The Phantom of the Opera Tickets

This lush romantic smash is Broadway’s longest-running show.

This show is closed.

Performances ended on Apr. 16, 2023.

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About the phantom of the opera on broadway, video & photos.

The longest-running show in Broadway history, Andrew Lloyd Webber’s The Phantom of the Opera debuted in 1988, winning seven Tony Awards® including Best Musical. Based on Gaston Leroux’s horror novel, it tells the enticing story of the Phantom, who haunts the stage of the Paris Opera and subsequently falls in love with a beautiful young soprano. Audiences are in for a thrilling night of spectacle and romance, accompanied by Broadway’s most unforgettable score.

Know Before You Go

Both romantic and scary, The Phantom of the Opera is a thrilling night of theater with grand emotions. Andrew Lloyd Webber’s score, with its beloved signature song “Music of the Night,” sets the mood, but you may also find yourself humming the gorgeous period costumes and simple yet grand sets (even the famous chandelier, which probably falls slower than you’d expect, is a thrill).

phantom of the opera us tour 2023

"Phantom rules! It remains as fresh and spectacular as ever. Andrew Lloyd Webber's score has a visceral tug more than almost any score written in the past 20 years. Beautiful and romantic, I have to tip my hat: The Phantom of the Opera has aged divinely." NY1 Roma Torre

phantom of the opera us tour 2023

"Phantom still delivers the goods! Judging by sheer invention, emotional punch and onstage talent, the venerable blockbuster still beats out almost all of the shippersnappers currently on Broadway. Maria Bjornson's flamboyant gothic design and Harold Prince's fantastical staging still have the gleam of finely polished professionalism." The New York Times Jason Zinoman
"Phantom is still wonderful and isn't showing its age one bit! The chandelier still falls on cue and the show still rises to the top of all the musicals ever to appear on Broadway. I hope I listen to the music of the night forever!" WOR Radio David Richardson
"It may be possible to have a terrible time at The Phantom of the Opera, but you'll have to work at it. Only a terminal prig would let the avalanche of pre-opening publicity poison his enjoyment of this show, which usually wants nothing more than to shower the audience with fantasy and fun, and which often succeeds, at any price. The physical production, Andrew Bridge's velvety lighting included, is a tour de force throughout–as extravagant of imagination as of budget." The New York Times Frank Rich

Frequently Asked Questions

Grand opera and lush romance might not be their cup of tea. And the Phantom is a frightening guy. There are old-fashioned scare moments throughout—a dead corpse plunging from a noose, shrieking-for-their-lives ballerinas, that disfigured face... Such sights will either send your kid burying their face in your arm or thinking it’s the coolest show in town.

Cast & Creative

Ben Crawford was born and raised in Tucson, Arizona and received a BFA in Music Theatre from The University of Arizona. His Broadway credits include  Charlie and the Chocolate Factory  (Mr. Salt), the titular character in Shrek The Musical , Big Fish (Edward Bloom u/s, Don Price), Les Misérables (Javert/Valjean u/s) and On the Twentieth Century (Bruce Granit u/s). Phantom marks Ben’s sixth Broadway show and he is beyond grateful to be able to jump into this iconic role. Ben has also starred in over twenty regional theatre productions ranging from Che in Evita (Studio Tenn), Starbuck in 110 in the Shade (Ford’s Theatre), Luther Billis in South Pacific (Ogunquit Playhouse), Frederick Barrett in Titanic (MUNY) and Jud Fry in Oklahoma! (Fox Theatre).

Emilie is making her Broadway debut in  Phantom . Recent credits include  Unknown Soldier  (Playwrights Horizons);  Oklahoma!  (Broadway at Music Circus, Sacramento, CA);  Merrily We Roll Along ,  Passing Strange ,  Me and My Girl ,  Violet ,  A Man of No Importance  (University of Michigan);  Sweeney Todd  (Connecticut Repertory Theater). Graduate, University of Michigan’s Musical Theatre program. She is extremely grateful for the love and support from her family, friends, team at CGF Talent and everyone who has supported her throughout the years. 

John Riddle has been seen on Broadway in Frozen (Hans),  The Visit (Young Anton) and on the national tour of  Evita . Other favorites credits include Tony in West Side Story (Casa Mañana), Joe Hardy in Damn Yankees (PCLO), Eric in The Little Mermaid (Muny), Little Dancer (Kennedy Center) and My Paris (Long Wharf). He has appeared in the concert performances of  The Secret Garden (Lincoln Center) and with the Cincinnati Pops, as well as performed his solo show Keep It Simple at Feinstein’s/54 Below.

Sara is honored to be joining the  Phantom  legacy! Former soloist with Miami City Ballet, Princess Grace Fellowship Award recipient for dance. Broadway/First National:  An American in Paris  (Lise Dassin). Other:  Brigadoon  (Jean, NYCC Encores!),  A Chorus Line  (Maggie, Encores!; Cassie, Cape Playhouse),  Marie Dancing Still  (5th Avenue, Seattle),  Alien/Nation  (Williamstown Theater Festival, Forest of Arden Co. Member). Film/TV:  West Side Story  (dir. Steven Spielberg), Fosse/Verdon, The Marvelous Mrs. Maisel . Love to BRS/Gage and my family! F+A,NMW. For Nana.

Raquel Suarez Groen is thrilled to be making her Broadway debut with  Phantom ! Off-Broadway: Roxanne Conti,  iFigaro (90210)! (Duke Theater); Grand Dame in Vox Lumiere’s  Phantom of the Opera . Opera: Marzelline, Fidelio  (Opera Carolina); Frasquita,  Carmen  (Opera San Antonio, Venture Opera); Susanna,  Le nozze di Figaro  (Opera on the James); Lauretta,  Gianni Schicchi (Opera on the James, DiCapo Opera); Opera Lyra Ottawa; Syracuse Opera. Awards: Giulio Gari International Vocal Competition, Prize Winner; Florida Grand Opera YPO Competition, Prize Winner. Special thanks to my loving mom and dad, Tara Rubin Casting, Renée Fleming, Joan Lader, Diana and Bernard Uzan and my team at UIA!

Maree Johnson is thrilled to be returning to  The Phantom of the Opera  and making her Broadway debut! Born in Sydney and now living in Manhattan, Maree played Christine Daaé in Cameron Mackintosh’s Australian production. Other Australian credits include  Cats  (Grizabella),  Les Misérables ,  West Side Story  (Maria),  My Fair Lady  (Eliza),  Scrooge  (Isabel/Helen), two concert productions of  Follies  (Young Heidi, Young Sally) and the lead in Sondheim’s  You’re Gonna Love Tomorrow  at Sydney Opera House. Maree’s U.S. credits include  Z orba (The Widow),  Passion  (Fosca, Barrymore Award nomination) and  Myths & Hymns  (Emily). As always, love and thanks to Jason, Audra and Helena.

