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Sara Bareilles

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Sara Bareilles Announces Amidst The Chaos U.S. Tour

Tickets for the 27-date trek go on sale starting on April 12

Multiple-time GRAMMY nominee Sarah Bareilles has announced plans to tour this fall in support of her sixth studio album, Amidst The Chaos . 

Running for 27 dates, the tour opens Oct. 5 in Detroit and wraps Nov. 26 in Atlanta. Along the way, she'll hit major venues like the Grand Ole Opry in Nashville, New York’s Madison Square Garden and Los Angeles' Hollywood Bowl.

Tickets go on sale starting April 12. Head to her website for more info.

Bareilles released Amidst The Chaos on April 5. She recently was the musical guest on Saturday Night Live , where she played album cuts "Fire" and "Saint Honesty." Bareilles' most recently GRAMMY nomination was at the 61st GRAMMY Awards , for Best Musical Theater Album, "Jesus Christ Superstar Live In Concert."

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Photo: Jeff Kravitz/FilmMagic

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

Photo:  Rachel Kupfer  

A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown . The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton , who created P-funk, an expansive, Afrofuturistic , psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic . Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis , Silk Sonic , and Omar Apollo; and Kendrick Lamar , Flying Lotus , and Thundercat , respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels , while its sparkly sprinklings can be heard in pop from Dua Lipa , Doja Cat , and, in full "Soul Train" character, Silk Sonic . There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music , Amazon Music and Pandora .

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism . Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and " Norma " is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers , from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea 's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’ s "Get It Right" and Gladys Knight ’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat .

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo , is a sunny, playful French disco journey.

Franc Moody

Franc Moody 's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether .

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Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

Photo: Steven Sebring

Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."

Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP,   Cage , and continuing to rock through decades of changing tastes.

Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.  

Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face." 

But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life. 

His latest release is Cage , the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves. 

Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself , details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside , reflects on surviving the accident.)

Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") —  their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of " VH1 Storytellers " and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.

While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens. 

Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.

Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [ Laughs ]. We did always mix things up. 

Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically. 

"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?

We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds. 

We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside . We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick. 

I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?

Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol. 

You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way. 

** Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about  freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore ? **

I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier. 

I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff. 

So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.

[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.

I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.

Did you watch Danny Boyle's recent Sex Pistols mini-series?

I did, yes.

You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?

I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.

It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.

But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go . If ["Pistol" is]  informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.

Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.

We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.

It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].

We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.

You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.

It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.

When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.

You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?

Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."

We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.

You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.

With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.

Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.

You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?

I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts , and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.

But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.

I remember when you went on " Viva La Bam "  back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?

I think it was his car.

Did he get over it later on?

He loved it. [ Laughs ] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.

Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?

In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.

We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.

The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [ Laughs ] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.

There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.

It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.

It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.

Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?

Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.

The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.

The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?

Yeah.  Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].

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Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

Graphic: The Recording Academy

Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

The 2023 GRAMMY Award nominees for Best Country Solo Performance highlight country music's newcomers and veterans, featuring hits from Kelsea Ballerini, Zach Bryan, Miranda Lambert, Maren Morris and Willie Nelson.

Country music's evolution is well represented in the 2023 GRAMMY nominees for Best Country Solo Performance. From crossover pop hooks to red-dirt outlaw roots, the genre's most celebrated elements are on full display — thanks to rising stars, leading ladies and country icons.

Longtime hitmaker Miranda Lambert delivered a soulful performance on the rootsy ballad "In His Arms," an arrangement as sparing as the windswept west Texas highlands where she co-wrote the song. Viral newcomer Zach Bryan dug into similar organic territory on the Oklahoma side of the Red River for "Something in the Orange," his voice accompanied with little more than an acoustic guitar.

Two of country's 2010s breakout stars are clearly still shining, too, as Maren Morris and Kelsea Ballerini both received Best Country Solo Performance GRAMMY nods. Morris channeled the determination that drove her leap-of-faith move from Texas to Nashville for the playful clap-along "Circles Around This Town," while Ballerini brought poppy hooks with a country edge on the infectiously upbeat "HEARTFIRST."

Rounding out the category is the one and only Willie Nelson, who paid tribute to his late friend Billy Joe Shaver with a cover of "Live Forever" — a fitting sentiment for the 89-year-old legend, who is approaching his eighth decade in the business. 

As the excitement builds for the 2023 GRAMMYs on Feb. 5, 2023, let's take a closer look at this year's nominees for Best Country Solo Performance.

Kelsea Ballerini — "HEARTFIRST"

In the tradition of Shania Twain , Faith Hill and Carrie Underwood , Kelsea Ballerini represents Nashville's sunnier side — and her single "HEARTFIRST" is a slice of bright, uptempo, confectionary country-pop for the ages.

Ballerini sings about leaning into a carefree crush with her heart on her sleeve, pushing aside her reservations and taking a risk on love at first sight. The scene plays out in a bar room and a back seat, as she sweeps nimbly through the verses and into a shimmering chorus, when the narrator decides she's ready to "wake up in your T-shirt." 

There are enough steel guitar licks to let you know you're listening to a country song, but the story and melody are universal. "HEARTFIRST" is Ballerini's third GRAMMY nod, but first in the Best Country Solo Performance category.

