especie monoica, ya que tiene flores femeninas y masculinas en una misma planta. Las flores femeninas son solitarias, rojas y sin pétalos. Las flores masculinas se producen en racimos largos.

La reproducción del Árbol de Jabilla criolla se hace por semillas y por esquejes o estacas.

La madera de la Jabilla criolla es pesada y compacta, se conoce como Hura y se usa para trabajos menores de construcción. En algunas regiones se usa el látex que se produce en todas las partes del árbol, para adormecer peces y poder atraparlos. Algunas especies de aves y monos se alimentan de sus frutos y semillas cuando están tiernos.

El látex venenoso que produce la Jabilla criolla puede causar irritaciones en la piel, así como ceguera temporal en humanos y animales.

Ecológicamente se le considera como protector de las orillas de los ríos, porque evita que sean socavadas por las inundaciones y la erosión. También se considera que ayuda a la purificación del aire, ya que absorbe el dióxido de carbono y en los lugares donde es nativo almacena gran cantidad de agua, minimizando las sequías estacionales.

Se recuerda también el uso que le daban los niños a los frutos de la Jabilla antes de secarse. Fabricaban patines y carros de jugar, usando estos frutos como ruedas. 

Los Árboles de Jabilla Criolla de las fotos se encuentran en Bonao, en las Terrenas y en la avenida San Martín, en Santo Domingo.

Referencias:

https://es.wikipedia.org/wiki/Hura_crepitans

http://www.riomoros.com/2017/05/jabillo-hura-crepitans.html

http://www.fundesyram.info/biblioteca.php?id=2403

http://www.elmundoforestal.com/esperanza/1VERDES/jabillo0.html

http://opac.pucmm.edu.do/virtuales/bvds/Ambar.pdf

http://www.dicyt.com/noticias/los-arboles-nativos-limpian-el-aire-de-dioxido-de-carbono-y-los-pastizales-lo-contaminan

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Javilla Tours

• Av. Colon esquina Manolo Tavarez Justo, Puerto Plata, Dominican Republic, GPS: 19.790854,-70.700714

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