Craig Bennett's Broadway credits include  The Last Ship (Billy Thompson), A Tale of Two Cities (Jerry Cruncher), South Pacific (Thomas Hassinger) and  Miss Saigon (Sgt. Schultz). Off-Broadway: Music in the Air (City Center Encores!), Citizen Ruth (NY Fringe Festival). National tour: The Phantom of the Opera (Monsieur Firmin), The Light in the Piazza (Signor Naccarelli), Billy Elliot (Big Davey), Mamma Mia! (Bill Austin), Ragtime (Willie Conklin), Les Misérables (Combeferre). Regional: A Little Night Music (Fredrik), Randy Newman’s Faust (Michael), House of Martin Guerre (Jehannot), all at The Goodman Theater, Chicago. Thanks to Steve and Dale. Love to Sala and Mako.

Broadway:  All My Sons ,  Phantom of the Opera  (closing cast),  Flying Over Sunset ,  School of Rock ,  Gettin ’ The Band Back Together ,  Les Miserables  (Original Revival Cast),  Threepenny  Opera .  Off-Broadway includes:  Cyrano ,  Working  (2008 revision),  Grand Hotel  (Encores!),  Three Sisters .  Regional credits includes Arena Stage, Dallas Theatre Center, Goodman Theatre, La Jolla Playhouse, The Shakespeare Theatre Company, The Kennedy Center.  Video Game: World of Warcraft: Cataclysm.  Film/TV: Law & Order SVU (NBC), The Wire (HBO), Search Party (HBO),  Blackout .

Heralded by  The New York Times  as an “ardent tenor,” Carlton Moe debuted at Carnegie Hall with the Detroit Symphony Orchestra in 2013. A native of Portland, Oregon, he has performed with such organizations as the Oregon Symphony, Walla Walla Symphony, Aspen Music Festival, Napa Music Festival, Savannah Voice Festival, Opera in Williamsburg, Charlottesville Symphony Society, and the Martina Arroyo Foundation. He holds a Bachelor of Music degree from Portland State University and a Master of Music degree from Manhattan School of Music, where he attended on a full scholarship.

 To come.

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  • The Phantom of the Opera on Broadway

Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s The Phantom of the Opera comes to a city near you as part of a brand new North American Tour. This production, which retains the beloved story and thrilling score, boasts exciting new special effects, scenic and lighting designs, staging and choreography and has been hailed by critics as “bigger and better than ever before.”

The Phantom of the Opera sings to his young voice student, Christine, who stands facing away from him and entranced by his song.

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2 hrs, 35mins with 1 intermission.

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'Phantom of the Opera' takes a final Broadway bow after 13,981 performances

Jeff Lunden

Jeff Lunden

phantom of the opera us tour 2023

John Riddle as Raoul, Laird Mackintosh as the Phantom and Emilie Kouatchou as Christine, take a bow at the end of the final performance of the Phantom of the Opera at the Majestic Theater in New York City on April 16, 2023. Timothy A. Clary/AFP via Getty Images hide caption

John Riddle as Raoul, Laird Mackintosh as the Phantom and Emilie Kouatchou as Christine, take a bow at the end of the final performance of the Phantom of the Opera at the Majestic Theater in New York City on April 16, 2023.

On Sunday night, April 16, the curtain will fall on the longest-running show in Broadway history. The Phantom of the Opera , Andrew Lloyd Webber's mega hit musical, is closing after more than 35 years.

The stats are absolutely staggering – since it opened on Broadway in January of 1988, Phantom has played almost 14,000 performances to audiences of over 20 million, grossing over $1.3 billion. An estimated 6,500 people have been employed by the production – including over 400 actors – and it takes a cast, orchestra and crew of 125 to put on the show. On Monday, it will all be over.

"I got the gig of a lifetime. There's no other way to describe it," says Richard Poole, who's been a member of the ensemble, playing small roles, for almost 25 years. "It's given me the ability to have security, to plan ahead," says Poole. "It gives me discipline and structure in my life, and it gives me a constant way to maintain my craft."

phantom of the opera us tour 2023

Steve Barton (from left), Michael Crawford and Sarah Brightman during the curtain call at the end of the premiere performance of The Phantom of the Opera on Jan. 26, 1988 at New York's Majestic Theatre. Ed Bailey/AP hide caption

Musician Joyce Hammann has been at the show even longer than Poole: "I'm concertmaster at Phantom of the Opera , which is first violin. And holy moly, I've been there 33 and a half years." Hammann is one of several members of the orchestra to have a "Phantom baby" – her son, Jackson just turned 18. "This has been his home away from home," she says. "People [here] have watched him grow up. He had the pleasure of sitting backstage during Saturday matinees sometimes when I wasn't able to get a babysitter."

The Phantom of the Opera , for those who've never seen it, is the story of a disfigured genius who haunts the Paris Opera House, pining away for a young soprano, Christine, who's in love with a dashing count. People die, a chandelier crashes to the stage, but love kinda triumphs ... all set to a sweeping romantic score.

25 Years Strong, 'Phantom Of The Opera' Kills And Kills Again

25 Years Strong, 'Phantom Of The Opera' Kills And Kills Again

"I was very keen to write something which was a high romance at the time, having done Evita and having done Cats and various things, which ... didn't let me ... go in that direction at all," Lloyd Webber recalled in 2013, for the show's 25 th anniversary on Broadway. When he read Gaston Leroux's novel, he found the vehicle and collaborated with Richard Stilgoe and Charles Hart on the adaptation, directed by Hal Prince.

"I think the enduring appeal is because it's so romantic and because audiences escape into it," the late director said for the 25 th anniversary. "It has a world of its own. And whatever problems they have out on the street and in their daily lives, they come in here and it's like a little kid tripping on a fairy tale or something. Only this is a slightly dangerous one. But the point is, I think that they escape from reality for a couple of hours and in a romantic world."

Music Interviews

'phantom of the opera': 20 years in the pit.

"The Phantom being misunderstood, I think is a big symbol for a lot of people," says Ben Crawford, who now has the distinction of being the last Phantom to haunt the Majestic Theatre on Broadway. [Ed. Note: Laird Mackintosh played the Phantom at the final performance on Sunday, April 16, filling in for Crawford who was ill.] Like other Phantoms before him, he has a special relationship with the Phans who've visited the show over and over. Some even send him their own artwork. "They saw that I had dinosaurs in my room," he says, "because when I play with my kids on FaceTime, my son loves dinosaurs, so they 3D printed this velociraptor that's, like, in a tuxedo with a phantom mask. And it came to my dressing room in a box with, like, holes in it so it could breathe."

But even the longest running show in Broadway history has to close at some point. Producer Cameron Mackintosh says Phantom was losing money, even before the pandemic. So, last September, he and Andrew Lloyd Webber announced a final date. "The following week, we were profitable for the first time," Mackintosh said in a phone interview from London. "So, you know, it was the right decision to take at the right time. And, you know, I think people's memory now is back with people saying Phantom of the Opera is one of the great successes of all time, which is what one always prays when a great show finishes."

Not My Job: We Quiz T-Pain On 'The Phantom Of The Opera'

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Not my job: we quiz t-pain on 'the phantom of the opera'.