Zach Bryan — "Something In The Orange"

Zach Bryan blew into Music City seemingly from nowhere in 2017, when his original song "Heading South" — recorded on an iPhone — went viral. Then an active officer in the U.S. Navy, the Oklahoma native chased his muse through music during his downtime, striking a chord with country music fans on stark songs led by his acoustic guitar and affecting vocals.

After his honorable discharge in 2021, Bryan began his music career in earnest, and in 2022 released "Something in the Orange," a haunting ballad that stakes a convincing claim to the territory between Tyler Childers and Jason Isbell in both sonics and songwriting. Slashing slide guitar drives home the song's heartbreak, as Bryan pines for a lover whose tail lights have long since vanished over the horizon. 

"Something In The Orange" marks Bryan's first-ever GRAMMY nomination.

Miranda Lambert — "In His Arms"

Miranda Lambert is the rare, chart-topping contemporary country artist who does more than pay lip service to the genre's rural American roots. "In His Arms" originally surfaced on 2021's The Marfa Tapes , a casual recording Lambert made with Jack Ingram and Jon Randall in Marfa, Texas — a tiny arts enclave in the middle of the west Texas high desert.

In this proper studio version — recorded for her 2022 album, Palomino — Lambert retains the structure and organic feel of the mostly acoustic song; light percussion and soothing atmospherics keep her emotive vocals front and center. A native Texan herself, Lambert sounds fully at home on "In His Arms."

Lambert is the only Best Country Solo Performance nominee who is nominated in all four Country Field categories in 2023. To date, Miranda Lambert has won 3 GRAMMYs and received 27 nominations overall. 

Maren Morris — "Circles Around This Town"

When Maren Morris found herself uninspired and dealing with writer's block, she went back to what inspired her to move to Nashville nearly a decade ago — and out came "Circles Around This Town," the lead single from her 2022 album Humble Quest .

Written in one of her first in-person songwriting sessions since the pandemic, Morris has called "Circles Around This Town" her "most autobiographical song" to date; she even recreated her own teenage bedroom for the song's video. As she looks back to her Texas beginnings and the life she left for Nashville, Morris' voice soars over anthemic, yet easygoing production. 

Morris last won a GRAMMY for Best Country Solo Performance in 2017, when her song "My Church" earned the singer her first GRAMMY. To date, Maren Morris has won one GRAMMY and received 17 nominations overall.

Willie Nelson — "Live Forever"

Country music icon Willie Nelson is no stranger to the GRAMMYs, and this year he aims to add to his collection of 10 gramophones. He earned another three nominations for 2023 — bringing his career total to 56 — including a Best Country Solo Performance nod for "Live Forever."

Nelson's performance of "Live Forever," the lead track of the 2022 tribute album Live Forever: A Tribute to Billy Joe Shaver , is a faithful rendition of Shaver's signature song. Still, Nelson puts his own twist on the tune, recruiting Lucinda Williams for backing vocals and echoing the melody with the inimitable tone of his nylon-string Martin guitar. 

Shaver, an outlaw country pioneer who passed in 2020 at 81 years old, never had any hits of his own during his lifetime. But plenty of his songs were still heard, thanks to stars like Elvis Presley , Kris Kristofferson and Waylon Jennings . Nelson was a longtime friend and frequent collaborator of Shaver's — and now has a GRAMMY nom to show for it.

2023 GRAMMY Nominations: See The Complete Nominees List

  • 1 Sara Bareilles Announces Amidst The Chaos U.S. Tour
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  • 4 Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage
  • 5 Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

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Sara Bareilles Plots ‘Amidst the Chaos’ U.S. Tour

By Daniel Kreps

Daniel Kreps

Fresh off her Saturday Night Live musical guest spot , Sara Bareilles has announced a U.S. tour in support of her latest LP Amidst the Chaos .

The 27-date tour opens October 5th in Detroit and wraps November 26th in Atlanta. Along the way, Bareilles will play venerable venues like Nashville’s Grand Ole Opry, New York’s Madison Square Garden and Los Angeles’ Hollywood Bowl.

Tickets for the trek go on sale beginning April 12th at Live Nation.

Bareilles released Amidst the Chaos on April 5th. On SNL, the singer showcased the album’s “Fire” and “Saint Honesty.”

Sara Bareilles Tour Dates

October 5 – Detroit, MI @ Fox Theatre October 6 – Nashville, TN @ Grand Ole Opry October 8 – Raleigh, NC @ Red Hat Amphitheater October 11 – Boston, MA @ Agganis Arena October 12 – Uncasville, CT @ Mohegan Sun Arena October 13 – New York, NY @ Madison Square Garden October 15 – Chicago, IL @ United Center October 16 – St. Paul, MN @ Xcel Energy Center October 18 – Denver, CO @ Pepsi Center October 19 – Salt Lake City, UT @ Maverik Center October 22 – Seattle, WA @ WAMU Theater October 24 – Portland, OR @ Veterans Memorial Coliseum October 26 – San Francisco, CA @ Chase Center October 27 – Paso Robles, CA @ Vina Robles Amphitheatre October 29 – San Diego, CA @ Cal Coast Credit Union Open Air Theatre October 30 – Phoenix, AZ @ Comerica Theatre November 1 – Las Vegas, NV @ Mandalay Bay Events Center November 2 – Los Angeles, CA @ Hollywood Bowl November 11 – Houston, TX @ Smart Financial Centre November 12 – Dallas, TX @ The Pavilion November 15 – Pittsburgh, PA @ UPMC Events Center November 16 – Philadelphia, PA @ The Met November 19 – Washington, DC @ The Anthem November 22 – Jacksonville, FL @ Daily’s Place November 23 – Fort Lauderdale, FL @ BB&T Center November 24 – Orlando, FL @ Amway Center November 26 – Atlanta, GA @ Fox Theatre

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Sara Bareilles Tour

Sara Bareilles Tour

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Your independent guide to the best concerts in Miramar Beach! This website is operated by a ticket broker. Ticket prices are set by third-party sellers and may be above or below face value. We are not affiliated with nor endorsed by Sara Bareilles.