So, Phantom is going out with a bang – it's been selling out again. Music supervisor and conductor David Caddick has been around since the very beginning – he was music director for a staged reading on Andrew Lloyd Webber's estate back in 1984. He's conducting the final performances on Broadway. "I simply don't know how I'll feel on the morning of the 17th of April," Caddick says. "At the moment, it's about maintaining what we have: keeping the show vibrant. I still give notes to the actors, to the orchestra. We will look to maintain every element of the production through to the very last note."

There are plans for some surprises at the final curtain call. Actor Richard Poole says the closing is bittersweet. " I was retiring anyway," he says. "So, I have a very enviable spot in my life in the fact that I had something to go to, which was nothing!" For the other 124 people employed by The Phantom of the Opera , it's time to find a new gig.

phantom of the opera us tour 2023

The Phantom of the Opera marquee is shown above on April 13, 2023, at the Majestic Theater in New York City. The final performance will be on Sunday, April 16. Angela Weiss/AFP via Getty Images hide caption

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Through the Years

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The Phantom of the Opera

Watch CBS News

"Phantom of the Opera" to close on Broadway in early 2023, ending 35-year run

Updated on: September 16, 2022 / 7:06 PM EDT / CBS/AP

Following an unparalleled 35-year run, the New York production of Andrew Lloyd Webber's "Phantom of the Opera," Broadway's longest-running show, will end in early 2023, producers confirmed Friday.

The show's final performance will be held on Feb. 18, 2023, producers Cameron Mackintosh and The Really Useful Group said in a news release.

"As a British producer who has been lucky enough to have been producing in New York for over 40 consecutive years, it has been an unparalleled honour to have presented the longest-running musical in Broadway's history, Andrew Lloyd Webber's 'The Phantom of the Opera,'" Mackintosh said in a statement. "That this legendary show has thrilled New York for nearly 35 phenomenal years is quite astounding to me." 

Since it opened at the Majestic Theatre on Jan. 26, 1988, Broadway's "Phantom" has been performed over 13,500 times for 19.5 million people and grossed $1.3 billion, according to producers. It has won seven Tony Awards, including best musical. Producers said the show has been Broadway's largest generator of jobs in Broadway and U.S. theatrical history, employing approximately 6,500 people during its run. 

Worldwide, it has also been performed in front of an estimated 145 million people in 41 countries, and in 17 languages, producers said. 

Though the Broadway iteration will be closing its doors, the show will still continue in other locations. 

phantom of the opera us tour 2023

The novel "The Phantom of the Opera," written by French writer Gaston Laroux, was published in 1909. The character was first brought to the big screen in a 1925 silent film.  

On its 25th anniversary on Broadway, Webber, the show's composer, recalled to CBS News reading Laroux's novel.

"I remember finding the book in New York and reading it one afternoon and thinking, 'It's not the same as I remember it,'" Webber told CBS News in 2013. "It's not a sort of funny thing, with somebody coming out and saying, 'Boo' from behind a chandelier. It's actually about a romance."

When the show first opened in New York in 1988, it had already been a hit for two years in London. Still, not all the critics took to it kindly. One reviewer in the New York Times called it, "psychologically lightweight."

It has been a costly musical to sustain, with elaborate sets and costumes as well as a large cast and orchestra. Box office grosses have fluctuated since the show reopened after the pandemic — going as high as over $1 million a week but also dropping to around $850,000. Last week, it hit $867,997 — and producers may have seen the writing on the wall.

"Phantom" tells the story of a deformed composer who haunts the Paris Opera House and falls madly in love with an innocent young soprano, Christine. Andrew Lloyd Webber's lavish songs include "Masquerade," ″Angel of Music," ″All I Ask of You" and "The Music of the Night."

The closing of "Phantom" would mean the longest still-running show crown would go to "Chicago," which started in 1996. "The Lion King" is next, having begun performances in 1997.

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Explore the 2023 Phantom of the Opera Tour: A Look Ahead

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By Happy Sharer

phantom of the opera us tour 2023

Introduction

The beloved musical Phantom of the Opera is set to tour in 2023. Fans of the classic show will be thrilled to hear that the iconic production is making its way around the world. This article will explore the upcoming tour, looking at what audiences can expect from the show, the history and legacy of Phantom of the Opera, and how to make the most of the 2023 tour.

A Look Ahead to the 2023 Phantom of the Opera Tour

A Look Ahead to the 2023 Phantom of the Opera Tour

The 2023 Phantom of the Opera Tour will take audiences on a thrilling journey through some of the world’s most iconic cities. The tour will begin in London and make its way across Europe, before heading to North America and eventually ending in Australia. Audiences can expect an unforgettable experience with lavish sets, captivating music, and a talented cast and crew.

The tour dates and locations are as follows:

  • London – April 2022 – July 2022
  • Paris – August 2022 – October 2022
  • Berlin – November 2022 – January 2023
  • New York City – February 2023 – April 2023
  • Los Angeles – May 2023 – June 2023
  • Toronto – July 2023 – August 2023
  • Sydney – September 2023 – November 2023

The History and Legacy of the Phantom of the Opera

The Phantom of the Opera is a timeless classic, with roots stretching back to the late 19th century. The story was first adapted into a novel by French author Gaston Leroux in 1910, and has since been adapted into multiple stage productions, films, and television shows. The musical version of Phantom of the Opera debuted in London’s West End in 1986, and has since become one of the longest-running Broadway shows, with productions in more than 150 cities around the world.

The show has received critical acclaim, winning numerous awards including seven Tony Awards and three Olivier Awards. It has also been nominated for an Academy Award and two Golden Globe Awards. The show’s success has spawned numerous spin-off productions, including Love Never Dies, which opened in London in 2010 and made its way to Broadway in 2011.

Behind the Scenes of the 2023 Phantom of the Opera Tour

Behind the Scenes of the 2023 Phantom of the Opera Tour

The Phantom of the Opera tour is sure to be an exciting event, and the cast and crew are hard at work preparing for the show. Audiences can look forward to interviews with cast and crew members, exploring their roles and getting a glimpse behind the scenes. There will also be insight into the rehearsal process, as well as a look at the set design and costumes.

The 2023 tour promises to be a spectacular event, and fans of the show won’t want to miss out. Audiences can expect to be taken on an emotional journey, as the powerful music and stirring performances bring the story of the Phantom of the Opera to life.

How to Prepare for the 2023 Phantom of the Opera Tour

How to Prepare for the 2023 Phantom of the Opera Tour

If you’re planning on attending the 2023 Phantom of the Opera Tour, there are a few things you should do to ensure you get the most out of the experience. The first step is to purchase tickets, if they haven’t already sold out. You should also research the show, familiarizing yourself with the story and characters. Finally, you should plan your travel and accommodation, giving yourself plenty of time to make the necessary arrangements.

Attending the 2023 Phantom of the Opera Tour is sure to be a memorable experience. With a little bit of preparation, you can make sure it’s a trip you’ll never forget.

The 2023 Phantom of the Opera Tour is sure to be an incredible event. From the iconic cities it will visit, to the talented cast and crew, audiences are in for a treat. This article explored the upcoming tour, taking a look at what to expect from the show, the history and legacy of Phantom of the Opera, and how to make the most of the 2023 tour. Whether you’re a die-hard fan or new to the show, the 2023 Phantom of the Opera Tour is the perfect opportunity to experience this beloved musical.

(Note: Is this article not meeting your expectations? Do you have knowledge or insights to share? Unlock new opportunities and expand your reach by joining our authors team. Click Registration to join us and share your expertise with our readers.)

Hi, I'm Happy Sharer and I love sharing interesting and useful knowledge with others. I have a passion for learning and enjoy explaining complex concepts in a simple way.

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Inside Broadway’s Emotional Closing Night of ‘The Phantom of the Opera’

'Phantom of the Opera' Closing: Inside Broadway's Emotional Night

After 35 years — and a string of $3 million weeks at the box office fueled by the last-minute frenzy of “phans” — the 13,981th and final Broadway performance of “ The Phantom of the Opera ” was for phamily.

“Phantom of the Opera,” which has grossed more than $1.3 billion since opening in January of 1988, went out on a high note: Its finale was pushed back when the initial closing announcement drove people back to the theater and sent ticket sales skyrocketing. But the musical that had become a Broadway institution, with its lavish sets and large cast and crew, was expensive to keep up every week, and it eventually succumbed to waning enthusiasm and the lingering effects of the pandemic, including a slowdown in tourism. Lloyd Webber felt the Broadway run got a proper sendoff: “I don’t think any of us thought it would go out with the bang it has,” he said.

Predictably, the Sunday evening show ran long — blame a late start and an intermission extended to accommodate all the socializing and free-flowing champagne — and the crowd cheered for every beloved music cue and set-piece from chandelier to staircase. Inside the theater, where the dress code was “black tie or glamorous,” attendees got comfortable as the evening, which normally runs two hours and 30 minutes, stretched to nearly three hours for its final performance.

In a show-must-go-on surprise, the actor who usually played the Phantom, Ben Crawford, was unable to perform, so Laird Mackintosh ably stepped in to join Emilie Kouatchou as Christine and John Riddle as Raoul in the final performance. It’s hard to imagine a more receptive room, and sure enough, Kouatchou received a lengthy standing O in the middle of Act II for her rendition of “Wishing You Were Somehow Here Again.”

In a curtain speech, emotions ran high as Mackintosh paid tribute to the members of the original creative team who had died over the years, particularly director Harold Prince, choreographer Gillian Lynne and set designer Maria Björnson. He also brought out original cast members and the Majestic Theatre’s backstage crew for a bow before handing the mic over to Lloyd Webber, who offered a heartfelt tribute to his late son, Nicholas Lloyd Webber, who died March 25.

“I hope you won’t mind if I dedicate this performance to my son,” he said. “As Sarah knows, when he was a little boy, he heard some of this music.”

“Yes, he did,” agreed Brightman, standing beside him onstage. “When Andrew was writing it, he was right there. So his soul is with us. Nick, we love you very much.”

After the gold confetti (some of which may still be hanging from that iconic chandelier) and final bows, and with many members of the cast and crew still hugging, passing around flutes of champagne and taking selfies on stage, the masses moved on to the closing party at the Metropolitan Club, the ornate East Side venue that matched the gilded opulence of the “Phantom” set. Guests, including Sara Bareilles and Danny Burstein, were able to use coat check for their Playbill, decorated with a sticker to commemorate closing night.

Among the attendees was Jason Robert Brown, the Tony-winning composer whose musical “Parade” is now playing not far from “Phantom” in a critically hailed revival. “Parade” was originally directed by Prince, and Brown reminisced about seeing “Phantom” for the first time in 1996 when he’d begun to work with the director on his own musical.

“It’s very powerful being here,” Brown said during intermission. “I don’t feel very sad, because it feels like 35 years is something you shouldn’t be super sad about. But it’s definitely the end of an era in so many ways, and it feels like such a potent marker of that.”

And just because the Majestic’s marquee has dimmed on this production of “Phantom of the Opera” doesn’t mean the Angel of Music has forever left the Great White Way.

“The one question I keep getting asked again and again — will the Phantom return?” Mackintosh said from the stage of the Majestic. “Having been a producer for over 55 years, I’ve seen all the great musicals return, and ‘Phantom’ is one of the greatest. So it’s only a matter of time.”

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With Cheers and Tears, ‘Phantom of the Opera’ Ends Record Broadway Run

The show’s record-breaking 35-year Broadway run came to an end on Sunday night. Its famous chandelier got a bow, and its composer, Andrew Lloyd Webber, spoke after its emotional final performance.

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A large chandelier hangs over a stage full of people applauding.

By Michael Paulson

“The Phantom of the Opera” concluded the longest run in Broadway history Sunday night with a glittery final performance at which even the production’s signature chandelier, which had just crashed onto the stage of the Majestic Theater for the 13,981st time, got its own curtain call.

The invitation-only crowd was filled with Broadway lovers, including actors who had performed in the show over its 35-year run, as well as numerous other artists (including Lin-Manuel Miranda and Glenn Close) and fans who won a special ticket lottery. Some dressed in Phantom regalia; one man came dressed in the character’s sumptuous Red Death costume.

The final performance, which ran from 5:22 to 7:56 p.m., was interrupted repeatedly by applause, not only for the main actors, but also for beloved props, including a monkey music box, and scenic elements such as a gondola being rowed through a candelabra-adorned underground lake. After the final curtain, the stagehands who made the show’s elaborate spectacle happen night after night, were invited onstage for a resounding round of applause.

“It’s just amazing, really, what has happened,” the composer, Andrew Lloyd Webber, who wrote the show’s soaring score, said after the final curtain, as he dedicated the performance to his son Nicholas, who died three weeks ago .

Lloyd Webber spoke alongside his longtime collaborator and the show’s lead producer, Cameron Mackintosh. They invited alumni of the original Broadway production to join them onstage, and projected onto the theater’s back wall pictures of deceased members of the original creative team, including its director, Hal Prince, as well as every actor who played the two lead roles (the Phantom as well as Christine, the young soprano who is his obsession).

Toward the end of the evening, Mackintosh acknowledged the one-ton chandelier, which was lowered from the ceiling to a round of applause, and the crowd was showered with gold and silver metallic confetti, some of which dangled in ribbons from the chandelier.

Hours before the curtain, fans gathered across the street, waving and taking pictures and hoping somehow to score a spare ticket. Among them was Lexie Luhrs, 25, of Washington, in a Phantom get-up: black cape, homemade mask, plus fedora, vest and bow tie, as well as mask earrings and a mask necklace. “I’m here to celebrate the show that means so much to us,” Luhrs said.

On Broadway “Phantom” was, obviously, enormously successful, playing to 20 million people and grossing $1.36 billion since its opening in January 1988. And the show has become an international phenomenon, playing in 17 languages in 45 countries and grossing more than $6 billion globally. But the Broadway run ultimately succumbed to the twin effects of inflation and dwindled tourism following the coronavirus pandemic shutdown.

It closed on an unexpectedly high note — and not just the high E that Christine sings in the title song. As soon as the closing was announced last September , sales spiked, as those who already loved the musical flocked to see it, and procrastinators realized it could be their last chance; the original February closing date was delayed by two months to accommodate demand, and the show has once again become the highest-grossing on Broadway, playing to exuberant audiences, enjoying a burnished reputation, and bringing in more than $3 million a week.