She Wrote You A "Love Song," Now Hear It LIVE!

Indie pop darling Sara Bareilles just released her new album Amidst the Chaos to critical and popular acclaim, and her new supporting tour is your chance to hear it performed alongside her past hits, live at a venue near you!  

Not only can this site help you find amazing tickets for all upcoming shows, but because it will update automatically whenever she adds any date to her schedule, it will continue to be a great resource for the future, too.  So don't miss your chance to hear songs like "Love Song," "Brave," and "Kind of Anything" performed alongside new singles like "Fire" and "Armor."  Check out the Sara Bareilles Tour schedule below to learn more, visit regularly for future updates, and score your tickets as soon as you can!

Saturday, May 11th, 2024 12:00 PM

Brandi Carlile's Mothership Weekend: Sara Bareilles, Nickel Creek & Devon Gilfillian - Saturday Seascape Golf, Beach and Tennis Resort Miramar Beach, FL

Seascape Golf, Beach and Tennis Resort     Upcoming Events

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Thursday, April 18th, 2024 12:00 PM

Moon Crush Pink Moon: Marcus King, Charley Crockett, Larkin Poe & The Wandering Hearts - Friday

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Saturday, April 20th, 2024 12:00 PM

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Thursday, April 25th, 2024

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Friday, April 26th, 2024 4:00 PM

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Saturday, May 4th, 2024 12:00 PM

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  • 556 Seascape Drive Miramar Beach, Florida 32550

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sara bareilles tour dates 2022

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Sara Bareilles  

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What you see is NOT always what you get... in fact, sometimes you get much more than you anticipated. Bluesy, folky, "pop" singer, Sara Bareilles is definitely MUCH more than just a pretty face with inspirational music. The best "review" I could give Sara Bareilles is by way of taking you through one of her concerts - which is hands-down the best concert experience I have ever had in my 33 years of enjoying live music. Philadelphia, Pennsylvania... Sara Bareilles played the Union Transfer on Tuesday, April 30, 2013. I decided to spring for a pair of concert tickets to see a pretty, young, snarky brunette belt out some sing-a-long style tunes. Expecting the usual guitars, drums, pianos, etc., I was surprised to see no one else on the stage but Sara. She explained that it was a solo tour and that no one else would be accompanying her on stage. Over the course of the night, she played the piano, ukulele, guitar, harmonium and, quite frankly, whatever else she felt like using as an instrument. But it's not the instruments that make Sara so loveable and enjoyable. It's her witty rapport with the crowd. It's the way she tells "her story" through music. It's her genuine love for her fans. And, most importantly, it's her dynamite set of vocals. She nailed every one of her original songs, in addition to a couple of Elton John's hits as well as an Ottis Redding classic. To my and my (then) fiance`s delight, Sara performed a completely acoustic setlist, including some old favorites and some newer things that she hadn't released yet. The whole audience participated in singing along with Brave, I Just Want You brought tears to the eyes of a completely awestruck crowd and her encore of Goodbye Yellow Brick Road was nothing short of mind-blowing. I dare say that it was even better than Elton John's original version. Sara has a way of engaging the crowd from her very first word straight through to the last word. She takes time to chit-chat with the crowd but not so much that it would bother someone purely going to hear her music. Even the t-shirts she sells are amusing. We bought two that day. One that says "I love (heart shape) Sara F*cking Bareilles" and the other says "Sara Bareilles is my Bestie. She said so." The only thing missing from this concert was Sara attempting to crowd-surf. Don't put it past her though. I'm sure she would if you dared her to. I've seen Sara more than a handful of times. With each concert she encompasses sheer brilliance in her song writing, charm, and live delivery of every song performed. We're seeing her again next week and, to be perfectly honest, we'd see her every single day of her tour if we could. This time around, since it's an outdoor show, we're taking our 3 year-old daughter because even she loves Sara. It'll be her first concert and we have no doubt that she'll enjoy it just as much as she does Sara's albums. Final words: Sara takes a personal interest in her music and in her fans. No store-bought sounds, lip synching or lamely choreographed dance routines should be expected here. Just raw and purely emotional performances and some well-timed jaunty tunes to get you back into happy-go-lucky, concert mode. GO. SEE. SARA. BAREILLES... please! :)

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palenovember80’s profile image

Sara Bareilles giving Woman Crush Wednesday a whole new meaning! This was my second time seeing Barielles and I can honestly say I didn't think it could get better than the first show, but boy was I wrong. Even while standing in the pouring rain for themajority of her set I was still one of the best shows I have attended, and yes, I have been to MANY. Bareilles has a gift when it comes to putting a set list together, always keeping the crowd on their toes. A great mixture between those songs we all know and love from the radio, leading into an emotional ballad, and then right back into an uplifting sing along - she even gets the audience involved. Her voice is one that will be going strong for years to come. Her lyrics mixed with the emotion in her voice in which she sings her words is breathtaking. There were so many instances where I actually found myself with goosebumps. There is nothing negative I can say about her live shows, she is the epitome of perfection when she stands up on that stage. She was very personal with the audience, commenting on how appreciative she was that we were all out in the rain just so that we could witness her doing what she does best, my words not hers. Her witty comments and corky personality just made it seem like she was friends with everyone there and as someone that goes to a lot of shows it is nice not to feel like you're just a ticket holder but an actual person.

JennyMac16’s profile image

Ever since I'd heard "Gravity" I knew that I wanted to see Sara Bareilles live. That song just read my heart, mind, and soul. Her voice is unique. I'd seen many of her videos after that on YouTube, but seeing her live was just surreal. Felt almost like an out of body experience.

Sara Bareilles is the real deal. This girl can sing, and she does so effortlessly. I especially adore it when she plays an instrument simultaneously. I have no personal musical talents, so that type of thing thoroughly impresses me.

I was just in awe the entire duration. Her presence doesn't require fancy pyrotechnics or a hoard of back-up dancers and a bunch of antics which are only there to distract from the real fact that the main act has very little talent.

I liked seeing "Gravity" live along with "I Choose You", "King of Anything", and her rendition of "Goodbye Yellow Brick Road". Sara is really funny too! She has no filter and just speaks her mind, praises the audience when there is a need and also criticizes us when we need it too, or have gotten out of control. Oh, and I loved seeing her sing "Uncharted" too!

She is just so great. I am already plotting and planning how I can see her again this very summer. Sara Bareilles is a phenomenal talent, so understated.

I have to admit I wasn't a huge Sara Bareilles fan, I just knew a couple of her most famous songs. She is a great performer, she talks to the public a lot, shares a lot of herself and relates to each city she goes through, she has an amazing voice and the messages in her songs are pretty great too. The Blue Hills Bank Pavilion is also a great outdoor venue that is very relaxed so everyone at the show had a great and fun vibe which made it even better. I highly recommend to see her live, I'm a new made fan!

raquelita-dm’s profile image

She is my ultimate favorite singer/songwriter. Not only a wonderful voice and consistent thanks and recognition of those that add to her magical lyrics and melodies, bridges, and keys she floats through. She really should win best album in all awards with “Amidst the Chaos”. She’s got my vote a million times over! Love you Sara!

brynn-stockman’s profile image

In a word: AMAZING! Sara Bareilles put a stellar group of performers and musicians together for this wonderful tour. She is extremely talented and sounds just as good live as in studio-produced albums. She was engaging, genuine, and connected with the audience. Best concert I’ve ever been to. Hope I can see her again one day!

judith-barnett-scifr’s profile image

Sara Bareilles is amazing. No fuzz just pure genuine music. Words have power and I believe Sara's songs have words to the nth power. They make people move and feel things. The night was just pure love and awesome. I could listen to her forever.

ce-walalang’s profile image

Amazing. I can't even find the words for how breathtaking she is live . I hope she continues to release music and tour a while longer. I've wanted to see her for over a decade and never had a chance. This was amazing.

lola-lynn-1’s profile image

Best concert I've ever been to. Her voice is amazing, and it was an amazing experience. Definitely worth paying more to be closer to the stage. Incredible show. Can't recommend seeing her live enough.

petertbates’s profile image

It was amazing! She was so funny and interacted with the crowd. She had a beautiful stage setting and her band was so good. I really enjoyed myself, would definitely see her again.

tippy21984’s profile image

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BroadwayWorld

Meet the New, Broadway-Bound Cast of INTO THE WOODS

Performances begin Tuesday, June 28 at the St. James Theatre, and will run for a strict 8-week engagement.

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It was just announced that the New York City Center production of Into the Woods will transfer to Broadway for a strictly limited, 8-week engagement this summer! Performances begin Tuesday, June 28 at the St. James Theatre, ahead of an official opening night on July 10. Learn more here !

Featuring some cast members from the Encores! run, along with some new (but familiar!) faces, Into The Woods will star Sara Bareilles as the Baker's Wife, Brian D'Arcy James as the Baker, Patina Miller as the Witch, Phillipa Soo as Cinderella, Gavin Creel as the Wolf/Cinderella's Prince, Joshua Henry as Rapunzel's Prince, Ta'Nika Gibson as Lucinda, Annie Golden as Cinderella's Mother/Grandmother/Giant's Wife, Albert Guerzon as Cinderella's Father, Brooke Ishibashi as Florinda, Kennedy Kanagawa as Milky White, David Patrick Kelly as the Narrator/Mysterious Man, Julia Lester as Little Red Riding Hood, Cole Thompson as Jack, David Turner as the Steward, Jason Forbach , Mary Kate Moore , and Cameron Johnson . Additional casting will be announced at a later date.

Meet the cast below!

Brian d'Arcy James - The Baker

Brian dʼArcy James is an award-winning theater, film, and television actor as well as a recording artist. Brian is a three-time Tony nominee, and an Obie and Drama Desk Award winner for his varied and extensive work in the theater on Broadway and off-Broadway.