“For a show to go out this triumphantly is almost unheard-of,” said Mackintosh.

After the final performance, the show’s company and its alumni gathered for an invitation-only celebration at the Metropolitan Club, with the show’s iconic mask projected onto a wall next to a marble staircase.

The show, with music by Lloyd Webber and lyrics by Charles Hart, is still running in London, where the orchestra size was cut and the set was altered during the pandemic shutdown to reduce running costs, and it is also currently running in the Czech Republic, Japan, South Korea and Sweden. New productions are scheduled to open in China next month, in Italy in July and in Spain in October.

And will it ever return to New York? “Of course, at some point,” Mackintosh said in an interview. “But it is time for the show to have a rest.”

Michael Paulson is the theater reporter. He previously covered religion, and was part of the Boston Globe team whose coverage of clergy sexual abuse in the Catholic Church won the Pulitzer Prize for Public Service. More about Michael Paulson

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Phantom of the Opera Tour 2024: Unmissable Spectacle

The Phantom of the Opera Tour for 2024 has been confirmed, with dates and locations across the US. Excited fans can expect the iconic musical to come to life once again in various cities, including California.

Following the recent closure of the Broadway production due to financial challenges exacerbated by the pandemic, the tour is a highly anticipated return of the beloved production. Despite its costliness to sustain, the lavish and grandiose nature of the show continues to captivate audiences, heralding a triumphant return to the stage.

With a rich history and enduring popularity, the Phantom of the Opera tour promises to deliver a riveting experience for both seasoned fans and newcomers alike. Get ready to embrace the enchanting tale of love, passion, and mystery as the Phantom of the Opera takes center stage once more.

Exploring The Magic Behind The Mask

The Phantom of the Opera Tour 2024 promises to captivate audiences with its timeless appeal and magical lore . Andrew Lloyd Webber’s musical masterpiece continues to enthrall theater-goers with its mysterious storyline that delves into the depths of love, betrayal, and passion.

As the Phantom of the Opera embarks on its highly anticipated tour, fans can anticipate a mesmerizing experience as the iconic tale unfolds on stage, transporting them to the opulent world of 19th century Paris. From the haunting melodies to the lavish set designs , every element of the production promises to immerse the audience in the beauty and tragedy of the story.

Whether you’re a devoted fan or a newcomer to the spectacle, the Phantom of the Opera Tour 2024 is a must-see event that promises to leave a lasting impression and ignite a passion for musical theater that transcends time.

Tour Highlights And Venues

We are thrilled to announce the much-anticipated Phantom of the Opera Tour 2024 . The tour promises to showcase a captivating journey through iconic theaters and venues, delivering an exceptional spectacle that fans of the Phantom of the Opera will cherish. Featuring a remarkable blend of unique performances and special features, the 2024 production is set to elevate the audience experience to new heights.

This tour offers a sneak peek at the 2024 itinerary, highlighting the iconic theaters that will host this extraordinary spectacle. Audiences can anticipate experiencing the Phantom of the Opera in some of the most renowned venues, enhancing the overall immersion and grandeur of the production.

Moreover, the 2024 tour will amaze audiences with special features that elevate the performance to an entirely new level. From innovative stage design to enhanced musical arrangements, this tour promises to offer an unforgettable and unique experience for fans and newcomers alike.

Experiencing The Spectacle Live

The audio-visual feast of live performances: Witnessing the Phantom of the Opera live is an unforgettable experience, with mesmerizing sets, stunning costumes, and the powerful music filling the theater. Audience reactions and memorable moments: The emotional impact of the show on the audience and the memorable scenes will leave a lasting impression. Tips for the ultimate Phantom tour experience: To make the most of the Phantom of the Opera tour, consider booking tickets in advance, arriving early to soak up the atmosphere, and immersing yourself in the captivating world of this timeless masterpiece.

Behind The Scenes

The artistry of set and costume design is a pivotal aspect of the Phantom of the Opera production, creating a visually stunning backdrop for the enchanting storyline. The meticulous attention to detail in the sets and costumes transports the audience into the captivating world of the Phantom. Furthermore, orchestra plays a crucial role in bringing the mesmerizing music to life, infusing emotion and depth into each note. Additionally, gaining insight into a day in the life of a Phantom cast member offers a unique perspective on the dedication and talent required to bring this timeless production to the stage.

The Legacy Continues

The influence of Phantom of the Opera on modern theater is undeniable. Since its debut, it has set the standard for grandeur and romance, captivating audiences worldwide. The 2024 tour brings this timeless classic to a new generation, showcasing its enduring appeal and timeless music.

Why the 2024 tour is a must-see event

The upcoming tour offers a rare opportunity to experience the magic of Phantom in all its glory. With updated staging and innovative production elements, it promises to reignite the passion and enchantment that made the original production a sensation.

Looking beyond the 2024 tour, the future of Phantom of the Opera continues to evolve. Its enduring legacy ensures that new generations will continue to be captivated by its timeless tale of love and obsession.

Phantom of the Opera Tour 2024: Unmissable Spectacle

Credit: issuu.com

Frequently Asked Questions On Phantom Of The Opera Tour 2024

Is phantom of the opera touring again.

Yes, Phantom of the Opera will be touring again, with upcoming dates in various locations. After closing on Broadway, the musical is set to return to stages, including a tour in the US.

Will Phantom Ever Come Back?

Yes, there’s a possibility for a Phantom comeback in the future, but no official announcement has been made yet.

Why Is Phantom Of The Opera Closing 2023?

The Phantom of the Opera is closing in 2023 because it was losing money, especially during the pandemic. The production is costly to sustain due to elaborate sets, costumes, a large cast, and orchestra, making it financially challenging to continue.

Why Is Broadway Stopping Phantom Of The Opera?

Broadway is stopping Phantom of the Opera due to financial losses, especially during the prolonged pandemic. The production requires substantial investments in sets, costumes, cast, and orchestra, and is no longer financially sustainable.

As the curtains close on “The Phantom of the Opera” tour, fans are left with fond memories of this iconic musical. Despite its closure, the magic and allure of the Phantom will continue to captivate audiences worldwide. Stay tuned for updates on future tours and experience the timeless enchantment of the Phantom for yourself.

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phantom of the opera us tour 2023

Ravinia lineup announced: See the full list of 2024 performers

The full lineup of performers coming to Ravinia in 2024 has officially been released.

Organizers revealed the calendar of performances early Thursday morning, featuring big-name artists and returning favorites like James Taylor, Norah Jones, Ben Platt, Violent Femmes, Big Boi and more.

According to organizers, tickets for all 2024 events are set to go on sale to the general public April 24, with member pre-sales beginning March 19. Ravinia guests are permitted to bring their own picnics into the grounds, including food and liquor.

“With an extraordinary range of concerts and artists, we are excited to offer an inspiring and captivating season for everyone who comes to Ravinia,” Haydon, Ravinia’s president and CEO, said in a statement. “Whether in Bennett Gordon Hall, Martin Theatre, Pavilion, Lawn, or Carousel, concertgoers will surely experience the spirit of summer with incredible music under the stars.”