He most recently appeared on Broadway in 2019 in The Ferryman. From April to July 2017, Brian reprised his award-winning role as King George III in Lin-Manuel Miranda ʼs musical HAMILTON at the Richard Rodgers Theatre on Broadway. He originated the role of King George in the sold-out Off-Broadway run of Hamilton at The Public Theater .

His other Broadway credits include Shrek the Musical, Next to Normal, The Apple Tree, Sweet Smell of Success, Macbeth, Time Stands Still, Children and Art, Dirty Rotten Scoundrels, Lieutenant of Inishmore, Titanic, Carousel, and Blood Brothers.

Brian most recently appeared in the 2021 film remake of West Side Story as Officer Krupke.

Sara Bareilles - The Baker's Wife

Sara composed the music and lyrics for Waitress, in which she made her Broadway debut and received her first Tony Award nomination for Best Score and a 2017 Grammy Award nomination for Best Musical Theater Album. She also made her Broadway acting debut as the lead in Waitress for a limited engagement through June 11, 2017. "What's Inside: Songs from Waitress," her most recent solo studio album, is out on Epic Records.

Sara first achieved mainstream critical praise in 2007 with her widely successful hit "Love Song," which reached No. 1 in 22 countries around the world from her debut album Little Voice. Since then, Sara has gone on to receive six Grammy nominations, which include Song of the Year and Best Female Pop Vocal Performance for "Love Song" and one Album of the Year for her highly acclaimed third studio album, The Blessed Unrest.

Her book, Sounds Like Me: My Life (So Far) in Song, was released in the fall of 2015 by Simon & Schuster and is a New York Times best seller.

Phillipa Soo - Cinderella

Phillipa Soo is best known for her lead role as Eliza in Broadway's critically acclaimed show Hamilton, which she joined shortly after its inception. For her performance, she won the 2015 Lucille Lortel Award for Lead Actress in a Musical and was nominated for a 2016 Tony Award. Soo can be seen portraying Eliza in the recording of Hamilton on Disney+.

After graduating from Juilliard in 2012, Soo was cast as Natasha Rostova in the Ars Nova and Off-Broadway production of Dave Malloy 's Natasha, Pierre & The Great Comet of 1812. In 2007, Soo originated the title role in the Broadway production of Amelie. Most recently, Soo appeared on Broadway in The Parisian Woman, which ran from November 2017 to March 2018. In 2013 she was cast in a small recurring role in the NBC television series Smash as the character Lexi. She can also be seen portraying Nadine in the film Broken Hearts Gallery and portraying the voice of Chang'e in the Netflix animated film, Over the Moon.

Patina Miller - The Witch

Patina Miller appeared as "Leading Player" in the A.R.T.'s 2012 Diane Paulus -directed production of Pippin. She received the 2013 Tony Award for Best Actress in a Musical for her performance in the Broadway transfer. She originated the role of Deloris Van Cartier in the 2009 West End and 2011 Broadway productions of Sister Act and appeared in the Diane Paulus -directed production of Hair at The Public Theater . She appeared in The Hunger Games: Mockingjay films as Commander Paylor and currently played Daisy Grant on CBS's "Madame Secretary." Miller plays Narrator in Word Party and Raquel Thomas in Power Book III: Raising Kanan.

Joshua Henry - Rapunzel's Prince

Joshua Henry played Haywood Patterson in Kander and Ebb's 2010 musical The Scottsboro Boys, for which he received a Tony Award nomination. He portrayed the lead role of Aaron Burr in the first U.S. tour of Hamilton, previously playing the role in the Chicago production that began performances in late September 2016. After Hamilton, Henry portrayed the lead role of Billy Bigelow in a Broadway revival of Carousel.

Gavin Creel - Wolf/Cinderella's Prince

Gavin Creel received a Tony Award for his performance as Cornelius Hackl in Hello, Dolly! Gavin made his Broadway debut originating the role of Jimmy Smith in Thoroughly Modern Millie, for which he received his first Tony Award nomination. He has since delivered memorable performances on Broadway as Jean-Michel in La Cage Aux Folles, Claude in Hair, which earned him a second Tony Award nomination and Stephen Kodaly in the Roundabout Theatre Company's production of She Loves Me, which was filmed live and is available on Broadway HD.

Gavin also originated the role of Elder Price in the West End production of The Book of Mormon, for which he received the Olivier Award for Best Actor in a Musical. He also starred as Bert in Disney's Mary Poppins and reprised his performance as Claude in Hair.

Other stage credits include performing opposite Sara Bareilles in the Broadway production of Waitress, The Book of Mormon (on Broadway and originating the first national tour), the world premieres of Stephen Sondheim 's Bounce at The Goodman Theatre and the Kennedy Center, and Prometheus Bound at A.R.T.

Ta'Nika Gibson - Lucinda

Broadway credits include Ain't Too Proud: The Life and Time of the Temptations. She appeared in the City Center Encores! productions of Me And My Girl, Call Me Madam, I Married An Angel, and High Button Shoes. Regionally she was seen in Oklahoma! (Laurey) at Denver Center, Dreamgirls (Lorell) at TUTS, The Wiz (Dorothy), The King and I, Mamma Mia!, and Aida (Aida).

Brooke Ishibashi - Florinda

Brooke Ishibashi developed and originated "Neary" in Cambodian Rock Band ( South Coast Repertory , Oregon Shakespeare Festival, La Jolla Playhouse), and appeared in to the yellow house (La Jolla Playhouse). She is the National Councilor, Actors' Equity Association; Fair Wage Onstage core member; NYCLU Artist Ambassador; and co-founder of Be An #ArtsHero/Arts Workers United.

Annie Golden - Cinderella's Mother/Grandmother/Giant's Wife

Annie Golden is a Broadway veteran who made her debut in the original production of Hair, in 1977. Since then, you may have seen her perform in shows such as Leader of the Pack, On the Town, The Full Monty, Xanadu, and most recently in the 2014 revival of Violet. Golden is also known for being the lead singer of The Shirts and for portraying mute Norma Romano in the Netflix original-series "Orange is the New Black".

Albert Guerzon - Cinderella's Father

Guerzon's Broadway credits include Escape to Margaritaville, Mamma Mia!, Ghost, Honeymoon in Vegas. Off Broadway he was seen in The Life directed by Billy Porter (City Center), The Visitor (The Public). Other favorite credits include the National tour of Mamma Mia!, Twyla Tharp 's The Times They Are A-Changin' (World Premier), The Wiz (La Jolla Playhouse), and Yoshimi battles... (LJP).

Kennedy Kanagawa - Milky White

Kennedy has appeared off-Broadway in A Christmas Carol and Lolita, My Love. On television, he appeared in the series Donny! in 2015.

David Patrick Kelly - Narrator/Mysterious Man

On Broadway, David has appeared in Uncle Vanya, Once, Twelfth Night, The Government Inspector, and Working. His Off-Broadway credits include Pearls For Pigs, The Cure, Film Is Evil/Radio Is Good, The Mind King, When I Come To Die, Marlowe, Anadarko, Ghosts, and Lobster Alice.

Regionally, David was seen in Othello, Enrico IV, Seascape, and Snow In June.

No stranger to the screen, David's film credits include Chiraq, John Wick, Flags Of Our Fathers, The Longest Yard, K-Pax, Last Man Standing, Crooklyn, The Crow, Malcolm X, Wild At Heart, Dreamscape , Commando, and The Warriors, and his TV credits include "Twin Peaks."

Julia Lester - Little Red Riding Hood

Julia Lester plays "Ashlyn" on "High School Musical: The Musical: The Series," a reinvented take on the two-time Emmy(r) Award-winning "High School Musical" franchise, for Disney+. Lester's television credits include recurring roles on "Mom," "Prince of Peoria" and "Mr. Student Body President." Her guest starring roles include "Game Shakers," "The Thundermans" and "Bella and the Bulldogs."

A native of Los Angeles, Lester has been working professionally since the age of five. Having an extensive musical theatre background, Lester has performed in almost 30 stage productions, including the title role in "Carrie: The Musical," "Next to Normal" and " Calvin Berger ." Also a dancer since the age of two, she has choreographed professionally for various dance teams and is trained in hip-hop, jazz, contemporary and tap dancing.

Cole Thompson - Jack

Cole grew up in Southfield, Michigan. He garnered a love for performance at a young age, when he began acting in middle school. Cole Thompson has recently graduated with a B.F.A. from the University of Michigan's Musical Theatre program.

David Turner - the Steward

David has appeared on Broadway in The Book of Mormon, Sunday in the Park with George, The Ritz, In My Life, and The Invention of Love. His Off Broadway credits include Gutenberg! The Musical!, The Butter and Egg Man (Atlantic Theater Co.), The Complete Works of William Shakespeare (abridged) (Century Center), The Last Sunday in June (Rattlestick).

Regionally, David appeared in The Bird Sanctuary (Pittsburgh Public, American premiere), and The Dog in the Manger (Shakespeare Theatre Co.). He performed in six seasons at Williamstown in shows including Camino Real, As You Like It, The Skin of Our Teeth, Tonight at 8:30, The Servant of Two Masters, Where's Charley?, A Funny Thing . . . Forum. David was seen in the National tour of Monty Python's Spamalot, and on television in "The Good Wife," and "Lipstick Jungle."

Jason Forbach

Jason Forbach has been an actor in New York City for over 14 years, making Broadway debut in the 2014 Tony nominated revival of Les Miserables as Enjolras, where he reprised the role he played on the 25th Anniversary National Tour for 3 years. He also appeared in The Phantom of the Opera for 3 years with the Las Vegas company and performed with the 30th Anniversary company on Broadway. He was a part of the adapted revival of The Secret Garden that played across the country as Albert Lennox. Jason made his Off-Broadway debut with The New Group at Minetta Lane and appeared in the ActFrench Festival's production of A.W.O.L at 59e59 Theater and regionally with companies such as Washington D.C. Shakespeare Theater Company, Pennsylvania Shakespeare Festival, Paper Mill Playhouse, 5th Avenue Theater, The Kennedy Center, North Shore Music Theater, Sacramento Music Circus, and Theater Under the Stars. He has sung on the concert stage at Carnegie Hall , Omaha Symphony, New Jersey Festival Orchestra, Las Vegas Philharmonic, Abilene Philharmonic and on the opera stage with Boston Lyric Opera, Fresno Opera and Central City Opera and was a regional semi-finalist for the Metropolitan Opera National Council Auditions. He has also performed on T.V.'s "America's Got Talent", "Good Morning America" and "The 68th Annual Tony Awards".