In 2023 , Ravinia Festival saw performances from John Legend, Jethro Tull, Santana and Ms. Lauryn Hill.

Here's a look at the full 2024 schedule:

JAZZ, BLUES, FOLK, GOSPEL, and AMERICAN SONGBOOK

● Jazz in June: Battle of the Big Bands featuring Adonis Rose & the New Orleans Jazz Orchestra* and Orrin Evans & the Captain Black Big Band , with special guests Kurt Elling and Rufus Reid, plus Ravinia Steans Music Institute Jazz Fellows. The student and professional musicians of the Ravinia Jazz Mentor Program, one of the Reach Teach Play programs, open the night on the Carousel Stage. – June 16 ● Trombone Shorty & Orleans Avenue with Big Boi and Danielle Ponder* – June 19

● Because of You starring Michael Feinstein and the Carnegie Hall Big Band in A Tribute to the Legendary Tony Bennett– June 23

● Michael Cleveland & Flamekeeper* – June 27; Carousel Stage 7

● Norah Jones and very special guest Mavis Staples – July 14

● Victor Wooten & the Wooten Brothers – August 7; Carousel Stage

● Samara Joy* – August 25

GLOBAL MUSIC and LATIN

● Little Feat and Los Lobos on the Can’t Be Satisfied Tour – June 22

● The Reset: An Immersive Sound Experience with Davin Youngs* – July 11; Carousel Stage

● Gipsy Kings featuring Nicolas Reyes and Choco Orta with Caribe Project , July 31

● Conductor Gustavo Dudamel leads the National Children’s Symphony of Venezuela in two works by South American composers –Alberto Ginastera’s Dances from Estancia and Antonio Estévez’s Mediodía en el llano (Midday on the Plain)-- among other pieces on the program. – August 6

● Eighth annual Fiesta Ravinia, with Julieta Venegas* and La Santa Cecilia* featured for the main-stage performance of the day – September 15

POP, ROCK, R&B, INDIE, HIP-HOP, COUNTRY, and DJs

● The Flock featuring Jerry Goodman* – June 7; Carousel Stage

● James Taylor & His All-Star Band – June 8 and 9

● Robert Plant & Alison Krauss and JD McPherson* on the Can’t Let Go Tour – June 12

● Hauser* on his Rebel with a Cello tour – June 14

● Michael Franti & Spearhead, Trevor Hall , and Bombargo on The Togetherness Tour – June 15

● Violent Femmes* play their debut album in its entirety with Chicago Philharmonic and conductor Stuart Chafetz* – June 21

● Ben Platt* – June 28

● Roger Daltrey and KT Tunstall* – June 29

● Lyle Lovett & His Large Band and Clint Black – June 30

● The Music of ABBA with Arrival From Sweden – July 5

● Daryl Hall and Elvis Costello & The Imposters with Charlie Sexton – July 6

● The Beach Boys with special guest John Stamos – July 7

● Norah Jones with very special guest Mavis Staples – July 14

● Killer Queen: Tribute to Queen featuring Patrick Myers* as Freddie Mercury – July 27

● Angélique Kidjo and Meshell Ndegeocello* – August 8

● Indigo Girls and Melissa Etheridge – August 11

● Robert Glasper* and J. Ivy* – August 14

● Gaelic Storm* and The High Kings* – August 22

● O.A.R., Fitz & the Tantrums, and DJ Logic* – August 23

● The Roots, Digable Planets , and Arrested Development – August 24

● ZZ Top and Lynyrd Skynyrd on The Sharp Dressed Simple Man Tour – August 29

● Jason Isbell & the 400 Unit and Alejandro Escovedo – September 8

● Crowded House* – September 11

● Queen! featuring resident DJs Derrick Carter, Michael Serafini, and Garrett David, hosts Lucy Stoole and Nico, and special guests – September 14; Carousel Stag

FALL PERFORMANCES

● Shelly Berg Trio* – October 26; Bennett Gordon Hall

● Alexander Hersh^, cello, Victor Santiago Asunción, piano, present Beyond Borders, with works by Debussy, Wiancko, Britten, Schumann, Say, and Sollima. – November 2; Bennett Gordon Hall

● PROJECT Trio* – November 9; Bennett Gordon Hall

● Ryan Townsend Strand , tenor, and Karina Kontorovitch , piano, present Letters to Jackie, a newly conceived song cycle based on the letters sent to Jacqueline Kennedy by the American people following the assassination of her husband, the 15 settings in Letters to Jackie represent the collective grief of a nation and the power of community and healing in a time of great tragedy. – November 16; Bennett Gordon Hall

CHICAGO SYMPHONY ORCHESTRA

● July 12 – The CSO opens its 88th summer season at Ravinia with Alsop and two featured

soloists, soprano Masabane Cecilia Rangwanasha* and pianist Michelle Cann.* In an

evening of American music, the orchestra opens with Aaron Copland’s beloved classic

Appalachian Spring followed by James P. Johnson’s Charleston, highlighting this early jazz

piano leader’s influence and the iconic dance of the same name. Rangwanasha is in the

spotlight for Samuel Barber’s evocative portrait of a small boy in the American South,

Knoxville: Summer of 1915. The program wraps with a celebration of the 100th anniversary

of George Gershwin’s Rhapsody in Blue, with Cann at the keyboard making her CSO debut.

● July 13 – South African cellist-composer Abel Selaocoe* joins Alsop and debuts with the

CSO performing his Four Spirits, which “takes the concerto format to thrillingly

unprecedented places” (Bachtrack). Themes of ancestral wisdom, faith, and community

permeate the program, as the piece is put in perspective alongside Ludwig van Beethoven’s

monumental Fifth Symphony and its distinct explorations of fate.

● July 19 – Conductor Ted Sperling joins the CSO with special guest vocalists to celebrate

two iconic pop songwriters, Stevie Wonder and Paul Simon.

● July 20 – Alsop and the CSO take the stage for Gustav Mahler’s final major work for

orchestra, Symphony No. 9. Voted as the greatest symphony of all-time in BBC Music

Magazine, the evening-long work has beguiled audiences since its 1912 premiere by Bruno

Walter and the Vienna Philharmonic.

● July 21 – Winner of the gold medal at the International Chopin Competition and recipient

of many esteemed prizes, Japanese pianist Hayato Sumino* reunites with Alsop and

makes his Ravinia and CSO debuts performing Fryderyk Chopin’s Piano Concerto No. 1. In

the second half of the program, Alsop explores symphonic storytelling during the turn of the

19th century, leading the CSO in Richard Strauss’s tone poem Don Juan and Maurice Ravel’s

choreographic symphony Daphnis et Chloé (Suite No. 2).

● July 25 – Mendelssohn's hit violin concerto, played by Augustin Hadelich^, is in the

spotlight as Alsop leads the CSO. Also featured on the program are Bernstein’s joyous

Symphonic Dances from West Side Story and Stravinsky's timeless Firebird Suite.