He has three solo albums A New Leading Man, Revolutionary and Remembering to Dream, all available on iTunes and has appeared on original cast albums of An American Victory and Song of Solomon with Broadway Records, The Music Teacher on Bridge Records and Overture on DLC Music.

Mary Kate Moore

Moore appeared on the National Tours of Into the Woods as the Dance Captain and understudy for the Witch, Baker's Wife, and Cinderella. She also was part of the touring cast of Les Miserables, playing the role of Fantine.

Cameron Johnson

Cameron's Professional credits include Mr Myers in Fame The Musical (UK Tour), Widow Twankey in Aladdin (Peter Rowe Rock&Roll Pantomime), Morocco in Europe, Mike Connor in High Society and Bruce in People (all at Pitlochry Festival Theatre), Big Moe in Five Guys Named Moe (Underbelly Festival Square Edinburgh), Big Jule in Guys & Dolls (UK Tour & Phoenix Theatre ), Memphis in The Life (English Theatre Frankfurt), Marvin in I Will Be Everything (New International Encounter), Nugget in Equus (Pomegranate Theatre), Jacob Marley in A Christmas Carol / The Narrator in The Boxed Romeo & Juliet (both for BoxClever Theatre) and Mrs. Rochester in The Brontës of Dunwich Heath...and Cliff (Eastern Angles).

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Sara Bareilles Returns to Broadway With ‘The Interestings’

The singer-songwriter's next foray into musical writing comes with this adaptation of Meg Wolitzer's bestselling novel.

By Rebecca Milzoff

Rebecca Milzoff

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Sara Bareilles

Sara Bareilles

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Madonna Raves About Meeting Her 'Favorite Actor' Cillian Murphy at Her Oscars Afterparty

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She’s writing the music and lyrics for The Interestings , an adaptation of the New York Times bestselling novel by Meg Wolitzer with a book by Pulitzer- and Tony-nominated playwright Sarah Ruhl.

The plot of Wolitzer’s novel revolves around character Jules Jacobson and her friends from an exclusive childhood arts camp (the titular Interestings, as they call themselves) who grow up to find varying degrees of success and satisfaction or disillusionment with where a creative life has led them.

The Interestings is being produced by Matt Ross, and is currently in development; additional creative team and production details will be announced in the coming months.

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  • All setlist songs  ( 347 )

Years on tour

  • 2023  ( 5 )
  • 2022  ( 4 )
  • 2021  ( 2 )
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  • 2019  ( 36 )
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  • A Little Chaos Tour  ( 4 )
  • Amidst The Chaos Tour  ( 29 )
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  • Lilith Fair 2010  ( 6 )
  • Little Black Dress Tour  ( 13 )
  • Little Voice Tour  ( 6 )
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Songs played by year: 2022

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sara bareilles tour dates 2022

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  1. Sara Bareilles Tickets, 2022 Concert Tour Dates

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  2. Sara Bareilles Tickets, 2022 Concert Tour Dates & Details

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  3. Sara Bareilles Tickets, 2022 Concert Tour Dates & Details

    sara bareilles tour dates 2022

  4. Sara Bareilles Tickets, 2022 Concert Tour Dates & Details

    sara bareilles tour dates 2022

  5. Sara Bareilles Touring in 2022: Latest Updates and Tour Dates

    sara bareilles tour dates 2022

  6. Sara Bareilles Will Perform at 2022 Roundabout Theatre Company Gala

    sara bareilles tour dates 2022

COMMENTS

  1. Sara Bareilles "Amidst The Chaos Tour"

    Sara Bareilles's "Amidst The Chaos Tour": get the latest dates and tickets.

  2. Sara Bareilles Tickets, 2024 Concert Tour Dates

    Bareilles is going on a 30-city tour in 2019 celebrating her fifth studio album, Amidst the Chaos. The tour begins at the Fox Theatre Detroit on Oct. 5. She will visit Chicago, Boston, New York, St. Paul, Phoenix, Las Vegas, Los Angeles, Pittsburgh and Orlando before ending the tour on Nov. 26 at the Fox Theatre Atlanta.

  3. Sara Bareilles

    Check out the new Sara Bareilles official website!

  4. Sara Bareilles Announces Amidst The Chaos U.S. Tour

    Multiple-time GRAMMY nominee Sarah Bareilles has announced plans to tour this fall in support of her sixth studio album, Amidst The Chaos.. Running for 27 dates, the tour opens Oct. 5 in Detroit and wraps Nov. 26 in Atlanta. Along the way, she'll hit major venues like the Grand Ole Opry in Nashville, New York's Madison Square Garden and Los Angeles' Hollywood Bowl.

  5. Sara Bareilles Concerts & Live Tour Dates: 2024-2025 Tickets

    Get notified whenever Sara Bareilles announces a live stream or a concert in your area. Find tickets for Sara Bareilles concerts near you. Browse 2024 tour dates, venue details, concert reviews, photos, and more at Bandsintown. ... adapting her songbook for the 2020 Apple TV+ television series Little Voice, and earning a Grammy for her 2022 ...

  6. Full Cast Announced for Waitress National Tour

    Stephanie Torns in Waitress Pamela Hanson. Waitress has announced the cast for a new national tour, which will return to Charlotte for a special five-week engagement April 19-May 22 in the Booth ...

  7. National Tour of Sara Bareilles' Waitress Returns Starting October 2

    Jisel Soleil Ayon. The national tour of Sara Bareilles' Waitress resumes performances with a preview October 2 in Springfield, Ohio, at the Clark State Performing Arts Center before its official ...

  8. Sara Bareilles Plots 'Amidst the Chaos' U.S. Tour

    Sara Bareilles Tour Dates. October 5 - Detroit, MI @ Fox Theatre October 6 - Nashville, TN @ Grand Ole Opry October 8 - Raleigh, NC @ Red Hat Amphitheater October 11 - Boston, MA @ Agganis ...

  9. Sara Bareilles Announces Amidst The Chaos Tour

    Sara Bareilles Amidst the Chaos tour dates: Oct. 5 — Detroit, MI @ Fox Theatre Detroit. Oct. 6 — Nashville, TN @ Grand Ole Opry. Oct. 8 — Raleigh, NC @ Red Hat Amphitheater.

  10. Sara Bareilles Will Perform at 2022 Roundabout Theatre ...

    January 04, 2022. Sara Bareilles. Grammy winner Sara Bareilles has joined the 2022 Roundabout Theatre Company Gala, to be held March 7 at 7 PM at the Ziegfeld Ballroom in New York City. As ...

  11. 2024 Sara Bareilles Tour

    January 19. Rated 4.8 / 5 based on 1,554 reviews. Showing our 4 & 5 star reviews. Sara Bareilles is on tour in 2024, and tickets for all shows are on sale now - Check out the Sara Bareilles Tour schedule and get tickets today!

  12. Sara Bareilles

    Get the latest news on Sara Bareilles, including song releases, album announcements, tour dates, festival appearances, and more. Get the latest news on Sara Bareilles, including song releases, album announcements, tour dates, festival appearances, and more. ... July 11, 2022. Girls5eva Successfully Avoids the Sophomore Slump in Season 2: Review.

  13. Sara Bareilles Tour Announcements 2024 & 2025, Notifications, Dates

    2024. 2023. 2022. 2021. 2020. Find out when Sara Bareilles is next playing live near you. List of all Sara Bareilles tour dates, concerts, support acts, reviews and venue info.

  14. Meet the New, Broadway-Bound Cast of INTO THE WOODS

    Meet the Broadway bound cast of INTO THE WOODS for Summer 2022, which includes Sara Bareilles, Brian D'Arcy James, Patina Miller, Phillipa Soo, and more! ... (UK Tour), Widow Twankey in Aladdin ...

  15. Sara Bareilles Setlist at Halvorsen Park, Eureka

    Get the Sara Bareilles Setlist of the concert at Halvorsen Park, Eureka, CA, USA on October 16, 2022 and other Sara Bareilles Setlists for free on setlist.fm!

  16. Waitress (Touring)

    Waitress. Brought to life by a groundbreaking all-female creative team, this irresistible new hit features original music and lyrics by 6-time Grammy® nominee Sara Bareilles, a book by acclaimed ...

  17. Sara Bareilles Tickets

    You can buy Sara Bareilles tickets from Vivid Seats with confidence thanks to the Vivid Seats 100% Buyer Guarantee. Additionally, Vivid Seats was named No. 1 in the ticketing category on Newsweek's list of Best Customer Service three years in a row, from 2020-2022. If Sara Bareilles has currently scheduled tour dates for 2024 or 2025, they'll ...

  18. sara bareilles

    WAITRESS: THE MUSICAL in theaters NOW! Listen to the Tony-nominated, Broadway phenomenon before seeing it on the big screen!

  19. Sara Bareilles Returns to Broadway With 'The Interestings'

    Sara Bareilles performs during the curtain call for Broadway's "Waitress" at The Brooks Atkinson Theatre on March 31, 2017 in New York City. Noam Galai/Getty Images. Now, Bareilles — who ...

  20. Sara Bareilles' Waitress Will Play Engagements in Charlotte and

    National Tour News Sara Bareilles' Waitress Will Play ... February 08, 2022. ... which ended its return Broadway engagement in December 2021, will play standalone dates in Charlotte ...

  21. Sara Bareilles Concert & Tour History (Updated for 2024)

    Sara Bareilles Concert History. 573 Concerts. Sara Beth Bareilles (born December 7, 1979) is a Grammy-winning American singer-songwriter, pianist, Broadway composer, actress, and TV producer and writer. Bareilles was born and raised in Eureka, California, United States. Concerts.

  22. Sara Bareilles Tour Statistics: 2022

    Have a look which song was played how often in 2022! setlist.fm Add Setlist. Search Clear search text. follow. Setlists ... Artists > B > Bareilles, Sara > Tour Statistics. Song Statistics Stats; Tour Statistics Stats; Other Statistics; All Setlists. All setlist songs (347) Years on tour. Show all. 2023 (5) 2022 (4) 2021 (2) 2020 (1) 2019 (36 ...

  23. Sara Bareilles and Sarah Ruhl Teaming Up for Stage Musical ...

    February 02, 2024. Sara Bareilles and Sarah Ruhl. Sara Bareilles is back for seconds! The Waitress composer-lyricist-star is teaming up with Pulitzer finalist playwright Sarah Ruhl for a new ...