Conductor Alena Hron , the 2024–26 Taki Alsop Fellow, guests on the podium to lead Geroge Walker’s Icarus in Orbit. ● July 26 – The centerpiece of Breaking Barriers 2024 is a space-themed concert complete with visuals and introductions by NASA specialists. Alsop conducts the orchestra in Holst’s The Planets, followed by a suite from Falkenberg’s The Moons Symphony. Audiences will see science come alive and hear from planetary scientists, including Astronaut Nicole Stott together with the composer, as they discuss how Falkenberg’s symphony offers new perspectives for humanity to contemplate our home in the cosmos. ● July 28 – Taki Alsop Conducting Fellowship alum Carolyn Kuan leads this year’s

Tchaikovsky Spectacular, complete with Ravinia’s signature cannons in the 1812 Overture.

Making her CSO debut, she opens the program with the complete music from the first act of

The Nutcracker. Desirée Ruhstrat also makes her CSO debut as the soloist for the

cherished Violin Concerto.

● August 2 – Conductor Valentina Peleggi, another TACF alum, returns to Ravinia and the

CSO, following a guest appearance during last summer’s Breaking Barriers Festival, to join

with esteemed pianist Jorge Federico Osorio on Beethoven’s “Emperor” Concerto.

Peleggi will also lead Tchaikovsky’s Francesca da Rimini and Respighi’s Pines of Rome.

● August 4 – Music director, conductor, and arranger Kevin Stites explores the music of

legendary performer and film composer Henry Mancini for the annual Gala Benefit Evening.

Curated and hosted by actor Rob Lindley, “Mancini at 100: The Music of Henry Mancini,

from the big screen, to the small screen, to the stage and beyond” features Broadway

vocalists Jessie Mueller* (Waitress, Beautiful: The Carole King Musical), Norm Lewis*

(The Phantom of the Opera, Les Misérables), and Karen Mason* (Sunset Boulevard), with

all three making their Ravinia and CSO debuts.

● August 9 & 11 – The CSO delves into operatic repertory as a semi-staging of Wolfgang

Amadeus Mozart’s Idomeneo is conducted by Los Angeles Opera (and former Ravinia) Music

Director James Conlon in the Martin Theatre. The work, set in Crete in 1200 BCE and

telling a story from the Trojan War, shines light on a talented group of singers. Starring are

tenor Matthew Polenzani as Greek king Idomeneo, soprano Andrea Carroll* as

princess Ilia, and soprano Alexandria Shiner* as princess Elettra.

● August 10 – Conlon will lead an all-Mozart program with the CSO in the festival’s Pavilion

between the opera performances. The program will feature both of the composer’s G-minor

symphonies—the “little” No. 25, K. 183, and the “great” No. 40, K. 550—along with the Violin

Concerto No. 5, welcoming James Ehnes as soloist on the violin.

● August 18 – Conductor Jonathan Rush, a frequent Ravinia guest in recent seasons and

former assistant to Alsop, returns to the CSO podium. Chicago native Rachel Barton Pine

takes the stage with Rush and the orchestra as the soloist for José White Lafitte’s Violin

Concerto and Niccolò Paganini’s La Campanella

Ravinia lineup announced: See the full list of 2024 performers

phantom of the opera us tour 2023

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The phantom of the opera is here (well … he will be in July)

phantom of the opera us tour 2023

Andrew Lloyd Webber's musical Phantom of the Opera , one of the most popular theatrical shows ever, will kick off a new international tour in China later this year, starting at the Bay Opera of Shenzhen in Guangdong province on July 2.

Produced by SMG Live, the live entertainment arm of Shanghai Media Group, in collaboration with Crossroads Live and Webber's Really Useful Group, or RUG, the China tour will travel to another six cities: Xi'an of Shaanxi province, Shanghai, Suzhou of Jiangsu province, Chengdu of Sichuan province, Beijing and a final destination that is yet to be announced.

Ticket sales for the Shenzhen performances, from July 2 to Aug 4, and the Shanghai performances, at the Shanghai Grand Theatre, from Aug 27 to Oct 13, began on Thursday.

The show, often referred to simply as Phantom , has toured 193 cities in 46 countries since its premiere in the United Kingdom in 1986. In 2004 the production made its first tour of China, and played a record-breaking 100 shows at the Shanghai theater. From 2013 to 2015, the show toured again, visiting Shanghai, Beijing and Guangzhou.

Phantom is a show of special significance in the history of musical theater, says Ma Chencheng, president of SMG Live.

"In many countries all over the world, the development of musicals started from the show of Phantom , and in China, it nurtured wide public interest in the genre, and many lovers of musicals later joined in the industry," Ma says.

Over recent decades, Phantom has led the way in the growth and prosperity of the market for musicals in China, says Zhang Xiaoding, general manager of the Shanghai theater.

"Shanghai has become a most important center in China for the performance and production of musicals," she says.

Ma says the upcoming tour will take Phantom to five new cities in China.

"Every time Phantom is performed in China, it inspires new love for not only musicals, but also the whole live theater industry," he says. "We hope this tour will introduce new audiences to musicals, and maybe attract more people to join the industry and further develop the production of original Chinese musicals."

phantom of the opera us tour 2023

In 2018, the Shanghai media group and RUG jointly announced the Phantom China project, aiming at propelling the development of China's musical theater industry through a series of initiatives to nurture talent, cultivate the market and promote productions.

In May 2023, the Chinese version of Phantom was premiered at the Shanghai theater, the 18th language adaptation for the show. The Chinese production toured nine cities with 159 shows drawing box-office receipts totaling more than 150 million yuan ($20.87 million), says Ma.

In September, the sequel to Phantom , Love Never Dies was the opening show at the new AIA Grand Theatre in Shanghai, and went on a tour of 18 Chinese cities.

The new touring production will star Jonathan Roxmouth, the youngest actor to take on the eponymous role in an original English touring production. As part of both the 2012 and 2019 world tours, Phantom took him to the Philippines, Singapore, Malaysia, Israel, Dubai and South Korea.

phantom of the opera us tour 2023

  • Intangible cultural heritage continues to enrich China-US exchanges
  • Fostering cultural awareness and academic exchange
  • Shen sets poetry in motion on stage
  • Fine-tuning his musical prospects

phantom of the opera us tour 2023

‘Make Me Smile’ singer Steve Harley dies at 73

  • Published: Mar. 18, 2024, 6:15 a.m.

Steve Harley

FILE - Cockney Rebel's Steve Harley during a recording of a charity single for the Jo Cox Foundation at the Backstage Centre in Purfleet, England, Nov. 17, 2016. British musician Steve Harley, whose band Cockney Rebel had a huge hit with the song “Make Me Smile (Come Up and See Me),” has died. He was 73. Harley’s family said Sunday March 17, 2024 he had “passed away peacefully at home, with his family by his side.” (Victoria Jones/PA via AP) AP

  • The Associated Press

LONDON (AP) — Steve Harley, a British musician whose glam-rock band Cockney Rebel had an enduring hit with the song “Make Me Smile (Come Up and See Me),” has died. He was 73.

Harley’s family said Sunday that he had “passed away peacefully at home, with his family by his side.” Harley said late last year he was being treated for “a nasty cancer.”

Born in London in 1951, Harley spent almost four years of his childhood hospitalized after contracting polio, periods during which he began reading and writing poetry. He worked as a trainee accountant and as journalist on local newspapers, and began his performing career at London folk clubs.

He formed Cockney Rebel, which released a debut album, “The Human Menagerie,” in 1973 before foundering over creative differences. With a new lineup and rebranded as Steve Harley and Cockney Rebel, the band released the 1975 album “The Best Years of Our Lives,” which contained Harley’s biggest hit.

With its barbed lyrics – aimed at Harley’s former bandmates -- and infectiously catchy chorus, the Alan Parsons-produced “Make Me Smile” topped the U.K. singles chart. It went on to be covered scores of times and was used on countless soundtracks, including in the 1997 film “The Full Monty” and in ads for Carlsberg beer, department store Marks and Spencer and Viagra.

Harley also sang the title song of Andrew Lloyd Webber’s musical “The Phantom of the Opera” alongside Sarah Brightman when it was released as a single in 1986. He was originally cast in the title role for the stage musical, but was replaced by Michael Crawford.

Ultravox frontman Midge Ure, who produced Harley’s 1982 track “I Can’t Even Touch You,” called him a “true ‘working musician.’”

“He toured until he could tour no more, playing his songs for fans old and new,” Ure wrote on social media. “My thoughts go out to Dorothy and his family at this very sad time. Our songs live on longer than we ever can.”

Harley is survived by his wife Dorothy, children Kerr and Greta and four grandchildren. The family said in a statement that they knew he would be “desperately missed by people all over the world.”

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BroadwayWorld

Ramin Karimloo Will Lead THE PHANTOM OF THE OPERA Premiere in Italy This Summer

Performances will begin at Teatro Stabile del Friuli Venezia Giulia in Trieste on 4 July 2023.

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Andrew Lloyd Webber 's The Phantom of the Opera will open for the first time in Italy at Teatro Stabile del Friuli Venezia Giulia in Trieste on 4th July 2023. The production will be presented by Broadway Italia in its original language, English and directed by Federico Bellone (Dirty Dancing, Phoenix Theatre /Dominion Theatre and Mary Poppins, Italy)

Leading the cast as The Phantom is Olivier and Tony Award nominee Ramin Karimloo , who has previously played the role in London's West End, Korea and in the 25th Anniversary Concert at The Royal Albert Hall.

Watch a clip of Karimloo performing 'The Music of the Night' below:

Ramin said, "I couldn't be more thrilled to be part of this new production of The Phantom of the Opera with Broadway Italia. I'm excited to work with director, Federico Bellone . Together we have been long-standing fans of the original production and both agree it's a masterpiece. We want to celebrate that and have let that inspire us into creating a brand-new production of the glorious score, story and design".

Producer, Broadway Italia is a new company born with the aim of producing high quality live musicals in Italy. The Teatro Stabile del Friuli Venezia Giulia is an Italian landmark for fans of musical theatre that, over the years, has been home to original productions in national exclusives, including Mamma Mia! Cats and Chicago. Broadway Italia is honoured to announce this new production of The Phantom of the Opera for the Italian audiences with new, innovative special effects, including a flaming chandelier with the Phantom on it.

Since opening in London in 1986, The Phantom of the Opera has played to over 145 million people in 183 cities in 17 languages and has received over 70 major theatre awards, including seven Tony and four Olivier awards. It is considered one of the most successful musicals of all time and holds the record for the longest running show on Broadway and in 2004 was adapted into a film directed by Joel Schumacher .

With original music by Andrew Lloyd Weber, lyrics by Charles Hart and book and additional lyrics by Richard Stilgoe , The Phantom of the Opera is presented by an agreement with the Really Useful Group. The plot, set in the late nineteenth century, is based on the novel of the same name by Gaston Leroux and tells the story of a mysterious masked musical genius, who lives in the labyrinth of tunnels under Palais Garnier, the iconic opera house in Paris, who becomes infatuated with a beautiful soprano, Christine Daaé.

Federico Bellone , Director says: "At last, thanks to the definitive recovery of the musical theatre industry in Italy we have the opportunity to stage a show that is a milestone in the history of the musical and that, for the first time, plays in Italy, boasting the presence of an actor considered an excellence worldwide, with the hope of following up all the other productions we have planned".

The tickets will be available from 3rd March 2023 presale for subscribers of the Teatro Stabile del Friuli Venezia Giulia and on general sale from 9th March 2023.

Watch Marisha Wallace Sing DREAMGIRLS on BIG BROTHER Video

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Cockney Rebel Singer Steve Harley, Who Had a Hit With 'Make Me Smile,' Dies at 73

British musician Steve Harley has died at age 73

Cockney Rebel Singer Steve Harley, Who Had a Hit With 'Make Me Smile,' Dies at 73

Uncredited

FILE - Steve Harley, center, and Cockney Rebel at London's Heathrow airport, Feb. 26, 1975, on their arrival from America. British musician Steve Harley, whose band Cockney Rebel had a huge hit with the song “Make Me Smile (Come Up and See Me),” has died. He was 73. Harley’s family said Sunday March 17, 2024 he had “passed away peacefully at home, with his family by his side.” (PA via AP)

LONDON (AP) — Steve Harley, a British musician whose glam-rock band Cockney Rebel had an enduring hit with the song “Make Me Smile (Come Up and See Me),” has died. He was 73.

Harley’s family said Sunday that he had “passed away peacefully at home, with his family by his side.” Harley said late last year he was being treated for “a nasty cancer.”

Born in London in 1951, Harley spent almost four years of his childhood hospitalized after contracting polio, periods during which he began reading and writing poetry. He worked as a trainee accountant and as journalist on local newspapers, and began his performing career at London folk clubs.

He formed Cockney Rebel, which released a debut album, “The Human Menagerie,” in 1973 before foundering over creative differences. With a new lineup and rebranded as Steve Harley and Cockney Rebel, the band released the 1975 album “The Best Years of Our Lives,” which contained Harley’s biggest hit.

With its barbed lyrics – aimed at Harley’s former bandmates -- and infectiously catchy chorus, the Alan Parsons-produced “Make Me Smile” topped the U.K. singles chart. It went on to be covered scores of times and was used on countless soundtracks, including in the 1997 film “The Full Monty” and in ads for Carlsberg beer, department store Marks and Spencer and Viagra.

Harley also sang the title song of Andrew Lloyd Webber’s musical “The Phantom of the Opera” alongside Sarah Brightman when it was released as a single in 1986. He was originally cast in the title role for the stage musical, but was replaced by Michael Crawford.

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Ultravox frontman Midge Ure, who produced Harley’s 1982 track “I Can’t Even Touch You,” called him a “true ‘working musician.’”

“He toured until he could tour no more, playing his songs for fans old and new,” Ure wrote on social media. “My thoughts go out to Dorothy and his family at this very sad time. Our songs live on longer than we ever can.”

Harley is survived by his wife Dorothy, children Kerr and Greta and four grandchildren. The family said in a statement that they knew he would be “desperately missed by people all over the world.”

Copyright 2024 The  Associated Press . All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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